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Francisca Aronsson se sincera y deja en shock: “Nunca he tenido pareja”

Francisca Aronsson, conocida por su papel de la popular ‘Pecas’, dejó a todos boquiabiertos al confesar que, a sus 19 años, nunca ha tenido pareja. La joven actriz participó en el programa de streaming Good Time, donde compartió set con Laura Spoya, Mario Irivarren y Gerardo Pe. Durante una broma sobre supuesta infidelidad, Aronsson no dudó en aclarar:“Yo nunca he tenido pareja, por eso nunca he sido infiel a alguien”. Te puede interesar Magaly Medina desmiente a Gisela Valcárcel con videos inéditos: “Nos engañó a todos” Su declaración sorprendió a los conductores, quienes admitieron que, debido a su amplia trayectoria artística, pensaban que Francisca era mayor. Mario Irivarren incluso comentó que siempre la ha visto en televisión y que, en algún momento, pensó que Francisca tenía más de 30 años de carrera. Francisca desmiente romance con Cristorata La actriz también aprovechó el momento para aclarar los rumores que la vinculaban sentimentalmente con el streamer Cristorata. Según Francisca, todo fue producto de una simple “novela” creada por sus seguidores. “Eso fue streaming, novela, shipeo, pero nunca fue mi enamorado ni nada”, explicó ‘la Pecas’. Te puede interesar Gisela Valcárcel se retracta: «Sí entré a América Televisión» “La Pecas” sigue creciendo profesionalmente A pesar de su corta edad, Francisca Aronsson ha construido una sólida carrera. Nacida en Suecia en 2006, de padre sueco y madre peruana, debutó en la televisión peruana con la serie Amor de madre y alcanzó gran popularidad con De vuelta al barrio. Actualmente, su talento también la ha llevado a participar en producciones internacionales como Las Cumbres, demostrando que su proyección artística va más allá de las fronteras. La confesión de Francisca Aronsson no solo ha sorprendido a sus seguidores, sino que también ha generado una ola de comentarios en redes sociales, donde muchos la felicitan por hablar con transparencia sobre su vida personal. @goodtimepee @fran_aronsson ♬ sonido original – Good Time La entrada Francisca Aronsson se sincera y deja en shock: “Nunca he tenido pareja” se publicó primero en Radio Onda Cero. Source link

Radiohead’s ‘Let Down’ Debuts on the Hot 100 After 28 Years

Radiohead is back on the Billboard Hot 100 this week for the first time in 17 years, but it’s not with a new release. Instead, it’s with OK Computer standout “Let Down” — which debuts at No. 91 (on the chart dated Aug. 30, 2025), 28 years after its release. Explore See latest videos, charts and news The song earns the band its fourth career chart entry on the Hot 100, after “Creep” (No. 34 peak in 1993), “High and Dry” (No. 78; 1996) and “Nude” (No. 37; 2008). Unlike those earlier appearances, which were powered by a radio push and/or digital sales, “Let Down” debuts almost entirely from streaming: the song earned 5.2 million official U.S. streams in the latest tracking week (Aug. 15-21), up 4% week-over-week, according to Luminate. It’s not particularly uncommon in this era for catalog songs to land on the Hot 100 long after their release. Earlier this month, for example, Ozzy Osbourne’s “Crazy Train” entered for the first time, 45 years after its release, following the singer’s death. In June, Coldplay’s 2000 song “Sparks” debuted after Chris Martin’s tearful live performance tied to his rumored breakup with Dakota Johnson (and it continues to chart six weeks later, ranking at No. 81 this week). And, among others, Nirvana’s 1991 Nevermind deep cut “Something in the Way” surged onto the chart in 2022 after its use in The Batman. Those songs had clear catalysts — a major film/TV sync, a viral moment, an artist’s passing. Another common reason is annual resurgences around holidays. Radiohead’s “Let Down” debut stands out, though, in that its rise has been slow and steady, and harder to pin to one event. The song resurfaced in 2022 after its placement in The Bear’s first-season finale, but that renewed attention wasn’t enough to help it return to any charts. This summer, it’s gradually grown on TikTok and crossed back onto Billboard’s rock charts. It first charted in 1997 after it was released as an official single, peaking at No. 29 on Alternative Airplay. The song’s TikTok traction picked up late last year when users began pairing it with clips capturing various melancholic moments. That carried into this year during the wave of speculation about a potential TikTok shutdown, when “Let Down” became the go-to song to soundtrack future uncertainty. More recently, though, its presence has broadened — the track now surfaces across posts expressing all kinds of emotions and drama. Here’s a week-by-week breakdown of the song’s on-demand official U.S. streams this summer, according to Luminate: May 30-June 5: 4 million (up 18%)June 6-12: 4.3 million (up 8%)June 13-19: 4.2 million (down 2%)June 20-26: 4.2 million (down 1%)June 21-July 3: 4.5 million (up 8%)July 4-10: 4.5 million (up/down 0%)July 11-17: 4.8 million (up 5%)July 18-24: 4.9 million (up 4%)July 25-31: 4.9 million (down 1%)Aug. 1-7: 5 million (up 2%)Aug. 8-14: 5 million (up/down 0%)Aug. 15-21: 5.2 million (up 4%) Those are solid weekly totals for a song nearly 30 years old. But what those streams tell us is that there hasn’t been a sudden viral spike, but rather a gradual climb — it’s been a rare slow burn compared to how most catalog songs have a sudden viral moment tied to their chart debuts or re-entries, and then fall away. What’s more, “Let Down” isn’t even Radiohead’s most-streamed track right now. “Creep” raked in 7.4 million streams in the latest week, but recurrent rules keep it off the Hot 100 (since it already charted in 1993, it would need to have enough chart points to rank in the top 50 in order to return). On the Billboard Global 200, “Creep” ranks at No. 32, while “Let Down” is No. 103. Still, the arrival of “Let Down” reinforces how deep catalogs are thriving in the streaming era. Alongside “Creep,” Fleetwood Mac’s 1977 classic “Dreams” and Goo Goo Dolls’ 1998 hit “Iris” both rank on this week’s Streaming Songs chart, all pulling in strong streaming numbers (10.5 million and 8.3 million, respectively). It’s proof that old music can still find a fresh audience decades later, and not necessarily through a viral moment. Source link

BTS Drop High-Energy Trailer For ‘BTS Movie Weeks’ Global Screenings

It’s a simple question: “ARMY Are You Ready?” That’s the full-screen introduction to a new one-minute teaser trailer for K-pop supergroup BTS‘ upcoming BTS Movie Weeks cinema stunt. The seven-member boy band released the first promo video for the upcoming cinematic celebration of their four concert films on Wednesday morning (Aug. 27) and you can rest assured that the high-energy, color-saturated preview will have ARMY dancing in the aisles. The sneak peek features footage of RM, Jin, SUGA, j-hope, Jimin, V and Jung Kook in a variety of colorful costumes hyping up the crowds at their massive shows while busting out their signature pinpoint choreography. “After all this time we relive our most beautiful and brightest moments” reads the onscreen tease as the dancers/singers bound across the stage to the strains of a live version of their 2018 collab with Nicki Minaj, “Idol.” Movie Weeks is slated to hit more than 2,500 theaters in 65 countries/regions from Sept. 24 through Oct. 5 for showings of 2016’s Live 花樣年華 On Stage : Epilogue Remastered, BTS 2017 Live Trilogy EPISODE III THE WINGS TOUR THE FINAL Remastered, BTS 2019 WORLD TOUR ‘LOVE YOURSELF: SPEAK YOURSELF’ LONDON Remastered and BTS 2021 MUSTER SOWOOZOO Remastered. The 2016 and 2017 films will screen during the first week of the special command performance in cinemas, followed by the 2019 and 2021 movies during week two. In addition, a special all-day screening will take place on the final day (Oct. 5), with back-to-back showings of all four movies. All four films have been remastered in 4K with 5.1 channel surround sound for the event, with tickets on sale today here. Now that all seven members of BTS have completed their mandatory South Korean military service, the septet are gearing up to regroup after a more than three-year hiatus. RM recently told ARMY that he’s been “working diligently” on the plans for the band’s next album and tour, both set for next year. Watch the Movie Weeks trailer below.    Get weekly rundowns straight to your inbox Sign Up Source link

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Ariana Grande Teases Upcoming Announcement: ‘See You Next Year’

The sun hasn’t completely gone down on Ariana Grande‘s Eternal Sunshine era, which the pop star has teased will continue next year with an exciting new venture. In a cryptic Instagram video posted Wednesday (Aug. 27), Grande’s hand trembles as she tries to tap on a screen reading, “A corrupt file has been found and corrected.” The video then cuts to the following text: “See you next year … Announcement loading …” The Grammy winner didn’t give any further information about what she’s teasing in the video, but fans can surmise that it has something to do with her Billboard 200-topping seventh album, as she shared the clip in a joint post with her Brighter Days Instagram account. The sci-fi visual also matches the aesthetic of parts of Grande’s Eternal Sunshine: Brighter Days Ahead short film, which she released in April along with the deluxe version of the album. Beyond those clues, it’s hard to say what Grande might be teasing — but it’s very possible that she’s gearing up to announce a run of live shows for Eternal Sunshine. Though she previously said that she didn’t see herself touring in the foreseeable future, she did recently reveal that she was “working on a plan to sing for you all next year.” “even if it’s just for a little,” she added in a July post. “very silly of you all to assume that just because i have my hands full with many things that i plan to abandon singing & music … !!! it is and has always been my lifeline. there will need to be room made for all of it.” Originally released in March 2024, Eternal Sunshine spawned two No. 1 hits on the Billboard Hot 100: “Yes, And?” and “We Can’t Be Friends (Wait for Your Love).” Collecting three weeks total atop the Billboard 200, Eternal Sunshine got a second life earlier this year with a deluxe edition released a few months after the November premiere of Wicked. See Grande’s post below. Get weekly rundowns straight to your inbox Sign Up Source link

Mariah Carey Says She Wishes She Had Opportunity to Date 2Pac

2Pac is the one that got away for Mariah Carey. Mimi joined Power 106’s Brown Bag Mornings on Tuesday (Aug. 26), where she recalled an encounter with the late Death Row rapper at the 1996 American Music Awards, which made her heart skip a beat. Explore See latest videos, charts and news “Well, he said it like ‘Hi, Mariah,’ and I was like [ahhh],” she said of the brief interaction with 2Pac after he jumped out of a white Rolls-Royce, which left her with “more than butterflies.” She continued: “I was hosting the AMAs that year so I had to keep going back and forth, but I wanted to keep going back and forth because that happened.” “I love hip-hop and I love the moments that we’re talking about, especially ‘Hi, Mariah.’ So yeah, it was a pretty major moment for me to say the least,” the singer said before adding she definitely wanted to collaborate with Pac on a song. Co-host Letty Peniche gushed about Mariah and 2Pac being the ultimate celebrity power couple if they ever had the chance to date. “I wish,” Carey bluntly replied. While the pair of music icons never joined forces on a track, Mariah did interpolate Pac’s “Me and My Girlfriend” on 1999’s “How Much,” following the rapper’s death in September 1996. September is gearing up to be a busy month for Mariah Carey, who will be receiving the honor of the Video Vanguard Award at the 2025 MTV Video Music Awards. Carey’s next album, Here For It All, is due out on Sept. 26. Watch the interview clip with Mariah Carey below. Get weekly rundowns straight to your inbox Sign Up Source link

Gisela Valcárcel se retracta: «Sí entré a América Televisión»

Redacción Panamericana Gisela Valcárcel aclaró su versión y admitió que sí ingresó a América Televisión, desatando más polémica luego de exponer que no entró. Gisela se retracta Luego del escándalo desatado por su supuesto impedimento de ingreso a América Televisión, Gisela Valcárcel sorprendió al reconocer que sí logró entrar al canal. La conductora, quien horas antes afirmó que le habían cerrado las puertas, se retractó y explicó que su problema no fue con el acceso al canal, sino con su programa América Hoy. “Se dieron las imágenes de seguridad donde se me ve ingresando a América Televisión. ¿Y quién dijo que no entré? Lo que no entré es al programa”, declaró la popular ‘Señito’, intentando aclarar las versiones que la dejaron en el ojo de la tormenta. “Quizá no me expresé bien cuando dije que no me dejan entrar al canal; debí decir que no me dejan entrar al programa”, aclaró. Te puede interesar Magaly Medina desmiente a Gisela Valcárcel con videos inéditos: “Nos engañó a todos” Pruebas de Gisela entrando a América Televisión La nueva declaración de Gisela llega después de que Magaly Medina difundiera imágenes exclusivas que la mostraban dentro de las instalaciones del canal. Estas pruebas generaron una ola de críticas en redes sociales, acusándola de haberse “victimizado” para generar impacto mediático. Con este cambio de discurso, la rivalidad entre ambas figuras de la televisión peruana sigue creciendo, pues la ‘Urraca’ no dudó en acusar a Gisela de manipular la situación para promocionar su nuevo proyecto digital. Te puede interesar ¡Humillación total! Gisela Valcárcel fue impedida de entrar a América TV y pone fin a América Hoy: “Mañana puedes sacar tu programa parecido” Expectativa por su respuesta Hasta el momento, Gisela Valcárcel no ha respondido a los ataques de Magaly Medina tras su retractación. Mientras tanto, el enfrentamiento entre ambas conductoras sigue dominando las conversaciones en redes sociales y en los programas de espectáculos. @josepastord Desmint10 a Gisela!!!😨🔥🚨Ig:josepastord💥 #giselavalcárcel #peruanos #fyp ♬ sonido original – JOSS Source link

Taylor Swift & Travis Kelce’s Engagement Post Breaks Instagram Record

Taylor Swift and Travis Kelce‘s post on Instagram announcing their engagement got a lot of, well, engagement. According to data shared with Billboard on Wednesday (Aug. 27), Meta counts that the photos of the Kansas City Chiefs tight end proposing to the pop star have surpassed 1 million reposts on Instagram — more than any other post has ever received on the platform. Even more impressive, the couple’s announcement achieved that record in just six hours. The news comes after Billboard previously reported that the post had earned 14 million “likes” in just one hour. At press time, Instagram displays that it has surged past 29 million. If there was ever going to be a post that would garner such high stats, it’s Swift and Kelce’s. The duo’s big reveal — which they shared by writing, “Your English teacher and your gym teacher are getting married” — sent the internet into an absolute frenzy, with fans flooding social media with messages of shock and congratulations. Even President Donald Trump got in on the action, setting aside his grievances with the 14-time Grammy winner to say during a cabinet meeting, “I think he’s a great guy, and she’s a terrific person, so I wish them a lot of luck.” The engagement comes after about two years of dating for Swift and the athlete, who popped the question two weeks prior to their Tuesday (Aug. 26) announcement, according to Kelce’s dad, Ed. The lovebirds now have wedding planning to add to their busy schedules, which features the beginning of the Chiefs’ football season on Sept. 5 and the release of the musician’s new album, The Life of a Showgirl, on Oct. 3. Get weekly rundowns straight to your inbox Sign Up Source link

Fired Cradle of Filth Guitarist Blasts Band, ‘Clown’ Ed Sheeran Collab

Cradle of Filth guitarist Marek “Ashok” Šmerda took a number of shots at his now-former band just days after his wife, keyboardist Zoe Marie Federoff, left the British black metal group abruptly mid-tour, including mocking the group’s long-anticipated collaboration with Ed Sheeran. Explore See latest videos, charts and news “I ask you to please respect my wife and myself in this transitional period. I am indeed leaving Cradle of Filth at the end of this current tour, and the reasons behind this are conclusions my wife and I came together at long before this week. We simply do not feel like Cradle can provide for our future, and in fact hinders it,” Šmerda wrote on Facebook on Tuesday (Aug. 26). “Among other reasons it is a lot of work for relatively low pay, the stress is quite high, and we haven’t felt for a while like this band actually prioritizing/caring about members. It has been years of unprofessional behavior from people above us that led to our decision.” Šmerda’s post came two days after wife Federoff, who joined the group in 2022, announced her departure in a post in which she explained, “It is with deep regret I share that for personal reasons I am unable to continue this tour and continue in general with Cradle of Filth. Please respect my privacy and my family’s privacy. I will answer no further questions. Be kind to my successor. I wish her and my now former bandmates well.” In addition to announcing his intention to split with the extreme metal band he joined in 2014, Šmerda threw some shade at the group, specifically tied to their untitled, long-delayed collab with Sheeran. “I have also asked all compositions of mine removed from upcoming releases including Ed Sheeran collab,” he wrote. “This song feels like foolish clown antics for me at this point anyways- first it was charity single for kids, then for profit single, then on next album, and now who knows and I just do not want to be involved anymore, no disrespect to Ed Sheeran.” Though a release date has not yet been announced, CoF singer Dani Filth first mentioned the Sheeran collab in 2022. Earlier this year, he confirmed that the song would not be on the band’s latest album, The Screaming of the Valkyries, because they didn’t want to “overshadow” their own LP. “But we are going to bring it out. Originally, everybody wanted us to bring it out to glorious fanfare but Ed’s management weren’t keen on that,” Filth said. “We’re not absolutely sure how it will emerge, but it’s been done, mixed and it’s sitting on the shelf somewhere… you know, virtually. And it’s f–king fantastic. But only a handful of people have actually heard it. My mum hasn’t even heard it.” Filth described the track as sounding like, “a cross between Ed Sheeran and Cradle of Filth! You hear it and go, ‘Oh, my God, f–k me, acoustic guitar, that’s Ed Sheeran.’ Then at the same time, you can flip the coin and go, ‘F–k me, this is a Cradle Of Filth song: blastbeat, Dani screaming.’ Obviously, he wouldn’t put his name to a technical death metal track and we wouldn’t put our name to a song that sounded like ‘Galway’ Girl part 2. It’s catchy, though. It’s a good marriage.” And though Šmerda rubbished salacious internet speculation on why he and Federoff were splitting with the group, he promised to “finish strong” on the band’s current South American tour, slated to run through a Sept. 28 show in Mexico City, before moving on to Europe in November. “It is my last ride with Cradle and I am proud to give it my best,” he wrote. “I am sad to not share the stage with my wife these last times but I respect why she left and I am happy our friend Kelsey Peters has been given opportunity to shine.” Cradle of Filth was founded in Suffolk, England in 1991 by singer Dani Filth along with guitarist Paul Ryan, bassist Jon Pritchard, keyboardist Benjamin Ryan and drummer Darren “Daz” Gardner; at present Filth is the only remaining original member of the band that has cycled through nearly three dozen members over the past 35 years. At press time, spokespeople for Cradle of Filth and Sheeran had not returned Billboard‘s request for comment on Šmerda’s statement, but the band made their position on the matter crystal clear in an Instagram post (see below). “It is with a grave heart that Cradle Of Filth officially announce the firing of guitarist Marek ‘Ashok’ Smerda from the band, effective immediately,” they wrote on Tuesday night (Aug. 26) of the guitarist’s apparent sacking. “Despite all attempts to illegally defame and derail the band, Cradle Of Filth WILL NOT cancel any of our South American shows, though fans will have to bear with us being a band with only one guitarist live, that is of course until Ashok’s temporary replacement is flown out to join the tour in a few days time,” they continued. “Thank you for your understanding in this horrible matter, we are all in a state of shock over proceedings and will share our side to these unfortunate events in due course. Please, respect our decision to part with Ashok now rather than at the end of the tour and avoid speculation as more clarity on the situation will be provided.” The message also noted that the rest of the Dani Filth-led group are “cool,” though taken aback, by the accusations about their management, which they called “unjust and unfounded.” They ended with the message, “Patience is a virtue and the truth will always out.” See the band’s full statement below. Source link

La Musa Awards’ 2025 Inductees & Honorees Announced

The Latin Songwriters Hall of Fame has unveiled its 2025 inductees and honorees, set to be celebrated at the 12th annual La Musa Awards on Oct. 16 in Miami’s Flamingo Theater, Billboard Español can exclusively announce. Explore See latest videos, charts and news “Our mission is to elevate the voices of Latin music creators whose stories and songs have touched the hearts of millions around the world,” says Rudy Perez, LSHOF chairman and CEO, in a statement. “This year’s inductees and honorees have not only defined Latin music but have also paved the way for future generations of songwriters.” Chairman emeritus Desmond Child adds, “La Musa Awards celebrate the heart and soul of our culture, educating our audiences to the extraordinary contributions of Latin music makers, who continue to influence and enhance the music of the world.” This year’s inductees include Spanish singer-songwriter Enrique Bunbury; Colombian musician, songwriter and producer Andrés Castro; prolific Cuban songwriter Jorge Luis Piloto; Argentine pianist, composer, and conductor Lalo Schifrin (posthumous); and Mexican songwriter Mónica Vélez. As for the 2025 Special Awards, the recipients are Ángela Aguilar (La Musa Elena Casals Award); Charles Fox (Desi Arnaz Pioneer Award); J&N Publishing’s Juan Hidalgo and Nelson Estévez (Ralph S. Peer Publishers Award); Mike O’Neill (La Musa Founders Award); and Lenny Tavárez (La Musa Triunfador Award). “Celebrating our gifted Latin songwriters as an essential part of our industry is a step not only in recognizing their incredible creativity, but also in inspiring and ensuring the future of our writers of tomorrow,” LSHOF president, Marti Cuevas, said in the statement. Additionally, “El Rey” — the timeless mariachi song written and recorded by José Alfredo Jiménez in 1971 — will be honored as The Song of All Time for its “enormous influence and contribution to Latin music,” and its impact and success, reflected in the countless versions recorded. Those famous re-recordings of the Mexican anthem have been sung by icons like Vicente Fernández, Alejandro Fernández, and Luis Miguel. For more info about La Musa Awards and the Latin Songwriters Hall Of Fame, visit the Latin Song Hall’s website. Source link

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