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Russell Dickerson on Hitting New Heights with ‘Happen To Me’

Several months ago, Russell Dickerson was at a crossroads. The gregarious country singer had experienced success, including four Billboard Country Airplay No. 1s between 2017 and 2020, but his career had seemed to level off. Explore See latest videos, charts and news “I had gotten to a point last year of just like surrendering it to God: ‘I’m burnt out. I’ve tried. My wheels have spun. I’ve been going and going and going, but it feels like I’m on a treadmill,’” he recalls over breakfast during a recent trip to Los Angeles. Exhausted, he decided, “I’m not going to keep hustling and hustling and saying yes to everything.” Compounding his growing frustration, at the beginning of this year his business managers told Dickerson that with the high level of production he wanted on his headlining Russellmania tour, he would only net about $60,000 from the road for the entire year. “I was like, ‘I may quit. We should just wipe the books, and I’ll stay at home and drive an Uber,’” he says. Then “Happen to Me” happened to him. The ebullient song, written by Chris LaCorte, Jessie Jo Dillon, Chase McGill and Dickerson, with a credit also given to “Girls Just Want to Have Fun” writer Robert Hazard for its interpolation of the Cyndi Lauper hit, details a random meeting with a woman in a bar that is about to change his life for the better. The tune, which was only meant to be an album cut that would add even more energy to his high-octane live show, took off. The song, which has climbed to No. 5 on the Country Airplay chart, garnered more than 130 million streams and became an immediate viral sensation, in part thanks to an endearing dance Dickerson — who learned his moves from watching Michael Jackson and Usher — created, complete with raised arm clapping, booty shaking and twerking. He’s now posted multiple versions of the dance, including in the gym, on the golf course and on the beach, and even from a Target while back-to-school shopping with his son. There are also star-studded versions with fellow artists Carly Pearce, Lauren Alaina and Maddie & Tae, and Dickerson promises more to come. As the popularity of “Happen to Me” rose, Dickerson began selling more concert tickets, adding extra nights and expanding to bigger venues on his tour, which has just started its third leg. “Our business managers were like, ‘You’re going to be just fine,’” he says. As early as two weeks after the song’s release in March, “I felt an immediate shift — even in Nashville, arms-crossed, jaded, industry town,” Dickerson says, describing the first time he played it in Music City later that month and the audience roared as soon as it recognized the opening chords. “That’s the feeling that I’ve been chasing… That’s the most electric feeling in my career. I’m a big, crazy dreamer and I feel like for the first time in my career, what I’m seeing is matching up to my dreams.” The song is the breakout hit from Dickerson’s new album, Famous Back Home, out today (Aug. 22) on Triple Tigers. The title track deals with balancing his career and family life as both expand. “Before you have kids, you’re like, ‘Dude, I want this [career] to be as big and crazy and everything as possible,’” the father of two young boys says. “And then I’m to the point now where I don’t want anything to take away from my home life. Obviously, we travel all the time, and it just gets harder. Remy is almost five and [he asks] ‘How many sleeps until you’re back?’ My No. 1 priority is how can we be efficient in this whole crazy career and still have a beautiful family. When I come home, [my kids] run to me. I’m famous back home.” For this tour, Dickerson and his wife have focused on alone time. “Kailey has been coming out with me, just us. We finally got a full-time nanny. Thank you, Jesus,” he says. But the pair often find themselves working on their separate pursuits: Kailey recently signed a deal for two non-fiction books and a children’s book, “so she’s working on that while we’re on the road together,” Dickerson says proudly. “We go on a coffee date every day. It’s been so amazing just to have us time to have a conversation.” If the title track looks at his current life, the album also looks backward on the reflective “16 Me,” an autobiographical song that reveals how the musical spark was ignited in Dickerson when he picked up a guitar and was leading his church worship group and learning how to perform in front of an audience as a teen. “Sixteen is such a ‘Where is my life going’ kind of thing, but you’re not really that worried about it yet. It’s a cool thing to just look back and picture you right here with your 16-year-old self.” Dickerson signed with Range Management almost two years ago and that helped realign his priorities, including creating the new album, his first full-length release since 2022’s self-titled set. Previously, in a blurry, non-ending cycle, he would bring songwriters on the road with him and then as soon as he was home, he would head into the studio. “When I was opening — 30-minute set, easy — I could write all day, but now that I’m headlining, that’s a 90-minute full-on performance,” he says. “I don’t want to write on the road. Range has been very strategic in how we book my calendar now and it’s been so much more productive. If it’s everything all the time, nothing gets attention. It was just so beneficial to go back to that old feeling of one thing at a time.” The change has also helped with his ADHD, a condition he’s been very open about, as he’s often able to hyperfocus on one thing. “My brain never stops, so song ideas are just

Taylor Swift & Travis Kelce Do Vocal Warm-Ups in ‘New Heights’ Outtakes

The Kelce brothers always have a good time on their New Heights podcast. But don’t think it’s all fun and games. Jason and Travis Kelce are serious performers and broadcasters who are well aware of the need for proper modulation. After Taylor Swift smashed records last week when she appeared on their Aug. 13 pod to reveal the details about her upcoming 12th studio album, The Life of a Showgirl, the show shared a behind-the-scenes outtake on Wednesday (Aug. 20) to give Swifties a sense of the hard work that goes into sounding so good. “Everyone knows you should always warm up before doing a podcast [laughing crying emoji],” read the caption on the post, which opens with Travis exaggeratedly saying, “Oh my gosh, Jason!,” followed by retired NFL great Jason Kelce carefully enunciating the old classic, “ow now brown cow.” Then we see a split-screen of the brothers firing up another standard tongue-twisting exercise, “Unique, New York,” as Taylor purses her lips and the camera cuts to a close-up of her doing lip drills, trilling her lips as her voice goes up and down to Jason’s fascination. “See now that’s the…” he begins to say as Taylor continues trilling and Travis bellows, “I’M REALLY EXICTED!!!” It’s a good thing they were warmed-up, because Swift needed her stamina to make it through the two-hour episode which featured a discussion of the new album, due out on Oct. 3, as well as the couple opening up about their personal life, first date and love story and Swift describing the emotional process of getting back her album masters. Watch the vocal warm-up below. Get weekly rundowns straight to your inbox Sign Up Source link

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Oasis Release Live Version of ‘Bring It On Down’ From Edinburgh Show

As Oasis gear up to bring their triumphant reunion tour to North America next week, on Thursday (Aug. 21) the group issued the latest live track from their kick-off run of shows in the U.K. and Ireland. As with the other performance versions to date, the take on the Definitely Maybe song “Bring It On Down” has a crackling energy, as well as a massive crowd clap-along through the middle section. “You’re the outcast, you’re the underclass/ But you don’t care, because you’re living fast/ You’re the uninvited guest who stays ’till the end/ I know you’ve got a problem that the devil sends,” singer Liam Gallagher sneers in a near-punk snarl as guitarist/songwriter Noel Gallagher shreds behind him on the track. The song was recorded at Edinburgh, Scotland’s Murrayfield Stadium on Aug. 9 during the first of two shows at the venue. It joins the previous live offerings from the band, which have included the fan-favorite 1995 single “Wonderwall” from one of their recent shows in Dublin, Ireland, as well as “Slide Away” from the kick-off in Cardiff, Wales, “Cigarettes & Alcohol” from their home town of Manchester and “Little By Little” from a five-night London run. Following a short break, the band will kick off their North American dates on Sunday (Aug. 24) at Rogers Stadium in Toronto — where the band will play a second show on Monday (Aug. 25) — before heading south to Soldier Field in Chicago (Aug. 28), MetLife Stadium in East Rutherford, N.J. (Aug. 31, Sept. 1), the Rose Bowl in Pasadena, Calif. (Sept. 6, 7) and Estadio GNP Seguros in Mexico City (Sept. 12, 13). Cage the Elephant will be the opening act on all the North American dates, with Liverpool band Cast joining for the N.J. and California shows. Listen to the live version of “Bring It On Down” below. Get weekly rundowns straight to your inbox Sign Up Source link

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Nell Mescal on Signing to a Major, Her New EP and Nepotism Accusations

In Nell Mescal’s north London bedroom, two vision boards stand tall and proud: one at the end of her bed, and one on her ceiling. “They are positioned so that when I get up in the morning, I have to look at them,” the songwriter tells Billboard U.K. over Zoom, with a glint in her eye. Explore See latest videos, charts and news These collages of images represent Mescal’s artist goals and dreams, serving as a daily force of inspiration. “When people come over, I’m like, ‘Don’t look at my wall, it looks crazy,” she continues, before reeling off some highlights from the dozens of photos adorned around her room: everything from snaps of her favourite artists and the venues she wants to play in the future, to cherished memories with family and friends. “And what I will say very quickly is, I have Billboard magazine on my wall too,” she adds, laughing. Though Mescal chuckles at her own ambition, it’s hard to deny how betting on herself has started to pay off. One of the 22-year-old sources of strength is her spirituality; beyond her vision boards and a steadfast belief in manifestation, she collects crystals and reads tarot cards. It’s these practices that have kept her grounded since she left school early and moved to the capital from Maynooth, Ireland at age 18, having released music as an independent artist for three years, before signing with Atlantic Records [Charli xcx, Ed Sheeran] this past spring. It’s this jump to a major label, as well as the many identity-forming experiences that can accompany young adulthood, that inform and color Mescal’s forthcoming second EP The Closest We’ll Get, due Oct. 17. Its six songs, which weave together profound introspection with resolute self-affirmation, are steeped in a folksy warmth à la Leith Ross or Julia Jacklin. This approach serves a record that excavates a failed relationship with bracing vulnerability, in the process revealing a statement of purpose and artistry that Mescal has worked toward for years. Heartbreak is a theme she touched on across last year’s Can I Miss It for a Minute? EP, but here it comes into focus through rich, kinetic instrumentation and the burgeoning confidence of a young woman increasingly at ease with her status. As her eldest brother Paul’s star continues to rise ahead of her own – the actor landed an Academy Award nomination in 2023 for Aftersun – she has faced scrutiny online regarding the influence of his fame.  She has contended with this discourse by speaking out on the long and winding path she has followed to get to this point; Mescal was bullied “relentlessly” when she started making music in school, an experience she depicts on the emotive track “Warm Body.” She adds: “Regardless of what’s happened, I was always going to be chipping away at the music – it’s all I’ve ever cared about. But signing to a major label was one of those huge moments of feeling like, ‘Wow, people do actually believe in me.’” What’s something you’ve learned about yourself in the transition from indie artist to major label signee that surprised you? I guess I thought I was going to falter. You always have that voice inside your head that’s going, “You can’t do it.” But I also have a voice that’s like, “No, you can.” I was waiting for that moment where it felt like it was all too much, and it never really came. I just channelled every scary emotion into something more positive, and I learned that I could trust myself in the way that I hadn’t been able to before. There were times where I thought, “Am I just blindly doing this?” But actually it felt like, “No, you just stand in the power of what’s happening, and what you’ve created and what the people around you have created.” How do you take care of your mental health now that expectations are higher? Has the label supported you in setting those boundaries? Everyone on my team has been amazing. But you know what — all of this has been no more intense than it was when it was just me and my manager. [As an artist], you always have the exact same fears, no matter who joins or no matter who leaves. From the very beginning, it’s only been about the music. These aren’t new emotions I’m feeling, and it’s not new pressure. I think regardless if I had stayed independent, or if I hadn’t, I would still have had a goal and a mission that I’m on, a world that I’m building, too. I’m still putting that same pressure on myself. What do you feel like your relationship is with the music industry? And how has it evolved? I think I would like to be at the point where I feel as though I’ve really found where I’m at in the music industry, but I think that [position] just keeps changing. You can go two steps forward and then feel like, “Woah, what the hell… I’m like 10 steps behind now.” I can’t be on a ladder that I don’t feel is necessary to me, but I’m making the music that I really like making, and I’m surrounded by really beautiful, amazing musicians. I’m trying to pave my own way. Have you been in situations as a songwriter where your ideas weren’t heard? Yeah, definitely. There have been times where I’ve struggled; I had one of those moments last year where I was not really making the music I wanted to make. I wasn’t feeling content, I guess. I turned around to loads of people in my life and said, “For the next six months, I’m going to throw myself into everything that is making me uncomfortable and hope that my life changes.” I had to reckon with my mental health, my physical health, my friendships… every part of my life. I threw myself into all these different situations, and six months later, I

‘KPop Demon Hunters’ Sets ARIA Chart Record

It’s another killer week for KPop Demon Hunters, which is slaying the ARIA Charts like no other animated soundtrack. The musical counterpart to the hit Netflix animated action/musical collects another double and is now a record holder, as it logs a sixth non-consecutive week atop the national albums tally for a sixth non-consecutive frame. Explore See latest videos, charts and news It’s now the biggest chart-topper from an animated movie since the official charts launched in 1983, according to ARIA, beating Trolls (three weeks at No. 1 in 2017), Frozen (two weeks in 2014) and many others. It’s another bright, shiny week for KPop Demon Hunters hit “Golden,” which retains top spot on the ARIA Singles Chart for the third successive frame, and is one of six tracks from the compilation in the top 10. Expect the recording to stay at or near the top of Australia’s charts. Cinema chain HOYTS will exclusively screen K-Pop Demon Hunters: Sing-Along Version in its sites across Australia and New Zealand this weekend. KPop Demon Hunters outguns Conan Gray’s new album Wishbone, which drops in at No. 2 on ARIA Albums Chart. The American singer, songwriter and former YouTuber now has three top 10 albums in Australia, including 2022’s Superache (peaking at No. 8) and 2024’s Found Heaven (No. 10). Also impacting the top 10 is Jordan Davis with Learn The Hard Way, new at No. 9. That’s a career high for Davis, who is rumored to be plotting an Australian tour next year. Australian deathcore act Justice For The Damned snag a third top 40 appearance with Stay Relentless, new at No. 13. while Mama Kin Spender debuts at No. 20 with Promises, the homegrown duo’s second album and first chart appearance. Taylor Swift’s tease of a new album, The Life Of A Showgirl, is enough to send a batch of her albums back up Australia’s chart. Leading the way is The Tortured Poets Department up 29-14, while Folklore improves 25-17, Lover lifts 45-19, Reputation gains 38-26 and Midnights vaults 63-34. The Life Of A Showgirl is due out Oct. 3, 2025. No new releases appear on the ARIA Singles Chart, and just one homegrown recording cracks the top 50 — Crowded House’s 1986 classic “Don’t Dream It’s Over,” which continues its revival after placing at No. 5 in triple j’s hottest 100 of Australian songs. Now certified nine-times platinum, “Dream” is down slightly, 37-38. Source link

BigXthaPlug’s ‘I Hope You’re Happy,’ Every Song Ranked

BigXthaPlug is one of the leaders of hip-hop’s new school, and he’s looking to prove he’s more than a rapper with his country-trap pivot. Ever since the arrival of his slide guitar-tinged breakout hit “Texas” in 2022, country’s biggest stars began to tap in and show love to BigX, ranging from Morgan Wallen to Luke Combs and Post Malone. “Post Malone, Luke Combs, all those guys,” BigX told Billboard at the top of 2025. “They claim I’m their favorite rapper.” Fittingly enough, BigX credits a Billboard interview earlier this year with pushing him to actually put a country-themed project together, after speaking about having plans for the project, even though it didn’t exist at the time. “I go and do a Billboard interview and I straight up say, ‘I got a country project on the way,’” he told the New York Times’ Popcast. “And I never had a country project on the way… I wasn’t thinking properly, they had just made me cry in the middle of the interview… We come back and I’m kinda trying to change the narrative, ‘I got a country project on the way.’ After I was like, ‘Damn.’ He continued: “I said that and my team was like, ‘You know you gotta do it now, right?’ Days later, You got Jelly Roll saying [he wants in on the album] and we getting demo after demo from all these other artists.” Fast-forward about eight months, and it’s mission accomplished, as X returned with his I Hope You’re Happy album on Friday (Aug. 22). Exploring all the emotions surrounding a relationship that crashed and burned, BigX invites Jelly Roll, Luke Combs, Shaboozey, Ink, Tucker Wetmore, Thomas Rhett, Ella Langley, Bailey Zimmerman and Darius Rucker on the journey to complete the project, which took him longer to finish than any of his previous work. Throw on your cowboy hat and matching boots while delving into Billboard‘s ranking of all the tracks on I Hope You’re Happy (without the pair of interludes included). “24/7” (feat. Ink) BigX slows the pace down and takes a softer approach with his rhymes. He’s lost without his lover around and makes a plea to win her back. However, X’s verse seems to come to an abrupt stop, leaving listeners feeling confused and as if there could’ve been meat on the bone to take “24/7” to another level. “About You” (feat. Tucker Wetmore) We all know someone who makes things about them, even when it’s not the truth. BigX reflects on “Mrs. Right,” who thinks she does no wrong. One of the Dallas native’s strengths is his relatability factor, which allows fans to have a deeper connection to tracks like “About You” and belt along with BigX at his shows. Tucker Wetmore brings us across the finish line while hitting a bullseye when putting an ex’s flaws on blast. “I Hope You’re Happy” (feat. Darius Rucker) Darius Rucker sets the table, leaning into the blues with his opening chorus, feeling scorned by a love interest moving on over Charley Cooks’ electric guitar. BigXthaPlug makes his grand entrance with an extended solo verse, which finds him ruminating about the pain of a fresh break-up, as the rage inside him pours out like lava following the split. “You hurt my soul, I hope he heal yours/ You let me drown, I hope he swim for you/ I lost it all, you wasn’t here for me,” X raps in disgust about his ex. “Home” (feat. Shaboozey) BigX has said that Shaboozey is one of his closest friends in the music industry, and their bond shows with every collaboration. “Home” is the perfect top-down nighttime tune to go on a solo cruise and completely clear your mind. X feels a spark and is willing to give love another shot to make things right, as he heads back to his ex’s city. It’s surprising “Home” wasn’t more of a hit on the charts following the success of “All the Way.” “All the Way” (feat. Bailey Zimmerman) BigX set the bar extremely high out of the gate with “All the Way,” which earned a top-five debut on the Billboard Hot 100. A track that was originally supposed to feature Morgan Wallen instead of Bailey Zimmerman, which ended up a blessing in disguise, proving BigX’s star power, as he and Zimmerman uplifted one another with the perfect mix of country and trap. It fits into the grand scheme of the album as well, providing a turning point with BigX showing he’s getting ready to move on from his ex and come out better for it. “Long Nights” (feat. Thomas Rhett) BigX saves some of his best rapping for last on the project with the poignant closer. Taking a step back to appreciate his journey from inmate to millionaire, X gives God glory for leading him on the right path to stardom. “I thank God like every day cause s—t he helped me find my purpose/ I was hurt, s—t I went from hearing shots to hearing fans behind them curtains,” he raps. Rhett is a great complementary collaborator here, with his artistic repertoire injecting a potent blend of country, rap and rock into “Long Nights.” The 27-year-old rapper leaves the woman who inspired much of this project with a simple message: Thank you. However, it’s the fans who should also thank her for being the muse behind I Hope You’re Happy. “Hell at Night” (feat. Ella Langley) A petty break-up anthem. Ella Langley’s country twang sets a wrathful tone while BigX takes the baton and poetically spews all of the misfortunes he hopes his ex experiences in the future without him by her side. “I hope you leave your car runnin’ at the store and it get stolen,” he raps in vicious fashion. Damn, BigX! “Box Me Up” (feat. Jelly Roll) BigX has often said that Jelly Roll is the “country version of himself,” and after finally meeting at Stagecoach following plenty of phone calls and texts, it was only

BigXthaPlug Releases Country-Trap ‘I Hope You’re Happy’ Album: Stream

Country’s favorite rapper BigXthaPlug released his highly-anticipated I Hope You’re Happy album on Friday (Aug. 21). The country-trap effort delves into all the emotions surrounding a recent relationship BigX was in that resulted in the couple going their separate ways. The Dallas native tapped a handful of country stars to join him on the effort, including Jelly Roll, Darius Rucker, Luke Combs, Bailey Zimmerman, Thomas Rhett, Tucker Wetmore, Shaboozey and Ella Langley. Explore See latest videos, charts and news BigX credited a Billboard interview at the top of the year with pushing him to complete a country project. During his chat with Billboard, he teased that he had the pillars of a project jumping into country ready, but the truth was that none of that was actually in motion at the time. “I go and do a Billboard interview and I straight up say, ‘I got a country project on the way,’” he told the New York Times’ Popcast. “And I never had a country project on the way… I wasn’t thinking properly, they had just made me cry in the middle of the interview… We come back and I’m kinda trying to change the narrative, ‘I got a country project on the way.’ After I was like, ‘Damn.’ He continued: “I said that and my team was like, ‘You know you gotta do it now, right?’ Days later, You got Jelly Roll saying [he wants in on the album] and we getting demo after demo from all these other artists.” I Hope You’re Happy, which BigX originally titled Not Just Country, serves as his first project since 2024’s Take Care, which debuted at No. 8 on the Billboard 200. Stream I Hope You’re Happy below. Source link

Esposo de Maju Mantilla confirma el fin de su relación: “Agradezco el tiempo compartido”

Redacción Panamericana Gustavo Salcedo, esposo de la exreina de belleza Maju Mantilla, anunció oficialmente el fin de su matrimonio a través de un comunicado. El esposo de Maju Mantilla dio a conocer la noticia mediante un comunicado en redes sociales, donde el empresario agradeció el tiempo vivido junto a la madre de sus hijos y aseguró que mantendrán una relación cordial por el bienestar de su familia. Te puede interesar Néstor Villanueva recibe condena por violencia a su menor hijo Gustavo Salcedo anuncia el fin de su matrimonio con Maju Mantilla En su mensaje, Salcedo explicó que la decisión no fue impulsiva, sino el resultado de meses de reflexión y de una conciliación firmada por ambas partes. “Luego de varios meses transcurridos, una conciliación firmada por ambas partes y todo tipo de emociones procesadas, quiero dar a conocer el término de mi relación con Maju Mantilla”, señaló en su comunicado. También resaltó que, pese a la separación, ambos priorizan el bienestar de sus hijos. “Fueron años con momentos que formaron parte muy importante de nuestras vidas. Agradezco el tiempo compartido juntos y todos los aprendizajes en el camino; siempre seremos buenos padres tratando de darle lo mejor a nuestros hijos”, añadió. El empresario también fue claro al pedir respeto a su privacidad: “Por respeto a mi familia, evitaré dar comentarios al respecto. Gracias por su comprensión”. Esposo de Maju Mantilla es ampayado La relación entre Maju Mantilla y Gustavo Salcedo se vio gravemente afectada en julio de 2023, cuando el programa Magaly TV, La Firme difundió un ampay del empresario ingresando al hotel Westin junto a una mujer identificada como Mariana de la Vega. Pese al escándalo, la pareja intentó superar la crisis y salvar su matrimonio; sin embargo, tras varios meses de intentos, finalmente optaron por ponerle fin a su historia de amor. @cortostv01 Maju mantilla termina su relación #magalytvlafirme #majumantilla #farandulaperuana #fyp ♬ Cuando Se Acaba el Amor – Guillermo Davila Source link

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