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Just before unleashing Man’s Best Friend, Sabrina Carpenter is looking back fondly at Short n’ Sweet, last year’s hit album that spent four weeks at No. 1 on the Billboard 200. Short n’ Sweet popped up one year ago, on Aug. 23, 2024, led by the trio of singles “Espresso,” “Please Please Please” and “Taste.” Explore See latest videos, charts and news Carpenter not only earned her first No. 1 with the set, but also her first Grammy, in the pop vocal album category. Short n’ Sweet had the entertainer living life on the road on an arena tour across North America and Europe that resumes this October (perhaps with a set list refresh incorporating tracks from Man’s Best Friend, out Aug. 29). Man’s Best Friend promo saw a brief interruption Saturday (Aug. 23) when the pop star penned a note on Instagram giving Short n’ Sweet one more minute to shine. There, she also posted a carousel of visual memories from the past year — looking back at on-set moments, photo shoots, live performances, award show wins and more. “pausing from MBF to say happy one year of Short n’ Sweet,” Carpenter wrote. “one year of kiss marks, camaraderie, and being so f—ing horny.” “this album is one of my most prized possessions and brought me closer to myself as well as so many beautiful people and places,” said the singer, who in just a week will release her next studio album — her seventh — featuring the Billboard Hot 100-topping lead single “Manchild” among the 12 tracks found on the standard version. (There’s a bonus 13th track expected on a special edition vinyl variant.) Celebrating Short n’ Sweet in her Instagram post, she added, “Thank you for still listening every single day x thank you for coming to the shows and singing till your lungs give out, thank you for loving these songs and every damn lyric as much as i do! Thank you to all my friends i got to make every song with, every video with, create the live shows with. One of the most fun years I’ve had in my whole life. I’ll never take it for granted!!! Love you all infinitely.” See the photos Carpenter shared on Instagram. Soon after releasing Man’s Best Friend, she’ll be performing on Sept. 7 at the 2025 VMAs; October brings a new song from her and Taylor Swift, on Swift’s The Life of a Showgirl. Source link

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Mastodon is honoring the memory of their late bandmate and co-founder Brent Hinds. On Friday (Aug. 22), the heavy metal band paid tribute to the guitarist during a performance at the Alaska State Fair, part of the ConocoPhillips Alaska Concert Series at the Borealis Theatre in Palmer, Alaska. At the end of the set, drummer and vocalist Brann Dailor stepped to the front of the stage to deliver a heartfelt message about Hinds, who died earlier in the week following a motorcycle accident in Atlanta. He was 51. “We lost somebody very special to us yesterday,” Dailor told the crowd. Brent Hinds, 25 years with us as our guitar player, one of the most creative, beautiful people that we’ve ever come across in this world, tragically left us. Very, very unfortunate. We loved him so, so, so very much.” “We had the ups and downs of a 25-year relationship. You know what I mean? It’s not always perfect, it’s not always amazing, but we were brothers to the end. And we really loved each other and we made a lot, a lot of very beautiful music together. And I think that that’s gonna stand the test of time, evidenced by you people here tonight.” Dailor aslo reflected on the band’s decades-long journey with Hinds. “So we will continue to play Brent’s beautiful, beautiful music that he helped us make, that we formed this band together and traveled the world together, slept in a van together, laid our heads down on beds of f—king kitty litter, got way too drunk to remember anything the next day about a thousand, million times over and over again with the love that we shared and the beauty, all the audiences that we played, for all the stages we stepped on,” he said. He concluded, “I don’t know. We’re just at a loss for words. We’re absolutely devastated and crushed to lose him and to be able to never have him back again. But you guys made it okay for us to come on stage and do this tonight. So that was for f—king Brent, okay? Thank you guys so much. We will see you real soon.” Hinds co-founded Mastodon in 2000 in Atlanta alongside bassist Troy Sanders, guitarist Bill Kelliher and Dailor. Over a 25-year career, the band released nine albums that charted on the Billboard 200, including The Hunter (2011), Once More ’Round the Sun (2014), and Emperor of Sand (2017) — the latter two peaking at No. 1 on Billboard’s Top Rock Albums chart. In 2018, Mastodon won a Grammy for best metal performance for “Sultan’s Curse.” In March, Mastodon announced that Hinds would be stepping away from the lineup. The band initially claimed the decision was mutual, but Hinds later said he was “kicked out” of the group. Following his passing on Wednesday (Aug. 21), Mastodon shared a statement on Instagram. “We are in a state of unfathomable sadness and grief… Last night, Brent Hinds passed away as a result of a tragic accident,” they wrote. “We are heartbroken, shocked, and still trying to process the loss of this creative force with whom we’ve shared so many triumphs, milestones, and the creation of music that has touched the hearts of so many. Our hearts are with Brent’s family, friends, and fans. At this time, we kindly ask that you respect everyone’s privacy during this difficult time.” Source link

The Last Dinner Party withdrew from their scheduled performance at Victorious Festival on Saturday (Aug. 23) in protest of an incident involving fellow band the Mary Wallopers, whose set was cut short after they showed support for Palestine. Explore See latest videos, charts and news The British indie rock-pop group announced their decision on social media Saturday morning, referencing the previous day’s events in which the Mary Wallopers displayed a Palestinian flag on stage and called for a “Free Palestine.” “We are outraged by the decision made to silence the Mary Wallopers yesterday at Victorious,” the Last Dinner Party wrote on Instagram. “As a band we cannot cosign political censorship and will therefore be boycotting the festival today.” They continued, “As Gazans are deliberately plunged into catastrophic famine after two years of escalating violence it is urgent and obvious that artists use their platform to draw attention to the cause. To see an attempt to direct attention away from the genocide in order to maintain an apolitical image is immensely disappointing.” The Last Dinner Party also encouraged fans to donate to medical aid for Palestinians and closed their message with “Free Palestine.” On Friday (Aug. 22), members of the Mary Wallopers took the stage at Victorious Festival carrying a Palestinian flag and voiced the message, “Free Palestine and f—k Israel.” Their sound was cut off after a crew member removed the flag, prompting the band to lead a chant of “Free Palestine” and encourage festival-goers to leave. The incident was documented in a video posted on the Mary Wallopers’ Instagram. “We are uploading this video so everybody can see @victoriousfestival cut our gig short for having a Palestinian flag on stage,” the Irish band captioned the post. “The festival have released a misleading statement to the press claiming they cut our sound because of a discriminatory chant and not the band’s call to Free Palestine. Our video clearly shows a Victorious crew member coming on stage, interfering with our show, removing the flag from the stage and then the sound being cut following a chant of ‘Free Palestine.’ The same crew member is later heard in the video saying ‘you aren’t playing until the flag is removed.’” On Saturday, Victorious Festival organizers addressed the incident in a statement on their Facebook page. “We are in the business of putting on great shows, not cutting them off and this is the last thing we wanted, for the band, their fans and ourselves,” the statement read. “We didn’t handle the explanation of our policy sensitively or far enough in advance to allow a sensible conclusion to be reached. This put the band and our own team in a difficult situation which never should have arisen. We would like to sincerely apologise to all concerned.” The organizers added, “We absolutely support the right of artists to freely express their views from the stage, within the law and the inclusive nature of the event. Our policy of not allowing flags of any kind, which has been in place for many years for wider event management and safety reasons, is not meant to compromise that right.” The statement concluded, “We accept that, although mics remained live for longer, sound for The Mary Wallopwers’ audience was cut as described in the band’s video and that comments after that were not audible to the public. We are sorry that this situation has come about and will be making a substantial donation to humanitarian relief efforts for the Palestinian people.” Several other acts, including The Academic and Cliffords, have also announced they will be boycotting this year’s Victorious Festival. The 2025 edition of Victorious launched on Friday and runs through Sunday (Aug. 24), with headliners including Queens of the Stone Age, Vampire Weekend and Kings of Leon. Source link

#LOULTIMO #lima |.🔴 JURAMENTAN NIEVOS MINISTROS DE ESTADO. VUELVE JOSÉ SANTIVAÑEZ‼️‼️ La Presidencia de la República del Perú a través de la Primera Mandataria Dina Boluarte Zegarra, tomó juramento como titular de Justicia y Derechos Humanos a Juan José Santivañez. Ana Peña Cardoza, como ministra de La Mujer y Poblaciones Vulnerables y Fanny Esther Montellanos Carbajal como titular de Desarrollo en Inclusión Social. #radioaltura Source

When Chappell Roan made her U.K. live debut in June 2023, she played the 600-cap London venue The Garage. Now, a little more than two years later, she’s headlining one of the country’s most beloved festivals. Roan’s ascent has been so stratospheric that when she stepped on stage at Reading Festival on Friday (Aug. 22), it wasn’t just her first time as a U.K. festival headliner, but her first-ever appearance at a British music festival. And it was no one off: she’ll also headline Reading’s sister fest in Leeds on Saturday (Aug. 23) and venture to Scotland for two huge outdoor shows at Edinburgh’s Royal Showground next week. Roan’s debut album The Rise and Fall of a Midwest Princess has been warmly embraced in the U.K., where it hit No. 1 in August 2024, almost a year after its release the previous September. She’s also sent five songs into the top five of the U.K.’s Official Singles Chart — “Good Luck, Babe!,” “Hot to Go!,” “Pink Pony Club,” “The Giver” and “The Subway” — so her performance was always going to contain unifying, roar-along moments. But, given that she only has one album to draw from, would Roan have enough copper-bottomed bangers to sustain a headline set? As it turned out, there was no need to worry. After arriving on stage in a gothic ensemble that made her look a little like a Transylvanian Stevie Nicks, Roan kept the crowd — one of the festival’s biggest ever — enthralled for nearly 90 minutes. Traditionally, Reading Festival is a rite-of-passage for British teens looking to let off steam after they receive their exam results. On Friday, there was no doubt that Roan passed with flying colours. Here are seven highlights from her stellar set. Album Tracks that Sound Like Singles Roan’s album is a sleeper hit filled with sleeper hits: “Pink Pony Club” reached No. 1 on the U.K.’s Official Singles Chart this March, nearly five years after its initial release. At this point, it should feel as though The Rise and Fall of a Midwest Princess has been fully mined, but somehow the album still contains semi-buried treasure. During her set, the vampy dance-pop banger “Super Graphic Ultra Modern Girl” and sleek neo-disco heater “After Midnight” sounded like hits in waiting. Given Roan’s unique career trajectory, don’t be surprised if either ends up getting a belated chart moment. New Songs that Sound Like Old Favourites Since Roan’s chart breakthrough with last year’s “Good Luck, Babe!”, a shimmering synth-pop gem that doesn’t appear on her album, she has released two further new songs: the rambunctious country-pop stomper “The Giver” and regretful dream-pop ballad “The Subway.” Each was a highlight – no surprise given they’re already regulars in her live set and “The Subway” debuted at No.1 on the U.K.’s Official Singles Chart just two weeks ago. In a recent interview with Vogue, Roan said her “second [album] project doesn’t exist yet” and warned fans to expect a wait: “It took me five years to write the first one, and it’s probably going to take at least five to write the next.” On this very early evidence, it’ll be worth it. Chappell Turns Dance Instructor “We’re gonna teach you a dance,” Roan announced midway through her set. “We’re gonna spell ‘Hot to Go!’” The song’s “Y.M.C.A.”-style armography is hardly complicated, but it still presented a challenge to 90,000 Brits who’d been partying in the sun all day. Still, watching crowd members trying to keep in time was an unexpectedly touching moment that captured the giddy sense of fun that Roan encourages. In her hands, even a show of this scale felt like a playful safe space. Chappell’s Pet Pulls Focus Roan has branded her summer festival run the Visions of Damsels & Other Dangerous Things Tour a title reflected in its gothic fairytale visuals – at this show, the singer was literally the queen of her own stage-filling castle. Her often theatrical performance reached a surreal high point when Roan sang “Coffee” sitting on a giant throne while clutching a gremlin-style toy. At Primavera Sound festival in June, Roan introduced this cute critter as her new “pet,” who is named Shigella. This time, she didn’t explain why little Shigella shares its name with a bacteria that can cause severe stomach upsets. The mystery deepens… Pink to Make the Girls Wink As her all-female band blasted out the opening chords of “Red Wine Supernova,” a song Roan has called her “gay girl version” of Oasis’ “Champagne Supernova,” she gave the crowd an instruction: “If you have something pink, put it in the air!” They obliged by turning the Reading field into a sea of pink cowboy hats, a galvanising moment that highlighted the campy femme energy of a Roan brings to the stage. For early adopters, it was a reminder of previous U.K. live shows where she set dress-up themes such as “Midwest Princess” and “Naked in Manhattan.” Karma in Action Chappell ended her 85-minute set with a sort of deep cut sandwich: two of her biggest hits, “Good Luck, Babe!” and “Pink Pony Club,” with a slightly less familiar song in the middle: the vengeful midtempo “My Kink Is Karma.” It was a surprising sequencing choice that paid off when portions of the crowd began pogoing to its explosive chorus. It surely helped that Roan set the tone by dedicating the song to “my ex who is in the crowd tonight.” Ouch. A Thoroughbred Finale Ending with “Pink Pony Club” was a masterstroke, not least because Roan had the stage bathed in dazzling magenta light for the occasion. This transcendent power-pop banger captured everything that made her such a compelling presence tonight: rock dynamics, a starburst pop chorus, soaring vocals, and distinctive lyrics drawn from her queer coming-of-age story. Roan was dropped by her first record label in August 2020, four months after “Pink Pony Club” dropped and failed to take off. Now, five years later, the same song was being hollered back

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