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Magaly expone imágenes de Dayanita con presunto nuevo galán El programa “Magaly TV, La Firme” encendió las redes tras difundir imágenes de Dayanita en actitud cariñosa con un joven desconocido durante una fiesta en El Agustino, el pasado 30 de agosto. En las grabaciones, la popular actriz cómica se muestra muy cercana a este chico, lo que desató especulaciones sobre un posible nuevo romance. Días antes, ambos también fueron captados paseando de la mano por el nuevo puente de Miraflores, lo que reforzó los rumores. “Van entrelazados de las manos, como si fueran una pareja normal”, comentó Magaly Medina al mostrar las imágenes en su programa. Te puede interesar ¡Se retracta! Magaly Medina pide disculpas en vivo a Ángelo Campos y Angye Zapata tras anunciar falso ampay La respuesta a Magaly Frente a las cámaras, Dayanita no dudó en ponerle fin a los comentarios y aclaró que no existe relación alguna con el joven. “Estoy tranquila, todo bien. Estamos en una fiesta pública, o sea, es mi amigue, no hay nada de malo, uno puede bailar con quien quiera. Las terapias están que sirven mucho”, expresó la actriz cómica. La actriz reafirmó que se encuentra en una etapa de tranquilidad:“Andamos con un montón de gente, pero no pasa nada. Ahorita no quiero nada, yo quiero estar bien”, afirmó Dayanita, quien dejó claro que está enfocada en su crecimiento personal. Te puede interesar Patricio Parodi arremete contra Paolo Guerrero: “Él va a cobrar, ¿qué juega? Está en la banca” Dayanita también resaltó que sus terapias le están ayudando a mantener la calma y priorizar sus proyectos laborales. “Si hay alguna chambita por ahí, yo quiero estar trabajando”, añadió con humor. Con esta declaración, la comediante dejó claro que, aunque los rumores sigan, su prioridad actual no es el amor, sino su crecimiento personal y profesional. @riclatorrez 3.07/10: #MagalyMedina le da con todo a #Dayanita por llamarla “madrina” . #jbenatv #Peru #peruanos #tiktokperu #Viral #fyp #parati #riclatorrez #riclatorre #chollywood #farandulaperuana #magalytvlafirme #magalymedina #amoryfuego #destacame #americahoy #lanochehabla ♬ sonido original – Ric La Torre La entrada Dayanita se luce con nuevo “galán”, pero lo manda a la friendzone: “Es mi amigue” se publicó primero en Radio Onda Cero. Source link

Alex Warren has ruled the past several months with his exalted celebration of love, “Ordinary.” In addition to 10 nonconsecutive weeks at No. 1 on the Billboard Hot 100, it spent all 14 weeks atop Billboard‘s seasonal Songs of the Summer chart. But his latest single takes a much more somber tone. “Eternity,” which is No. 83 in its sixth week on the Hot 100, heartbreakingly addresses Warren losing both his parents before he turned 21 years old and the acute, unabating sense of loss. Both songs are featured on Warren’s first full-length Atlantic album, You’ll Be Alright, Kid, which reached No. 5 on the Billboard 200. Adam Yaron, 26, produced and engineered the set and co-wrote the majority of the tracks — including both “Ordinary” and “Eternity” — which radiate emotion. “We always approach songwriting from a point of truth and vulnerability,” he says. “[With] ‘Eternity,’ there is something raw and almost uncomfortable about how heavy the lyric is.” Below, Yaron reflects on his working relationship with Warren, his memories of creating the album’s biggest hits and more. How did you and Alex meet? We met at a session. I came in as a writer, and we just really connected and just continued working from there. You co-wrote “Eternity” with Alex, Cal Shapiro and Mags Duval, which is about Alex losing his father at 9 years old and his mother at 20. How did it come about? I met [Alex] a few months after he lost his mom, so I’ve been really close to his journey with loss. We had so many conversations about his dad and his mom. I think this was the last song to be written for the album. It came up that we hadn’t really tackled grief yet. It became apparent that it’s such a big part of his story, and we had to go there. The song breaks my heart. Putting it together musically was its own challenge, but it just started spilling out once we understood what we were going to talk about. This was the last song you wrote for the album. Do you think you could have written that song earlier in the process? I never thought about that. I suppose not. We had known each other at that point for — at least as a group — almost two years. I think we built up so much trust and had so many conversations about Alex and who he is and understanding his relationship to grief. “Ordinary” had been out already when we wrote this song, and a lot of things were starting to go really well. I think not having his parents there to witness all of this incredible success and recognition was really weighing on him. I know he really believes that they are watching him in some capacity. From there stemmed some of the lyrics: “I walked this world alone” kind of comes from that. What was it like producing his vocal for the song? Alex is one of those artists that gets on the mic and then it’s like, “Oh, wow. This is brought to life in a whole new way.” I think because “Eternity” in particular is so personal and vulnerable, it doesn’t take much to get that performance from him. I don’t think he sung this particular song that many times. It feels like he’s just telling the truth. I hope that comes across because in the room it was very palpable. We were in his house and set up this mic and a curtain to dampen the sound a little bit in his closet. It was very in the moment — looking back, that’s part of the magic of it. The recording process was very natural. A version of this story appears in the Aug. 30, 2025, issue of Billboard. Source link

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As it turns out, the opening night of the Eras Tour wasn’t the first time Taylor Swift performed for three hours straight. According to her former neighbor, pro wrestler Jeff Jarrett, the pop star once played an equally long private concert for his family to cheer them up during a tough time. According to People, the WWE star recently told TMZ Sports that — back when he lived next to the Swift family in Hendersonville, Tenn. — the 14-time Grammy winner once came over to hang out with his kids shortly before his wife died of breast cancer in 2007. “It was Christmas of 2006,” he recalled. “My first wife [Jill Gregory] was really ill with breast cancer.” “She passed away about five months after this, so she was really ill,” he continued, according to the publication. “Obviously, like every little girl in America, my daughters were big Taylor fans, and her songs had just kind of broke, but she was a hometown girl.” When she initially showed up for a visit, Jarrett says that his children urged Swift to run back home and grab her guitar because they “wanted her to sing and play.” “By the end of the afternoon, Taylor played about three hours,” he added, noting that by the time she was finished, about 45 people had gathered in his home just to watch her perform. The showcase wound up being good practice for Swift’s global Eras Tour more than 15 years later, on which the singer played for more than three hours on a nightly basis. The grueling trek would end up inspiring the concept for her next album, The Life of a Showgirl, which drops Oct. 3. Swift first announced the project through an appearance on then-boyfriend Travis Kelce’s New Heights podcast. A couple of weeks later, the couple revealed their engagement — about which Jarrett told TMZ Sports that he was happy for his family friend and couldn’t wait to see her welcome kids of her own someday. But before all of that, Swift was just the girl next door who babysat Jarrett’s daughters, one of whom starred in the hitmaker’s “Mine” music video in 2010. In an interview last year, the wrestler recalled, “Taylor was like a big sister and came over and took the girls, baking cookies and just kinda hung out at the house.” “I can’t say enough good things about Taylor,” he added at the time. “Just a sweetheart. I still call her ‘our girl’ and now she’s hanging out in the NFL circles.”    Source link

Alex Warren’s “Ordinary” reigns as Billboard’s No. 1 global song of the summer for 2025. The race reflects performance on the weekly Billboard Global 200 from charts dated June 7 through Sept. 6, spotlighting the biggest songs worldwide from Memorial Day through Labor Day. The Global 200 ranks songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. Titles that appeared on the 2024 global summer recap or peaked on the Global 200 during or before summer 2024 were ineligible to appear on this year’s summer retrospective. (Notably, countries in the Southern Hemisphere were not in summer the past three months. Listeners in those territories might at least feel carefree, warm-weather vibes browsing the biggest worldwide hits over that span.) “Ordinary” spent the first six weeks of the summer tracking period atop the Global 200, with seven of its next eight weeks at No. 2. “Alex makes really universal music,” Atlantic Records vp of A&R Michael Parker told Billboard in April of the Carlsbad, Calif.-born singer-songwriter. “Alex’s songs are personal and powerful, and all true stories ripped right out of his life that most can relate to. It’s also a huge testament to our U.S. and international teams working closely together to achieve global success.” Despite not reaching No. 1 on the Global 200 until the chart dated July 19, “Golden” by HUNTR/X, the singing trio of EJAE, Audrey Nuna and REI AMI, wraps at No. 2 for the summer — with two more songs, both by Saja Boys, from Netflix’s smash animated film KPop Demon Hunters in the top 10, at Nos. 8 and 9, respectively. Here is a rundown of the 10 biggest global songs of the summer for 2025: No. 1, “Ordinary,” Alex Warren No. 2, “Golden,” HUNTR/X: EJAE, Audrey Nuna & REI AMI No. 3, “Die With a Smile,” Lady Gaga & Bruno Mars No. 4, “APT.,” ROSÉ & Bruno Mars No. 5, “Back to Friends,” sombr No. 6, “Manchild,” Sabrina Carpenter No. 7, “Love Me Not,” Ravyn Lenae No. 8, “Soda Pop,” Saja Boys: Andrew Choi, Neckwav, Danny Chung, Kevin Woo & samUIL Lee No. 9, “Your Idol,” Saja Boys: Andrew Choi, Neckwav, Danny Chung, Kevin Woo & samUIL Lee No. 10, “La Plena (W Sound 05),” W Sound, Beéle & Ovy on the Drums Sabrina Carpenter’s “Espresso” wrapped as the No. 1 global song summer of the summer for 2024, after Jung Kook’s “Seven,” featuring Latto, ruled for summer 2023. As previously reported, “Ordinary” is the No. 1 title on Billboard’s Songs of the Summer chart for the 2025 summer season, based on performance on the weekly, U.S.-based Billboard Hot 100 between Memorial Day and Labor Day. It’s free Billboard charts month! Through Sept. 30, subscribers to Billboard’s Chart Beat newsletter, emailed each Friday, can unlock access to Billboard’s weekly and historical charts, artist chart histories and all Chart Beat stories simply by visiting the newly redesigned Billboard.com through any story link in the newsletter. Not a Chart Beat subscriber? Sign up for free here.    Source link

Naomi Sharon traded Obsidian‘s signature dark aesthetic for a latex snow white wardrobe on tour, signifying her transition into a “lighter version” of herself. The First Lady of OVO’s refreshing outlook on life was evident on her The Only Love We Know EP in May, which saw Sharon coming to terms with having to end certain relationships that weren’t serving her so that she could properly move forward. Explore See latest videos, charts and news The Dutch singer-songwriter hit the road in support of the EP with a seven-city North American trek this summer, which wrapped up in August, and now it’s back to work on her anticipated sophomore album and plenty of horseback riding. The album is set to be executive produced by Majid Jordan’s Jordan Ullman, and Sharon reveals the LP’s near completion and could be released later this year. “I feel like it’s more up-tempo,” she tells Billboard of her Obsidian follow-up. “It hits a little harder, like it’s more in your face. It’s a little bit more digestible for a broader audience in a positive way. It’s still credible. I’m really happy about it.” Earlier this year, fans felt as if Sharon would’ve been a perfect fit for Drake and PartyNextDoor’s $ome $exy $ongs 4 U, but the ethereal singer says she never linked up with the 6 God and PND for any of the OVO joint project’s sessions. “I would’ve loved to — but I also see this as an opportunity to grow as an artist myself, instead of it being tied to someone else’s success, because that’s pretty easy,” she explains. “It’s like a wild card, but like, I do not want to use it as a wild card. I see it as a beautiful opportunity to create music with someone whom I’ve truly aspired to and love.” Check out the rest of our interview with Naomi Sharon during her trip to NYC, as she talks her upcoming album, loving horseback riding and why she’s not buying foreign R&B singers having a tough time breaking through in the U.S. What’s been the difference between headlining your own tour versus opening for Tems? I think with opening for Tems, it was more so to engage with a newer audience, which was really interesting. And I was really grateful for that opportunity. And I think that right now, which it’s very exciting, is that I’ve gained some new fans. I’ve gained new listeners. How are you growing as a performer? I just came out of a very important meeting with my label, and we were talking about the newer music. And I have a background in dance and theater, so for me to stand still on stage is kind of unnatural, although it comes naturally with the set that I have, which is also beautiful. But I feel like with the new music that I’ve been making, it’s much more lively and has more opportunity for choreos. Personally, how do you feel you’ve grown this last year? I think to start as an individual in life, I’ve been growing because life just happens and I need to adapt, and I’ve learned a lot about myself in the past few months. And with that, that goes hand in hand with being in the studio as well. [It] pours into your art because whenever you’re changing automatically, everything surrounding you will change as well. You will attract different things. Last time we spoke, you wanted to start riding horses and now I feel like that’s your thing. Yeah, four times a week. I am an equestrian. So I came back from tour, and I found out that there was a stable next to my home, and it’s a really good one. I went there, and I fell in love, not only with the horses, because I fell in love with a horse before, but just like the whole world of being with an animal, and in this particular case, a horse that has a lot of high sensitivity. They know everything about everyone. It’s fascinating how they can feel you. They can sense your heart and they’re communicating with their body language. You’re just reaching out, but a horse tells you when you’re allowed to [ride] and I love that.  Was that something you always wanted to do, or a passion you found later in life? I was a kid, and I was doing track and field, and I asked my mom and dad if I could do horseback riding as well, but it was a very expensive. So I think my parents were right at the time. They were like, “One sport is enough.” I was competing at a high level in track and field, so it was enough. Horseback riding is something that I always wanted to do. And grooming horses makes me feel very peaceful. It’s like the most interesting thing ever. They’re warm. Like, if you’re standing next to a horse, their warmth gives off on you. You can feel them. What was the genesis for The Only Love We Know EP? There was a moment where we were creating music for an album initially, and then we’re like, “You know what? It’s really important to put music out.” So, just maybe as a stepping stone to the album, we need to release an EP. I had a few songs already for the second album, but like, we’re just like, we can put it [on the EP], and maybe we could put it on the album as well. The second album is much more something that is very powerful. Like, Obsidian was not that. It wasn’t powerful, but it was different, yeah, more timid, in a way. The second album is more out there. How was working with Jordan Ullman, who executive-produced the project? He’s the executive producer on the album as well. Working with him is very easy. We allow ourselves to go through stuff within a creative process, because it’s fun

Although summer technically lasts until mid-September, the Caribbean’s biggest stars came out to play throughout August, maintaining the momentum the region has accrued this year. In addition to new albums from major reggae and dancehall players like Vybz Kartel (Heart & Soul), Mr. Vegas (Ghetto Reggae), Lila Iké (Treasure Self Love) and Jesse Royal (No Place Like Home), the soca scene got an eye-popping double co-sign for Full Blown’s globe-conquering Big Links riddim. On Aug. 15, Grammy-nominated R&B star Chlöe and “Shake It to the Max” singer Moliy remixed Yung Bredda’s breakthrough crossover hit “The Greatest Bend Over,” complete with a Carnival-set music video. Less than two weeks later, the Caribbean’s biggest and buzziest artists hit Brooklyn’s Kings Theatre for the third annual Caribbean Music Awards, hosted by Majah Hype. Featuring performances by Iké, Elephant Man, Lady Lava, Full Blown, Maureen, the Caribbean Music Awards will air on Sept. 12 on BET. Additional appearances included lifetime achievement honoree Bounty Killer, elite icon honoree Busta Rhymes, humanitarian award honoree Sizzla, Spice, Shenseea, Serani, Mýa, Armanii, Buju Banton, Dexta Daps, DJ Khaled, Romain Virgo, Problem Child and Swizz Beatz. Of course, the glory of August seeped into the beginning of September with Brooklyn’s West Indian Day Parade (Sept. 1). The Eastern Parkway-set celebration featured appearances from Moliy, Tina (Hoodcelebrityy), and even New York City Democratic mayoral candidate Zohran Mamdani. Naturally, Billboard’s monthly Reggae/Dancehall Fresh Picks column will not cover every last track, but our Spotify playlist — which is linked below — will expand on the 10 highlighted songs. So, without any further ado: Freshest Find: Lila Iké, “Scatter” To open her debut studio album, Lila Iké looked to reggae luminaries Peter Tosh and Garnett Silk. “Scatter,” a plaintive, Protoje-produced track that opens with crackling vinyl and Spanish guitar, is an incredibly immersive opener, thanks to Iké’s sample of Tosh’s 1976 song, “Igziabeher (Let Jah Be Praised)” and her incorporation of lyrics from Silk’s 1994 hit “Complaint.” In the chorus, she sings, “May all my enemies scatter before me/ Many try but fail if they come in my way,” a simple prayer that simultaneously grounds the album’s narrative of self-healing and consciously places Iké in the lineage of reggae’s foundational giants. Mortimer & Zion I Kings, “Round & Round” Jamaican contemporary reggae star Mortimer has one of the most enrapturing tones in the genre, and he puts it to great use on “Round & Round,” which features soulful roots reggae collective Zion I Kings. “No church can keep me out of heaven/ Pastor’s a sinner just like me/ Ten queens would be too much to manage/ One’s good enough, or maybe three, see what I mean?” Mortimer croons across a soulful mélange of bass, pick guitar, trumpet, trombone, flute and synths. With a message detailing the humanity that unites us all, even in the face of things like religion that try to draw false separations, “Round & Round” is a refreshingly honest ode to the human condition. Ayetian, Govana & Nvtzz, “Wah Yo Deh Pan” One of the biggest breakout stars in dancehall this year, Ayetian still has gas left in the tank. He could’ve layed low and let “Tip” continue conquering each island, but why do that when you can call up Govana and Nvtzz for a follow-up hit. Released at the top of August, “Wah Yo Deh Pan” has quickly cemented itself as Ayetian’s latest smash, thanks to both his infectious flow and USOJ, BlacksTheMan and Nathaneal Brown’s hypnotic production. “Ram putu nuh nyam putu/ She f—k Guzu, she f—k mi too/ She waa be wife, she not putus/ She ugly like a jankunu,” he spits in slightly staccato delivery before delving into the hook’s trademark “big batty gyal, wah yo deh pan” chant. Hollie Cook, “Frontline” “There’s a war in my mind/ I’ve been feeling a long time/ I’ve been losing di fight/ But my heart is on di frontline,” English reggae singer Hollie Cook coos on her new Ben McKone-produced single. Cook, the daughter of Sex Pistols drummer Paul Cook, sounds gorgeous here, her breathy falsetto playing nicely against the punky guitars and rollicking reggae groove. “I wrote this one about digging deep for self-love,” she wrote on social media. “And where one reaches to emotionally and spiritually for strength in times of need and sorrow.” Mr. Vegas feat. Daddy U-Roy, “Call Tyrone” Mr. Vegas, the voice behind timeless hits such as “Heads High,” is back with his new Ghetto Reggae album, and “Call Tyrone” perfectly encapsulates the gritty honesty the LP’s title suggests. Assisted by Jamaican singer and toasting pioneer U-Roy, Mr. Vegas builds on the uniquely comedic approach to Caribbean social commentary that he’s honed for the past three decades. “Mek him guh call Tyrone/ Leave di wukless bwoy alone/ Yuh want a real man not a clown/ A bad selecta pon yuh sound,” he rhymes over easy-rocking, brass-infused classic reggae production. DJ Khaled, Vybz Kartel, Buju Banton & Mavado feat. Bounty Killer, Rorystonelove & Kaylan Arnold, “You Remind Me” A longtime supporter of Caribbean music, DJ Khaled united some of reggae and dancehall’s biggest names — including Kartel, Buju, Bounty Killer and Mavado — as well as rising Belizean-Hatian talent Kaylan Arnold, to help jumpstart his latest album campaign. Built around a skeletal sample of Gyptian’s classic “Hold Yuh,” Khaled corrals his Caribbean posse for a nearly endless stream of verses that praise their respective special ladies. Titled, “You Remind Me,” the track’s instrumental leans a bit more pop than some might expect, but each artist delivers a different shade of reggae-rap delivery, from effortlessly flowing and toasting to harmonizing and crooning across the sun-streaked soundscape. If this super-collaboration doesn’t bring forth Aalam of God, I don’t know what will! V’ghn, “POV” V’ghn closed out August with the release of his POV EP — and the title track happens to be one of the project’s strongest offerings. “Me see the old, see the new/ Heard the lies, heard the truth/ Inna life ah nuh know nutting new/ Ah just the point of view,” he croons in the

This year, Farm Aid will take place in Minneapolis — but fans don’t need to be anywhere near Minnesota to catch the festival. As Billboard is exclusively announcing Wednesday morning (Sept. 3), CNN will help celebrate the annual event’s 40th anniversary by livestreaming sets from Willie Nelson, Neil Young, John Mellencamp and more stars later this month. CNN’s coverage of the music and food summit — which is this year being held at Huntington Bank Stadium — will take place from 7 p.m. to midnight ET on Saturday, Sept. 20. Viewers can tune in by streaming the presentation live on CNN, CNN.com or via CNN’s TV and mobile apps — no cable login needed. “CNN is proud to join Farm Aid 40 to help bring attention to our nation’s farmers and agricultural communities,” Eric Sherling, the network’s executive vp of U.S. programming, said in a statement. “The broadcast of Farm Aid 40 is another example of CNN’s commitment to live programming and bringing viewers important cultural moments as they happen.” In addition to Nelson, Young and Mellencamp — who founded Farm Aid in 1985 to raise funds for the country’s agricultural community — this year’s lineup will include Dave Matthews, Margo Price, Kenny Chesney, Billy Strings, Nathaniel Rateliff & The Night Sweats, Lukas Nelson, Trampled by Turtles, Wynonna Judd, Steve Earle, Waxahatchee, Eric Burton of Black Pumas, Jesse Welles, Madeline Edwards and Wisdom Indian Dancers. CNN anchors John Berman and Laura Coates will helm the live special, while chief climate correspondent Bill Weir is slated to deliver on-the-ground reporting. “Farm Aid is honored to partner with CNN to bring Farm Aid 40 to a broad and diverse audience,” added Farm Aid co-director Jennifer Fahy. “This partnership is critical to elevating the role of family farmers to their rightful place as essential for all of us and showcasing the extraordinary artists who have generously shared their voices of support for 40 years.” In the four decades since the very first Farm Aid took place in Philadelphia, the event has raised more than $85 million to support farmers and their families across the United States. It’s a cause that hits close to home for the event’s founders, even all this time later. “Farming was my first job,” Nelson told Billboard in 2015. “I picked ­cotton. I pulled corn. I knew firsthand what it meant to farm. I knew damn well how tough it was. My farm roots are deep-seated in the soil of my personal story.” For those who’d like to attend in-person, tickets for Farm Aid 40 are available to purchase through the University of Minnesota’s website. Source link

Redacción Panamericana La conductora de “Magaly TV, La Firme” asumió el error de su equipo y se mostró visiblemente molesta en vivo. Magaly Medina admite error en su programa El programa “Magaly TV, La Firme” generó gran expectativa tras anunciar un supuesto ampay entre Ángelo Campos, arquero suplente de Alianza Lima, y Angye Zapata, integrante de El reventonazo de la Chola. Sin embargo, durante la emisión, Magaly Medina sorprendió al público al reconocer que todo se trató de una confusión. La conductora, visiblemente incómoda, expresó: “Algunos, guiados por su entusiasmo, se dejan arrastrar por el ‘tengo estas imágenes’ y no se dan el trabajo de verificar de quién se trata. Se supone que en este programa hacemos espectáculos y todos los reporteros, incluida yo, conocemos y sabemos quién es quién en la farándula, y no podemos equivocarnos”, expresó la ‘Urraca’. @g_montalban26 Ampayy!! Es el arquero?? Que dicen ustedes #ampay #magalytvlafirme #alianzalima #atv #chisme ♬ sonido original – Montalban Disculpas públicas y molestia con su producción Magaly pidió disculpas a Angye Zapata tras involucrarla en el ampay, mencionando que la mujer que aparece con el arquero de Alianza Lima era una persona anónima. “Entonces, mil disculpas con Angye Zapata por haberla involucrado en un ampay donde ella no tenía nada que ver”, dijo. La conductora no solo se disculpó con los involucrados, sino que también lanzó duras críticas a su equipo periodístico. Señaló que la falta de verificación de la información provocó el bochornoso momento en vivo. Te puede interesar Jorge Benavides y Tiago Cantoro son citados por la fiscalía en investigación a ‘Chibolín’ “Esta es una equivocación que habla de que hay varias cosas que corregir en el equipo. La que tiene que dar la cara y pasar la vergüenza inmensa por el error de otros soy yo. Soy la directora periodística, finalmente, y la cabeza”, confesó. Además, adelantó que evaluará sanciones internas para evitar que un error similar vuelva a ocurrir en su producción. Con este episodio, Magaly Medina reafirmó su responsabilidad como directora periodística, aunque el incidente dejó en evidencia tensiones y fallas dentro de su equipo. @farandula.lorcha ¡Vale la aclaración! 😧🔥 #farandulalorcha #magalymedina #angyezapata #angelocampos #ampay #chollywood #espectaculos #peruanos #americahoy #amoryfuego #magalytvlafirme #alejandropizarro ♬ sonido original – FARÁNDULA LORCHA Source link

DJing requires capital, with money and access needed to procure even a basic setup. As such, aspiring DJs without the resources to such equipment and skills training can, and do, get left out of the scene. Explore See latest videos, charts and news Your Shot, a DJ competition created 15 years ago in Australia, has long aimed to change that by offering fresh talent with access to equipment, training and industry connections. Since 2010, Your Shot has brought more than 12,500 participants through its programs in Australia and New Zealand, with past winners including Tigerlily, Sippy and Go Freek. A Your Shot rep says that 62% of past participants now regularly perform around the world. Now, Your Shot will bring these same opportunities Stateside when it debuts in New York and Los Angeles this fall. The program will provide 200 participants in each city with six weeks of expert-led instruction at The Academy. Here, they’ll be taught fundamentals like mixing and music selection and live performance skills, while also receiving advice on how to mentally navigate a DJ career in addition to other technical and emotional support. Your Shot aims to nurture talent to create sustaining skillsets and a life-long love of the art. After training at The Academy, contestants will show off their newly acquired skills at festival style events, where they’ll play for fans, judges from around the industry and talent scouts. A select group of Your Shot winners also get a slot at an upcoming festival, with past contestants playing at events including CRSSD in San Diego, BPM in Costa Rica, Snowbombing in Austria and more. In-person selection for the program happens on Sept. 13 at Catch One in Los Angeles and on Sept. 20 at Elsewhere in New York. Your Shot’s 2025 U.S. advisors include artist and Femme House co-founder LP Giobbi, president of Live Nation’s Vibee Harvey Cohen and representatives from dance/electronic management company The Circuit Group. “Your Shot is about giving people a platform to challenge themselves, learn the basics, build a community outside their bedrooms, and take their passion for DJing and dance music to the next level,” Your Shot founder and CEO Steve Pillemer says in a statement. “That’s what young Americans are asking for today,  just like young Australians,  and it’s so exciting to finally be able to answer the call.” Source link