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Categoría: Billboard

Aaliyah Earns First-Ever No. 1 on Billboard’s Adult R&B Airplay Chart

More than 30 years after her musical debut, and two decades after her death, Aaliyah posthumously earns her first No. 1 on Billboard’s Adult R&B Airplay chart. “Gone,” which features Tank, crowns the list dated Sept. 27 as the most-played song on panel-contributing adult R&B radio stations in the Sept. 12-18 tracking week. Explore See latest videos, charts and news “Gone,” released and promoted on Blackground Records, rises from No. 2 with a 23% surge in weekly plays, according to Luminate. The song becomes Aaliyah’s first Adult R&B Airplay leader among 14 appearances. Her previous best came via her cover of The Isley Brothers’ “At Your Best (You Are Love),” which reached No. 4 in November 1994. That song marked her second visit, after debut hit “Back and Forth,” which hit No. 6 that June. She logged nine of her chart entries during her lifetime, prior to her death in a plane crash in August 2001 at age 22. For Tank, his featured slot on “Gone” gives him a milestone 10th Adult R&B Airplay champ. He ties Charlie Wilson and Usher for the most leaders among male artists and is the sixth artist overall to break the double-digit mark since the radio ranking began in September 1993. Alicia Keys ranks first overall, with 14 No. 1s, with Toni Braxton (11) and Mary J. Blige (10) also in the club. As Tank climbs the leaderboard, let’s review the singer-songwriter’s No. 1 collection on Adult R&B Airplay: “Please Don’t Go,” No. 1 for 10 weeks, beginning May 19, 2007“Next Breath,” one, June 16, 2012“When We,” 11, Nov. 18, 2017“Dirty,” three, April 20, 2019“Can’t Let It Show,” two, July 3, 2021“I Deserve,” one, March 19, 2022“Slow,” feat. J Valentine; two, Nov. 5, 2022“See Through Love,” feat. Chris Brown; one, May 20, 2023“Before We Get Started,” feat. Fabolous; two, June 1, 2024“Gone,” Aaliyah feat. Tank; one (to date), Sept. 27, 2025 Elsewhere, “Gone” advances 15-13 on the R&B/Hip-Hop Airplay chart, which ranks songs by combined audience totals from adult R&B and mainstream R&B/hip-hop radio stations. There, it improved 24% to 5.8 million in reach. It’s free Billboard charts month! Through Sept. 30, subscribers to Billboard’s Chart Beat newsletter, emailed each Friday, can unlock access to Billboard’s weekly and historical charts, artist chart histories and all Chart Beat stories simply by visiting the newly redesigned Billboard.com through any story link in the newsletter. Not a Chart Beat subscriber? Sign up for free here. Source link

NBA YoungBoy’s Chicago MASA Tour Date Canceled By Venue

As YoungBoy Never Broke Again travels the country on his first-ever headlining arena tour, the MASA Tour’s Chicago stop set for Wednesday has been canceled by the United Center. Explore See latest videos, charts and news The venue announced that YB’s Chicago show was canceled on Tuesday (Sept. 23) without much of an explanation. “The United Center has made the decision to cancel the NBA YoungBoy show scheduled for Wednesday, September 24 in Chicago,” the United Center wrote in a message posted to its website. “If you purchased through Ticketmaster, refunds will be issued automatically. If you purchased from a third-party reseller, please reach out to your point of purchase.” Ticketmaster added that refunds would be issued to all fans at the point of purchase. “You don’t need to do a thing,” the ticket giant said. “We’ll issue a refund to the original method of payment used at time of purchase, as soon as funds are received from the Event Organizer.” The cancellation comes on the heels of the United Center implementing a stricter bag policy, which was set to ban fans from bringing bags of any kind to the YoungBoy show. YoungBoy’s manager, Alex Junnier, called out the United Center for the last-minute cancellation on his IG Story. “@UnitedCenter bitched out. Shoutout to Joe Myhra @UnitedCenter. He didn’t want us to have fun. scary,” he wrote, attacking Myhra, who appears to be the SVP of operations at the venue. “It’s ok everyone Joe just sits behind a desk and got nervous.” Footage recently emerged of a fan involved in a physical altercation with an elderly security guard at YoungBoy’s Kansas City show. Per KCTV 5, a 14-year-old was detained for allegedly assaulting the T-Mobile Center employee. “We are aware of an incident at last night’s NBA YoungBoy concert in which multiple T-Mobile Center team members were assaulted by a fan,” Shani Ross, VP Sales and Marketing for the T-Mobile Center, said in a statement to KCTV 5. “The incident was captured on video and has been provided to local law enforcement. Our immediate concern is the well-being of our staff who sustained serious injuries. After receiving prompt attention from on-site First Aid personnel, they were later treated at a local hospital.” YoungBoy’s MASA Tour is slated to continue this week with shows in Columbus, Brooklyn and Boston. Billboard has reached out to reps for YoungBoy, Ticketmaster and the United Center for comment. Source link

Tom MacDonald’s Charlie Kirk Song Debuts on Hot 100, Tops Sales Chart

Tom MacDonald’s “Charlie,” a tribute anthem to the late Charlie Kirk, climbs to No. 1 on Billboard’s Digital Song Sales chart (dated Sept. 27) after its first full tracking week. The song, released Thursday, Sept. 11, debuted at No. 2 a week earlier with 7,000 downloads sold in the last hours of that Friday-Thursday tracking week, according to Luminate. “Charlie” then sold 18,000 Sept. 12-18 for its coronation. The cut, which MacDonald issued on his eponymous independent label, was released following Kirk’s assassination, at age 31, on Sept. 10 during an appearance at Utah Valley University in Orem, Utah. The killing and its aftermath dominated news headlines and social media conversation in the ensuing days amid discourse surrounding political violence and freedom of speech. President Donald Trump, among other notables, attended and spoke at Kirk’s memorial service on Sept. 21 in Glendale, Ariz. MacDonald collects his eighth No. 1 on Digital Song Sales, all of which have ruled for one week. He first led with 2021’s “Fake Woke” and followed with “Ghost” in 2023; two more leaders in 2024, “You Missed” and “Goodbye Joe,” with Nova Rockafeller; and a chart-leading four champs thus far this year: “Daddy’s Home,” with Roseanne Barr, “Man in the Sky,” “The Devil Is a Democrat” and “Charlie.” In addition to its sales, “Charlie” registered 4.7 million official streams in the United States in its first full tracking week. The combined sums spark the song’s entrance on three multimetric Billboard charts: No. 6 on Hot Rap Songs, No. 12 on Hot R&B/Hip-Hop Songs and No. 77 on the all-genre Billboard Hot 100. The debut gives the rapper his third entry on the foremost ranking, eighth on the middle list and fifth on the Hot 100. It’s free Billboard charts month: Through Sept. 30, subscribers to Billboard’s Chart Beat newsletter, emailed each Friday, can unlock access to Billboard’s weekly and historical charts, artist chart histories and all Chart Beat stories simply by visiting the newly redesigned Billboard.com through any story link in the newsletter. Not a Chart Beat subscriber? Sign up for free here. Source link

Katy Perry Says She’s Done ‘Forcing’ Things in ‘143’ Anniversary Post

Katy Perry is looking back on this past year with love. In a lengthy post on Instagram, the pop star reflected on the “incredible impact” she’s felt since releasing her album 143, taking stock of all the twists and turns she’s faced in the process. Sharing several photos and videos of herself and her team meeting fans, executing the rollout of 143 and traveling around the world on her Lifetimes Tour, Perry began by writing that — while she’s usually “not one for anniversary posts” — she thought it “would be negligent of me to not acknowledge the incredible impact this last year has had on me.” “1 year ago, 143 came out and I took the weekend to reflect,” she continued. “Records are snapshots of an artist trying to tell their story of where they are now or have been, and hope someone will hear themselves in some of the messages. 143 to me was literally me saying I love you to my fans. Looking back now, I realize it has been all about reconnecting to my fans through these songs and through this wonderful tour that has given me the opportunity to see so many of you again and for the first time.” Perry went on to say that while she and her fans have “been through a rollercoaster” over the past year, she’s “proud” of how her community has stuck together through it all. “We celebrate the wins and reflect on the losses,” she wrote. “All of it is valuable. Let’s hope we get to evolve together for years to come and at the end of it all be proud and at peace with how we tried our best in this imperfect world.” It’s undeniable that the former American Idol judge has been through a lot in the last 12 months. For starters, the release of 143 in September 2024 was clouded with controversy as many critics took issue with Dr. Luke involvement in the album given the accusations of sexual violence against him, which he denies. On an episode of Call Her Daddy last year, Perry explained that she wanted to work with the producer no matter what because “I wrote these songs from my experience of my whole life going through this metamorphosis, and he was one of the people to help facilitate all that.” Aside from music, Perry also experienced a breakup from longtime partner Orlando Bloom in June, though the couple still seems to be friendly as they coparent their daughter, Daisy Dove. A couple of months before that, the musician went to space on Blue Origin’s first-ever all-woman flight crew — but that venture was also shrouded in controversy, with some critics deeming it a waste of resources. On a more introspective note in her Instagram post, however, the singer shared that — throughout all those ups and downs — she’s been asking herself whether she truly loves herself on an everyday basis. “Today’s answer is yes,” she revealed. “I am proud of where and how I have landed in this moment. Proud of myself, proud of my fans and proud that I keep on swinging … Through my years in the spotlight, I have been beloved, tested and tried. That’s the journey.” In the comments, Perry added, “Whatever comes next, I’m letting it unfold naturally. No forcing, no controlling – just trusting the angels, the fans, and the music to guide me where I’m meant to go. Please know this: my love for you is unconditional, and I couldn’t do any of this without you.” Source link

Rauw Alejandro’s ‘GuabanSexxx’ Debuts at No. 1 on Hot Latin Pop Songs

Rauw Alejandro starts strong with “GuabanSexxx,” which bounds in atop Billboard’s Hot Latin Pop Songs chart (dated Sept. 27). The ranking blends streaming, radio audience and sales data, with “GuabanSexxx” debuting fueled largely by streams: 2.5 million official U.S. clicks in the week ending Sept. 18, according to Luminate. Alejandro’s Hot Latin Pop Songs first coronation follows “Carita Linda,” which hit No. 2 in April, when the chart began. Explore See latest videos, charts and news “GuabanSexxx” also makes its first appearance at No. 17 on Hot Latin Songs, marking his milestone 75th entry on the chart. He boasts 16 top 10s on the survey, rising to No. 2 bests with “Qué Pasaría…,” with Bad Bunny, last November and “Todo de Ti” in 2011. The new single also debuts at No. 2 on Latin Digital Song Sales. “GuabanSexxx,” which draws inspiration from Guabancex, the Taíno goddess of storms and chaos, is from Alejandro’s sixth studio album, Cosa Nuestra: Capítulo 0, due Friday (Sept. 26). The song follows two tracks from the set that each reached Hot Latin Songs: “Carita Linda” (No. 23 peak in April) and “Buenos Términos” (No. 18 in August). “GuabanSexxx” also bows at No. 7 on Hot Latin Rhythm Songs, eclipsing the No. 8 start and peak for “Buenos Términos.” It’s free Billboard charts month! Through Sept. 30, subscribers to Billboard’s Chart Beat newsletter, emailed each Friday, can unlock access to Billboard’s weekly and historical charts, artist chart histories and all Chart Beat stories simply by visiting the newly redesigned Billboard.com through any story link in the newsletter. Not a Chart Beat subscriber? Sign up for free here. Source link

Gloria Estefan Scores Second No. 1 This Year on Latin Airplay Chart

Gloria Estefan banks her 13th No. 1 on Billboard’s Latin Airplay chart with “La Vecina (No Se Na’),” which rises a spot on the survey dated Sept. 27. The song is the second single to land at the summit on the overall Latin Airplay chart from her album, Raíces, after the title track led for a week in May. Explore See latest videos, charts and news The set debuted in the top 10 on the Top Tropical Albums chart in June. “It’s both humble and incredibly emotional for me,” Estefan told Billboard upon its chart start. Estefan first topped Latin Airplay with “Abriendo Puertas” in 1995 (nearly a year after the chart began). When “Raíces” reached No. 1, she became the seventh artist with leaders in the ‘90s, 2000s, ‘10s and ‘20s, joining Marc Anthony, Alejandro Fernández, Enrique Iglesias, Jennifer López, Ricky Martin and Shakira. The genre legend earns multiple Latin Airplay leaders in a single year for the first time since 2000. She also doubled up in 1997. “La Vecina (No Se Na’)” drew 9.8 million audience impressions, up 31%, Sept. 12-18, according to Luminate. The song also adds an eighth week at No. 1 on Tropical Airplay. La Arrolladora Banda El Limón’s 20th Leader: “It Fills Us With Pride”On the Regional Mexican Airplay chart, La Arrolladora Banda El Limón de René Camacho claims its 20th leader as “Aunque Tiren Hate” lifts 2-1. “It fills us with pride to know that our music has become part of so many people’s stories,” the group’s Don René Camacho tells Billboard. “These songs are not just melodies, but memories, feelings and moments that have marked important stages in their lives.” The group becomes the fourth act with 20 or more No. 1s since Regional Mexican Airplay began in 1994. Calibre 50 holds the record with 27, followed by Banda MS de Sergio Lizárraga and Intocable, each with 21.“Aunque Tiren Hate” totaled 8.3 million in audience during the tracking period, a 33% gain. The song also surges 7-2 on the overall Latin Airplay chart, marking the group’s highest position since 2013. “Thank you for opening the doors of your hearts to us,” Camacho directly nods to the band’s fans, “and for keeping our music alive, transcending generations and borders.” Maluma Bounds With ‘Bronceador’Marking another airplay coronation, Maluma scores his second No. 1 this year, and 14th overall, on Latin Pop Airplay as “Bronceador” bumps 2-1. The Mad Musick, Ily Wonder and Los Jaycobz-produced track, whose title translates to “suntan lotion,” is the second single, and chart-topper, from Maluma’s forthcoming set, +Pretty +Dirty. The song advances via a 14% gain to 6.8 million in audience. It also posts a new high on Latin Airplay (9-5). It’s free Billboard charts month! Through Sept. 30, subscribers to Billboard’s Chart Beat newsletter, emailed each Friday, can unlock access to Billboard’s weekly and historical charts, artist chart histories and all Chart Beat stories simply by visiting the newly redesigned Billboard.com through any story link in the newsletter. Not a Chart Beat subscriber? Sign up for free here. Source link

Tyler the Creator Might Take Long Touring Break After Chromakopia

Tyler, The Creator is busy wrapping up his Chromakopia World Tour in the Philippines — and it might be his last for quite some quite. “I’m excited to go home and think about if I’ll ever really tour again. I can’t lie to y’all, I’m at that part of my life where, man, I’ve done enough,” he contemplated to the audience during Sunday’s show (Sept. 21). “Let me go take a very, very, very long break. Y’all treated me very well, y’all treated Paris, Texas, very well. So, thank y’all.” Tyler will be able to get some rest until November, when he’ll host and headline his Camp Flog Gnaw carnival, which is set to take over Dodger Stadium the weekend of Nov. 15 and Nov. 16. Explore See latest videos, charts and news Last month, he released a crossword puzzle for fans to figure out the festival lineup, which will include performances by Childish Gambino, Clipse, Larry June, 2 Chainz and Tems. Tyler will then continue to recover and reset until March, when he’ll head to South America for a Lollapalooza circuit run in Argentina, Brazil and Chile. He also has shows in Colombia, Puerto Rico, Mexico and Costa Rica scheduled for 2026. The 34-year-old has been busy for the last year-plus. He released his Chromakopia album in October 2024 and then hit the road in February for the Chromakopia World Tour. In the midst of his North American leg, Tyler surprised fans with the release of his dance-leaning Don’t Tap The Glass album in July, which debuted atop the Billboard 200 with 197,000 album units earned. Source link

How Did Twenty One Pilots’ ‘Breach’ Debut Atop the Billboard 200?

In the mid-’10s, Twenty One Pilots became one of the biggest crossover acts in pop music, scoring a trio of top five hits on the Billboard Hot 100 and topping the Billboard 200 with its Blurryface album. A decade later, the Pilots hadn’t matched that crossover success on either chart, with no additional top five singles and a number of top five albums, but no subsequent number ones. Explore See latest videos, charts and news That is, until this week. On the Billboard 200 dated Sept. 27, the duo’s latest set Breach — marking the apparently final entry in the decade-long narrative the group started with Blurryface bows at No. 1. The set posts 200k in first-week units, not only besting even its Blurryface total from 2015, but also bettering the debut number from any other rock album yet this decade. How did the duo manage this performance? And what other rock acts could rival that number in the years to come? Billboard writers answer these questions and more below. 1. Twenty One Pilots’ Breach debuts atop the Billboard 200 with a career-best 200,000 first-week units. On a scale of 1-10, how excited should Twenty One Pilots be about that performance? Kyle Denis: 10. I don’t see how anyone wouldn’t be over the moon after pulling off a career-best opening week, especially when they debuted 16 years ago. In 2025, cracking 200k first-week is nothing to scoff at for pretty much anyone. And it’s incredibly impressive that Twenty One Pilots did this as a rock act without a current crossover hit.  Gil Kaufman: 10. For a group that — as they noted at their tour kick-off in Cincinnati last week — has been around for more than 15 years and never knows if its new music will hit, this is a huge deal. Whether you believe the perpetual “rock is dead” mantra or not, rock has been largely missing from the top of the 200 as of late. Landing the biggest debut for any rock LP in six years is a monumental feat for a group whose chart success hasn’t always matched its steady, and still-growing, live appeal. Jason Lipshutz: A 10. This is a statement opening week — a veteran artist returning with a ton of excitement and a physical-product promo blitz, scoring a notably huge debut number, and reasserting their commercial power unequivocally. Twenty One Pilots have been earning top 5 album debuts for over a decade, but Breach becoming their first chart-topper since Blurryface — which was their mainstream breakthrough in 2015, with their career-best first-week total — is the type of accomplishment that can re-frame the legacy of a group for those who hadn’t been paying close attention. More artists wish they could notch a game-changing No. 1 debut like this one. Andrew Unterberger: Gotta be a 10, right? A number even half as big would’ve still been pretty impressive for the duo at this point in its career, but 200k with no major hits or pop-cultural momentum behind it? That’s a jaw-dropping number, and one that shows how successfully Twenty One Pilots has tended to its fanbase over the years, making sure that even at times when not many new fans were jumping on that no one old was ever jumping off, and continuing to slowly-but-surely grow the core audience to where it is today. Christine Werthman: A No. 1 album and some career-best numbers? No-brainer: That should register as a big 10 on the excitement meter. On top of that, this is the biggest debut for a rock album since Tool’s Fear Inoculum in 2019. Does this thing go to 11?  2. That 200k number is going to be an eye-opener for a lot of people who assumed that the duo’s popularity had declined with its radio dominance. What do you think is the biggest reason the Pilots were able to have such an impressive debut for Breach?  Kyle Denis: I think there were several factors at play. First, Breach had the luxury of arriving as the final installment in a decade-long album series consisting of Blurryface (2015), Trench (2018) and Sealed and Icy (2021). That hype from fans who have patiently followed the series and unpacked the band’s lore is priceless; it also helps that the duo started dropping teases for Breach during the final dates of the Clancy World Tour.  Moreover, Breach was available across 15+ vinyl variants, three deluxe CDs and various streaming platforms, giving fans ample opportunity to collect different versions of the record, some of which house bonus tracks or alternative cover art. Finally, 21P’s Josh Dun has been a hot topic across socials, particularly TikTok, thanks to the news of him and wife Debby Ryan (a Disney Channel icon for mid-late Gen Z) expecting their first child. Even if the Breach singles weren’t necessarily crossing over à la “Ride” or “Stressed Out,” the band’s celebrity certainly did.  Gil Kaufman: The proof is in the band’s live draw. This just-launched tour opened with a 21,000-capacity sell-out of a soccer stadium, with the feeling that it could have been even bigger. This band’s die-hard fans, the Skeleton Clique, not only buy merch in fistfuls, but they came with their own home-brewed gear, knew every lyric to all of the new songs from an album out less than a week, and ride or die for the duo, in an emo-Swiftian fashion. Jason Lipshutz: A combination of in-demand physical releases — including 15 vinyl variants, which contributed 72,000 copies to that 200,000 total — and music that continues to connect. In addition to Breach wrapping up the multi-album Clancy arc for hardcore fans, the album also included another alternative radio smash in “The Contract,” and set up another arena tour for the duo. While this No. 1 debut is much bigger than expected, Twenty One Pilots is still a very popular band, with a catalog of hits and lots of industry support for their new music.  Andrew Unterberger: Everybody loves a happy ending, right? Can’t say I

Enigma Norteño Will Move Forward Without Ernesto Barajas

September 19 marked one month since the tragic death of Ernesto Barajas, the leader of the regional Mexican group Enigma Norteño, who was killed outside Guadalajara, Jalisco, Mexico. The musician had been working on a new project with his bandmates, who have decided to release the material as an EP and continue their two-decade-long career. “We took some time to think and reflect on what happened, and we decided that, despite the irreparable loss of Ernesto, our career will continue,” says Humberto Pérez “Kirri,” bassist and founder of the norteña band, in an exclusive interview with Billboard Español. “It’s something we’re sure he would have wanted.” “With great pain in our hearts, but full of strength, we will move forward with our musical project that we all worked so hard for,” adds Adán Hernández, bajo quinto player and the group’s backup vocalist. Titled Las Que Más Nos Gustan and recorded just weeks before Barajas’ passing, the EP — set to be released on November 13 under the Fono label — is a collection of covers of hits by other regional Mexican artists, reimagined in Enigma Norteño’s signature style. The first single, a version of Banda El Recodo’s “La Mejor de Todas,” was released last Tuesday (Sep. 16) as a posthumous tribute to Barajas, who would have turned 39 that day. The second single, a rendition of Duelo’s “Un Idiota Como Yo,” is set to drop on October 16. Other tracks on the album include “Ya Es Muy Tarde,” originally by La Arrolladora Banda El Limón de René Camacho; “Fantasía,” a classic by Grupo Costumbre; “Voy a Pintar Mi Raya” by Banda Arkángel R-15; and “Derecho de Antigüedad” by La Original Banda El Limón. As previously reported by Billboard Español, the regional Mexican genre was in mourning following the murder of Barajas on August 19, leaving the future of Enigma Norteño uncertain. However, the group — known for its narcocorridos like “El Flaquito,” “Quemándose un Gallito (El Rambo)” and “El Chicken Little (El 09)” — has confirmed that not only will it move forward with their planned EP, but the members are also preparing for an upcoming tour, which will feature special guests to be announced soon. “From now on, our mission will be to take the next step, just as Ernesto always wanted: to bring our music to every corner of Mexico, the United States, and wherever possible,” says Conín Camacho, the group’s drummer. “This will be a tribute, carrying his essence in every performance.” FONO Source link

Maren Morris Shares New Song ‘Beat The Devil’ in Trailer For CBS Series ‘Sheriff Country’: Watch

“There’s gonna be a reckoning,” Maren Morris sings in a newly released song, “Beat The Devil.” The song serves as the musical centerpiece in a new trailer for the upcoming CBS series, Sheriff Country. Sheriff Country will premiere Oct. 17 on CBS at 8 p.m. CT. Beginning with the show’s second episode (on Friday, Oct. 24), the series will air in its regular time slot of 7 p.m. CT. “There’s a sinister but strangely empowering nature to my song ‘Beat the Devil,’ so it threading the needle so beautifully with the theme of Sheriff Country is a testament to music amplifying the incredible acting and writing of this show,” Morris said in a statement. The series stars Morena Baccarin as sheriff Mickey Fox, who is also the stepsister of division chief Sharon Leon (played by Fire Country‘s Diane Farr). Fox investigates criminal activity in small-town Edgewater, while also having to deal with her ex-con father, as well as a mysterious occurrence that involves Fox’s wayward daughter. Sheriff Country serves as a brand extension of the series Fire Country, which has also had a solid connection with country music, featuring country artists such as Kane Brown and Jelly Roll. Executive producers for Sheriff Country are Matt Lopez (who also serves as showrunner), Max Thieriot, Tony Phelan, Joan Rater, and Jerry Bruckheimer and KristieAnne Reed for JBTV. CBS Studios produces the series, with Paramount Global Content Distribution handling the show’s distribution. Morris has released two projects this year, including her fourth album, Dreamsicle, which released May 9, and the deluxe version of the project, which dropped on Aug. 1 with four new tracks. Morris launched her Dreamsicle Tour in July, with the trek continuing in the United States before heading to Europe, the UK, Australia and New Zealand. See the trailer for Sheriff Country, featuring Morris’s “Beat The Devil,” below. Source link

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