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Addison Rae is one of the few influencers who is successfully transitioning into a pop career, and in a new Rolling Stone cover story, the 24-year old star opened up about how her friend Charli XCX has been an inspiration to her along the journey. Explore See latest videos, charts and news See latest videos, charts and news “[Meeting] Charli XCX was an obviously pivotal moment in my life,” Rae told the publication. “She has been such a big sister and mentor for me.” Charli, meanwhile, called Rae a “f—ing genius,” adding, “It’s been fun to watch her evolve. Everything she does relates back to her art — every item of clothing she wears, everything she says in a red-carpet interview, everything she tweets — it all is a part of the world-building.” The duo, who previously collaborated on Rae’s “2 Die 4” and the updated “Von Dutch” from Charli’s Brat remix album, also reflected on their years of working together. Charli recalled a time that Rae “burst into the room in Ugg boots and hot pants after parking her pink Tesla in the driveway and exclaimed, ‘Boys are stupid!’ and then immediately was like, ‘Wait, we should write a song about that!’” She added, “I know that sounds simple and maybe silly to some people, but to me that was such a sign of instinct and fearlessness.”  “[Charli] respected me and my ideas,” Rae said. “It was the first time I really took the step on my own to be confident in the ideas I had and follow that. I owe that all to Charli.” Rae has yet to release her debut album, but has already released two songs teasing her upcoming musical era: “Aquamarine” and her first Hot 100 hit, “Diet Pepsi.” Source link

Non-English-language music has a long history on Billboard’s charts. While, naturally, the U.S.-centered Billboard Hot 100 chart mostly contains songs recorded in English, occasionally an international hit will become an inescapable global sensation, dominating the conversation, and streaming and radio airwaves — think Los Del Rio’s 1996 14-week No. 1 hit “Macarena (Bayside Boys Mix)” (recorded in Spanish) or PSY’s viral “Gangham Style” in 2012 (Korean). In total, 39 songs recorded either entirely or mostly in a non-English language have reached the top 10 of the Hot 100 in the chart’s 67-year history (through the chart dated Jan. 25, 2025). The first was Domenico Modugno’s Italian hit “Nel Blu Dipinto Di Blu (Volare)” in the chart’s inaugural year, 1958. The song spent five total weeks at No. 1 before winning both record of the year and song of the year at the first annual Grammy Awards in 1959. Of the 39 non-English-language top 10 hits, 23 are in Spanish, the most of any language. Korean is the second most (with eight), followed by German (three), French and Italian (two each) and Japanese (one). Bad Bunny has earned the most non-English-language Hot 100 top 10s, with 13 total — he’s earned two additional top 10s in his career, with “I Like It” with Cardi B and J Balvin, and “K-Pop” with Travis Scott and The Weeknd, but those are primarily in English. Four of those 10 Spanish songs are from his 2022 album Un Verano Sin Ti, which spent 13 weeks at No. 1 on the Billboard 200, the longest leading non-English-language album in history. BTS has the second-most non-English Hot 100 top 10s, with five, followed by PSY (two). Ten of the 36 songs have reached No. 1 on the Hot 100, including Luis Fonsi and Daddy Yankee’s “Despacito” featuring Justin Bieber, which spent a then-record-tying 16 weeks at No. 1 in 2017. The most recent No. 1 is Jimin’s “Like Crazy,” which is primarily in Korean but also contains English, in April 2023. International hits have become much more common on the Hot 100 in recent years. Twenty-seven of the 39 top 10s have reached the tier since 2012, following a 16-year break between “Macarena” and “Gangnam Style.” The influx coincides with music’s increased globalization, highlighted by hits from Bad Bunny and BTS, among others. Seven non-English-language songs reached the top 10 in the 2023 alone, the most ever in a calendar year. 2022 previously had the most, with four, after three reached the region in both 2019 and 2020. Three have already reached the top 10 in 2025 thanks to hits from Bad Bunny’s Debí Tirar Más Fotos. 2023 was a particularly historic specifically for regional Mexican music. After Gera MX and Christian Nodal’s “Botella Tras Botella” became the first song in the genre to debut on the Hot 100 in 2021, the genre achieved its first top 10 in April 2023 with Eslabon Armado and Peso Pluma’s “Ella Baila Sola.” It later became the first top five hit too, peaking at No. 4. Further, Shakira became the first solo woman in history to score a Spanish-language top 10 on the Hot 100, thanks to her collaboration with Bizarrap in January 2023, “Bzrp Music Sessions, Vol. 53.” She returned to the region two months later with her Spanish collab with Karol G, “TQG” (No. 7 peak). In chronological order of their peak dates, here are all 39 non-English-language songs to reach the Hot 100’s top 10 in history. Note that the list does not include songs with relatively minimal portions in other languages, such as Enrique Iglesias’ “Bailamos” or Cardi B, Bad Bunny and J Balvin’s “I Like It.” Paul Haney from Joel Whitburn’s Record Research contributed research assistance to this report. Domenico Modugno, “Nel Blu Dipinto Di Blu (Volare)” Peak date: Aug. 18, 1958Peak position: No. 1 (five weeks)Language: Italian Listen here. Lolita, “Sailor (Your Home Is the Sea)” Peak date: Dec. 19, 1960Peak position: No. 5Language: German Listen here. Emilio Pericoli, “Al Di La’” Peak date: July 7, 1962Peak position: No. 6Language: Italian Listen here. Kyu Sakamoto, “Sukiyaki” Peak date: June 15, 1963Peak position: No. 1 (three weeks)Language: Japanese Listen here. The Singing Nun (Soeur Sourire), “Dominique” Peak date: Dec. 7, 1963Peak position: No. 1 (four weeks)Language: French Listen here. The Sandpipers, “Guantanamera” Peak date: Sept. 17, 1966Peak position: No. 9Language: Spanish Listen here. Mocedades, “Eres Tu (Touch the Wind)” Peak date: March 23, 1974Peak position: No. 9Language: Spanish Listen here. Nena, “99 Luftballons” Image Credit: Courtesy Photo Peak date: March 3, 1984Peak position: No. 2Language: German Falco, “Rock Me Amadeus” Image Credit: Courtesy Photo Peak date: March 29, 1986Peak position: No. 1 (three weeks)Language: German Los Lobos, “La Bamba” Peak date: Aug. 29, 1987Peak position: No. 1 (three weeks)Language: Spanish Listen here. Enigma, “Sadeness (Part 1)” Image Credit: Courtesy Photo Peak date: April 6, 1991Peak position: No. 5Language: Latin/French Los Del Rio, “Macarena (Bayside Boys Mix)” Image Credit: Courtesy Photo Peak date: Aug. 3, 1996Peak position: No. 1 (14 weeks)Language: Spanish PSY, “Gangnam Style”  Image Credit: Courtesy Photo Peak date: Oct. 6, 2012Peak position: No. 2Language: Korean PSY, “Gentleman” Image Credit: Courtesy Photo Peak date: May 4, 2013Peak position: No. 5Language: Korean Listen here. Luis Fonsi & Daddy Yankee feat. Justin Bieber, “Despacito” Image Credit: Courtesy Photo Peak date: May 27, 2017Peak position: No. 1 (16 weeks)Language: Spanish Listen here. J Balvin & Willy William feat. Beyoncé, “Mi Gente” Image Credit: Courtesy Photo Peak date: Oct. 21, 2017Peak position: No. 3Language: Spanish BTS, “Fake Love” Image Credit: Courtesy Photo Peak date: June 2, 2018Peak position: No. 10Language: Korean Bad Bunny feat. Drake, “MIA” Image Credit: Courtesy Photo Peak date: Oct. 27, 2018Peak position: No. 5Language: Spanish BTS feat. Halsey, “Boy With Luv” Image Credit: Courtesy Photo Peak date: April 27, 2019Peak position: No. 8Language: Korean BTS, “On” Image Credit: Courtesy Photo Peak date: March 7, 2020Peak position: No. 4Language: Korean BTS, “Life Goes On” Image Credit: Courtesy Photo Peak date: Dec. 5, 2020Peak position: No. 1 (one week)Language: Korean Bad Bunny & Jhay Cortez, “Dakiti” Peak date: Dec. 12, 2020Peak position: No. 5Language: Spanish Jose

Karol G will host the inaugural Con Cora Land benefit charity gala, which will take place next month in Miami, the Colombian hitmaker announced on Tuesday (Jan. 21). According to a press release, the fundraising event will support Karol’s Con Cora Foundation and its Casa Con Cora initiative to empower “thousands of women” to pursue their dreams. “I am so excited for Con Cora Land, the first annual gala for my foundation,” Karol G, founder of Con Cora Foundation, said in a statement. “When we started Con Cora, my goal was to empower women and girls to transform their dreams into reality, regardless of their background. Con Cora Land will be a special space where we can recognize our accomplishments, raise awareness of the impact we’ve made and look ahead to the incredible journey ahead.” The gala — set for Feb. 22 — will include live performances on curated stages, and will also host an online and live auction. The online auction will open Feb. 22 during the gala and closes March 12. Those interested in participating in the auction can pre-register on the Con Cora Foundation’s website. The proceeds will directly benefit Casa Con Cora. The Con Cora Land announcement comes just days after Karol G spoke up about the Los Angeles wildfires, unveiling special merch with proceeds that would go directly to the YMCA of Metropolitan Los Angeles, which supports individuals, families and resources impacted by the fires. “This is an act of love and gratitude for a city that means so much to me and to all of us,” Karol said at the time. “Together, we can make a difference. Let’s unite and show Los Angeles that it’s in our hearts.” See Karol G’s Con Cora Land announcement below: Source link

It’s a nice day for a white mocha. British rock icon Billy Idol announced his 2025 amphitheater tour Tuesday morning (Jan. 21) with a cheeky video starring breakout comedian Matt Rife. The bit has Rife popping up through out Idol’s day, riffing on some of his Idol’s biggest songs, such as “White Wedding” and “Rebel Yell.” The video is promo for Idol’s 2025 amphitheater tour, appropriately dubbed It’s a Nice Day to…Tour Again with Joan Jett and the Blackhearts. The tour kicks off April 30 at Talking Stick Resort Amphitheatre in Phoenix. The trek includes stops at an array of storied venues including New York’s Madison Square Garden, Los Angeles’ Kia Forum, the Red Rocks Amphitheatre in Colorado, Merriweather Post Pavilion in Maryland and more. Artist pre-sales begin Wednesday, Jan. 22, at 9 a.m. local time, with local presales beginning Thursday, Jan. 23, at 9 a.m. local time. The general onsale begins Friday, Jan. 24, at 9 a.m. local time. Additional info and tickets will be available at the musician’s website. Five dollars from every ticket sold to the Los Angeles show at Kia Forum will be donated to the American Red Cross to support Southern California Wildfire Relief. Idol will also personally match this donation. Idol will soon share details of the forthcoming release of his new LP, due later this year on Dark Horse Records. Last year, Idol celebrated the 40th Anniversary of his landmark sophomore album Rebel Yell. He also appeared at the Rock & Roll Hall of Fame inducting Ozzy Osbourne alongside Jack Black, Jelly Roll, Tool frontperson Maynard James Keenan and more. See below for a complete list of dates. April 30—Phoenix, Ariz.—Talking Stick Resort Amphitheatre May 3—Houston—Cynthia Woods Mitchell Pavilion presented by Huntsman May 4—Austin, Texas—Moody Center May 7—Fort Worth, Texas—Dickies Arena May 9—Alpharetta, Ga.—Ameris Bank Amphitheatre May 10—Tampa, Fla.—MIDFLORIDA Credit Union Amphitheatre May 13—Sunrise, Fla.—Amerant Bank Arena May 16—Charlotte, N.C.—PNC Music Pavilion May 17—Nashville—Bridgestone Arena May 20—Tinley Park, Ill.—Credit Union 1 Amphitheatre May 21—Cincinnati, Ohio—Riverbend Music Center May 23—Toronto, Ontario—Budweiser Stage Aug. 16—Philadelphia—TD Pavilion at The Mann Aug. 17—Saratoga Springs, N.Y.—Broadview Stage at SPAC Aug. 20—New York City—Madison Square Garden Arena Aug. 22—Columbia, Md.—Merriweather Post Pavilion Aug. 23—Mansfield, Mass.—Xfinity Center Aug. 26—Bangor, Maine—Maine Savings Amphitheatre Aug. 28—Clarkston, Mich.—Pine Knob Music Theatre Aug. 30—Noblesville, Ind.—Ruoff Music Center Aug. 31—Milwaukee, Wis.—American Family Insurance Amphitheatre Sept. 3—Morrison, Colo–Red Rocks Amphitheatre Sept. 5—Salt Lake City, Utah—Utah First Credit Union Amphithatre Sept. 12—Palm Springs, Calif.—Acrisure Arena Sept. 14—Berkeley, Calif.—Greek Theater Sept. 17—Wheatland, Calif.—Toyota Amphitheatre Sept. 19—Ridgefield, Wash.—Cascades Amphitheater Sept. 20—Seattle—Climate Pledge Arena Sept. 23—Chula Vista, Calif.—North Island Credit Union Amphitheatre Sept. 25—Los Angeles, Calif.—The Kia Forum Source link

After fellow country star Carrie Underwood‘s version of “America the Beautiful” was delivered a cappella after two awkward minutes of silence at Donald Trump’s inauguration ceremony on Monday (Jan. 20), the technical issues appeared to continue later that night during a shambolic set by Billy Ray Cyrus at the Liberty Ball. Explore Explore See latest videos, charts and news See latest videos, charts and news In video of the performance, a confused-looking Cyrus, 63, begins strumming his electric guitar after playing the video intro to Lil Nas X’s Billboard Hot 100 No. 1 hit “Old Town Road” on the screen behind him. As the audio from the song cued up, Cyrus attempted to play guitar and sing along, with his instrument and vocals inaudible as he looked around in confusion. At one point he turned his back to the audience for several seconds, then moved back to the mic to no avail in what turned into a bizarre lip synch ramble that went viral for all the wrong reasons. “I think y’all was just getting warmed up, to be honest. You wanna do a little more of it,” Cyrus croaked, as he strummed the song’s melody on his guitar and whistled the chorus through his teeth to a silent audience just after the video’s credits rolled behind him. After singing the song’s chorus in a crackly voice and rapidly skipping back and forth across the stage while the crowd finally came to life and sang the lines back to him, Cyrus tried to get the audience to clap along to his a cappella singing, explaining, “they told me to kill as much time as possible,” and wondering if they knew the words to his signature 1992 breakthrough hit, “Achy Breaky Heart.” “Is my guitar still on?” Cyrus asked. “I think they cut me off. I don’t hear my guitar anymore.” Looking around for help, while saying “check” into his mic, Cyrus said, “is anybody awake? I don’t hear it. Do y’all hear this? Where’s everybody at? Check. Is anyone back there? Can someone turn my guitar back on? We gonna sing a little bit more.” As the awkward silence continued, Cyrus looked in vain for help, asking the crowd, “Do y’all want me to sing more or do you just want me to get the hell off the stage? I don’t give a damn.” A guitar tech finally came out and tried to remedy the sound problems with the guitar to no avail. Cyrus then made reference to Underwood’s performance just hours earlier, where she sang without the planned accompaniment from the Armed Forces Chorus and the U.S. Naval Academy Glee Club after a long, awkward silence during the swearing-in for Trump. “I could try it like this… After what Carrie Underwood did today — wasn’t Carrie Underwood fabulous? — Carrie Underwood, you were amazing today,” Cyrus said, taking off his hat and bandana to mild applause. “They had technical difficulties too. And in life, when you have technical difficulties you just gotta keep going. Or as President Trump would say, you gotta fight!” After another try, Cyrus asked his fans to “just snap your fingers” as he did a raspy a cappella bit of “Achy Breaky Heart” before leaving the stage. At press time it did not appear that Lil Nas X had reacted to Cyrus’ performance and Cyrus had seemingly not reacted to posts dubbing his set an “epic disaster.” Cyrus did post a pic from his performance on Instagram, writing, “Honored to kick off the Liberty Ball at the request of our 47th President and Commander-in-Chief @realdonaldtrump. When you get knocked down, you get back up. You fight and persevere,” which followed up an earlier image from his sound check at Capitol One Arena. Watch Cyrus’ performance below. Source link

Suffice to say, Jade Thirwall and Harry Styles weren’t written in the stars. While serving as a guest on Louis Theroux’s podcast episode posted Tuesday (Jan. 21), the Little Mix star reflected on meeting the One Direction alum during their early days on The X Factor, revealing that they went on one date before a certain teen heartthrob ghosted her. While talking about her career beginnings on Simon Cowell’s talent competition show, Thirlwall shared that she and Styles met — and hit it off — when both of them were auditionees. “I think we went on like one date when we were 16 or something,” she said. “He’d just got put in a band, and it was really funny, because we kept in touch. Then the minute they went on live shows, he didn’t message me back.” “I thought, ‘That’s it, now he’s gone. He’s made it,’” the “IT Girl” singer continued, laughing. Thirlwall tried out for The X Factor in 2010, but didn’t make the cut. That same year, Styles also auditioned and was sorted into One Direction with bandmates Liam Payne — who died in October — Zayn Malik, Louis Tomlinson and Niall Horan. The boy band placed third on the show. The next year, Thirlwall re-auditioned for X Factor, this time earning a spot in girl group Little Mix alongside Leigh-Anne Pinnock, Perrie Edwards and Jesy Nelson. After she made it onto the show — later winning the season with her band — the “Angel of My Dreams” musician says she ran into Styles again. “He was like, ‘I’m really sorry I ignored you,’” she recalled. “I was so young, it didn’t really matter. But he was always very, very lovely. He’s gotten himself to where he is because he’s very talented and he’s very lovely. Very charming.” Little Mix went on to release six studio albums between 2012 and 2020, notching three singles on the Billboard Hot 100. Nelson left the group at the end of 2020, and the remaining trio announced a hiatus the following year. In 2024, Thirlwall finally kicked off her solo career with the release of debut single “Angel of My Dreams.” She’s since dropped the tracks “Midnight Cowboy,” “Fantasy” and “IT Girl.” Listen to Thirlwall talk about Styles and Payne on The Louis Theroux Podcast below. Source link

Soulja Boy isn’t letting up on Drake. Big Draco went on another scathing rant about America and took some more shots at Drizzy over the weekend. “Drake you a b—h,” he began in a livestream. “You can’t even come to America and talk to the president. F–k boy, stay in Canada where your b— a– belong at. You’s a b—h.” Soulja went on to poke Drake about his defamation lawsuit against Universal Music Group over the alleged artificial inflation of Kendrick Lamar’s “Not Like Us” diss track. “Ya’ll the type of [people] that sue [people]… like Drake,” he continued. “Y’all hoes. Y’all the type of people that lose a rap battle and sue a n—a … I’m a real gangster, bro. I could never sue a n—a.” Billboard has reached out to Drake for comment. As the dust settled on the Drake and Kendrick Lamar battle last summer, Soulja expressed his disappointment in the OVO boss. “You disappointed me,” he wrote in July to X. “Doing all them weak a– songs with them niggaz look where It got u none of them n—-z you collab with or took on tour had yo back.” Over the weekend, Soulja Boy claimed he was in Washington, D.C., working on getting the TikTok ban lifted. The popular app was only gone in the United States for about 12 hours before returning on Sunday (Jan. 19). “In Washington DC doing meetings trying to get this TikTok ban lifted,” he wrote to X. Last week, Soulja Boy went after his “We Made It” collaborator once again. “Time to disappear,” Big Draco added. “PS Drake u went out sad.” Watch Soulja Boy talk Drake below: Source link

Like any artist about to launch his music to the world, Bad Bunny was nervous on the eve of the release of his new album, DeBÍ TiRAR MáS FOToS, on January 5. But the Puerto Rican superstar had particular reason to feel on edge this time: He was releasing an album that, unlike any of his previous reggaetón and urban sets, prominently featured Puerto Rican rhythms and genres, including salsa — a major departure in sound and attitude. Explore Explore See latest videos, charts and news See latest videos, charts and news “The day before the album release, I was super anxious,” Bunny (real name Benito Martínez Ocasio) tells Billboard. “I couldn’t sleep, wondering if people would like it, if I did the right thing by including those kinds of songs, [worried about] the things that I said,” Bad Bunny’s last three albums — El Último Tour Del Mundo (2020), Un Verano Sin Ti (2022) and Nadie Sabe Lo Que Va a Pasar Mañana (2023) — had all debuted at No. 1 on the all-genre Billboard 200 chart. But DeBÍ was being released on a Sunday, which meant Bunny would miss a full two days of sales tallies, as the chart’s tracking week runs Friday through Thursday. The gamble met with mixed results initially. DeBÍ TiRAR MáS FOToS debuted at No 2 on the chart, behind Lil Baby’s WHAM. But instead of retreating, Bunny doubled down, co-hosting The Tonight Show Starring Jimmy Fallon, busking on New York subway stations, hosting morning shows in San Juan and making impromptu appearances at the studios of well-known Puerto Rican podcasters like Chente Ydrach. Bunny, known for being furtive and press averse, was suddenly ubiquitous. By now, his strategy has clearly paid off. This week, Debí rises to No. 1 on the Billboard 200 dated Jan. 25, besting Taylor Swift’s reissued Lover: Live From Paris, proof that promotion works — but so does sincerity, as Bunny tells Billboard in an interview following his No. 1 achievement. Here’s how he claimed the top spot, for the fourth time — with a Spanish-language album that specifically honors his Puerto Rican roots. This is your fourth No. 1 with a Spanish language album on the Billboard 200. What’s the importance of achieving this to you? Man, obviously I’m thankful with the way the world has embraced this album. The thing is, this project… it isn’t mine. It belongs to many people: everyone who worked with me, it belongs to Puerto Rico, my friends, my family. This project belongs to all of us who feel proud of being from Puerto Rico and being Latin. So, having this project go to No. 1, besting all these other great artists and great projects makes it much more special. To be very honest with you, and I’ve said it to everyone: I didn’t expect this. The day before the album release, I was super anxious, I couldn’t sleep wondering if people would like it, if I did the right thing by including those kinds of songs, [worried about] the things that I said. The vision had always been to enjoy the creative process and do something special for Puerto Rico. I always thought that in Puerto Rico, people would connect with me and enjoy the album. And Puerto Ricans outside the island too. But I never imagined the whole world would. That’s taken me by surprise. You’ve never been one to do much promo with an album release. In fact, many of your albums are surprise drops. And yet, this time you were everywhere, doing all kinds of media in the U.S. and in Puerto Rico. And you also posted heavily on social media prior to the release. Why? I’ve always worked as a team. And for a long time, my team had asked me for presaves, countdown, pre-ads for other albums and I never had the opportunity to do it. This time I promised them I would. I let myself by taken along, as we say. And we wanted to begin paving the way in December and begin giving that vibe, connecting musically. That’s why the singles came out in December: “El Club” on December 6, and on December 26, “Pitorro de Coco.” I wanted people to connect with the album’s vibe. And I liked my team’s strategy of giving clues to fans little by little. It was something different from what we always do. You’ve released albums on odd dates before, but January 5 felt very random. Aside from the fact that you missed two days of tracking, why choose that date? This is a very special album, and part of its purpose was to bring together generations in a different way; have grandchildren sharing the music with their parents and grandparents and celebrate their culture in a special way. January 5 was a Sunday, which is the perfect day — and it was also the eve of Three Kings Day, a date where, at least in Puerto Rico, the family gets together. That was the purpose. I want to be clear that I know the business, and I know releasing an album on a Sunday means losing nearly three days of streams, and that it affects my placement on the charts. But at no time was that of concern to me. My purpose wasn’t to compete with anyone. My purpose wasn’t to release an album that would interfere with someone else’s. My purpose was what I said: Bring an album with the essence of Puerto Rico that would unite generations, awaken love for the country and the culture, and that people would enjoy. That was it. You did very varied promo, especially the past two weeks. What did you particularly love doing? I really enjoyed talking with media in Puerto Rico, and going on Jimmy Fallon too. But musically, what most fulfilled me, and where I’m super impressed and happy and proud, too, is that the biggest songs in the album are salsa and plena [a traditional Puerto Rican rhythm].

Redacción Panamericana Christian Domínguez y Karla Tarazona protagonizaron un tenso enfrentamiento mientras conducían su programa de televisión. Christian Domínguez y Karla Tarazona se mostraron bastante molestos en la última edición de Préndete. Incluso, al parecer, quedaron solo como amigos tras la discusión. Te puede interesar Pamela López y la mamá de Cueva tienen FUERTE pelea en aeropuerto: «Mala y miserable» Todo comenzó cuando sus compañeras de conducción insinuaron que algunas figuras de América Hoy podrían llegar al programa. El cumbiambero se incomodó cuando le insistieron para que hablara sobre sus antiguas amigas.  «No me he molestado porque hayan hablado de mis excompañeros. Mi molestia es porque ustedes (…) me decían que opine y yo dije que no. Me repreguntaban y me pareció una provocación», expresó el conductor.  Incluso, el cantante se ofendió por cómo se refirió a él Karla Tarazona, aseguró que era una falta de respeto que le haya dicho que le importaba ‘tres pepinos’ si es que se molesta por el tema. La respuesta de Karla Tarazona Karla, por su parte, no se amilanó y también le respondió con todo a Domínguez.  Te puede interesar Los Hermanos Yaipén reciben la desgarradora noticia de la muerte de Víctor Yaipén en pleno concierto «Yo siempre me expreso así, a mí no me interesa lo que diga la gente. Tres pepinos me importa. (…) Voy a cambiar de verdura. ¿Qué digo? Me importa tres ollucos lo que digas», manifestó.  ¿Christian Domínguez y Karla Tarazona quedaron SOLO como amigos?  Tras la respuesta de la locutora radial, el cumbiambero reiteró su molestia y la mandó a la zona de amigos tras aceptar que ‘La Tarazona’ siempre será sarcástica con sus comentarios.  «Eso no te lo voy a poder cambiar nunca, porque yo lo acepto así y así también tu amistad la acepté», comentó.  El término ‘amistad’ encendió nuevamente a la conductora, quien dijo que quedarían solo como amigos si él lo quería así. Karla Tarazona y Christian Domínguez discuten en pleno programa en vivo. (Video: Préndete) Source link

Garth Hudson, the inventive keyboard player whose soulful playing was a key part of 1960s/70s Rock and Roll Hall of Fame group The Band‘s country-tinged Americana anthems has died at 87. The last surviving member of the group, Hudson died peacefully in his sleep on Tuesday morning (Jan. 21) at a nursing home in Woodstock, N.Y., according to the Toronto Star. Along with fellow Canadians Robbie Robertson (guitar/vocals), Rick Danko (bass/vocals) and Richard Manuel (piano/vocals) and lone American member, drummer/singer Levon Helm, Hudson was a key component of the unique sound the band explored during its initial 20-year run. He officially began playing with The Band in 1965, after they had served a two-year apprenticeship as the back-up group for rockabilly singer Ronnie Hawkins. The Hawks — as they were known — left Hawkins’ employ in 1963 after years on the road honing their sound. After meeting Bob Dylan in 1965, the group recorded the song “Can You Please Crawl Out Your Window” the next year for what would become Dylan’s beloved 1966 double album, Blonde on Blonde, which featured such classics as “Rainy Day Women #12 & 35,” “Visions of Johanna,” “I Want You” and “Just Like a Woman.” Dylan toured with The Band as his backing group in 1966 and then joined him in the studio for a series of 1967 sessions that became The Basement Tapes. The fruit of those sessions recorded at the group’s legendary Saugerties, N.Y. home known as Big Pink, were not officially released until 1975. That home was the inspiration for the title of the Band’s 1968 debut album, Music From Big Pink, which spotlighted Hudson’s churchy organ playing on such earthy anthems as “Tears of Rage” and what is perhaps the group’s most well-known song, “The Weight.” For those who saw the Timothée Chalamet Dylan biopic, A Complete Unknown — which (spoiler alert) ends after the folk icon burns his bridges by going electric at the 1965 Newport Folk Festival — it’s instructive to note that The Band served as Dylan’s backup group on his first official electric tour later that year. Though they performed at the Woodstock Festival in 1969 — which took place about 90 minutes from Big Pink — they were not included in the final film due to legal issues. The rustic, black and white cover of their eponymous next album from 1969 was a visual metaphor for their rich, throwback sound, which incorporated dusty barroom laments, aching rock odes and urgent country balladry for a mash-up roping in rock, country and classic R&B. It was all anchored by a gritty, hand-made, sepia-toned quality that served as an antidote to the more expansive, paisley-colored psychedelic experimentation and bombast of the era. Classically trained pianist Eric Garth Hudson was born in Windsor, Ontario on August 2, 1937 and played organ in his church (and at his uncle’s funeral home) as a young man as well as studying music at the University of Western Ontario in the early 1950s before dropping out to join the rock group the Silhouettes. Equally adept at saxophone, trumpet, violin and accordion, among other instruments, Hudson was best known for playing the two-tiered Lowery electric organ, whose distinctive, church-like sound can most famously be heard on the Bach-esque intro to the Band’s 1968 classic “Chest Fever.” That song became a highlight of the group’s shows, during which Hudson reliable performed an extended, improvised solo that roped in bits of Bach’s Toccata and Fugue in D minor on its way to stops at classical, jazz and soul. Hudson’s oscillating, bouncing sound can also famously be heard on another of the band’s most well-known tunes, “Up on Cripple Creek,” from the 1969 eponymous album. On that song he played a clavinet through a wah-wah pedal, giving it a distinctive, Jews-harp-like twang; that song reached No. 25 on the Billboard Hot 100 singles chart. The group would release a handful of albums through the mid-1970s, including 1970s Stage Fright (“The Shape I’m In”) 1971’s Cahoots (”Life Is a Carnival,” “When I Paint My Masterpiece”), 1973’s cover album Moondog Matinee, as well as 1975’s Northern Lights – Southern Cross (“Ophelia,” “It Makes No Difference”) and the final LP by the original lineup, 1977’s Islands, before substance abuse and intra-band quarreling led to their split. As a final, grand gesture, though, they set their disputes aside for one final, blow-out show dubbed The Last Waltz. The all-star show featuring guests Dylan, Eric Clapton, Neil Young, Joni Mitchell and many others, was documented by director Martin Scorsese for the live movie/album of the same name. The group would get back together in the 1980s — without key member Robertson — and released a trio of albums that did not reach the creative or critical heights of their early trio of classics. In addition to his work on albums by Hawkins and John Hammond in his pre-Band days, Hudson could be heard on Dylan’s 1966 Blonde on Blonde album, as well as the soundtracks to Last Summer, Kent State, Raging Bull, The King of Comedy and Best Revenge. Throughout his career he was an in-demand session ace as well, recording tracks for albums by artists including: Bobby Charles, Eric Von Schmidt, Ringo Starr, Maria Muldaur, Paul Butterfield, Neko Case, the Secret Machines, Eric Clapton, Band-mates Danko and Helm, as well as Emmylou Harris, the Lemonheads, Van Morrison, Leonard Cohen, The Call, Tom Petty & the Heartbreakers, Marianne Faithfull, Camper Van Beethoven and many more. He released his first solo album, The Sea to the North, in 2001, and followed up with 2010’s Garth Hudson Presents a Canadian Celebration of The Band. Hudson was inducted into the Canadian Juno Hall of Fame in 1989 and into the Rock and Roll Hall of Fame in 1994 and received a lifetime achievement awards from the Grammys in 2008. Check out some of Hudson’s playing below. Source link