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Megadeth’s Last Album and Farewell Tour Announced by Vic Rattlehead

Megadeth is saying farewell. After 16 albums, the band’s frontman, Dave Mustaine, announced on Thursday (Aug. 14) that their next project will be their last, with a goodbye tour to support it. The news came in the form of a video posted to the band’s YouTube page and social media accounts, featuring Mustaine’s alter ego, Vic Rattlehead breaking the news. Explore See latest videos, charts and news “For over four decades, I’ve been chained in silence, but the end demands my voice,” Vic begins while seated behind a desk. “It is confirmed: The next Megadeth studio album will be the last. Forty years of metal, forged in steel, ending in fire. And when the new year rises, the global farewell tour. You’ve heard the warning. Now prepare yourself, Cyber Army. Stay loud, stay tuned, and meet me on the frontlines.” In a press release, Mustaine thanked fans for their commitment and love while celebrating the band’s impact on rock n’ roll. “There’s so many musicians that have come to the end of their career, whether accidental or intentional,” Mustaine said. “Most of them don’t get to go out on their own terms on top, and that’s where I’m at in my life right now. I have traveled the world and have made millions upon millions of fans and the hardest part of all of this is saying goodbye to them.” He continued. “We can’t wait for you to hear this album and see us on tour. If there was ever a perfect time for us to put out a new album, it’s now. If there was ever a perfect time to tour the world, it’s now. This is also a perfect time for us to tell you that it’s our last studio album. We’ve made a lot of friends over the years and I hope to see all of you on our global farewell tour. Don’t be mad, don’t be sad, be happy for us all, come celebrate with me these next few years. We have done something together that’s truly wonderful and will probably never happen again. We started a musical style, we started a revolution, we changed the guitar world and how it’s played, and we changed the world. The bands I played in have influenced the world. I love you all for it. Thank you for everything.” The follow-up to 2022’s The Sick, the Dying… and the Dead! will be released via Mustaine’s Tradecraft imprint on Frontiers Label Group’s new BLKIIBLK label, and does not yet have a release date, but is expected next year. Fans can register for early access to exclusive information and offers surrounding the forthcoming final album on Megadeth’s website. According to the site, pre-orders start on Sept. 25. The initial run of farewell tour dates will also be announced later this year. Check out a social media clip below featuring Vic Rattlehead breaking the news: Source link

Samahara Lobatón sobre Ivana Yturbe y Jefferson Farfán: “Me ocultó su romance”

Redacción Panamericana La hija de Melissa Klug revelará detalles del romance de Ivana Yturbe y Jefferson Farfán que le ocultaron y acusaciones a la Foquita. Samahara cuenta detalles de la relación de Ivana y Jefferson Samahara Lobatón, hija de Melissa Klug, sorprendió al revelar en el adelanto de El valor de la verdad que Ivana Yturbe le ocultó que estaba saliendo con Jefferson Farfán, algo que fracturó su amistad. “Ivana y yo éramos uña y mugre, pero nunca me dijo ‘yo estoy saliendo con él’. Me lo ocultó al comienzo. Yo sabía que viajaban juntos. Lo que hace la calentura y el amor”, dijo Samahara, dejando claro que este episodio marcó un antes y un después en su relación. Te puede interesar Mejor amiga de Pamela Franco revela situación tras escándalo con Cueva: “Ella está sufriendo” Farfán y sus vínculos con amigas cercanas La hija de Abel Lobatón también aseguró que Jefferson Farfán mostró interés por otras de sus amigas cercanas, mencionando nombres como Delany, Darinka y Xiomy Kanashiro. Incluso, insinuó que el exfutbolista habría tenido aventuras con varias de ellas al mismo tiempo. Acusaciones contra la ‘Foquita’ Pero eso no fue todo. Samahara reveló que Farfán intentó intervenir en su relación con Bryan Torres. Según su testimonio, la ‘Foquita’ le escribió directamente a su pareja para advertirle que no saliera con ella e incluso planear un supuesto ampay. Te puede interesar Leslie Shaw arremete contra Marisol: “Haces un videoclip de 5 soles” “Él le dijo que le iba a armar un ampay para que lo grabaran con otra mujer y así alejarlo de mí. Prácticamente humillándome”, acusó. ¿Cuándo se transmite El valor de la verdad? Las declaraciones, que se emitirán completas este 17 de agosto, prometen encender la polémica en la farándula peruana. La tensión entre Samahara, Ivana Yturbe y Jefferson Farfán parece estar lejos de terminar, y todo apunta a que este nuevo capítulo dará mucho de qué hablar. @elvalordelaverdadoficial Samahara Lobatón llega al sillón rojo 👀 y está vez, no es un titular, no es un chisme… es con su verdad. 🔥 Escándalos, amores y verdades incómodas que por fin contarán su lado de la historia este domingo 17 de agosto. Por Panamericana Televisión y en simultáneo por nuestro canal oficial de YouTube a las 10 P.M. 😎 #ElValorDeLaVerdad #BetoOrtiz #SamaharaLobatón #jeffersonfarfan #sillónrojo @el detrás de Beto @Panamericana Televisión ♬ sonido original – El Valor De La Verdad Source link

Samahara Lobatón sobre Ivana Yturbe y Jefferson Farfán: “Me ocultó su romance”

Samahara cuenta detalles de la relación de Ivana y Jefferson Samahara Lobatón, hija de Melissa Klug, sorprendió al revelar en el adelanto de El valor de la verdad que Ivana Yturbe le ocultó que estaba saliendo con Jefferson Farfán, algo que fracturó su amistad. “Ivana y yo éramos uña y mugre, pero nunca me dijo ‘yo estoy saliendo con él’. Me lo ocultó al comienzo. Yo sabía que viajaban juntos. Lo que hace la calentura y el amor”, dijo Samahara, dejando claro que este episodio marcó un antes y un después en su relación. Te puede interesar Milenka Nolasco conmueve con revelación sobre su familia: “Saco adelante a mis papás” Farfán y sus vínculos con amigas cercanas La hija de Abel Lobatón también aseguró que Jefferson Farfán mostró interés por otras de sus amigas cercanas, mencionando nombres como Delany, Darinka y Xiomy Kanashiro. Incluso, insinuó que el exfutbolista habría tenido aventuras con varias de ellas al mismo tiempo. Acusaciones contra la ‘Foquita’ Pero eso no fue todo. Samahara reveló que Farfán intentó intervenir en su relación con Bryan Torres. Según su testimonio, la ‘Foquita’ le escribió directamente a su pareja para advertirle que no saliera con ella e incluso planear un supuesto ampay. Te puede interesar Mejor amiga de Pamela Franco revela situación tras escándalo con Cueva: “Ella está sufriendo” “Él le dijo que le iba a armar un ampay para que lo grabaran con otra mujer y así alejarlo de mí. Prácticamente humillándome”, acusó. ¿Cuándo se transmite El valor de la verdad? Las declaraciones, que se emitirán completas este 17 de agosto, prometen encender la polémica en la farándula peruana. La tensión entre Samahara, Ivana Yturbe y Jefferson Farfán parece estar lejos de terminar, y todo apunta a que este nuevo capítulo dará mucho de qué hablar. @elvalordelaverdadoficial Samahara Lobatón llega al sillón rojo y está vez, no es un titular, no es un chisme… es con su verdad. Escándalos, amores y verdades incómodas que por fin contarán su lado de la historia este domingo 17 de agosto. Por Panamericana Televisión y en simultáneo por nuestro canal oficial de YouTube a las 10 P.M. #ElValorDeLaVerdad #BetoOrtiz #SamaharaLobatón #jeffersonfarfan #sillónrojo @el detrás de Beto @Panamericana Televisión ♬ sonido original – El Valor De La Verdad La entrada Samahara Lobatón sobre Ivana Yturbe y Jefferson Farfán: “Me ocultó su romance” se publicó primero en Radio Onda Cero. Source link

A History of Girl Groups at No. 1 on the Billboard Hot 100

HUNTR/X isn’t your average girl group — and not just because it has a fictional foundation. The trio are the animated stars of Netflix’s KPop Demon Hunters, where the members lead double lives as both global pop sensations and demon slayers. The group — Rumi, Mira and Zoey, whose music is voiced by real-life singers EJAE, Audrey Nuna and REI AMI — joins elite history this week (on the chart dated Aug. 16) by hitting No. 1 on the Billboard Hot 100 with “Golden.” After debuting in early July, the track has snowballed into a phenomenon, powered by gains across multiple metrics. It rises to the top with 31.7 million official streams (up 10%), 8.4 million radio audience impressions (up 71%) and 6,000 sold (up 35%) in the United States Aug. 1-7, according to Luminate. Fictional or not, HUNTR/X now joins an exclusive club. The trio becomes the 23rd all-woman group in the Hot 100’s 67-year history to hit No. 1, and the first in nearly a quarter-century. The last time it happened was with Destiny’s Child in 2001, with “Bootylicious.” Even though that’s a long drought, girl groups have a deep history on the Hot 100, stretching back to a golden age in the 1960s, when acts like the Supremes and the Shirelles ruled. As we look back on every Hot 100 No. 1 song by girl groups, it’s worth noting that some of these acts would likely shy away from calling themselves a “girl group” (with some preferring to be known simply as a band, especially if its members play instruments). There also isn’t one specific “girl group sound” — HUNTR/X and the Supremes don’t have much in common beyond having all-female lineups. So for this list, we’re counting all the No. 1s by all-female acts with at least three members. That rules out female-dominated but mixed-gender bands including Fleetwood Mac and Heart; male-female family groups such as the Staple Singers; and superstar one-offs by soloists, such as 2001’s “Lady Marmalade” by Christina Aguilera, Mya, P!nk and Lil’ Kim. Before we get into it, other beloved such acts came close to reaching No. 1 on the Hot 100, but just missed the pinnacle. That’s a list that includes BLACKPINK, En Vogue, Fifth Harmony, TWICE and the Go-Go’s — the lattermost are the only all-woman rock band to ever ever top the Billboard 200 albums chart. By the definition above, 44 songs by girl groups have reached No. 1 on the Hot 100. Let’s break them down by decade, starting with the era when girl groups largely defined pop music. ‘60s Girl Group Hot 100 No. 1s Artist, Title, Peak DateThe Shirelles, “Will You Love Me Tomorrow,” 1/30/1961The Marvelettes, “Please Mr. Postman,” 12/11/1961The Shirelles, “Soldier Boy,” 5/5/1962The Crystals, “He’s a Rebel,” 11/3/1962The Chiffons, “He’s So Fine,” 3/30/1963The Angels, “My Boyfriend’s Back,” 8/31/1963The Dixie Cups, “Chapel of Love,” 6/6/1964The Supremes, “Where Did Our Love Go,” 8/22/1964The Supremes, “Baby Love,” 10/31/1964The Shangri-Las, “Leader of the Pack,” 11/28/1964The Supremes, “Come See About Me,” 12/19/1964The Supremes, “Stop! In the Name of Love,” 3/27/1964The Supremes, Back in My Arms Again,” 6/12/1965The Supremes, “I Hear a Symphony,” 11/20/1965The Supremes, “You Can’t Hurry Love,” 9/10/1966The Supremes, “You Keep Me Hangin’ On,” 11/19/1966The Supremes, “Love Is Here and Now You’re Gone,” 3/11/1967The Supremes, “The Happening,” 5/13/1967Diana Ross & the Supremes, “Love Child,” 11/30/1968Diana Ross & the Supremes, “Someday We’ll Be Together,” 12/27/1969 The ‘60s were the most dominant era for girl groups, with 20 of the 44 total Hot 100 No. 1s achieved in that decade. Of those 20 No. 1s, 12 were by the Supremes alone — the most by an all-woman group in the chart’s history. The sound was pure pop with strong R&B roots, largely produced by legendary producers Phil Spector and Motown’s Holland-Dozier-Holland trio. ‘70s Girl Group Hot 100 No. 1s Artist, Title, Peak DateThe Honey Cone, “Want Ads,” 6/12/1971Labelle, “Lady Marmalade,” 3/29/1975Silver Convention, “Fly, Robin, Fly,” 11/29/1975The Emotions, “Best of My Love,” 8/20/1977 Girl groups took a relative dip in the ‘70s, with only four No. 1s, compared to 20 the previous decade. That’s perhaps partially due to Diana Ross’ split from the Supremes (she earned four solo No. 1s this decade outside the group). Still, the sound didn’t disappear — it just evolved into disco anthems from Silver Convention and Labelle, and more R&B sounds from the Emotions and Honey Cone. ‘80s Girl Group Hot 100 No. 1s Artist, Title, Peak DateBananarama, “Venus,” 9/6/1986The Bangles, “Walk Like an Egyptian,” 12/20/1986Exposé, “Seasons Change,” 2/20/1988The Bangles, “Eternal Flame,” 4/1/1989 The ‘80s brought a different flavor to girl group No. 1s on the Hot 100. These bands may not define the “girl group” label, but they fit the criteria here. The decade’s four No. 1s were bright, catchy pop songs and ballads, some with a rock edge. ‘90s Girl Group Hot 100 No. 1s Artist, Title, Peak DateWilson Phillips, “Hold On,” 6/9/1990Sweet Sensation, “If Wishes Came True,” 9/1/1990Wilson Phillips, “Release Me,” 9/15/1990Wilson Phillips, “You’re In Love,” 4/20/1991SWV, “Weak,” 7/10/1993TLC, “Creep,” 1/28/1995TLC, “Waterfalls,” 7/8/1995Spice Girls, “Wannabe,” 2/22/1997Divine, “Lately,” 11/28/1998TLC, “No Scrubs,” 4/10/1999Destiny’s Child, “Bills, Bills, Bills,” 7/17/1999TLC, “Unpretty,” 9/18/1999 The ‘90s brought girl groups back to the forefront with 12 Hot 100 No. 1s. R&B ruled, largely thanks to TLC’s four No. 1s, along with leaders from SWV and Divine. Pop acts including Wilson Phillips, Sweet Sensation and Spice Girls also brought their own styles to the summit. Even compared to the 20 No. 1s in the ‘60s, the ‘90s make the case for the most diverse decade for girl groups, encompassing pop, rock and R&B. 2000s Girl Group Hot 100 No. 1s Artist, Title, Peak DateDestiny’s Child, “Say My Name,” 3/18/2000Destiny’s Child, “Independent Women Part I,” 11/18/2000Destiny’s Child, “Bootylicious,” 8/4/2001 Destiny’s Child picked up right where the ‘90s left off, tallying three more Hot 100 No. 1s in less than two years. Similar to Diana Ross’ exit from the Supremes, the group’s reign ended when Beyoncé went solo — Bey has since tallied

Taylor Swift’s Debut on Travis Kelce ‘New Heights’ Pod Setting Records

Like many era-defining pop stars, Taylor Swift makes history everywhere she goes and with just about everything she does. Take, for example, her first visit to boyfriend Travis Kelce‘s New Heights podcast on Wednesday night (Aug. 13). While the weekly show the Kansas City tight end co-hosts with his retired NFL sibling Jason Kelce regularly gets anywhere from 12,000 to nearly 300,000 views on YouTube for their genial sports talk, the figures for Swift’s pop-in are already, predictably, off the charts. As of 1:45 p.m. on Thursday (Aug. 14) — just 17 hours after its debut — the two-hour Swift episode had more than 10.8 million views, easily besting the second-most popular episode of the show to date, an eight-million-view 2024 chat with Jason’s wife, Kylie Kelce, as well as nearly doubling the views for a 2023 chat with Travis’ Super Bowl-winning teammate, QB Patrick Mahomes. The figures on Spotify are equally gaudy, with the streamer reporting on Thursday that Swift’s New Heights appearance has already become one of the top-performing podcast episodes of the past 12 months. According to Spotify, based on an average of the previous five episodes, the Swift chat brought a 3,000% increase in new listeners to the show, as well as spiking an overall 2,500% increase in average streams of the episode and a 1,100% jump in tune in around 8:45 p.m. ET, which was less than two minutes into the show. Not surprisingly, Swift also helped increase female listenership to New Heights, with Spotify saying that the number of females tuning in already tracking 618% higher than the average for the previous five shows on its first day of release. That figure becomes even wilder when you consider that female listeners already made up the majority (58%) of New Heights listeners. The already popular podcast that has nearly three million subscribers on YouTube got a major boost when Swift visited to reveal the details of her upcoming 12th album, which is due out on Oct. 3 and features a collab with former Eras Tour opening act Sabrina Carpenter on the title track. The LP, produced by Max Martin and Shellback, the dynamic studio duo behind some of her biggest hits from albums such as 1989 and Reputation. Swift, who rarely does sit-down interviews, once again proved to be the ultimate master of her album roll-out narrative on New Heights, which racked up nearly nine million views within its first 12 hours on YouTube, with the New York Times reporting that 1.3 million people tuned in simultaneously to a livestream of the episode before the crowd crush caused a brief technical glitch. In a comparison likely to further stoke the ire of Donald Trump — who earlier this month said he “CAN’T STAND” Swift after earlier saying he “HATES” the singer — the Times noted that, by comparison, an October episode of the very popular Joe Rogan Experience pod featuring then-candidate Trump hit around 11 million views in its first 12 hours on YouTube. CNN added that the 1.3 million Swift figure nearly doubled the 800,000 people who watched Trump’s Rogan appearance in the first hour of that October show. Even the Kelce’s were not immune to the number numbness, with the show’s X account shouting out the fans for helping them “break the internet” amid the technical glitches, Travis posting a happy dance video when it came back online and Jason adding that the 1.3 million figure is just “the epitome of numerology” given Swift’s career-long obsession with the number 13. At press time the nearly three-hour Rogan chat with Elon Musk in 2018 is among the most-viewed ever on YouTube with more than 69 million views, though CNN host Kate Bouldan predicted that the Swift/Heights ep is already on its way to becoming “one of the most-watched podcasts of all time.” In case you missed out, check out the Swift episode below. Source link

Leslie Shaw arremete contra Marisol: “Haces un videoclip de 5 soles”

Redacción Panamericana La cantante Leslie Shaw presentó su nuevo tema junto a Armonia 10 y dejó indirectas bien directas a la Faraona de la Cumbia. Leslie habla sobre Marisol Leslie Shaw volvió a dejar en claro que no tiene reparos en decir lo que piensa. Durante la presentación del nuevo videoclip de Armonía 10, donde debutó como directora, la popular “Gringa” sorprendió al lanzar un nuevo dardo contra Marisol. Según Shaw, en entrevistas pasadas mencionó que el videoclip “Hay niveles”, en el que ambas colaboraron meses atrás, habría tenido una producción de muy baja calidad. “Qué divertido es hablar así: ‘Hay niveles, hay niveles’, cuando haces un videoclip de 5 soles. No tiene congruencia”, declaró con ironía en conferencia. Incluso bromeó y dijo que podría valer “S/ 5.50”, y que hasta prestaron las macetas usadas en la grabación. Te puede interesar Leslie Shaw arremete contra Chechito: “Si me lo cruzo, le meto un lapo” Leslie defiende su profesionalismo En sus declaraciones, Leslie aprovechó para remarcar que, sin importar el género musical que aborde, siempre se esfuerza por mantener un alto estándar en sus trabajos. “Yo todo lo que hago, lo hago bien, no lo hago mal como otras”, expresó, destacando que su incursión en la cumbia ha sido un proyecto que siempre quiso realizar. La artista también recordó que, cuando pertenecía a una disquera, propuso hacer cumbia pero no recibió luz verde en ese momento. Hoy, asegura que lo hace con pasión y calidad. Te puede interesar Monique Pardo recibirá pago de canal de televisión tras ganar juicio por su caída: “Es una burla” Leslie habla sobre el nuevo tema de Marisol En un reciente encuentro, un periodista del programa Amor y fuego le preguntó a la Barbie de la Cumbia sobre el nuevo tema que lanzará Marisol, titulado “Mala amiga”. Leslie no tardó en responder, mencionando la calidad de los videoclips de la Faraona: “Ojalá no sea tan horrible el videoclip como los que ella hace”. Las palabras de Leslie Shaw no pasaron desapercibidas y reavivan la tensión con Marisol, quien en el pasado ya había respondido a críticas de la cantante urbana. Esta nueva declaración deja claro que la rivalidad entre ambas aún está lejos de apagarse. @tromepe ¡FUEGO!🔥 Leslie Shaw criticó nuevamente el videoclip que grabó meses atrás junto a Marisol, al señalar que tuvo una calidad deficiente, reavivando así la polémica entre ambas cantantes. #LeslieShaw #Marisol #cumbia #farandulaperuana #Trome ♬ Chill Vibes – Tollan Kim Source link

Gigi Perez, Sombr Talk Self-Producing Their Own Hits

Gigi Perez will never forget the first self-produced song that she wanted to share with the world. “Please Be Rude,” which she finished last year, was far from her first bedroom demo, but the strummed, slightly lilting meditation on intimate relationship moments felt different to Perez — “like I had cracked the code on my taste,” as she puts it. In just five short years, the New Jersey-born, Florida-raised singer-songwriter had already experienced the highs and lows of the music industry: A viral moment in early 2021, when the grief-stricken “Celene,” about her older sister who had died the year before, landed Perez an Interscope Records deal. Yet her 2023 debut EP arrived to little fanfare, and Interscope released her from her deal later that year. When Perez sent “Please Be Rude” to her friends for feedback in 2024, she knew they were worried about her: “They hoped that I would be OK, and rightfully so,” the 25-year-old says. While at Interscope, Perez worked with outside producers, but she felt disconnected from her songs during the studio sessions; newly independent, however, she decided to once again stay hands-on, setting up her roommate’s TV as a makeshift monitor, learning production tips from YouTube and Reddit and ultimately reigniting her creative spark. “It became my motivation every single day to get up and to get on Ableton,” she says. “And I found this obsession that I hadn’t felt since I started writing music.” Perez credits that experience with solidifying her sonic identity — and it yielded a commercial breakthrough. After self-releasing “Please Be Rude” in May 2024, “Sailor Song,” an ode to queer longing that Perez had teased on TikTok, followed in July and became a top 40 pop smash, peaking at No. 22 and spending 39 weeks on the Billboard Hot 100. “Sailor Song” landed Perez a new label deal with Island Records and appeared on her debut album, At the Beach, in Every Life, which Island released in April; Perez is a credited producer on all 12 tracks and produced three songs, including “Please Be Rude,” by herself. At a time when organic TikTok hits remain a fast track to major-label clout, countless unknown artists with access to production software and how-to videos are now using Perez’s blueprint. While plenty of pop acts discovered on TikTok are paired with professional producers once they join label rosters, others have stuck with the DIY approach that got them that far — and have scored crossover hits with self-made singles. Meanwhile, pop superstars from Taylor Swift to Gracie Abrams to Charli xcx have increasingly been credited as co-producers on their songs, scoring hits with their fingerprints on every part of their track. “It’s authentic, straight from me,” says sombr, the 20-year-old alt-pop dynamo whose self-produced singles “Back to Friends” and “Undressed” have been concurrent top 40 Hot 100 hits for multiple months this year. Born Shane Boose, sombr was introduced to GarageBand at the end of elementary school, and figuring out how to layer tracks and harmonies quickly dominated his free time. As he moved on to YouTube tutorials and Logic Pro X in middle school and started thinking about music as a professional path in high school, he says he never considered relying upon another producer for his work. “My songs will never be chasing something or come from a ‘hit-making factory,’ ” sombr adds. “It’s just me in my room, making stuff that I want to hear and based off what I feel. And that’s why it works in my mind.” sombr in his home studio. Bryce Glenn For his upcoming Warner Records debut album, sombr says he will write and produce each song at home, finish “50 to 70%” of the track and then bring them to Sound City Studios in Los Angeles for “finishing touches” with his co-producer, Tony Berg. For sombr, beginning a production in a bedroom and then taking it to a professional studio provides an expanded tool kit to accentuate his original idea. “When I first got into a real studio, I suddenly had access to so many different instruments, microphones, pedals,” sombr says. “I learned a lot about the more traditional way of recording music, and my whole world opened up.” For artists to understand how to use that wider palette, it helps to have the right professional support, as sombr does with Berg. During her Interscope days, Perez says she felt compelled to help produce her songs but didn’t yet have the studio know-how to assist her collaborators. For At the Beach, in Every Life, however, she worked with two main co-producers, Noah Weinman (aka indie-rock artist Runnner) and Aidan Hobbs, as well as a mixer, Matt Emonson, who all encouraged her to ask questions in the studio and helped draw out her vision for the album. “I’m really grateful that I have a team that’s been able to teach me — that builds your confidence,” Perez says. “I could be vulnerable enough to be like, ‘I don’t know what that is.’ ” Of course, artificial intelligence is fast becoming a trusted studio collaborator, too. As modern music-making increasingly integrates AI, more artists will turn to tools that streamline their solo productions — from stem separators and vocal changers that can tweak existing tracks to sample creators and full-song generators that replicate the entire creative process. Perez says she’s open to learning more about the assistive ways in which AI can be used, but she’s skeptical that production or songwriting can be one of them. “We already struggle with connection,” she says, “and I think the deeper that technology inserts itself into a part of human existence, it’s going to be harder and harder for us to connect to each other.” “I know that I am considered to be a young person, but I think I am old-fashioned in the way I like to make music,” sombr says. “I like real instruments, real voices and a song with a bridge. I agonize over lyrics. I really have no interest in AI and

Lana Del Rey Shares Snippet of Ethel Cain Diss Track

It seems that the alt-pop girls are fighting after Lana Del Rey posted a song snippet taking aim at Ethel Cain. In a post to her Instagram on Thursday (Aug. 14), Del Rey shared a video clip of herself with the caption “Track 13” and tagging producer Jack Antonoff, in which she calls out the “American Teenager” singer by name. “Ethel Cain hated my Instagram post/ Think it’s cute re-enacting my Chicago pose,” she sings in the clip. Later in the snippet, she refers to “the most famous girl at the Waffle House.” Fans were quick to dissect the new lyrics, pointing to the headline of a 2022 New York Times profile on Cain as the source of Del Rey’s “most famous girl at the Waffle House” line. Other fans clocked a since-deleted photo Cain shared with Salem member Jack Donoghue, and its similarities to a 2022 photo Del Rey took with him outside the Cook County Department of Corrections as the inspiration behind the “Chicago pose” line. Del Rey herself appeared to weigh in on the cryptic lyrics in a since-deleted comment on a Pop Base Instagram post about the snippet. “I didn’t know who Ethel was until a few years ago — when someone brought to my attention the disturbing and graphic side-by-side images she would often put up of me next to unflattering creatures and cartoon characters making constant comments about my weight, I was confused at what she was getting at,” she wrote in the comment. “Then when I heard what she was saying behind closed doors from mutual friends and started inserting herself into my personal life I was definitely disturbed.” Cain appeared to comment on the whole ordeal in a Instagram Stories post on Thursday morning, when she wrote “update: lana del rey has blocked ethel cain on instagram.” Billboard has reached out to reps for Lana Del Rey and Ethel Cain for comment. Cain recently shared her long-awaited sophomore album, Willoughby Tucker, I’ll Always Love You, and is currently touring North America in support of the new release. Del Rey, meanwhile, has been teasing new music during a series of recent live shows, including her unreleased track “57.5.” The singer previously released her singles “Bluebird” and “Henry, Come On” in 2025, though she has yet to announce official plans for her 10th studio album. See Lana Del Rey’s Instagram post below: Get weekly rundowns straight to your inbox Sign Up Source link

Mejor amiga de Pamela Franco revela situación tras escándalo con Cueva: “Ella está sufriendo”

Vanessa Pumarica preocupada por Pamela Franco La mejor amiga de la cantante Pamela Franco rompió el silencio públicamente para expresar su preocupación y aconsejar a su amiga que reconsidere su relación. Las recientes revelaciones sobre supuestos intentos de Christian Cueva por comunicarse con el novio de su exesposa, Paul Michael, habrían dejado a Franco en una situación vulnerable. “Ver lo que veo en la televisión me da muchísima pena, no por él, sino por ella. Porque yo me imagino, y por el cariño que le siento, ella debe estar sufriendo. Entonces, no se lo merece tampoco, ¿no?”, señaló Vanessa Pumarica. Te puede interesar Christian Cueva niega haber llamado a Paul Michael y advierte que tomará acciones legales Mejor amiga de Pamela Franco pide reconsideración Pese a que Vanessa Pumarica fue una de las personas en mostrarse feliz con la relación de su amiga, mostró su preocupación y pidió que reconsidere por todo el daño que le podría estar causando. “Si yo estuviera con ella, le diría: replantea. Es una mujer adulta y hecha, sabe tomar decisiones. Él jamás te va a responder”, comentó, aludiendo a la falta de comunicación clara por parte del futbolista. Te puede interesar Christian Cueva habría llamado a Paul Michael en aparente estado de ebriedad Fotos eliminadas y señales de quiebre En el programa Todo se filtra, el conductor Kurt Villavicencio comentó que Pamela Franco habría eliminado todas sus fotos junto a Christian Cueva como muestra de su incomodidad frente a las últimas acusaciones. Según Villavicencio, la cantante estaría bastante molesta por las acciones del futbolista, lo que la habría llevado a tomar esta decisión. Además, circulan versiones que indican una posible ruptura entre ambos. El presentador precisó que, aunque no existe un pronunciamiento oficial, los movimientos en redes sociales dejan entrever un distanciamiento notorio. @la.vitteri #christiancueva #pamelafrancmo #cristhiancueva #pamelalopez #magalytvlafirme ♬ sonido original – lavitteri La entrada Mejor amiga de Pamela Franco revela situación tras escándalo con Cueva: “Ella está sufriendo” se publicó primero en Radio Onda Cero. Source link

Producer On Morgan Wallen, Post Malone & No. 1 Hits

“I was a few mistakes away from being some annoying guy at the bar who’s like, ‘I used to work with Post Malone,’ ” admits Ryan Vojtesak — the chart-topping producer better known as Charlie Handsome who has, in fact, quietly accumulated dozens of hits during the past decade. But after about eight years in Los Angeles, Vojtesak felt like he’d made the most of his time there; his list of credits, including one-offs with Miley Cyrus, Ariana Grande and Drake, had swelled, and he thought he had accomplished what he had set out to do in the city: “Get hot there and then move somewhere else.” In 2021, he moved to Nashville, and since then, his career — and mentality — have shifted from sheer output to what he describes as “locking in.” Since moving, he estimates he has turned down offers to executive-produce 15 albums — “and pretty much all of them were artists that, if you would’ve asked me eight, nine years ago, I would’ve been like, ‘Holy s–t, this is a dream come true.’ ” Born in Atlanta, the now elusive 38-year-old’s “favorite producer” growing up was Kanye West (now known as Ye). By his late teens, Vojtesak felt he had developed a strong enough self-taught skill set to start producing, too, “but I didn’t know anybody.” So he moved to the Phoenix/Scottsdale area and worked a construction job — until he met someone at a bank (“legit,” he assures) who kick-started a chain of introductions that included producer Lifted, who previously worked with Ye on “Mercy” and connected Vojtesak with G.O.O.D Music president Che Pope. In 2013, Vojtesak moved to Los Angeles and adopted his own producer moniker (he’s also a songwriter and musician in his own right) and, soon enough, he met two people who knew Ye and T-Pain. “Those were my two connects,” he says. Still, connections didn’t equate to immediate success. “It was frustrating in the beginning,” he continues. “I didn’t have any money. I didn’t have any food. I weighed 50 pounds less because I wasn’t eating. It was like trying to solve a puzzle constantly.” By 2014, Vojtesak scored his first credit, on Travis Scott’s “Drugs You Should Try It,” off the rapper’s second mixtape. “If you listen to the music, it’s emo,” Vojtesak says, noting that despite racking up early credits in hip-hop — with artists including Post Malone, Lil Uzi Vert, Gunna, Young Thug and Ye (on “Fade” from 2016’s The Life of Pablo) — he transcended any one lane. “As early as 2016, when I was working with Young Thug, we were doing folk songs — not all of them came out, but I was always on that.” He and Post even discussed a country project back in 2015, before Post’s debut album, Stoney, dropped — and nearly 10 years before he released one. Vojtesak recalls accompanying Post to label meetings and the specific phrases Post’s team would use to market the then-unknown artist. “ ‘Reverse Taylor Swift’ was one, and ‘America’s Champion,’ ” he says with a barely stifled chuckle. “But really, the process is the reverse Taylor Swift, to an extent. Obviously for it to be a full reverse, Taylor needs to drop a rap album. Which I don’t think is going to happen.” But the idea was there all along: Post Malone, country star. And along with it, Charlie Handsome: Nashville hit-maker. After nearly a decade in L.A., Vojtesak found himself spending more and more time in Music City. “What happened was when s–t really got going, I got sick of paying taxes,” he admits. “So I weighed my options, and it was Miami or Nashville.” He had already worked with Morgan Wallen a few times — he says he “got lucky” meeting him in 2017 — and recalls thinking, “Morgan Wallen is probably the better artist for me… This could be something different and special and doesn’t have to sound like everything else.” The first single they co-wrote was the title track to Wallen’s 2018 debut album, If I Know Me. On Wallen’s second project, the 2021 smash Dangerous: The Double Album, Vojtesak co-wrote seven tracks, including lead single “More Than My Hometown” and Vojtesak’s first No. 1 on the Hot Country Songs chart, “Wasted on You.” By Wallen’s third album, 2023’s One Thing at a Time, Vojtesak was credited on 15 tracks, four of which he co-produced, and on this year’s I’m the Problem, he’s credited on 23 tracks, 12 of them as co-producer. His trajectory with Post has been similar. Vojtesak scored two credits on Stoney (plus one on its deluxe version) and one on 2022’s twelve carat toothache. But for Post’s 2024 foray into country, F-1 Trillion, Vojtesak was credited on all 18 songs, plus the additional nine for the extended edition, F-1 Trillion: Long Bed. Of the 67 songs he has charted on the Billboard Hot 100 that he has now produced or co-produced, 22 are by Post and 20 are by Wallen, including their collaborative No. 1 smash, “I Had Some Help.” (Vojtesak first topped the chart as a producer in 2022 with Jack Harlow’s “First Class”; he has remained on the Hot 100 Producers chart for 111 weeks, peaking at No. 1 in August 2024 and now sitting at No. 3 on the Aug. 9-dated chart.) Charlie Handsome onstage at the CMA Triple Play Awards in Nashville, where he was a recipient of the honor, on April 29, 2025. Terry Wyatt/Getty Images It’s no wonder Vojtesak has locked in with Wallen and Post, two artists who have themselves become friends and collaborators in the past few years and — especially in the case of the former — tend to keep to themselves. (Vojtesak himself admits to leaving his phone on silent “at all times.”) Perhaps most importantly, both artists have the “gravity factor,” as Vojtesak puts it. “That’s a big part of it for me. I just look for a voice that I really believe in… But everything has to go your way, you know? There were a lot of

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