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HUNTR/X continues slaying all competitors (demon or otherwise) as “Golden” leads the Billboard Global 200 and Billboard Global Excl. U.S. charts for a seventh week each. In July, the song became the first No. 1 on each list for the act, whose music is voiced by EJAE, Audrey Nuna and REI AMI. Songs from Netflix’s animated smash KPop Demon Hunters account for half the Global 200’s top 10 for a second week. Below “Golden,” Saja Boys remain at No. 3 with “Soda Pop” and No. 4 with “Your Idol,” with both having reached No. 3; both are sung by Andrew Choi, Neckwav, Danny Chung, Kevin Woo and samUIL Lee. Plus, HUNTR/X’s “How It’s Done” holds at its No. 5 high and “What It Sounds Like,” likewise from the movie and soundtrack, jumps 10-7 for a new best. Elsewhere, Stray Kids’ “Ceremony” bounds in at No. 8 on Global Excl. U.S. and No. 10 on the Global 200. The Billboard Global 200 and Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States. Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations. “Golden” tops the Global 200 with 120 million streams and 17,000 sold (up 6% week-over-week in each metric) worldwide in the week ending Aug. 28. Gains for the song were helped by KPop Demon Hunters’ sing-along wide release in movie theaters Aug. 23-24 and that version’s premiere on Netflix Aug. 25. The only song not from KPop Demon Hunters in the Global 200’s top five, Alex Warren’s “Ordinary,” is steady at No. 2 after 10 weeks on top beginning in May. Stray Kids’ “Ceremony” launches at No. 10 on the Global 200 with 44 million streams and 10,000 sold worldwide. It starts at No. 8 on Global Excl. U.S. with 35.9 million streams and 5,000 sold outside the U.S. The song — from Stray Kids’ Karma: The 4th Album, which arrives as their seventh No. 1 on the Billboard 200 — is their third top 10 on each global chart, after “Chk Chk Boom” and “LALALALA.” The two tracks also reached No. 10 on the Global 200, in August 2024 and November 2023, respectively. On Global Excl. U.S, they hit respective Nos. 4 and 6 peaks. “Golden” leads Global Excl. U.S. with 86 million streams (up 6%) and 8,000 sold (up 2%) outside the U.S. “Ordinary” holds at No. 2 on Global Excl. U.S., following eight weeks at No. 1 starting in May; “Soda Pop” repeats at its No. 3 high; BLACKPINK’s “Jump” stays at No. 4, after it led in its debut week in July; and Lady Gaga and Bruno Mars’ “Die With a Smile” rises 7-5 following 17 weeks at No. 1 beginning a year ago this week. The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Sept. 6, 2025) will update on Billboard.com tomorrow, Sept. 2 (one day later than usual due to the Labor Day holiday Sept. 1). For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram. Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published. It’s free Billboard charts month! From Sept. 2 through Sept. 30, subscribers to Billboard’s Chart Beat newsletter, emailed each Friday, can unlock access to Billboard’s weekly and historical charts, artist chart histories and all Chart Beat stories simply by visiting the newly redesigned Billboard.com through any story link in the newsletter. Not a Chart Beat subscriber? Sign up for free here. Source link

Drake and Bobbi Althoff linked up for another interview on Tuesday (Sept. 2), which kicks off her Not This Again podcast. Drizzy and Althoff sat down for about 80 minutes, touching on their “feud,” Drake’s rumored ab procedure — which he denies — and Rick Ross. Drake and Bobbi’s first interview came as part of her The Really Good Podcast in 2023, which was eventually deleted months later. The OVO boss admitted they got into a “tiff,” which resulted in them pulling the interview altogether after Althoff attended an It’s All A Blur Tour show in Los Angeles. “You made me feel like our interview was the reason your life was bad,” he said. “So I just said I’m gonna get rid of the interview and you won’t ever have to see it again a day in your life.” Explore See latest videos, charts and news Drake also addressed the allegations of him having cosmetic surgery on his abs, as fans peppered him with ab sculpting speculation following a shirtless selfie he posted to Instagram in June. “No,” he bluntly replied when asked about ever having ab surgery to get a six-pack. He then joked about Metro Boomin trolling him with the “BBL Drizzy” diss, but admitted he may have edited the special effects and filter surrounding the photo using an app. “I think it was just like I came from the gym. I was sweaty in that pic,” he said. “Maybe I like heightened the saturation or something on it. I hit it too hard. They don’t look like that. You saw them.” Outside of Kendrick Lamar, Rick Ross was another artist feuding with Drake last year, and Drizzy sniped back during the interview, calling out Rozay for having fake jewelry with a jab that went over Althoff’s head. “You’ve never seen someone ice Rosé? Well, talk to every jeweler in Miami that has fake diamonds,” he quipped. Throughout their chat, Drake also reflected on being arrested in Sweden for nine hours, why he feels his first interview with Bobbi paved the way for rappers to connect more easily with streamers and WWE diva Rhea Ripley, his current muse filling up his Instagram For You page. Watch the full interview below. Source link

Miguel has been warning us that CAOS is on the horizon for most of this year. On Tuesday (Sept. 2) he finally confirmed when the mayhem will come when the singer revealed that his fifth full-length studio album, CAOS, is due out on Oct. 23 from ByStorm Entertainment/RCA Records. The release, which will coincide with the singer’s 40th birthday, is a “personal and artistic rebirth,” according to a release announcing the project that was eight years in the making. “To rebuild, I had to destroy myself. That is the core confrontation of CAOS,” Miguel said in a statement. “Through my personal evolution, I learned that transformation is violent. CAOS is the sonic iteration of me bending that violence into something universally felt.” Miguel has been teasing out glimpses of the long-awaited full-length follow-up to 2017’s Billboard 200 No. 9-charting War & Leisure LP on his socials all year, including in April when he posted a series of pics in which he is modeling a baseball hat with the album’s logo consumed by flames and what look like doctored billboards with the LP’s title alongside CAOS Cola soda bottles. In late April came a mega-mix of actors, politicians and athletes saying “chaos,” followed by an appearance at the Roots Picnic in April in which he performed in front of a huge, burning CAOS logo and a mid-August post featuring a woman with the album’s title tattooed on the inside of her lip. To celebrate the news, Miguel has posted the album’s title track on his own S1C.LA platform, where you can sample the three-minute bilingual song that opens with a monologue in Spanish backed by a chorus before the beat kicks in. The experimental track mixes psychedelic pop and flamenco guitar with yearning, falsetto vocals and Miguel’s signature alluring R&B vibe. The album description promises “a fearless exploration of the emotions and experiences that have shaped Miguel’s life. Boldly genre-defying, the project captures the beauty and volatility of transformation — where destruction becomes creation, and pain evolves into growth.” The release also promised that in the upcoming weeks the singer will offer fans “unprecedented access” into the “personal and universal chaos that shaped the album — giving rare insight through music and visual storytelling” as it invites fans to confront, and harness, the chaos in their lives. Earlier this year, BTS’ j-hope dropped his Miguel collab “Sweet Dreams.” Check out the album cover and some teaser videos below. @miguel Mara and Mezcal . CAOS directed by @miguel @eitisga creative direction @margaretzhang dop @hakunamatata_jiang creative production @themimiproject production @push.xyz eps @fumanfu @hiddensss line production @bunnyixin0127 project management @zoeiii_m mua @freyaisasheep.mua wardrobe @s1c.la ♬ original sound – Miguel noreferrer”>   Source link

When Margo Price stepped onstage at the Grand Ole Opry on Friday night (Aug. 29) to present songs from her new album Hard Headed Woman (which released the same day), she donned a piece of country music history, the same green chiffon gown that Loretta Lynn wore the night she became the first woman to win the Country Music Association’s top honor, entertainer of the year, in 1972. Explore See latest videos, charts and news Since her debut 2016 album Midwest Farmer’s Daughter, Price has proven herself a student and inheritor of Lynn’s bold, uninhibited brand of storytelling, as Price has forged her own reputation as an artist unafraid of expressing frank truths, championing equality, and speaking out against societal and political injustices ranging from income disparities (“Pay Gap”) to gender inequality (“Wild Women”). Price visited the late Lynn’s Coal Miner’s Daughter museum, located in Hurricane Mills, Tennessee, to try on potential outfits for the Opry performance. “Just getting to try on so many of her iconic pieces, there were probably 10 dresses that we pulled, and we must’ve been the same exact size because each one I put on, it was like, ‘I have to wear this one,’” Price tells Billboard. “I’m so grateful to the family for letting me borrow it. Loretta was so supportive of me. I was in tears multiple times, just thinking about how lucky I am to get to carry on this tradition of songwriting and storytelling, just being a bold woman in country music, like Loretta was.” Whereas Price’s 2023 projects Strays and Strays II tilted into psychedelic-inspired sounds, Hard Headed Woman reconnects Price to her country roots. The project also marks Price’s first Nashville-recorded album, created at the historic RCA Studio A, after previously recording her albums in Memphis and Los Angeles. “I wanted to be able to embrace the things I love about Nashville and use the studios and incredible players,” Price says. Though she had previously recorded a handful of songs in Nashville, it was the 2024 collaboration she recorded at RCA Studio A with Billy Strings, “Too Stoned to Cry,” that inspired her to make the album in that historic space. “This audio space was at the peak of, in my opinion, audio engineering and recording,” she was explains. “I was like, ‘I’ve got to get back here to do an album.’ It’s not cheap but for me, it was worth it to be able to work in that space. You can just hear the room all over the album. It’s a return to what I was doing, but also a step forward. I’m coming back to all this with so much more knowledge.” She reunited with producer Matt Ross-Spang, who produced Midwest Farmer’s Daughter. “We would be in the studio for hours, sometimes 12-14 hour days, just getting lost in mixing songs, recording, hanging out late and ordering sushi at 10 o’clock at night,” Price recalls. The album’s first single, “Don’t Let the Bastards Get You Down,” feels like classic Price, offering a stinging rebuke to exploitative music industry types and other “tone deaf sons a b–ches” that attempt to hinder creatives’ career potential. Written by Price, her husband, musician Jeremy Ivey, and Rodney Crowell, the song also credits Kris Kristofferson, as the song was inspired in part by Kristofferson’s public support for Sinead O’Connor. During O’Connor’s October 1992 performance at Madison Square Garden as part of a Bob Dylan tribute event, the audience nearly drowned out O’Connor’s performance (O’Connor was in the midst of receiving backlash after she had a few weeks earlier torn up a photo of Pope John Paul II in an act of protest against sexual abuse within the Catholic church). After Kristofferson was asked by event organizers to escort her offstage, the revered singer-songwriter instead joined O’Connor onstage and encouraged her, “Don’t let the bastards get you down.” “My husband [Jeremy] and I started writing it several years ago. We wanted to get back to the lyrical storytelling and we were writing for a movie at the time that somebody had written, this script [that] was loosely based on my life,” Price says. “The movie never happened and then we had this song. It was strange all the things that kind of brought me around full circle. We wanted to brush the song up a bit, and we took it to Rodney Crowell, and just continued to dial it all in. It’s been so cathartic to sing that one live and it feels like it’s taken on a life of its own, the way the world is going.” Guests on the set include Jesse Welles and Tyler Childers, both known for their nuanced perspectives on political and social issues. Welles joins on “Don’t Wake Me Up,” with Childers featured on “Love Me Like You Used to Do.” “I love Tyler’s voice so much and we go back nearly a decade as friends and peers and we got to grow up together in this business,” she says of Childers. “I met Jesse at Farm Aid and I’m such a fan of his writing. I felt like he could really deliver something great on the harmonies.” The video for “Don’t Wake Me Up” features Price making her way through numerous settings mentioned in the dreamy song, from a cow pasture to a strip club, with Price at one point leading a group of dancers. “My sister did the choreography for it,” Price says. “Just being on a shoot like that, where it’s like every single person was non-binary, or queer or a woman, it was like we were all just in it together.” She covers the George Jones/Jimmy Peppers song “I Just Don’t Give a Damn,” and with the blessing of Waylon Jennings’ widow Jessi Colter, also includes a version of the Jennings-written “Kissing You Goodbye,” a song Price performed at Farm Aid 2024 (she joined the organization’s board in 2021). “Jessi told me about that song about seven years ago, when I was

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La influencer Isabella Ladera volvió a ser tendencia tras pronunciarse, una vez más, sobre los rumores que la vinculan sentimentalmente con Hugo García.  Aunque las especulaciones sobre una relación no cesan, la modelo venezolana aclaró que no existe un romance oficial entre ambos, aunque no descartó que algo pueda surgir en el futuro. Te puede interesar Furrey regresa a ‘Habla Good’ tras recuperarse de accidente que casi le cuesta la vida Isabella Ladera responde críticas  Durante una transmisión en vivo en TikTok, una usuaria insinuó que Isabella solo se relaciona con hombres adinerados.  Con firmeza, la joven respondió que su independencia económica le permite elegir con quién estar, sin importar el dinero. “Miren, una mujer que hace su propio dinero está con el hombre que quiere, con el hombre que la quiere, no con el hombre que necesita. Yo trabajo burda como para estar buscándome a alguien que simplemente tenga más dinero que yo. ¿Para ser igual de infeliz? No, para eso yo trabajo”, expresó. Te puede interesar Salud de ‘Don Gilberto’: Gustavo Bueno se recupera de compleja intervención quirúrgica tras fractura vertebral Hugo García es negado una vez más La modelo también aclaró su vínculo con el exchico reality cuando una seguidora le pidió que oficializara el romance.  “No somos novios, ustedes saben que no somos novios. Es que lo quiero, sí, yo lo quiero y él a mí, pero vamos a ver qué pasa. Más allá del destino, vamos a ver nuestras decisiones y toda esa vaina”, dijo entre risas. Actualmente, mientras Isabella se encuentra en Miami, Hugo García está en Australia participando de una maratón.  A pesar de que ambos han aparecido juntos en eventos públicos y han compartido momentos cercanos en redes sociales, ninguno ha confirmado una relación amorosa. Expectativa de sus seguidores Las declaraciones de Ladera han generado miles de reacciones. Mientras algunos celebran su honestidad, otros insisten en que la química entre ambos es evidente y que solo sería cuestión de tiempo para que hagan oficial su romance. @revistaronda La modelo venezolana @ISABELLA LADERA fue pillada mientras el deportista peruano @HUGOGARCIA le daba un beso. ¿Será que hay algo más que una simple amistad? #RevistaRonda #RondaNoticias #isabellaladera #hugogarcia ♬ si te pillara – Beéle La entrada Isabella Ladera niega relación con Hugo García pero deja abierta posibilidad: “Vamos a ver qué pasa” se publicó primero en Radio Onda Cero. Source link

The two former collaborators are now in the midst of a deep feud, Billboard breaks down how we got here. 9/2/2025 Gunna and Young Thug attend 2021 Revolt Summit at 787 Windsor on November 13, 2021 in Atlanta. Prince Williams/FilmMagic While Young Thug and Gunna used to be the closest of friends, there has been an insurmountable amount of tension brewing between the two Atlanta rappers in recent months. Since being released following his YSL RICO case in Georgia, Young Thug has continuously thrown jabs at his former labelmate Gunna over allegations that he cooperated with law enforcement to secure his freedom. While the issues between the two rappers haven’t played out in the public view much, Thug did admit to GQ that relations between them weren’t what they used to be. “I know everybody wonders [what our relationship is like now],” Thugga noted in April, before saying: “I don’t know.” He did not elaborate further, leaving more questions than answers. As fans started to accept that maybe they’d never fully learn about what happened between Wunna and Thugga, things finally came to a serious head on Tuesday (Sept. 2). Alleged leaked phone calls of Young Thug speaking to 21 Savage from jail hit the internet, all but confirming that the once-fruitful relationship between Gunna and Young Thug was no more. So the question remains: How did such close ties between two Atlanta stars unravel so quickly? From the pair’s early days before the rise of YSL to subliminal disses and plenty of tweet-and-deletes, there are a lot of breadcrumbs leading us to this very moment. Here is the full breakdown of Gunna and Young Thug’s relationship and a look at how things got to this point. 2015: Young Thug and Gunna Meet for the First Time Gunna and Thugga first interacted back in 2015, after they were introduced through mutual friend and local Atlanta community leader Keith “King” Troup. At the time, Young Thug was deep in his Barter 6 run, and Gunna stopped by the rapper’s “With That” music video shoot for an introduction. While the pair became friends, their bond was then strengthened following the death of Troup in December of 2015, which Gunna has spoken extensively about. “He was like my uncle,” Gunna told Billboard in 2018. “Troup would always try to tell us, ‘Get some money. Stay out of trouble.’ He always tried to let us know there’s more to this.” August 26, 2016: Gunna Hops on Young Thug’s “Floyd Mayweather” With Travis Scott and Gucci Mane Young Thug officially introduced Gunna to the world in 2016 with the release of his album Jeffrey. On the album’s second track “Floyd Mayweather,” Gunna dropped off his first official verse affiliated with YSL. Turns out, it was only the beginning. “Do this s—t all on my own, don’t need no deal,” Gunna and Thug spit simultaneously. October 14, 2016: Gunna Drops Drip Season and Thug Announces YSL Records While the timeline is a biz hazy, Gunna dropped off his debut Drip Season mixtape on YSL Records on October 14, 2016. Thugga appeared on the track “Cop Me a Foreign,” and a few weeks later, Thug announced his newly founded record label. It’s likely that Gunna and Thug spoke about this months before Drip Season’s release, but Gunna wouldn’t officially join the YSL roster for a few more months. February, 2017: Young Thug Announces Gunna Will Join YSL Records Around February 2017, Gunna officially linked with YSL Records. From that point on, it was all hands on deck, as Gunna dropped off Drip Season 2 and his critically lauded Drip Harder mixtape with Lil Baby by 2018. Thug would of course be featured on both, on the songs “Secure the Vibe” and “My Jeans.” Gunna’s run would continue with 2020’s WUNNA and 2022’s DS4EVER as his career really started to take off. May 9, 2022: Young Thug and Gunna Arrested as Part of YSL RICO Case In May of 2022, Young Thug and 26 other YSL affiliates were arrested as part of the sprawling RICO Case against them. Thug of course faced the most charges, with police alleging he was the leader of a criminal “gang” masquerading as a record label. Wunna turned himself in two days later on May 11, and was charged with a single count of conspiracy to violate the Racketeer Influenced and Corrupt Organizations Act. They were both denied bond on multiple occasions. December 14, 2022: Gunna Takes Plea Deal in YSL RICO Case Gunna then accepted his much-discussed Alford plea deal in 2022. As the Young Thug and YSL RICO trial heated up, Gunna was among many of the early YSL affiliates to take a plea deal. His career took a big hit as a result, with allegations of Gunna being a rat spreading around all corners of the hip-hop landscape. The Drip or Drown rapper put out a statement via his lawyers denying this allegation, and claimed he at no point cooperated with law enforcement. Still, allegations of him being a “snitch” spread far and wide, and threatened to dampen his, at the time, spotless hip-hop career. The situation was then made worse when court footage emerged showing Gunna answering “yes” to numerous key questions involving YSL, including that the label was allegedly a gang and that crimes were committed under the roster. June 16, 2023: Gunna Drops a Gift & a Curse, Young Thug Returns With Business Is Business Six months after striking his plea deal, Gunna returned with his comeback album, A Gift & a Curse. The featureless YSL Records release dropped on June 16 and included some subliminal shots aimed at the snitching allegations as a whole. The album was a surprising success despite the allegations, and in turn gave him a commercial hit record with “fukumean.” The song hit No. 4 on the Billboard Hot 100, and was inescapable on apps like TikTok. A week later, Thug himself returned with Business Is Business. Neither artist was featured

Emilia is the new global sensation of Argentine pop, and her successful stop in Mexico confirms the rapid rise of her popularity. In less than a year, the singer-songwriter went from performing in mid-sized theaters to conquering major venues like the iconic Auditorio Nacional in Mexico City. On Sunday (Aug. 31), she took the stage there to close the Latin American leg of her Emilia Tour 2025. Her show at the so-called “Coloso de Reforma” turned into an electrifying evening full of dance, sparkle and glamour. It was a moment of deep and special connection between the performer and the 8,500 attendees, according to figures from OCESA, the majority of whom were women in their 20s. Some even went the extra mile by mimicking her outfits with shiny clothing, hats, and boots. The urban pop of the artist born in Nogoyá, Argentina, filled the venue on the touristy Avenida Paseo de la Reforma with songs like “Exclusive.mp3,” “IConic.mp3,” “Facts.mp3,” “cuatro veinte,” “Jagger.mp3,” “Jet_Set.mp3,” “Ojitos_Verdes.mp3” and “Mi otra mitad.” These tracks had the loving audience dancing and singing along, making Emilia feel right at home. The show transitioned from the energy of her most popular pop songs to heartfelt ballads and emotional personal moments that brought the singer to the verge of tears. It then erupted into a lively dance sequence with the rhythm of cumbia, paying tribute to her roots. Emilia’s tour continues in L.A. with two consecutive concerts at The Wiltern theater on Wednesday and Thursday (Sep. 3-4), and concludes in New York this weekend with two shows at the Brooklyn Paramount on Saturday and Sunday (Sep. 6-7). Here are five standout moments from Emilia’s debut on Aug. 31 at the Auditorio Nacional in Mexico City. Cumbia Love The cumbia fervor among Mexicans and Argentines was sealed with the performance of “Perdonarte, ¿Para Qué?” (meaning “Forgive You, What For?”) — her collaboration with Los Ángeles Azules — which got everyone dancing and sparked a massive singalong. One-of-a-Kind Connection Emilia’s connection with her fans is very authentic and honest. She knows this and honors it by allowing herself to be pampered with every gesture, word, gift and detail they offer her. During the evening, she received several gifts, including a small doll knitted with yarn and a white sweatshirt with a picture of her dog Roma and the word “Princesses,” which she wore to sing “Guerrero.” 2000s Vibes From the start of the show, the audience was immersed in a party dedicated to the vibe of the 2000s, with video games, computer animations and costumes that included glitter, silver mini-shorts, platform shoes and colorful makeup. Emilia wore different outfits throughout the night, and in one segment she invited a group of fans who imitated her with some of her looks onto the stage. Song for a “Guerrero” One of the most emotional moments of the night came with “Guerrero” (meaning “Warrior”), the last track on her 2023 album .MP3. It’s a song she wrote in honor of her father, Pedro Mernes, who fought a tough battle against cancer. “It’s so hard for me, and I hope this song can embrace all the people who are going through a battle,” she said, visibly moved. “A big hug to all the warriors, I love you.” “We Did It!” Emilia did not hide her excitement about her debut at the Auditorio Nacional, one of the most important venues in Latin America. “It’s so amazing to be here, seriously, I still can’t believe it! Look how far you’ve brought me, to theAuditorio Nacional!,” said the Argentine singer. “Thank you so much, it’s a dream come true, from the bottom of my heart, thank you so much.” The audience responded with shouts of support: “Yes, we did it, yes, we did it!” The singer admitted that it might take her days or months to digest what happened that night on that legendary stage. In those moments of honesty where she opened her heart to her fans, Emilia said that “La Balada,” a song from her 2022 debut album ¿Tú Crees En Mí?, was very important to her and asked them to accompany her with the light from their cell phones. “I wrote this song for someone who tried to make me believe that I would never achieve anything, and I almost believed them,” the artist explained. Get weekly rundowns straight to your inbox Sign Up Source link

Jelly Roll is never walking a lonely road, as long as he has Bunnie XO. On Tuesday (Sept. 2), the couple commemorated nearly a decade of marriage on their ninth wedding anniversary. Sharing photos of themselves holding hands and laughing in a cathedral while on a trip to Cologne, Germany, the country star and podcaster wrote in a joint Instagram post, “Life is ours, we live it our way.” “9 years of us,” they added sweetly. On his Story, Jelly reshared the post and soundtracked it with Metallica’s “Nothing Else Matters.” “9 years,” he wrote. “I love more and more every single day.” The celebration comes 10 years after Jelly and Bunnie first met in 2015 at one of the musician’s shows in Las Vegas. They tied the knot in August 2016, and — aside from a brief split in 2018 — the couple has stood by one another as both of their careers have taken off in the years since. Jelly is now a Grammy-nominated, Billboard 200-topping artist, while the social media star has millions of listeners on her Dumb Blonde podcast. Bunnie now shares full custody over Jelly’s teenage daughter, Bailee, whom he welcomed in a past relationship. She’s also a stepmom to his son, Noah, and in his 2023 Billboard cover story, the musician called his wife a “a beacon of change in my life.” “You’re talking about a woman that came in and took a child that was soon to be born and a child that [we were] soon to have full custody of,” he told Billboard‘s Melinda Newman at the time. “I would have never got custody of my daughter without her. I wouldn’t have had the stability or the money.” Jelly and Bunnie are now working to expand their family even more through IVF, the challenges of which the latter has been open about on social media. In July, Bunnie shared on TikTok, “I’ve had to miss a lot of fun things, my body has been thru the ringer & honestly I’m exhausted mentally & physically.” “But, I can feel the light shifting,” she added at the time. “I’m finally coming out of the cocoon & trusting that God’s timing is never wrong. Here’s to the bloom after the battle.” Source link

Time-travel through every year since the Hot 100 began with the top 10 hits each summer. 9/2/2025 Clockwise from top left: Madonna, Beyonce, Nelly, Drake, Carly Rae Jepsen & Usher Getty Images Hot weather and nostalgia make for a potent mix(tape). In order to aid your festive flashbacks, we analyzed the Billboard Hot 100 chart each year dating back to the survey’s August 1958 launch. Here’s the definitive list of the top 10 jams each summer that pumped out of your speakers most between Memorial Day and Labor Day. Beginning with the survey’s inception, summer songs have made for some of the most memorable hits in the Hot 100’s history, while many prominent artists have scored the top song of the summer, including Stevie Wonder, the Supremes and the Rolling Stones in the ‘60s; Bee Gees, Eagles and Donna Summer (naturally) in the ‘70s; Prince and Madonna in the ‘80s; Mariah Carey and TLC in the ‘90s; Usher and Beyoncé in the 2000s; and Katy Perry, Drake and more since. Meanwhile, the right song at the right time has connected, regardless of the scope of an artist’s history. OMI, for example, has charted one Hot 100 hit, but it was a big one: His sunny “Cheerleader” soundtracked the summer of 2015 and emerged as that season’s biggest hit. Time travel below through every year since the Hot 100 began with the top 10 hits each summer. Billboard’s weekly Songs of the Summer chart tracks the most popular titles based on cumulative performance on the weekly streaming-, airplay- and sales-based Hot 100 from Memorial Day through Labor Day each year. These hot tunes below are ranked based on each track’s performance on the Billboard Hot 100 chart during the summer. For the period through 1991, prior to the advent of Luminate radio monitoring and point-of-sales data, the rankings are based on an inverse point system, with weeks at No. 1 earning the greatest value and weeks at lower ranks earning less. For the years corresponding with Luminate data tabulation from 1992 onward, rankings are based on accumulated radio and sales points, and points from other data sets, including streaming, included in the Hot 100 during those years. 1958 Rank, Title, Artist1, NEL BLU DIPINTO DI BLU (VOLARÉ), Domenico Modugno2, POOR LITTLE FOOL, Ricky Nelson3, PATRICIA, Perez Prado And His Orchestra4, LITTLE STAR, The Elegants5, MY TRUE LOVE, Jack Scott6, JUST A DREAM, Jimmy Clanton And His Rockets7, WHEN, Kalin Twins8, BIRD DOG, The Everly Brothers9, SPLISH SPLASH, Bobby Darin10, REBEL-‘ROUSER, Duane Eddy His Twangy Guitar And The Rebels 1959 Rank, Title, Artist1, LONELY BOY, Paul Anka2, THE BATTLE OF NEW ORLEANS, Johnny Horton3, A BIG HUNK O’ LOVE, Elvis Presley With The Jordanaires4, MY HEART IS AN OPEN BOOK, Carl Dobkins, Jr.5, THE THREE BELLS, The Browns6, PERSONALITY, Lloyd Price and His Orchestra7, THERE GOES MY BABY, The Drifters8, LAVENDER-BLUE, Sammy Turner9, WATERLOO, Stonewall Jackson10, TIGER, Fabian 1960 Rank, Title, Artist1, I’M SORRY, Brenda Lee2, IT’S NOW OR NEVER, Elvis Presley With The Jordanaires3, EVERYBODY’S SOMEBODY’S FOOL, Connie Francis4, ALLEY-OOP, Hollywood Argyles5, ITSY BITSY TEENIE WEENIE YELLOW POLKADOT BIKINI, Brian Hyland6, ONLY THE LONELY (KNOW HOW I FEEL), Roy Orbison7, WALK — DON’T RUN, The Ventures8, CATHY’S CLOWN, The Everly Brothers9, MULE SKINNER BLUES, The Fendermen10, BECAUSE THEY’RE YOUNG, Duane Eddy And The Rebels 1961 Rank, Title, Artist1, TOSSIN’ AND TURNIN’, Bobby Lewis2, QUARTER TO THREE, U.S. Bonds3, THE BOLL WEEVIL SONG, Brook Benton4, I LIKE IT LIKE THAT, PART 1, Chris Kenner5, MICHAEL, The Highwaymen6, RAINDROPS, Dee Clark7, WOODEN HEART, Joe Dowell8, MOODY RIVER, Pat Boone9, DUM DUM, Brenda Lee10, LAST NIGHT, Mar-Keys 1962 Rank, Title, Artist1, ROSES ARE RED (MY LOVE), Bobby Vinton2, I CAN’T STOP LOVING YOU, Ray Charles3, THE STRIPPER, David Rose and His Orchestra4, BREAKING UP IS HARD TO DO, Neil Sedaka5, THE LOCO-MOTION, Little Eva6, THE WAH WATUSI, The Orlons7, SEALED WITH A KISS, Brian Hyland8, PALISADES PARK, Freddy Cannon9, SHEILA, Tommy Roe10, IT KEEPS RIGHT ON A-HURTIN’, Johnny Tillotson 1963 Rank, Title, Artist1, FINGERTIPS – PT 2, Little Stevie Wonder2, SURF CITY, Jan & Dean3, EASIER SAID THAN DONE, The Essex4, SO MUCH IN LOVE, The Tymes5, SUKIYAKI, Kyu Sakamoto6, WIPE OUT, The Surfaris7, BLOWIN’ IN THE WIND, Peter, Paul & Mary8, MY BOYFRIEND’S BACK, The Angels9, (YOU’RE THE) DEVIL IN DISGUISE, Elvis Presley With The Jordanaires10, CANDY GIRL, The 4 Seasons 1964 Rank, Title, Artist1, WHERE DID OUR LOVE GO, The Supremes2, I GET AROUND, The Beach Boys3, EVERYBODY LOVES SOMEBODY, Dean Martin4, A HARD DAY’S NIGHT, The Beatles5, RAG DOLL, The 4 Seasons feat. the “Sound of Frankie Valli”6, HOUSE OF THE RISING SUN, The Animals7, MEMPHIS, Johnny Rivers8, UNDER THE BOARDWALK, The Drifters9, THE LITTLE OLD LADY (FROM PASADENA), Jan & Dean10, WISHIN’ AND HOPIN’, Dusty Springfield 1965 Rank, Title, Artist1, (I CAN’T GET NO) SATISFACTION, The Rolling Stones2, I CAN’T HELP MYSELF (SUGAR PIE HONEY BUNCH), Four Tops3, I GOT YOU BABE, Sonny & Cher4, HELP!, The Beatles5, I’M HENRY VIII, I AM, Herman’s Hermits6, MR. TAMBOURINE MAN, The Byrds7, WHAT’S NEW PUSSYCAT?, Tom Jones8, YES, I’M READY, Barbara Mason9, CARA, MIA, Jay & The Americans10, SAVE YOUR HEART FOR ME, Gary Lewis And The Playboys 1966 Rank, Title, Artist1, WILD THING, The Troggs2, SUMMER IN THE CITY, The Lovin’ Spoonful3, LIL’ RED RIDING HOOD, Sam The Sham and the Pharaohs4, HANKY PANKY, Tommy James And The Shondells5, PAPERBACK WRITER, The Beatles6, SUNNY, Bobby Hebb7, STRANGERS IN THE NIGHT, Frank Sinatra8, RED RUBBER BALL, The Cyrkle9, SUNSHINE SUPERMAN, Donovan10, SEE YOU IN SEPTEMBER, The Happenings 1967 Rank, Title, Artist1, LIGHT MY FIRE, The Doors2, WINDY, The Association3, CAN’T TAKE MY EYES OFF YOU, Frankie Valli4, LITTLE BIT O’ SOUL, The Music Explosion5, I WAS MADE TO LOVE HER, Stevie Wonder6, ALL YOU NEED IS LOVE, The Beatles7, ODE TO BILLIE JOE, Bobbie Gentry8, A WHITER SHADE OF PALE, Procol Harum9, SAN FRANCISCO (BE SURE TO WEAR FLOWERS IN YOUR HAIR), Scott McKenzie10, BABY I LOVE YOU, Aretha Franklin 1968