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Dennis Scott Receives ASCAP’s Joe Raposo Children’s Music Award

Two-time Grammy winner Dennis Scott is the 15th recipient of The ASCAP Foundation’s Joe Raposo Children’s Music Award. Honoring the best in children’s music since 2010, the award is presented by the family of Joe Raposo, one of the co-creators of Sesame Street and the show’s longtime musical director. “I feel honored to be among the composers who have received this award,” Scott said in a statement. “It means even more to me to be associated with the legendary Joe Raposo – who paved the way for all of us who love working in family entertainment.” Scott began his career as a child actor. His songs have been performed by such diverse artists as Faith Hill, Ray Charles, Sugarland, Alison Krauss, The Muppets, Amy Grant, CeCe Winans, Trisha Yearwood, Elmo, Charlie Daniels Band, Shari Lewis, Crystal Gayle, Roberta Flack and Ricky Skaggs. Scott’s two Grammys are for best recording for children for Sesame Country in 1982 and best musical album for children for Songs from the Neighborhood – The Music of Mister Rogers in 2006. Raposo was also a two-time Grammy winner for best recording for children, for The Electric Company and Sesame Street Live. Raposo’s songs were covered by such major stars as Frank Sinatra, Ray Charles, Barbra Streisand and the Carpenters, who took his song “Sing” to No. 3 on the Billboard Hot 100 in 1973. Raposo died on Feb. 5, 1989 of non-Hodgkin lymphoma, three days before his 52nd birthday. Only songwriters who have not yet been signed to a major publishing label or record deal are eligible for this award. In addition, they must be an ASCAP member or unaffiliated.   Source link

SZA Teases Unreleased Song After Hinting at Future Plans: Listen

SZA is keeping fans on their toes to kick off 2025. While the Lana deluxe is expected to receive new songs and mixes in Monday’s update (Jan. 6), she also teased a separate fresh track on Instagram. Explore Explore See latest videos, charts and news See latest videos, charts and news Solana posted the unreleased song to social media on Monday, the video of which features SZA sitting by the pink flame of a bonfire. “Drove by ur funeral just to piss In the ditch . I’m not remiss,” she captioned the clip. The intoxicating track finds the TDE singer scorned by an ex-lover. “I’m about to beat a b— a–,” she begins. “I might pop me a n—a/ Open me a can of whoop a–/ I’m just passing through testing new material/ You just happen to be present/ Testing new words like, ‘F–k you.’” Fans and SZA’s peers lent their stamps of approval in her comment section. “That flow crazyyy,” Fridayy wrote. Another person chimed in: “I’ve heard enough drop another album!” But SZA later confirmed that the untitled track will not be appearing on the bolstered version of Lana. “It’s not dropping w the other tracks love . Jus sharing,” she commented on a post about the song shared on an Instagram fan account. Over the weekend, SZA also caught fans’ attention when she revealed she wanted to make “peaceful children’s music” to fulfill her record label’s contractual obligations. “To fulfill my last 2 album requirements I think I just wanna make peaceful children’s music n get outta here,” she wrote to X. “Then [I’ll] go be a farmer n donate the produce to underserved communities.” SZA’s SOS is still dominating the charts as the album is spending a 12th week atop the Billboard 200 thanks to the Lana deluxe arriving in December. SOS earned 130,000 equivalent album units in the U.S. for the week ending Jan. 2, per Luminate. SOS has now spent the most weeks atop the chart for a hip-hop or R&B album by a woman since Whitney Houston’s self-titled album scored 14 weeks at No. 1 in 1986. Listen to the unreleased SZA track below. Source link

Bruno Ascenzo CONMUEVE con tierna propuesta de matrimonio de su novio [VIDEO]

Redacción Panamericana Bruno Ascenzo compartió en sus redes un emotivo video donde rompe en llanto luego de que su novio le pida casarse con él. El reconocido actor Bruno Ascenzo causó ternura al compartir su pedida de mano en Instagram. Luego de una década de relación, se comprometió con Adrián Bello, cantautor peruano.  El video fue preparado por Adrián, quien grabó desprevenido al actor, anunciando poco a poco el momento. Después de varias escenas, finalmente se arrodilló con lágrimas en los ojos e hizo el pedido.  Te puede interesar Hugo García confirma fin de su relación con Alessia Rovegno tras besar a otra chica en México El tierno momento hizo llorar al actor. Aceptó la propuesta y abrazó a su ahora comprometido mientras se escucha de fondo la canción romántica “Las Cosas Simples”.  El video finalizó con fotos de la pareja y dos collares dorados con sus iniciales. Sin duda, este es un momento que ni Bruno Ascenzo ni su público olvidarán.  Famosos felicitan a Bruno Ascenzo y a Adrián Bello por su compromiso  Las imágenes no solo conmovieron a sus seguidores, sino también a varias figuras públicas que no dudaron en dejar sus felicitaciones.  Te puede interesar Mark Vito LLORA al anunciar fin de su relación con su ‘chibola’: «Empiezo el año soltero» Una de las primeras en comentar fue Daniela Darcourt. «Ay, por favor… muero del amor. Felicidades, hermosos. Todo un mundo de bendiciones siempre para ustedes», escribió la salsera que actualmente también anda muy enamorada.  Stephanie Cayo y Andrés Wiese también demostraron su cariño. «Lloro. Me emociono. Me río. Y los celebro!!!!! Lista para llevar los anillos, las flores, las canciones, lo que quieran», «Felicidades, queridos», manifestaron respectivamente.  Source link

Vybz Kartel Photos: Billboard Cover Shoot

In July, Jamaica’s most influential living artist walked out of a Kingston prison after 13 years, drove straight to his mother’s house for a tearful reunion over steamed fish and okra — and dove immediately into preparations for Freedom Street: his first performance since his release, and the biggest concert the country would see in nearly 50 years. Locked up for the murder of Clive “Lizard” Williams, Vybz Kartel went away as a 35-year-old man at the height of his career with seven children, two of whom would make their own musical debuts in 2014. But even behind bars, he never stopped making music — managing to secretly record and release five projects that would reach the top 10 of Billboard’s Reggae Albums chart. “Being in prison, you can’t feel sorry for yourself. I didn’t have time to do that. I had kids to feed. I had family to take care of. I had health issues, too,” Kartel tells Billboard in a private room at Downsound Records, the live-entertainment producer behind Freedom Street, in Kingston. “There was no time to be weak. You just fight the case and do the right thing.” Now, just days before Freedom Street — his New Year’s Eve show that will draw over 35,000 people to Kingston’s National Stadium — Kartel tells me he’s been holding daily three-hour rehearsals to ensure a “Taylor Swift- or Madonna-style” show while he records a new album at several studios, including one his children built for him while he was away. As I follow the Teacha around Kingston over the course of a sunny December day, fans of all ages stop him to profess their love and grovel for selfies — and if they aren’t trying to get his attention, they keep their eyes glued to him and hum whatever song of his comes to their minds. Read the full Billboard cover story here. Source link

Morgan Wallen, Sierra Ferrell & More

In this week’s batch of new releases, Billboard Hot 100 chart-topper Morgan Wallen issues a tender ballad, while crooner Brett Eldredge releases a new, non-holiday track. Also featured in this week’s new releases are fresh music from Americana queen Sierra Ferrell, country group Restless Road, and bluegrass luminary Becky Buller. Explore See latest videos, charts and news See latest videos, charts and news Check out all of these and more in Billboard‘s roundup of the best country songs of the week below. Morgan Wallen, “Smile” Nineteen-time Billboard Music Awards winner Wallen gave fans a surprise on New Year’s Eve, releasing the introspective ballad “Smile.” Written by Wallen along with Rocky Block, John Byron, Ernest Keith Smith, Ryan Vojtesak and Luis Witkiewitz, the song finds Wallen singing about having a photo taken at a bar with a lover, knowing that his lover’s bright smile “was only for the picture” — and far from representative of their crumbling relationship. Still, seeing his lover’s smile elicits memories of their happier times together. Melodically, this pensive, pop-tinged ballad makes the most of Wallen’s polished falsetto and heartfelt vocal rendering. The song’s breakup-centered lyrics build upon his recent hits, “Lies, Lies, Lies” and “Love Somebody.” Brett Eldredge, “Gorgeous” Eldredge marks the second release on his own Warm and Cozy Records with the lush, pop-leaning uptempo track, “Gorgeous.” The track is stratified with vocal harmonies, melding for a gospel-tinged choral sound that elevates the composition’s uplifting lyrics of praise and admiration for a significant other–even when they are seemingly at their lowest points. As always, Eldredge relates the song’s message with his nimble, soulful vocal rendering. The song is Eldredge’s first non-holiday music since 2022’s Songs About You, and is a welcome return from this gifted singer-songwriter. Sierra Ferrell, “The Garden” Sierra Ferrell’s intricate songwriting, exuberant performance style and signature musicianship have made quickly established her one of the most heralded artists in Americana, bluegrass and folk music over the past few years, and she continued amassing accolades in 2024, including taking home the artist of the year and album of the year (Trail of Flowers) at the Americana Music Awards. She’s also nominated for several Grammys at the upcoming ceremony, including best Americana album (Trail of Flowers). She previews the upcoming deluxe version of her Trail of Flowers album (out Jan. 31 on Rounder Records) by offering up an expanded arrangement of her song “The Garden.” The new arrangement is bolstered by layers of piano, pedal steel and stringwork, all framing Ferrell’s distinct voice. Restless Road, “Work on Me” Tender piano highlights this trio’s flawless harmonies and individual vocal talents, as Restless Road’s Zach Beeken, Garrett Nichols and Colton Pack release their latest song, centered on someone who realizes they are far from perfect, but are inspired by love to make better life choices and embark on a journey of building better habits. Written by Restless Road, Jacob Davis and Joe Fox, this powerful, pop-inflected ballad marks an auspicious musical start for the new year. Becky Buller, “Reach” Bluegrass vocalist/fiddle player/songwriter Buller teams here with her fellow First Ladies of Bluegrass members (who each became the first woman to win IBMA Awards in their respective instrumental categories): banjoist Alison Brown, mandolin player/vocalist Sierra Hull, bassist Missy Raines and guitarist/vocalist Molly Tuttle. Together, they construct this fleet-fingered, female-led, and harmony-heavy anthem about balancing ambition with contentment, while continually pushing forward with new personal challenges. Though a new single from Buller, “Reach” was written by rock group Orleans’ Johanna and John Hall, and previously recorded on New Grass Revival’s 1981 album Commonwealth. Source link

Vybz Kartel Picks Drake Over Kendrick Lamar in Rap Beef: Here’s Why

Vybz Kartel is adding his voice to the Drake vs. Kendrick Lamar debate — and he’s firmly on Team Drizzy. While speaking to Billboard‘s Kyle Denis for a cover story published Monday (Jan. 6), the dancehall artist didn’t hold back when prompted to share his thoughts on rap’s biggest feud in recent memory. “I’m not a fan of Kendrick,” Kartel began frankly. “I don’t even listen to Kendrick, so I wouldn’t know.” “What does he rap?” the “Ramping Shop” musician continued. “I saw it on the internet, but no disrespect to the dude, I hear him, but I don’t listen to him. Drake is more in tune with Jamaica and the culture.” Kartel added, “Drake is a better and bigger artist.” The reggae star’s cover story comes less than a week after he made his grand return with a massive Freedom Street concert in front of more than 35,000 people at Kingston’s National Stadium in Jamaica on New Year’s Eve, performing for the first time since his July prison release. Kartel had served a 13-year sentence for the murder of Clive “Lizard” Williams, for which he and his co-accused — Shawn Campbell, Kahira Jones and Andre St. John — have always maintained their innocence. During the tail end of Kartel’s sentence, Drake and Lamar’s beef simmered over into an explosive rap back-and-forth that fans are still talking about months later. The beef started with the Toronto artist dissing Dot on “Push Ups” and “Taylor Made Freestyle” in April. Lamar clapped back with a slew of searing response tracks including “Euphoria,” the Billboard Hot 100-topping “Not Like Us” and more, while Drake added fuel to the fire with songs such as “Family Matters” and “The Heart Pt. 6” in May. Lamar is now set to headline the 2025 Super Bowl Halftime Show, while Drake is in the midst of taking legal action against Universal Music Group for allegedly conspiring to “artificially inflate” the Compton musician’s streams on “Not Like Us” and for allegedly allowing Lamar to defame Drake on the track. In November, UMG denied the accusation — which the company called “offensive and untrue” — and added in a statement to Billboard, “We employ the highest ethical practices in our marketing and promotional campaigns. No amount of contrived and absurd legal arguments in this pre-action submission can mask the fact that fans choose the music they want to hear.” As for Vybz? He’s in the running for the best reggae album Grammy for Party With Me, which was “done in prison,” the artist tells Billboard. “I was writing to keep my mind occupied, ended up with these songs and said, ‘Let me just put them on a little EP.’ Bam, Grammy.” The ceremony airs Feb. 2 on CBS. Source link

Philly Specials on Recording Holiday Album With Jason & Travis Kelce

Three years ago, no one would have predicted that a ragtag group of NFL players would put out an album of music that didn’t just break into the Billboard charts but actually sounded good. Yet The Philly Specials — as Philadelphia Eagles offensive linemen Jason Kelce, Lane Johnson and Jordan Mailata called themselves — did just that and much more. Over the course of three holiday albums, they’ve not only become unlikely chart stars, attracting luminaries from the actual pop music world to collaborate, but they’ve raised astounding sums for charity with each release.  Explore See latest videos, charts and news See latest videos, charts and news Their most recent, A Philly Special Christmas Party, is their biggest yet: with 32,000 copies sold in its first week out in November 2024 — including 22,000 vinyl pressings — its debut had the largest sales week for a holiday release on vinyl in the modern era. It hit No. 1 on Billboard’s Independent Albums chart, No. 2 on Holiday Albums, Vinyl and Top Album Sales, and No. 16 on the Billboard 200.     And in an unprecedented feat of philanthropic outreach, the proceeds benefited Operation Snowball, which delivered a gift to every student and teacher in the School District of Philadelphia (for a total of 1.1 million items) in partnership with the Fund for the School District of Philadelphia, with the players making in-person visits to spread holiday cheer.  Kait Pritivera Like its two LP predecessors, A Philly Special Christmas features the unlikely vocal talents of Kelce (now retired from his legendary run as the Eagles’ cente,r but busy as ever hosting the New Heights podcast with his brother, Travis Kelce; ESPN’s Monday Night Countdown; and, now, the network’s new They Call It Late Night With Jason Kelce), Johnson and Mailata, along with high-profile musical guests (Stevie Nicks, Boyz II Men).    But the album wouldn’t have become a hit without two key behind-the-scenes forces: Connor Barwin – a longtime friend of Kelce’s, who is himself a former Eagle (and also now the organization’s head of development and strategy) – and Charlie Hall, drummer for alt-rock arena-fillers The War on Drugs and the Philly Specials’ producer and musical director.   Barwin and Hall spoke to Billboard as they recovered from the whirlwind release of A Philly Special Christmas and Operation Snowball about what football players and musicians can learn from each other, watching Jason Kelce and Stevie Nicks duet, and discovering Travis Kelce’s vocal talents.   Tell me a bit about your individual roles in getting the album together.   Connor Barwin: It started with being good friends with Jason, Lane and Jordan. I played with Jason from college [at University of Cincinnati] till Phill,; played with Lane in Philly for a long time — and then working for the team, obviously got to know Jordan really well. I heard Jason throw out this idea of making a Christmas record, and I knew all these guys were very talented musically. I’m someone who really appreciates and loves music and had gotten to know quite a lot of people in the music industry through my [Make The World Better Foundation] that I started when I came to Philly. And one of the many wonderful benefit shows I’ve thrown was with Charlie and The War on Drugs. Jason knows Charlie as well – he’s one of the best musicians, he’s an Eagles fan, he’s local – so I immediately thought, “This is who we should call.” We all got together and Charlie started asking the right questions: What songs are important to you? How do you think about Christmas music? We sort of left that meeting all very much committed to taking it seriously. My role from then on has been trying to keep it all together; there’s a lot of busy people, a lot of different stakeholders, so making sure we’re finding time to do this the right way, where it doesn’t intersect with their main career — which is playing football for the Eagles — but finding a balance, because this is very fun and fulfilling for them.    Kait Pritivera Charlie Hall: I don’t think we had any idea when we started doing this what sort of shape or scope it would have. But from that first meeting, just seeing the way the guys were passing the guitar around, it was like wow, these guys are deeply connected, they’re doing this thing at the highest level in their “real” jobs but they also approach music with that same mindset of “we want to make this great.” And they did!  When you set out to make this third record, did you have in mind big goals in terms of people you wanted to get on it or songs that you wanted to take on?  Barwin: With how old we all are, and being in Philadelphia, it made sense, like — if we could ever get Boyz II Men on the record, that would be incredible. But at the end of the day, I never really had any goals other than making something we were proud of, having fun and raising money.  Who’s harder to convince to participate: high-profile musicians or football players?   Hall: It’s scary singing into a microphone, hearing yourself that closely and in headphones… There’s a lot of the guys’ friends [on the team] that can sing, but I would probably argue that it’s a little harder to get some of the players. Barwin: Yeah, I agree. But it’s also been really fun watching these guys in the studio with professional musicians and seeing how they’re inspiring each other. As a former athlete that still works in the NFL, it’s really cool to just show everyone that these guys, who are some of the best football players in the world, are brave enough to try something that they’re not completely comfortable with. It’s an inspiring thing for a lot of people, whether they’re athletes or not, to see: that if you or the world is putting you in

Who Will Win at 2025 Awards Show?

Nominees: André 3000’s New Blue Sun, Beyoncé’s Cowboy Carter, Sabrina Carpenter’s Short n’ Sweet, Charli XCX’s BRAT, Jacob Collier’s Djesse Vol. 4, Billie Eilish’s Hit Me Hard and Soft, Chappell Roan’s The Rise and Fall of a Midwest Princess, Taylor Swift’s The Tortured Poets Department Analysis: All of these contenders were nominated in their “genre album” categories except for Collier’s album, which was passed over for a nod for best pop vocal album. That’s not a good sign: No album has won album of the year without at least being nominated in its genre album category since the introduction of genre album categories in the mid-1990s. Cowboy Carter, which is nominated for best country album, would be the first country album to win album of the year since Kacey Musgraves’ Golden Hour six years ago. BRAT, nominated for best dance/electronic album, would be the first album from that genre to win album of the year since Daft Punk’s Random Access Memories in 2014. New Blue Sun, nominated for best alternative jazz album, would be the first jazz album to win album of the year since Herbie Hancock’s River: The Joni Letters in 2008. Swift has won four times in this category. She won most recently just last year for Midnights. If she wins again, she’ll become the first five-time winner in this category and just the third act in Grammy history to win back-to-back awards in this category, following Frank Sinatra (1966-67) and Stevie Wonder (1974-75). Eilish and André 3000 have each won once in this category, André 3000 as a member of OutKast. If he wins, he’ll become the third former member of a group or duo to win for a solo debut album, following George Michael (Faith, 1989) and Lauryn Hill (The Miseducation of Lauryn Hill, 1999). Roan would be the first artist to win for their first studio album since Billie Eilish won five years ago for When We All Fall Asleep, Where Do We Go? Cowboy Carter features a large and diverse cast of featured artists, including pop legends Paul McCartney and Stevie Wonder and country greats Willie Nelson and Dolly Parton. Other artists featured on the album include Miley Cyrus, Post Malone, Shaboozey, Jon Batiste, Gary Clark Jr., The-Dream, Rhiannon Giddens, Pharrell, Nile Rodgers and Raphael Saadiq. If those artists, and people in their camps, vote for Cowboy Carter, that could help make the difference in a close race. On Christmas Day, midway through the final-round voting period (Dec. 12-Jan. 3), Bey headlined the halftime show at a Texans-Ravens NFL game in her hometown of Houston, Texas. This marked the first time she had performed songs from Cowboy Carter in front of a live audience. Millions watched the performance live on Netflix and millions more streamed it afterwards. This is the second time Swift and Beyoncé have gone head-to-head in this category. In 2010, Swift’s Fearless beat Bey’s I Am…Sasha Fierce. For the record, Bey’s subsequent losses in this category were to Beck, Adele and Harry Styles. Few consider Cowboy Carter to be Beyoncé’s best album, but she’s overdue for a win in this category. Many would howl if Swift won a record-extending fifth award in this category before Beyoncé won her first. It would probably be in Swift’s best interest to lose this year and to be seen graciously applauding and cheering for Beyoncé. Eight years ago, Adele probably would have been better just off winning record and song of the year for “Hello” (as she did) and losing album of the year to Beyoncé’s Lemonade. When she swept all three awards for the second time, while Bey was passed over for album of the year for the third time, it was an uncomfortable moment – though Adele’s graciousness and generosity in that moment was heartening to see. If Swift loses on Feb. 2, she just might have dodged a bullet. Would a record-extending fifth win be worth the aggravation of a thousand pieces saying “Beyoncé was robbed – again”? Prediction: Beyoncé, Cowboy Carter Source link

Bad Bunny lanza nuevo álbum “Debí tirar más fotos”

Bad Bunny alcanzó millones de visualizaciones por sus 17 nuevos éxitos, entre ellos, “Turista” y “Nuevayol”. Todas las canciones de ‘DTMF’ ya se encuentran en Spotify, Apple Music, YouTube y otras plataformas musicales.  Te puede interesar Bajista de Aventura muerde y hace tocamientos indebidos a Yailin en concierto ¡Bad Bunny lo volvió a hacer! A poco de ser considerado como el artista latino más escuchado en el mundo, según Spotify Wrapped 2024, el cantante puertorriqueño estrenó su nuevo álbum titulado “Debí tirar más fotos”, a vísperas del Día de Reyes. Bad Bunny y el estreno de ‘Debí tirar más fotos’ Muy a su estilo, Benito lanzó el disco disfrazado de rey mago a través de sus redes sociales. Rápidamente, el clip se volvió viral y las canciones, ya colgadas, van sumando una gran cantidad de reproducciones a pocas horas de ser lanzadas. Te puede interesar Mireddys González envía fuerte mensaje tras juicio con Daddy Yankee: “Dios está conmigo” En un inicio, el disco era todo un misterio. El ícono de la música urbana posteó “Bomba” un total de 17 veces en X, lo que originó que sus seguidores sospechen sobre un posible estreno de un nuevo álbum. Las dudas solo fueron confirmadas un día después por el propio Bad Bunny a través de una publicación de Instagram anunciando el lanzamiento para el 5 de enero.  Ver esta publicación en Instagram Una publicación compartida por Benito Antonio (@badbunnypr) “Debí tirar más fotos” de Bad Bunny: estas son las 17 canciones del ‘Conejo malo’ Gran sorpresa generó ‘San Benito’ al anunciar el estreno de un nuevo álbum. Esta vez, buscó rendirle culto a su país natal, Puerto Rico, a través de su música con un total  17 nuevos éxitos, con los que sus fanáticos ya están coreando.  La aceptación de ‘Debí tirar más fotos’ es tan grande que, por primera vez en su trayectoria artística, logró el #1 en Apple Music Brasil. Estas son las 17 canciones de ‘DTMF’: -’NuevaYol’ -’Voy a llevarte pa pr’ -’Baile inolvidable’  -’Perfumito nuevo’ -’Weltita’ -’Veldá’ -’El club’  -’Ketu tecre’ -’Bokete’ -’Kloufrens’ -’Turista’ -’Café con ron’ -’Pitorro de coco’ -’Lo que pasó a Hawái’ -’Eoo’ -’DTMF’ -’La mudanza’ La entrada Bad Bunny lanza nuevo álbum “Debí tirar más fotos” se publicó primero en Radio Onda Cero. Source link

Dancehall Star on New Music, Afrobeats & Life Post-Prison

In July, Jamaica’s most influential living artist walked out of a Kingston prison after 13 years, drove straight to his mother’s house for a tearful reunion over steamed fish and okra — and dove immediately into preparations for Freedom Street: his first performance since his release, and the biggest concert the country would see in nearly 50 years. Locked up for the murder of Clive “Lizard” Williams, Vybz Kartel went away as a 35-year-old man at the height of his career with seven children, two of whom would make their own musical debuts in 2014. But even behind bars, he never stopped making music — managing to secretly record and release five projects that would reach the top 10 of Billboard’s Reggae Albums chart. “Being in prison, you can’t feel sorry for yourself. I didn’t have time to do that. I had kids to feed. I had family to take care of. I had health issues, too,” Kartel tells Billboard in a private room at Downsound Records, the live-entertainment producer behind Freedom Street, in Kingston. “There was no time to be weak. You just fight the case and do the right thing.” Now, just days before Freedom Street — his New Year’s Eve show that will draw over 35,000 people to Kingston’s National Stadium — Kartel tells me he’s been holding daily three-hour rehearsals to ensure a “Taylor Swift- or Madonna-style” show while he records a new album at several studios, including one his children built for him while he was away. As I follow the Teacha around Kingston over the course of a sunny December day, fans of all ages stop him to profess their love and grovel for selfies — and if they aren’t trying to get his attention, they keep their eyes glued to him and hum whatever song of his comes to their minds. It’s no exaggeration to say that Vybz Kartel is the most influential Jamaican recording artist since Bob Marley. But understanding Kartel’s singular career means grasping that his pop stardom and underground dominance have always worked in tandem. For every song of his that became a global mainstay, one of his raw, evocative mixtapes simultaneously ruled the streets of Kingston. Born Adidja Azim Palmer in Portmore, Jamaica — a coastal municipality about 15 miles outside of Kingston — Kartel has racked up 1.58 billion official on-demand U.S. streams, according to Luminate, making him one of dancehall’s commercial giants. But his countless controversies and towering sociopolitical influence have also made him a divisive cult figure. His ’90s Alliance era cemented him as one of dancehall star Bounty Killer’s protégés and the genre’s fastest-rising star, wielding an impressive songwriting approach that blended his private and public personas through riveting gangster narratives and sexually explicit anthems. In the early to mid-2000s, Black Kartel reigned, with spunky, lewd hits like “It Bend Like Banana” launching his near-absolute rule over Jamaican society, which culminated in a seismic yearslong beef with fellow dancehall star Mavado (born David Brooks). By the dawn of the ’10s, White Kartel — by this point, the skin-bleaching he controversially sung of in 2011’s “Cake Soap” had visibly altered his skin tone (and spawned a new nickname) — had achieved several bona fide global crossover hits despite Jamaica’s banning of “daggering” songs (extremely sexually explicit tracks). Fittingly, the Kartel I meet today is clearly a changed man. This newest iteration of Kartel is calmer and more collected; he seems firmly in his Unc era — cream Amiri beanie, custom tour T-shirt and a naughty joke always in his back pocket. His excitement for his upcoming show beams through the black sunglasses he never takes off, and the reverent air of gratitude around him is unmistakable. Kartel and his co-accused — Shawn Campbell, Kahira Jones and Andre St. John — have always maintained their innocence, and their second chance at freedom was hard-fought. According to a unanimous Court of Appeal ruling in summer 2024, the trial judge marred the original guilty verdict by allowing the jury to proceed despite knowing that one juror had attempted to bribe the others. “Towards the end of my incarceration, I started connecting more with God. That’s why I tattooed ‘love God’ on my forehead,” Kartel reveals. “Nobody can tell me that God isn’t real. Ten years ago, I would have been saying something else, but God is real.” Destinee Condison Kartel’s return marks the start of a new era for both him and dancehall at large. In a Downsound Records rehearsal room, a poster displays five different Kartels with varying hairstyles, fashions and skin tones, each representative of a different chapter of his illustrious career. But whether he’s sporting a New York fitted or showing off his locs, the 48-year-old man known to his fans as Worl’ Boss has always been a chameleon, unafraid to alter his appearance to deepen his own mythos. Inspired by dancehall icon Ninjaman and uncles who “used to DJ around the sound system,” Kartel began “writing 10 to 15 songs a day” as a teenager and released his debut single, “Love Fat Woman,” in 1993, which eventually landed him a spot in The Alliance, a group of dancehall DJs. “I’ve been fascinated with writing ever since I found out Babyface wrote [Karyn White’s 1989 hit] ‘Superwoman,’” he recounts. “As a kid, I was like, ‘How does a man write a song for a woman?’” Two major factors ignited Kartel’s mainstream ascent in 2003: The release of his debut album, Up 2 Di Time, and a contentious clash with Ninjaman at Sting, Jamaica’s longest-running one-night-only reggae/dancehall showcase. At the time, Sean Paul was leading the early 2000s stateside dancehall crossover wave, but Kartel’s gritty “gun tunes” and X-rated “gyal tunes” were a far cry from the sugary-sweet riddims that made their way to top 40 radio. He smartly gilded his edgier lyrics with slick wordplay and head-spinning flows; Kartel could, and still can, dictate Jamaica’s culture with the flip of a single phrase. But some of

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