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Emilia is the new global sensation of Argentine pop, and her successful stop in Mexico confirms the rapid rise of her popularity. In less than a year, the singer-songwriter went from performing in mid-sized theaters to conquering major venues like the iconic Auditorio Nacional in Mexico City. On Sunday (Aug. 31), she took the stage there to close the Latin American leg of her Emilia Tour 2025. Her show at the so-called “Coloso de Reforma” turned into an electrifying evening full of dance, sparkle and glamour. It was a moment of deep and special connection between the performer and the 8,500 attendees, according to figures from OCESA, the majority of whom were women in their 20s. Some even went the extra mile by mimicking her outfits with shiny clothing, hats, and boots. The urban pop of the artist born in Nogoyá, Argentina, filled the venue on the touristy Avenida Paseo de la Reforma with songs like “Exclusive.mp3,” “IConic.mp3,” “Facts.mp3,” “cuatro veinte,” “Jagger.mp3,” “Jet_Set.mp3,” “Ojitos_Verdes.mp3” and “Mi otra mitad.” These tracks had the loving audience dancing and singing along, making Emilia feel right at home. The show transitioned from the energy of her most popular pop songs to heartfelt ballads and emotional personal moments that brought the singer to the verge of tears. It then erupted into a lively dance sequence with the rhythm of cumbia, paying tribute to her roots. Emilia’s tour continues in L.A. with two consecutive concerts at The Wiltern theater on Wednesday and Thursday (Sep. 3-4), and concludes in New York this weekend with two shows at the Brooklyn Paramount on Saturday and Sunday (Sep. 6-7). Here are five standout moments from Emilia’s debut on Aug. 31 at the Auditorio Nacional in Mexico City. Cumbia Love The cumbia fervor among Mexicans and Argentines was sealed with the performance of “Perdonarte, ¿Para Qué?” (meaning “Forgive You, What For?”) — her collaboration with Los Ángeles Azules — which got everyone dancing and sparked a massive singalong. One-of-a-Kind Connection Emilia’s connection with her fans is very authentic and honest. She knows this and honors it by allowing herself to be pampered with every gesture, word, gift and detail they offer her. During the evening, she received several gifts, including a small doll knitted with yarn and a white sweatshirt with a picture of her dog Roma and the word “Princesses,” which she wore to sing “Guerrero.” 2000s Vibes From the start of the show, the audience was immersed in a party dedicated to the vibe of the 2000s, with video games, computer animations and costumes that included glitter, silver mini-shorts, platform shoes and colorful makeup. Emilia wore different outfits throughout the night, and in one segment she invited a group of fans who imitated her with some of her looks onto the stage. Song for a “Guerrero” One of the most emotional moments of the night came with “Guerrero” (meaning “Warrior”), the last track on her 2023 album .MP3. It’s a song she wrote in honor of her father, Pedro Mernes, who fought a tough battle against cancer. “It’s so hard for me, and I hope this song can embrace all the people who are going through a battle,” she said, visibly moved. “A big hug to all the warriors, I love you.” “We Did It!” Emilia did not hide her excitement about her debut at the Auditorio Nacional, one of the most important venues in Latin America. “It’s so amazing to be here, seriously, I still can’t believe it! Look how far you’ve brought me, to theAuditorio Nacional!,” said the Argentine singer. “Thank you so much, it’s a dream come true, from the bottom of my heart, thank you so much.” The audience responded with shouts of support: “Yes, we did it, yes, we did it!” The singer admitted that it might take her days or months to digest what happened that night on that legendary stage. In those moments of honesty where she opened her heart to her fans, Emilia said that “La Balada,” a song from her 2022 debut album ¿Tú Crees En Mí?, was very important to her and asked them to accompany her with the light from their cell phones. “I wrote this song for someone who tried to make me believe that I would never achieve anything, and I almost believed them,” the artist explained. Get weekly rundowns straight to your inbox Sign Up Source link

Jelly Roll is never walking a lonely road, as long as he has Bunnie XO. On Tuesday (Sept. 2), the couple commemorated nearly a decade of marriage on their ninth wedding anniversary. Sharing photos of themselves holding hands and laughing in a cathedral while on a trip to Cologne, Germany, the country star and podcaster wrote in a joint Instagram post, “Life is ours, we live it our way.” “9 years of us,” they added sweetly. On his Story, Jelly reshared the post and soundtracked it with Metallica’s “Nothing Else Matters.” “9 years,” he wrote. “I love more and more every single day.” The celebration comes 10 years after Jelly and Bunnie first met in 2015 at one of the musician’s shows in Las Vegas. They tied the knot in August 2016, and — aside from a brief split in 2018 — the couple has stood by one another as both of their careers have taken off in the years since. Jelly is now a Grammy-nominated, Billboard 200-topping artist, while the social media star has millions of listeners on her Dumb Blonde podcast. Bunnie now shares full custody over Jelly’s teenage daughter, Bailee, whom he welcomed in a past relationship. She’s also a stepmom to his son, Noah, and in his 2023 Billboard cover story, the musician called his wife a “a beacon of change in my life.” “You’re talking about a woman that came in and took a child that was soon to be born and a child that [we were] soon to have full custody of,” he told Billboard‘s Melinda Newman at the time. “I would have never got custody of my daughter without her. I wouldn’t have had the stability or the money.” Jelly and Bunnie are now working to expand their family even more through IVF, the challenges of which the latter has been open about on social media. In July, Bunnie shared on TikTok, “I’ve had to miss a lot of fun things, my body has been thru the ringer & honestly I’m exhausted mentally & physically.” “But, I can feel the light shifting,” she added at the time. “I’m finally coming out of the cocoon & trusting that God’s timing is never wrong. Here’s to the bloom after the battle.” Source link

Time-travel through every year since the Hot 100 began with the top 10 hits each summer. 9/2/2025 Clockwise from top left: Madonna, Beyonce, Nelly, Drake, Carly Rae Jepsen & Usher Getty Images Hot weather and nostalgia make for a potent mix(tape). In order to aid your festive flashbacks, we analyzed the Billboard Hot 100 chart each year dating back to the survey’s August 1958 launch. Here’s the definitive list of the top 10 jams each summer that pumped out of your speakers most between Memorial Day and Labor Day. Beginning with the survey’s inception, summer songs have made for some of the most memorable hits in the Hot 100’s history, while many prominent artists have scored the top song of the summer, including Stevie Wonder, the Supremes and the Rolling Stones in the ‘60s; Bee Gees, Eagles and Donna Summer (naturally) in the ‘70s; Prince and Madonna in the ‘80s; Mariah Carey and TLC in the ‘90s; Usher and Beyoncé in the 2000s; and Katy Perry, Drake and more since. Meanwhile, the right song at the right time has connected, regardless of the scope of an artist’s history. OMI, for example, has charted one Hot 100 hit, but it was a big one: His sunny “Cheerleader” soundtracked the summer of 2015 and emerged as that season’s biggest hit. Time travel below through every year since the Hot 100 began with the top 10 hits each summer. Billboard’s weekly Songs of the Summer chart tracks the most popular titles based on cumulative performance on the weekly streaming-, airplay- and sales-based Hot 100 from Memorial Day through Labor Day each year. These hot tunes below are ranked based on each track’s performance on the Billboard Hot 100 chart during the summer. For the period through 1991, prior to the advent of Luminate radio monitoring and point-of-sales data, the rankings are based on an inverse point system, with weeks at No. 1 earning the greatest value and weeks at lower ranks earning less. For the years corresponding with Luminate data tabulation from 1992 onward, rankings are based on accumulated radio and sales points, and points from other data sets, including streaming, included in the Hot 100 during those years. 1958 Rank, Title, Artist1, NEL BLU DIPINTO DI BLU (VOLARÉ), Domenico Modugno2, POOR LITTLE FOOL, Ricky Nelson3, PATRICIA, Perez Prado And His Orchestra4, LITTLE STAR, The Elegants5, MY TRUE LOVE, Jack Scott6, JUST A DREAM, Jimmy Clanton And His Rockets7, WHEN, Kalin Twins8, BIRD DOG, The Everly Brothers9, SPLISH SPLASH, Bobby Darin10, REBEL-‘ROUSER, Duane Eddy His Twangy Guitar And The Rebels 1959 Rank, Title, Artist1, LONELY BOY, Paul Anka2, THE BATTLE OF NEW ORLEANS, Johnny Horton3, A BIG HUNK O’ LOVE, Elvis Presley With The Jordanaires4, MY HEART IS AN OPEN BOOK, Carl Dobkins, Jr.5, THE THREE BELLS, The Browns6, PERSONALITY, Lloyd Price and His Orchestra7, THERE GOES MY BABY, The Drifters8, LAVENDER-BLUE, Sammy Turner9, WATERLOO, Stonewall Jackson10, TIGER, Fabian 1960 Rank, Title, Artist1, I’M SORRY, Brenda Lee2, IT’S NOW OR NEVER, Elvis Presley With The Jordanaires3, EVERYBODY’S SOMEBODY’S FOOL, Connie Francis4, ALLEY-OOP, Hollywood Argyles5, ITSY BITSY TEENIE WEENIE YELLOW POLKADOT BIKINI, Brian Hyland6, ONLY THE LONELY (KNOW HOW I FEEL), Roy Orbison7, WALK — DON’T RUN, The Ventures8, CATHY’S CLOWN, The Everly Brothers9, MULE SKINNER BLUES, The Fendermen10, BECAUSE THEY’RE YOUNG, Duane Eddy And The Rebels 1961 Rank, Title, Artist1, TOSSIN’ AND TURNIN’, Bobby Lewis2, QUARTER TO THREE, U.S. Bonds3, THE BOLL WEEVIL SONG, Brook Benton4, I LIKE IT LIKE THAT, PART 1, Chris Kenner5, MICHAEL, The Highwaymen6, RAINDROPS, Dee Clark7, WOODEN HEART, Joe Dowell8, MOODY RIVER, Pat Boone9, DUM DUM, Brenda Lee10, LAST NIGHT, Mar-Keys 1962 Rank, Title, Artist1, ROSES ARE RED (MY LOVE), Bobby Vinton2, I CAN’T STOP LOVING YOU, Ray Charles3, THE STRIPPER, David Rose and His Orchestra4, BREAKING UP IS HARD TO DO, Neil Sedaka5, THE LOCO-MOTION, Little Eva6, THE WAH WATUSI, The Orlons7, SEALED WITH A KISS, Brian Hyland8, PALISADES PARK, Freddy Cannon9, SHEILA, Tommy Roe10, IT KEEPS RIGHT ON A-HURTIN’, Johnny Tillotson 1963 Rank, Title, Artist1, FINGERTIPS – PT 2, Little Stevie Wonder2, SURF CITY, Jan & Dean3, EASIER SAID THAN DONE, The Essex4, SO MUCH IN LOVE, The Tymes5, SUKIYAKI, Kyu Sakamoto6, WIPE OUT, The Surfaris7, BLOWIN’ IN THE WIND, Peter, Paul & Mary8, MY BOYFRIEND’S BACK, The Angels9, (YOU’RE THE) DEVIL IN DISGUISE, Elvis Presley With The Jordanaires10, CANDY GIRL, The 4 Seasons 1964 Rank, Title, Artist1, WHERE DID OUR LOVE GO, The Supremes2, I GET AROUND, The Beach Boys3, EVERYBODY LOVES SOMEBODY, Dean Martin4, A HARD DAY’S NIGHT, The Beatles5, RAG DOLL, The 4 Seasons feat. the “Sound of Frankie Valli”6, HOUSE OF THE RISING SUN, The Animals7, MEMPHIS, Johnny Rivers8, UNDER THE BOARDWALK, The Drifters9, THE LITTLE OLD LADY (FROM PASADENA), Jan & Dean10, WISHIN’ AND HOPIN’, Dusty Springfield 1965 Rank, Title, Artist1, (I CAN’T GET NO) SATISFACTION, The Rolling Stones2, I CAN’T HELP MYSELF (SUGAR PIE HONEY BUNCH), Four Tops3, I GOT YOU BABE, Sonny & Cher4, HELP!, The Beatles5, I’M HENRY VIII, I AM, Herman’s Hermits6, MR. TAMBOURINE MAN, The Byrds7, WHAT’S NEW PUSSYCAT?, Tom Jones8, YES, I’M READY, Barbara Mason9, CARA, MIA, Jay & The Americans10, SAVE YOUR HEART FOR ME, Gary Lewis And The Playboys 1966 Rank, Title, Artist1, WILD THING, The Troggs2, SUMMER IN THE CITY, The Lovin’ Spoonful3, LIL’ RED RIDING HOOD, Sam The Sham and the Pharaohs4, HANKY PANKY, Tommy James And The Shondells5, PAPERBACK WRITER, The Beatles6, SUNNY, Bobby Hebb7, STRANGERS IN THE NIGHT, Frank Sinatra8, RED RUBBER BALL, The Cyrkle9, SUNSHINE SUPERMAN, Donovan10, SEE YOU IN SEPTEMBER, The Happenings 1967 Rank, Title, Artist1, LIGHT MY FIRE, The Doors2, WINDY, The Association3, CAN’T TAKE MY EYES OFF YOU, Frankie Valli4, LITTLE BIT O’ SOUL, The Music Explosion5, I WAS MADE TO LOVE HER, Stevie Wonder6, ALL YOU NEED IS LOVE, The Beatles7, ODE TO BILLIE JOE, Bobbie Gentry8, A WHITER SHADE OF PALE, Procol Harum9, SAN FRANCISCO (BE SURE TO WEAR FLOWERS IN YOUR HAIR), Scott McKenzie10, BABY I LOVE YOU, Aretha Franklin 1968

Redacción Panamericana El recordado ‘Don Gilberto’ de Al fondo hay sitio enfrenta una dura recuperación tras una operación de alto riesgo. El querido actor peruano Gustavo Bueno, conocido por su inolvidable papel de ‘Don Gilberto’ en Al fondo hay sitio, preocupó a todos sus seguidores luego de someterse a una delicada cirugía de columna en el Hospital Nacional Edgardo Rebagliati Martins. La intervención fue necesaria debido a una fractura vertebral patológica, la cual ponía en riesgo su salud y movilidad. Su estado generó gran expectativa entre sus fanáticos y compañeros del mundo del espectáculo, quienes no dejaron de enviar mensajes de apoyo. Te puede interesar Magaly Medina sorprende al hablar de su encuentro con Gisela en Miami: «Hemos viajado juntas» La compleja intervención de Gustavo Bueno El especialista en columna vertebral, doctor José Fonseca Briceño, explicó que la cirugía representó un gran reto médico por la complejidad del caso. El procedimiento duró varias horas e incluyó estabilización con tornillos y descompresión de la médula espinal, con el objetivo de evitar secuelas graves. El médico señaló que, a pesar de la complejidad del caso y la edad del paciente, la respuesta fue positiva y destacó la fortaleza del actor durante el proceso. Evolución y recuperación de ‘Don Gilberto’ Afortunadamente, la evolución del reconocido intérprete ha sido muy favorable. Actualmente, se encuentra en proceso de rehabilitación, etapa crucial para su recuperación total. El apoyo de su familia y seres queridos ha sido clave para mantener su ánimo elevado. Sus seguidores, por su parte, no han dejado de enviar mensajes de aliento en redes sociales, celebrando cada avance y deseando verlo pronto nuevamente en las pantallas. La experiencia de Gustavo Bueno no solo ha conmovido a la industria artística, sino que también ha servido como ejemplo de resiliencia y optimismo. Su recuperación reafirma la importancia de la atención médica especializada y del acompañamiento emocional en procesos de salud complejos. @breakespectaculos El actor Gustavo Bueno reapareció .#LOÚLTIMO #farandula #destacados #ultimominuto #perú #loultimo #paratii #afhs ♬ Dramatic Tension – Litne Source link

This week, Riley Green offers up a smoldering heartbreaker of a song, while Dolly Parton reunites with bluegrass group The Grascals on an uplifting new track, and HARDY and ERNEST team up for a new song sounding a death knell for bro country. Explore See latest videos, charts and news Check out all of these and more in Billboard‘s roundup of some of the best country, bluegrass and/or Americana songs of the week below. Riley Green, “Make It Rain” Green has been making big career strides recently, thanks to flirty or sultry songs such as the Ella Langley collaboration “You Look Like You Love Me” and his own “Worst Way.” But on his latest, from his Don’t Mind If I Do deluxe project, Green’s voice brims with vulnerable remorse on this heartbreak ballad. Written by Green, Nick Walsh and Blake Pendergrass, the song’s verses find Green detailing the various things he has no power to do: “I can’t make the wind blow or the sun come out,” he sings. But by the chorus, he’s self-recriminating over his ability to shatter a romantic relationship, or as he puts it, bring his ex-lover to tears and “make it rain.” Flashes of intense, stormy guitar heighten the song’s raw emotional feel. Overall, the track is a persuasive reminder of Green’s prowess not only as a country vocalist, but as a songwriter. The Grascals and Dolly Parton, “Broken Angels” Bluegrass group The Grascals team with Dolly Parton on this uplifting track, which takes on issues of depression and addiction while being an uplifting encouragement to those recovering or in the midst of the struggle. The Grascals and Parton have had a longstanding creative kinship, with The Grascals touring with Parton early on. The Grascals co-founder Jamie Johnson co-wrote the song with Parton. “I know my better self wants to shine through,” they sing, their voices melding into warm, striking harmony as the lyrics plead for strength to keep aiming for a newfound peace. The tender song is bolstered by fiddle work from Jimmy Mattingly and Jamie Harper. The song also marks the debut single from The Grascals’s upcoming album and is a timely song that’s well worth repeated listens. HARDY and ERNEST, “Bro Country” While launching his own artist career that toggles hard rock and country hits, HARDY was himself known for crafting some of country music’s top “bro country”-era hits for artists such as Florida Georgia Line and Morgan Wallen in the mid-2010s. On his latest, he teams with fellow country singer-songwriter ERNEST to craft what’s essentially a musical farewell address to the passing of the “bro country” era. It isn’t the first time HARDY has written a musical eulogy for country music (2023’s “Here Lies Country Music” mourned the loss of old-school country). This new song, written by HARDY, ERNEST and Mark Holman, acknowledges the popularity and success of “bro country,” while chronicling the shift in sounds over the past several years as more traditional-leaning country sounds come to the forefront. Frank lyrics, with just a bit of snark, depict the rise of “big boys with beards,” noting that “Outlaws with long hair/ Yeah, they’re back with a vengeance.” Bringing in ERNEST (whose 2024 album Nashville, Tennessee, is steeped in vintage country sounds) as both a co-writer and vocalist brings an added grit to the song. SJ McDonald, “Honky Tonk Pie” Virginia native McDonald has previously established herself as an artist who etches unflinchingly honest songs and has a ’90s country-influenced sound, releasing songs such as “Right Hand Man.” In her latest, she details the anxiety-inducing lows of an artist paying dues in a quest for musical stardom, on lines such as “slingin’ cheap guitars, sleepin’ in my car, countin’ floorboard change.” With McDonald’s bright twang and the song’s rolling rhythms and relentless energy, this song is a worthy addition to any rotation. Baylee Lynn, “Cautiously Optimistic” Newcomer Lynn, 17, offers up equal parts bubbly pop-country with vulnerable songwriting on her debut single, “Cautiously Optimistic.” The captures the emotional tension of potential love after heartbreak, toggling between fear and the desire to trust in a fledgling new romance. Written by Lynn with AJ Pruis, Kyle Sturrock and Brett Tyler, this first outing from Lynn admirably blends her youthful vocal charisma with a sense of plucked-from-her-own-story relatability. Laci Kaye Booth, “Luck of the Draw” With songs like “Daddy’s Mugshot” and her latest, “Luck of the Draw,” Booth is cementing her reputation as a singer-songwriter who pulls no punches and refuses to water down her sound or her message. In her latest, she sings of trying to make sense of rising rents, rising drug use, and a plethora of other personal and societal challenges as an exercise in futility. “Life’s a gamble anyway,” she sings, as the song’s exquisitely crafted, resigned-yet-resilient storyline is driven by Booth’s enchanting, feather-light vocal. Booth wrote the song with Ryman Wooten and Ben West. The track follows her 2024 album The Loneliest Girl in the World. Source link

Premios Juventud unveiled the first round of artists performing at the show’s 22nd edition on Sept. 25. The lineup includes Xavi, Bad Gyal, Maluma, Grupo Firme, Camilo, Lola Índigo, Morat and Farruko — all artists who are nominated for this year’s awards. According to a release, Xavi will make his debut at Premios Juventud singing his latest single, “Corazón de Piedra;” Maluma will take the stage to sing “Bronceador” and Grupo Firme will perform “El Beneficio de la Duda” from their LP Evolución. In addition, Bad Gyal will sing “Da Me,” Camilo and Morat will join forces to perform their collaboration “Me Toca a Mí” and Farruko will sing “Bandido” and his latest single, “Oe Oe.” The Premios Juventud 2025 ceremony will air live from Panama, marking the first time it will be held outside the United States. “The move reinforces TelevisaUnivision’s commitment to honoring the strength, values, and traditions of Latin American communities,” according to a statement shared with Billboard. The 2025 Premios Juventud will air at 7 p.m. ET on Sept. 25 from Panama City’s Figali Convention Center on Univision, UNIMÁS, Galavisión and ViX.  This year, Bad Bunny and Danny Ocean lead the list of nominees with six noms each. They are followed by five-time nominees Anitta, Beéle, Carín León, Emilia, Myke Towers, Netón Vega and Peso Pluma. Additionally, eight new categories have been added, including best alternative Mexican music song, Afrobeat Latino song of the year and podcast of the year, to name a few.  Here’s the complete list of nominees for this year’s awards. Get weekly rundowns straight to your inbox Sign Up Source link

At long last, XG is releasing a debut album. In a Tuesday (Sept. 2) announcement, the Japanese girl group shared that its first-ever full-length is set to drop in a matter of months, with a lead single coming even sooner. As revealed in an ethereal, extra-terrestrial album teaser, JURIN, CHISA, HINATA, HARVEY, JURIA, MAYA and COCONA will unveil their debut LP on Jan. 23, 2026. In the clip, a snippet of music plays with the repeating phrase, “Everything you do.” Ahead of the project, the R&B/hip-hop septet will also unveil lead single “GALA” on Sept. 19. Described in a release as a “high-energy, runway-ready anthem driven by futuristic sounds and striking visual imagery,” the track will fuse “hard-hitting rap, bilingual flows, driving house rhythms and bold synth textures to create ‘X GALA,’ a futuristic reimagining of a high-fashion gala through XG’s distinctive lens.” As longtime fans of the Xtraordinary Girls know, the band’s first album has been a long time coming. After debuting in March 2022 with single “Tippy Toes,” the members released mini-album New DNA in September 2023, followed by Awe in November 2024. Over the past three years, XG has also expanded its global fanbase through live shows and festival stops, performing at Coachella earlier this year before headlining Japanese music fest a-nation in August. Pioneering a new genre of music that they refer to as “X-pop,” the members have maintained their close friendship even as the group’s star has risen. “What makes us extraordinary is that I feel we are able to break free from all these norms and borders that tend to bind us,” JURIN told Soy Kim for XG’s Billboard cover story in 2023. “By that same token, there is a bond between us that transcends a lot of types of challenges, and it’s really amazing to have that.” Check out XG’s debut album teaser below. Source link

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Alex Warren’s “Ordinary” reigns as the No. 1 title on Billboard’s Songs of the Summer chart for 2025. The song claims the title after topping the weekly survey all 14 weeks this season. The 20-position Songs of the Summer running tally tracks the most popular titles based on cumulative performance on the weekly streaming-, airplay- and sales-based Billboard Hot 100 chart from Memorial Day through Labor Day (this year encompassing charts dated June 7 through Sept. 6; Titles that appeared on the 2024 Songs of the Summer chart or peaked on the Hot 100 during or before summer 2024 were ineligible to appear on this year’s Songs of the Summer ranking.) Amid the start-to-finish win for “Ordinary” on Songs of the Summer, it ran up 10 weeks at No. 1 on the Hot 100, marking the singer-songwriter’s first leader on the list. This year marks the fifth in a row that only one title monopolized No. 1 on the Songs of the Summer chart all season, following Post Malone’s “I Had Some Help,” featuring Morgan Wallen (2024); Wallen’s “Last Night” (2023); Harry Styles’ “As It Was” (2022); and BTS’ “Butter” (2021). Following Wallen’s first-place finishes on Songs of the Summer the last two years, he takes the Nos. 2, 3 and 4 hits for 2025: “What I Want,” featuring Tate McRae, “Just in Case” and “I’m the Problem,” respectively. He is the first artist with three top five entries on a season-closing Songs of the Summer chart. All three songs are from his album I’m the Problem. Notably, “What I Want” drew the most official U.S. streams in the summer tracking period: 298 million, according to Luminate. “Ordinary” led in radio airplay audience — 930 million — and download sales — 92,000. Kendrick Lamar and SZA’s “Luther” lands the No. 5 spot on Songs of the Summer for 2025. Rounding the Songs of the Summer top 10: Lady Gaga and Bruno Mars’ “Die With a Smile” (No. 6); current Hot 100 leader “Golden” by HUNTR/X: EJAE, Audrey Nuna and REI AMI, from Netflix’s summer smash film KPop Demon Hunters (No. 7); Chappell Roan’s “Pink Pony Club” (No. 8); Sabrina Carpenter’s “Manchild” (No. 9); and Ravyn Lenae’s “Love Me Not” (No. 10). Check out the top 10 summer songs every year throughout the Hot 100’s history (from the chart’s start in 1958); the top 500 Greatest of All Time Songs of the Summer; and the Songs of the Summer chart in its entirety each week throughout the summer. It’s free Billboard charts month! From Sept. 2 through Sept. 30, subscribers to Billboard’s Chart Beat newsletter, emailed each Friday, can unlock access to Billboard’s weekly and historical charts, artist chart histories and all Chart Beat stories simply by visiting the newly redesigned Billboard.com through any story link in the newsletter. Not a Chart Beat subscriber? Sign up for free here. Source link

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