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Billboard Latin Music Week just got way more exciting. Kali Uchis, the bilingual powerhouse behind No. 1 Hot Latin Songs hits like “Telepatía” and “Igual Que Un Ángel,” will make a special stop at the 2025 edition. The weeklong event, set for Oct. 20-24 at the Fillmore Miami Beach, will feature the Colombian American artist in an intimate Superstar Q&A. During this special appearance, the artist born Karly Marina Loaiza will pull back the curtain on her decade-plus evolution, offering attendees an inside look at the career milestones, creative processes and cultural influences that have made her a trailblazer in both English and Spanish-language music. Amid her sold-out arena tour across the U.S. — that celebrates 10 years of music and in support of her latest album Sincerely, — the hitmaker continues to prove why she’s one of the most revered bilingual artists in the industry. From her early SoundCloud days with 2015’s EP Por Vida to the bilingual brilliance of Orquídeas (2024), which peaked at No. 2 on the Billboard 200 chart, she continues to deliver bangers like “All I Can Say” and “Is It A Crime,” which reached the Hot R&B/Hip-Hop Songs chart at No. 24 and No. 11, respectively. “Sincerely, was such a nostalgic sound in general. It was very different for me because it played on some of my influences that I haven’t really shown,” she recently told Billboard Español. “I’m influenced by so much different music. Everyone knows that I love oldies, but I also dug into an alternative sound. I pushed my voice in different ways that I haven’t necessarily done in the past.” This year’s annual event includes artist guests like Anuel AA, Carín León, DY (formerly known as Daddy Yankee), Gloria and Emilio Estefan, Laura Pausini, Luis R. Conriquez, Myke Towers, Netón Vega, Óscar Maydon, Ozuna, Silvana Estrada, and Xavi, with more artists to be announced soon. Latin Music Week aligns with the 2025 Billboard Latin Music Awards, airing live from Miami on October 23 via Telemundo and Peacock. Tickets for Billboard Latin Music Week 2025 are on sale now at BillboardLatinMusicWeek.com. Kali Uchis Source link

A decade after her last studio album, Hilary Duff has announced plans to reignite her recording career. On Tuesday (Sept. 9), Atlantic Records announced a new label deal with the pop singer and former Disney Channel star. Duff’s most recent album, Breathe In., Breathe Out., was released in 2015 through RCA Records, and the 37-year-old has spent much of the past decade focused on her acting career, including starring roles on the TV shows Younger and How I Met Your Father. While no timetable for new music has been shared, Duff will also be the subject of an in-the-works docuseries, directed and executive produced by Sam Wrench. Per the press release, the series will “chronicle Duff’s long-awaited musical return and personal journey, offering an unfiltered vignette into Hilary’s world.” Explore See latest videos, charts and news After becoming a teen star on the Disney Channel series Lizzie McGuire, Duff crossed over to pop music in the mid-2000s with Hot 100 top 40 hits such as “Come Clean” and “Wake Up.” Her last Billboard Hot 100 appearance came in 2015 with the Breathe In. Breathe Out. single “Sparks.” Duff’s 2003 album Metamorphosis and 2005 compilation album Most Wanted topped the Billboard 200 upon their respective releases, and she has scored a total of five top 10 albums on the chart. Duff’s five biggest studio albums have sold a combined 7.8 million copies in the U.S., according to Luminate. The as-yet-untitled docuseries will follow Wrench’s work on Taylor Swift: The Eras Tour and A Nonsense Christmas With Sabrina Carpenter, and arrive via Next of Kin Content, an EverWonder Studio company. “Wake Up” recently toasted its 20th anniversary. Watch the video below: Get weekly rundowns straight to your inbox Sign Up Source link

For months now, Lady Gaga has been asking her fans “How Bad Do U Want Me” during her sold-out run of the Mayhem Ball. With the emphatic response she’s gotten, the pop star is ready to give fans even more of what they want. Gaga announced a second North American leg of The Mayhem Ball on Tuesday (Sept. 9), set to take place in early 2026. With a new run of 21 added dates, Mother Monster will visit cities that she wasn’t able to reach with her first run of the Mayhem Ball — such as Atlanta, Austin, Boston and Washington, D.C. — as well as two encore performances each to Los Angeles’ Kia Forum and New York’s Madison Square Garden. Tickets go on pre-sale through Citi starting Wednesday (Sept. 10), through Verizon starting Thursday (Sept. 11), and through Gaga’s own Ticketmaster artist presale on Friday (Sept. 12). Remaining tickets will become available for the general onsale starting on Monday (Sept. 15) via Live Nation at 12 p.m. local time. The move comes as Gaga wraps up the final dates of her current North American leg of the tour, with six remaining dates in Toronto and Chicago before she heads to London to kick off her European trek on Sept. 29. Fans at home got a glimpse of what the Mayhem Ball has to offer during the 2025 MTV Video Music Awards on Sunday (Sept. 8). For her performance, Gaga pre-filmed high-octane renditions of “Abracadabra” and her latest track, “The Dead Dance,” during her Saturday (Sept. 6) stint at Madison Square Garden, showing off the show’s high-concept choreography and fashion. Gaga went on to take home the most awards of any artist at the 2025 VMAs, earning four Moon People, including the award for artist of the year. Check out the full list of new Mayhem Ball dates below: Feb. 14 — Glendale, Ariz. — Desert Diamond Arena Feb. 15 — Glendale, Ariz. — Desert Diamond Arena Feb. 18 — Los Angeles — Kia Forum Feb. 19 — Los Angeles — Kia Forum Feb. 28 — Fort Worth, Texas — Dickies Arena March 1 — Fort Worth, Texas — Dickies Arena March 4 — Atlanta — State Farm Arena March 5 — Atlanta — State Farm Arena March 8 — Austin, Texas — Moody Center March 9 — Austin, Texas — Moody Center March 13 — Miami — Kaseya Center (rescheduled date) March 19 — New York — Madison Square Garden March 20 — New York — Madison Square Garden March 23 — Washington, D.C. — Capital One Arena March 24 — Washington, D.C. — Capital One Arena March 29 — Boston — TD Garden March 30 — Boston — TD Garden April 2 — Montreal — Bell Centre April 3 — Montreal — Bell Centre April 9 — Saint Paul, Minn. — Grand Casino Arena  April 10 — Saint Paul, Minn. — Grand Casino Arena Get weekly rundowns straight to your inbox Sign Up Source link

A few months ago, when speaking to Billboard for a cover story about her friend Gracie Abrams, Audrey Hobert pulled open her Notes app and read aloud the lyrics to one of the first songs the two ever wrote together: a parody version of Smash Mouth’s “All Star.” “Hey now, shake your ass off/ Get some fuel now, propane/ Hey now, dance your ass off/ Break it down now, slow mane/ All that glitters is gold/ Even sexy ogres, they get old,” she sang to the tune of the signature Shrek soundtrack hit. After reciting the chorus, she immediately covered her face as the cringe of her college-aged self’s antics washed over her. The childhood besties wrote the song roughly four years ago in Abrams’ basement as a joke. Now, the pop world is taking both singer-songwriters very seriously. In 2024, Abrams’ album The Secret of Us made Hobert a chart-topping co-writer, thanks to the runaway success of Billboard Hot 100 top 10 hit “That’s So True,” which the pair crafted while drunk one night on the roof of Electric Lady Studios in New York City. This year, Hobert has leveraged that whirlwind entrance to the music industry into her own solo career, formally introducing herself in May with lead single “Sue Me” — an uber catchy dance-pop song about hooking up with an ex — before dropping her boisterous debut album Who’s the Clown? in August. Read the full Billboard interview with Audrey Hobert, September’s Chartbreaker, here. Get weekly rundowns straight to your inbox Sign Up Source link

At this point, Sabrina Carpenter is one of pop music’s biggest A-listers in the 2020s. After a breakout year in 2024 that delivered both her first No. 1 album (Short n’ Sweet) and No. 1 song (“Please Please Please”), she just leveled up again thanks to her new album, Man’s Best Friend. The new project doesn’t just debut at No. 1 on the Billboard 200 this week, it also posts some major numbers on the charts. Let’s dive in. Billboard 200 Breakdown Man’s Best Friend debuts at No. 1 on the Billboard 200 (chart dated Sept. 13) with 366,000 equivalent album units earned in its first week, according to Luminate. That’s not only her biggest week ever, it’s also the third-largest of the year, behind only Morgan Wallen’s I’m the Problem (493,000 in May) and The Weeknd’s Hurry Up Tomorrow (490,000 in February). The album earns Carpenter her second No. 1, following Short n’ Sweet in September 2024 — that album debuted with 362,000 units. Here’s a look at her full Billboard 200 track record so far: Title, Peak Date, Peak Position Eyes Wide Open, May 2, 2015, No. 43 Evolution, Nov. 5, 2016, No. 28 Singular: Act I, Nov. 24, 2018, No. 103 Singular: Act II, Aug. 3, 2019, No. 138 Emails I Can’t Send, July 30, 2022, No. 23 Fruitcake, Dec. 21, 2024, No. 10 Short n’ Sweet, Sept. 7, 2024, No. 1 Man’s Best Friend, Sept. 13, 2025, No. 1 Vinyl was a huge contributor to Man’s Best Friend’s big first week. The album sold 160,000 copies in vinyl alone — boosted by 13 different vinyl variants, including two signed by Carpenter. That makes it the ninth-biggest vinyl sales week since Luminate starting tracking sales in 1991. Top 10 Biggest Vinyl Sales Weeks in Modern Era (1991-Present) Vinyl Number, Artist, Title, Chart Week 859,000, Taylor Swift, The Tortured Poets Department, May 4, 2024 693,000, Taylor Swift, 1989 (Taylor’s Version), Nov. 11, 2023 575,000, Taylor Swift, Midnights, Nov. 5, 2022 258,000, Taylor Swift, Speak Now (Taylor’s Version), July 22, 2023 191,000, Taylor Swift, The Tortured Poets Department, Dec. 14, 2024 182,000, Harry Styles, Harry’s House, June 4, 2022 164,000, Taylor Swift, The Tortured Poets Department, Dec. 21, 2024 161,000, Taylor Swift, Lover, Live From Paris, Jan. 25, 2025 160,000, Sabrina Carpenter, Man’s Best Friend, Sept. 13, 2025 149,000, Travis Scott, Days Before Rodeo, Sept. 28, 2024 Billboard Hot 100 Recap Carpenter’s big chart week isn’t limited to just sales — the album’s tracks also took over the Billboard Hot 100, too. All 12 songs from Man’s Best Friend land on the latest chart, led by new single “Tears” at No. 3. “Manchild,” which debuted at No. 1 in June, also rebounds to No. 4. Here’s the full rundown: No. 3, “Tears” No. 4, “Manchild” (up from No. 7; peaked at No. 1) No. 12, “Nobody’s Son” No. 15, “My Man on Willpower” No. 17, “When Did You Get So Hot?” No. 20, “Sugar Talking” No. 24, “Go Go Juice” No. 27, “House Tour” No. 30, “Never Getting Laid” No. 31, “We Almost Broke Up Again Last Night” No. 33, “Goodbye” No. 39, “Don’t Worry I’ll Make You Worry” Thanks to these debuts, Carpenter’s career totals now stand at: 5 top 10s (“Espresso,” “Please Please Please,” “Taste,” “Manchild,” “Tears”) 12 top 20s 25 top 40s 31 total entries Carpenter also joins Taylor Swift, SZA and Olivia Rodrigo this week as the only women in history to chart at least 12 songs in the Hot 100’s top 40 simultaneously. This article was originally published on Billboard’s Substack channel. Subscribe to the free daily newsletter for exclusive insights about the Billboard charts by clicking here. Source link

A few months ago, when speaking to Billboard for a cover story about her friend Gracie Abrams, Audrey Hobert pulled open her Notes app and read aloud the lyrics to one of the first songs the two ever wrote together: a parody version of Smash Mouth’s “All Star.” “Hey now, shake your ass off/ Get some fuel now, propane/ Hey now, dance your ass off/ Break it down now, slow mane/ All that glitters is gold/ Even sexy ogres, they get old,” she sang to the tune of the signature Shrek soundtrack hit. After reciting the chorus, she immediately covered her face as the cringe of her college-aged self’s antics washed over her. The childhood besties wrote the song roughly four years ago in Abrams’ basement as a joke. Now, the pop world is taking both singer-songwriters very seriously. In 2024, Abrams’ album The Secret of Us made Hobert a chart-topping co-writer, thanks to the runaway success of Billboard Hot 100 top 10 hit “That’s So True,” which the pair crafted while drunk one night on the roof of Electric Lady Studios in New York City. This year, Hobert has leveraged that whirlwind entrance to the music industry into her own solo career, formally introducing herself in May with lead single “Sue Me” — an uber catchy dance-pop song about hooking up with an ex — before dropping her boisterous debut album Who’s the Clown? in August. Today, she joins our Zoom call from the same kitchen table where she’d sat for our last interview, but this time, she’s the focal point of the story. Coming straight from another meeting, she signs on a few minutes late with her hair scraped into a sweaty ponytail, breathlessly devouring slices of apple — a visual representation of just how go, go, go her life has become lately. Since debuting on Billboard‘s Pop Airplay chart last month, “Sue Me” has reached a No. 26 high, and the 26-year-old California native is now running back and forth — quite literally — to keep up with her blossoming music career. It all started when Abrams nudged her friend to sign a publishing deal with Universal Music Group in December 2023 so that she would be “set up properly” for whatever royalties The Secret of Us accrued. Shortly after, Hobert started working as a session songwriter, an entirely different path from the one she’d originally charted after graduating NYU with a degree in songwriting and briefly working on Nickelodeon sitcom The Really Loud House. But after years of experiencing imposter syndrome — be it while working at a restaurant or as a CBS production assistant — she had finally found her calling. “When I started going out to sessions as a songwriter, I just did not have one nervous bone in my body,” she reflects. Ariel Fisher Even so, something was missing from her experiences penning lyrics for people she barely knew. “It wasn’t even a feeling of needing to prove myself,” she continues. “I just knew I loved to write songs because of my experience with Gracie — so I started writing at home by myself.” From self-imposed solitude came future Who’s the Clown? songs “Chateau,” “I Like to Touch People” and “Wet Hair,” through which Hobert realized that she had something to say with her music — and that she was the one who needed to say it. After nervously calling UMG and getting its blessing to embark on her own project, she reached out to producer Ricky Gourmet, whom she’d met while working the session circuit. By the time she teamed up with manager Sophie Lev and signed with RCA (one of several labels that came knocking on her door) in quick succession last fall, Who’s the Clown? was pretty much fully realized — as was Hobert’s vision for herself a performer. “When I sat down with her, her message was: ‘I just want to make the young girl who’s too scared to go to school feel seen,’ ” says Lev, recalling their first meeting a year ago. “She knows exactly who she is. She’s one of one.” Ariel Fisher “Sue Me” was one of the first songs Hobert and Gourmet made together, springing from a conversation in the producer’s kitchen about how the former had slept with her ex-boyfriend the weekend prior. Off the cuff, she said the phrase that would become the song’s hook (“Sue me, I wanna be wanted”) and realized it perfectly fit the melody of the track they’d just been working on. Other lyrics inspired by the song’s subject including “In my bones I know it’s platonic, but f–king your ex is iconic” soon spilled out — and while Hobert notes he is yet to reach out, she says there “was never a world in which I wasn’t going to be entirely brash and bold in expressing myself.” As the full track came together, Hobert knew it needed to be her debut single — even if it was “the kind of pop song that people could potentially think is bad or stupid. It’s good because it’s bad,” she continues with a laugh. “There are a lot of choruses of really, really successful songs that repeat one line. And my taste in music is hit songs.” To promote the song, Hobert launched a DIY TikTok teaser campaign that saw her setting up her phone camera in her bedroom and interpretive dancing to the track with unabashed awkwardness, giving herself three takes at most to ensure that her videos always felt genuine. Through the clips, Hobert attracted the attention of thousands of followers — many of whom recognized her from her work with Abrams — who were fiending for the full version “Sue Me” by the time of its May 9 official release. As it steadily gained traction, Lev rallied the troops at RCA to throw more resources behind promoting the track on social platforms — and while its online following developed, it showed signs of growing an even

La influencer venezolana Isabella Ladera reveló que alguien la advirtió desde inicios de julio sobre la filtración del video íntimo que hoy la mantiene en medio de un escándalo mediático. Según las pruebas compartidas en redes sociales, el 9 de julio Isabella recibió un mensaje de una persona cercana, a quien identifica como su “hermano”, que le advirtió de un plan para exponerla. La venezolana inmediatamente informó a su madre, a su familia y a Hugo García, quien habría estado al tanto de la situación desde el 13 de julio, según la fecha que compartió la influencer en sus historias. Te puede interesar ¡Perú hace historia! Pan con chicharrón a la final del Mundial de Desayunos contra la arepa venezolana Hugo García fue advertido antes de la filtración Pese a estar informado, el exchico reality y actual influencer peruano no se ha pronunciado públicamente sobre el tema. Mientras el nombre de Ladera ocupa titulares y es tendencia en redes sociales, Hugo continúa compartiendo únicamente fotografías de sus vacaciones en Australia, lo que ha generado especulaciones sobre su silencio. Algunos seguidores consideran que su falta de declaraciones refleja distancia en medio de la crisis, mientras que otros creen que es una estrategia para no involucrarse en el escándalo mediático. Te puede interesar ¡Escándalo! Se filtra supuesto video íntimo de Beéle con Isabella Ladera Isabella Ladera denuncia violencia digital Por su parte, Isabella Ladera publicó el intercambio de mensajes que confirma que la filtración no la sorprendió, aunque no logró evitarla. La venezolana denunció que este acto constituye una forma de violencia digital contra las mujeres y anunció que iniciará acciones legales contra los responsables. La influencer recalcó que seguirá trabajando y activa en redes sociales, dejando claro que su valor no depende de este episodio. “Mi valor no se define por un video, ni por la crueldad de otros”, expresó en sus declaraciones. Mientras tanto, el silencio de Hugo García y la ausencia de comentarios de Beéle continúan alimentando más especulaciones, donde el tema sigue acaparando la atención del público. @josepastord #greenscreen Esto acaba de poner!!!Ig:josepastord #beele #peruanos #fyp ♬ sonido original – JOSS La entrada Isabella Ladera revela que Hugo García ya estaba al tanto del video filtrado se publicó primero en Radio Onda Cero. Source link

La influencer venezolana Isabella Ladera reveló que alguien la advirtió desde inicios de julio sobre la filtración del video íntimo que hoy la mantiene en medio de un escándalo mediático. Según las pruebas compartidas en redes sociales, el 9 de julio Isabella recibió un mensaje de una persona cercana, a quien identifica como su “hermano”, que le advirtió de un plan para exponerla. La venezolana inmediatamente informó a su madre, a su familia y a Hugo García, quien habría estado al tanto de la situación desde el 13 de julio, según la fecha que compartió la influencer en sus historias. Te puede interesar ¡Perú hace historia! Pan con chicharrón a la final del Mundial de Desayunos contra la arepa venezolana Hugo García fue advertido antes de la filtración Pese a estar informado, el exchico reality y actual influencer peruano no se ha pronunciado públicamente sobre el tema. Mientras el nombre de Ladera ocupa titulares y es tendencia en redes sociales, Hugo continúa compartiendo únicamente fotografías de sus vacaciones en Australia, lo que ha generado especulaciones sobre su silencio. Algunos seguidores consideran que su falta de declaraciones refleja distancia en medio de la crisis, mientras que otros creen que es una estrategia para no involucrarse en el escándalo mediático. Te puede interesar ¡Escándalo! Se filtra supuesto video íntimo de Beéle con Isabella Ladera Isabella Ladera denuncia violencia digital Por su parte, Isabella Ladera publicó el intercambio de mensajes que confirma que la filtración no la sorprendió, aunque no logró evitarla. La venezolana denunció que este acto constituye una forma de violencia digital contra las mujeres y anunció que iniciará acciones legales contra los responsables. La influencer recalcó que seguirá trabajando y activa en redes sociales, dejando claro que su valor no depende de este episodio. “Mi valor no se define por un video, ni por la crueldad de otros”, expresó en sus declaraciones. Mientras tanto, el silencio de Hugo García y la ausencia de comentarios de Beéle continúan alimentando más especulaciones, donde el tema sigue acaparando la atención del público. @josepastord #greenscreen Esto acaba de poner!!!Ig:josepastord #beele #peruanos #fyp ♬ sonido original – JOSS La entrada Isabella Ladera revela que Hugo García ya estaba al tanto del video filtrado se publicó primero en Radio Onda Cero. Source link

Inicio de la Etapa Nacional de la Copa Perú 2025 disfrútalo a través de Altura Deportiva Source

Amid Billboard’s festivities for Hip-Hop/R&B Week 2025, stars and industry tastemakers gathered for an intimate event dubbed Billboard Future of Music & Money: Presented by UBS and Feeture to celebrate visionary executives and artists reshaping the conversation around financial literacy and creating new pathways for creators. Explore See latest videos, charts and news On Friday, September 5, the invite-only cocktail reception and award ceremony was hosted at Cattail Lounge NYC and heard DJ Goldie Harris curate a set of throwback and current hip-hop and R&B staples. Horderves, cocktails and laughs filled the dimly-lit venue before evening honorees Leon Thomas, Ty Dolla $ign and more took to the stage for the award presentation. Inside the Lower East Side venue, Billboard shared a toast in honor of Leon Thomas for his groundbreaking year, which saw him command the spotlight with his hit, “MUTT,” peaking at the No. 12 spot on Billboard’s Hot 100. “Tonight, we’re not just celebrating an incredible artist — we’re celebrating a true visionary,” said Wale Ogunleye, UBS Head of Sports and Entertainment, during the award ceremony. “Being a visionary is not only about creating timeless music. It’s about building a legacy, knowing where you want to go and having the courage to forge your own path. At UBS, we have the privilege of standing beside amazing artists, helping them turn their vision and creative talents into lasting financial success for themselves, their families, their communities and generations to come,” continued Ogunleye before R&B hitmaker and recipient of the Creative Visionary Award Presented by UBS, Thomas took the spotlight to thank Ogunleye and share some words with the crowd. “It’s really hard sometimes being early on a trend or early on a sound because there’s really nothing kinda to reference it to in the marketplace and I really thank everybody for being fearless enough to trust my vision,” he told the audience. Among the additional honorees included Ty Dolla $ign, who received the Collab Impact Award by Jareiq Josef Kabara, Feeture CEO, as well as Shawn Barron, who received the Executive Impact Award by Jareiq Josef Kabara, Feeture CEO. Source link