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Isabella Ladera habría filtrado video íntimo con Beéle según acusación de influencer

Tras la difusión de un video íntimo de Isabella Ladera y Beéle, las miradas apuntaron primero al cantante colombiano, a quien la modelo venezolana acusó de haber filtrado el material. Sin embargo, Beéle negó tajantemente esa versión y aseguró no tener ninguna responsabilidad en el hecho. Lo que parecía un conflicto cerrado dio un giro inesperado cuando el creador de contenido Valentino Lázaro acusó públicamente a Isabella de haber planeado todo. Durante su intervención en el pódcast Dímelo King, reveló audios y conversaciones que, según él, demostrarían que la modelo estaba al tanto de la existencia del video desde el mes de julio. Te puede interesar Hugo García rompe su silencio y respalda a Isabella Ladera: “Nada ni nadie cambiará lo que siento” Valentino Lázaro muestra pruebas Lázaro, bailarín cercano a Camila “Cara” Rodríguez, exesposa de Beéle, aseguró que Ladera recibió un mensaje el 9 de julio en el que un amigo le advertía sobre la circulación del video. “Isabella sabía de este clip desde antes. Incluso me dijo que quería destruirlo y darle donde más le duele”, afirmó. El influencer también compartió fragmentos de una supuesta conversación con la venezolana en la que ella le habría confesado sus intenciones. “Yo le digo: ‘¿Cómo así que quieres destruir a Beéle?’ Y ella me dice: ‘Sí’. Y yo le digo: ‘¿Qué quieres hacer?’, siguiéndole la cuerda, porque a mí me vale ver… y yo soy chismoso”, relató. Te puede interesar Isabella Ladera revela que Hugo García ya estaba al tanto del video filtrado Isabella Ladera y Beéle en conflicto Mientras las acusaciones crecen, las opiniones en redes están divididas. Algunos usuarios creen que todo responde a una estrategia mediática, mientras que otros apoyan la versión de Valentino y consideran que la modelo sí tuvo participación directa. Hasta el momento, Beéle no ha vuelto a pronunciarse, pero este capítulo deja claro que la controversia entre el artista y la modelo venezolana está lejos de terminar. @jarisuarez.09 Salen a la luz pruebas de caso de Ísabela ladera y Beéle #@BEÉLE #colombia #@Valentino #@ISABELA LADERA #paratiiii #fypppp #@ISABELLA LADERA ♬ sonido original – Jari Suarez09 La entrada Isabella Ladera habría filtrado video íntimo con Beéle según acusación de influencer se publicó primero en Radio Onda Cero. Source link

Steve Martin, Alison Brown Among 2025 IBMA Awards Performers

The 2025 IBMA Bluegrass Music Awards have revealed a stacked lineup of performers for the annual awards show. Cohosts Steve Martin and Alison Brown will perform, as will The Del McCoury Band, East Nash Grass, Appalachian Road Show, Jason Carter and Michael Cleveland, Della Mae with special guests Wyatt Ellis, Rainy Miatke, Kristin Scott Benson, Gena Britt and more. Appalachian Road Show, East Nash Grass and The Del McCoury Band are each nominated for the coveted entertainer of the year accolade this year at the IBMA Bluegrass Music Awards. Brown, Martin and Tim’ O’Brien are up for song of the year, collaborative recording of the year and music video of the year for “5 Days Out, 2 Days Back.” Ellis is up for new artist of the year, while Benson, Britt and Brown are up for collaborative recording of the year for a version of “Ralph’s Banjo Special.” Benson, Britt and Brown are each also nominated for banjo player of the year. Explore See latest videos, charts and news Appalachian Road Show is also up for music video of the year (“Gallows Pole”), while East Nash Grass is also up for instrumental group of the year. Carter and Cleveland are up for song of the year (“Outrun the Rain”), album of the year (Carter & Cleveland), twice for instrumental recording of the year (“Bluegrass in the Backwoods” and “Kern County Breakdown”) and collaborative recording of the year (“Outrun the Rain” with Jaelee Roberts and Vince Gill). Cleveland is up for fiddle player of the year, while Michael Cleveland and Flamekeeper are up for instrumental group of the year. Carter is up for new artist of the year and fiddle player of the year. The 2025 IBMA Bluegrass Music Awards, presented by Get It Played, are set for Sept. 18 at 7:30 p.m. ET at the Soldiers and Sailors Memorial Auditorium in Chattanooga, Tenn. Tickets for the show are available at Ticketmaster, while the show will also be livestreamed on volume.com. “Everyone is excited to be hosting the IBMA Bluegrass Music Awards in Chattanooga!” Jill Snider, executive producer of the awards show, said in a statement. “Our host announcement of Steve Martin and Alison Brown has generated a lot of buzz for the show, and they will be featured in two performances along with their hosting duties. Three of our entertainer of the year nominees will perform: The Del McCoury Band, East Nash Grass and Appalachian Road Show.”    New Bluegrass Music Hall of Fame inductees Hot Rize and The Bluegrass Cardinals will perform, while Dom Flemons will perform in honor of Arnold Shultz. Snider also added, “This show always has unique collaborations and special performances. One highlight will be the Della Mae performance, which is part of the 100-year tribute to Hazel Dickens that has had a limited run across venues and festivals this year. There will be some surprises for our attendees, and collaborations that fans will not be able to see on any other stage.”  The 2025 IBMA Bluegrass Music Awards takes place as part of the annual IBMA World of Bluegrass, in partnership with Chattanooga Tourism Co. and Tennessee Department of Tourist Development. IBMA World of Bluegrass runs from Sept. 16 to 20, and also includes the IBMA Business Conference (set for Sept. 16-18 at the Chattanooga Convention Center), as well as the IBMA Bluegrass Ramble showcases (Sept. 16-18 at various venues across Chattanooga), IBMA Bluegrass Live! (a two-day festival set for Sept. 19-20). Source link

‘KPop Demon Hunters’ ‘Golden’ by HUNTR/X Hits Pop Airplay Chart Top 10

2025 continues to be a key year for K-pop on top 40 radio, as HUNTR/X’s “Golden” reaches the top 10, rising two spots to No. 10, on Billboard’s Pop Airplay chart (dated Sept. 13). The song from the soundtrack to the smash animated Netflix film KPop Demon Hunters is the sixth Pop Airplay top 10 by an act with ties to Korean pop, and the first since BLACKPINK’s ROSÉ and Bruno Mars’ “APT.,” which became the chart’s first such No. 1, for five weeks, in February-March. As previously reported, “Golden” crowns the multimetric, all-genre Billboard Hot 100 for a fourth week, with HUNTR/X — the singing trio of EJAE, Audrey Nuna and REI AMI (in the roles of KPop Demon Hunters star characters Rumi, Mira and Zoey) — having become the first female group associated with Korean pop to top the chart. (EJAE and REI AMI were born in Seoul, South Korea; Nuna is from New Jersey.) Here are the select six K-pop-associated Pop Airplay top 10s, beginning with PSY’s “Gangnam Style” in 2012: No. 1 (five weeks), “APT.,” ROSÉ & Bruno Mars, beginning Feb. 1, 2025 No. 5, “Dynamite,” BTS, Dec. 19, 2020 No. 7, “Cupid,” Fifty Fifty, Aug. 5, 2023 No. 7, “Butter,” BTS, Aug. 7, 2021 No. 10 (to date), “Golden,” HUNTR/X: EJAE, Audrey Nuna & REI AMI, Sept. 13, 2025 No. 10, “Gangnam Style,” PSY, Oct. 27, 2012 Pop Airplay chart reporter KMVQ (99.7 Now) San Francisco leads all panelists with nearly 1,000 plays to date for “Golden,” dating to its first spin in late June. SiriusXM’s Hits 1 and KIIS (102.7 KIIS-FM) Los Angeles have also given the song prominent exposure. The Pop Airplay chart ranks songs by weekly plays on more than 150 mainstream top 40 radio stations monitored by Mediabase, with data provided to Billboard by Luminate. It’s free Billboard charts month! Through Sept. 30, subscribers to Billboard’s Chart Beat newsletter, emailed each Friday, can unlock access to Billboard’s weekly and historical charts, artist chart histories and all Chart Beat stories simply by visiting the newly redesigned Billboard.com through any story link in the newsletter. Not a Chart Beat subscriber? Sign up for free here. Get weekly rundowns straight to your inbox Sign Up Source link

KATSEYE Rocket Ride to Fame, ‘Iconic’ Gap Ad Choreo in ‘Takes Us Out’

When girl group KATSEYE met up with Billboard News for the latest edition of the chat-and-chew series “Takes Us Out,” the six-member band were psyched to order whatever they wanted at L.A.’s Jollibee, which offers up a mix of typical fast food (fried chicken) mixed with Filipino comfort food (Palabok Fiesta). Explore See latest videos, charts and news Host Tetris Kelly deferred to “Filipino Queen” Sophia when it came to ordering, with the singer encouraging her bandmates — Daniela, Lara, Manon, Megan and Yoonchae — to definitely go for the adobo rice as she broke down the vibe at the popular California spot. “I grew up have Jollibee like all the time, almost every single week with my family,” she said, noting that when the band went to the Philippines last year for a promo tour she specifically requested that their catering be all Jollibee at their mall shows. But it wasn’t all about food, the international group also described what their first night together was like after being brought together on grueling 2023 Dream Academy reality competition series, a collaboration between K-pop superstar factory HYBE and Geffen Records. “Slept like a baby,” Sophia laughed, as Lara added that she, Megan and Daniela had a sleepover to celebrate and watched the series’ finale on YouTube. They stayed up all night and then drove to a fast food joint in the middle of the night after promising themselves they’ve have a big, lavish celebration to mark the special ocassion. Host Kelly reminded Lara that on the finale she promised her bandmates that their music was going to “change the world,” a moment he said brought tears to his eyes. “A year later I’m like, wait, y’all doing it though!” Kelly said to a collective “awww.” They are definitely making their mark, with major performances such as their spot at this summer’s Lollapalooza in Chicago and their run through their Billboard Hot 100 No. 90 hit “Gnarly” during the pre-show of the recent 2025 MTV VMAs; they were also up for two awards at the VMAs and took home PUSH performance of the year for their single “Touch.” “Surreal, like it’s so, so crazy that we have made it so far in such little time,” said Daniela. Speaking of nominations, when Kelly brought up whispers of a possible best new artist nod at next year’s Grammy Awards Lara was like “no way,” saying it doesn’t feel like their time yet, despite their chart success with “Gnarly” and their No. 63 Hot 100 single “Gabriela.” If it happens, Lara said, it would involve a lot of “crying and throwing up” and calling their families. To be fair, they’ve definitely put in the work, including in an instantly viral Gap ad cued to Kelis’ “Milkshake” that featured some fierce dance moves, not to mention accidentally spot-on timing in the midst of the Sydney Sweeney American Eagle ad controversy. “It’s like so iconic the choreo. I didn’t know it was gonna blow up that much,” said Daniela of the hand motions that have become instant classics. In fact, Manon said she visited a Gap store the day before the chat and saw a group of girls taking turns recording each other doing the ad’s moves among the racks. They also got hyped talking about the upcoming launch of their first-ever world tour, which kicks off on Nov. 15 in Minneapolis. Daniela said it’s “so, so cool” how fast it has all come together, with the Beautiful Chaos outing representing another peak in their rapid rise. “We just can’t wait to travel to new places, meet new icons and just have our own show,” she said. “We haven’t really had that yet, so it’s really cool.” Lara said fans can expect some “variation” in the music, with less structure and a more playful vibe, with the singer teasing that they’d love to pay homage to other girl groups such as Fifth Harmony with a “Miss Movin’ On” cover or maybe songs from SWV, TLC or the Pussycat Dolls’ “Buttons.” Watch the group discuss the rising success of “Gabriela,” being open about their personal relationships, their mind-blowing Lolla experience and why sometimes not everyone can make it to every performance in the video above.    Source link

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Billboard’s Country Rookie of the Month: Tyler Nance

Before Tyler Nance released his debut song “Bad News” last fall and eclipsed it this year with his current Billboard Hot Country Songs debut entry “Keeps Me Sane,” he worked as a welder and grew up tending cattle on his family’s farm near Lamar, Missouri, a map dot town northwest of Springfield. Explore See latest videos, charts and news “I thought that was what I’d be doing for the rest of my life,” he tells Billboard. But the success of his music has put Nance on a different trajectory. “Keeps Me Sane,” released via Santa Anna Label Group, has earned 17.9 million official U.S. on-demand streams since it released in July, according to Luminate, while the song’s success propelled Nance to his current No. 32 position on the Billboard’s Emerging Artists chart. “Keeps Me Sane” earned six million streams within two weeks of its release, and made it onto Spotify’s Viral 50-Global rankings, while Nance’s monthly Spotify listeners have ballooned to over 2 million. Nance wrote the song this past summer, working with co-writers Brent McCollough and Donnie Napier. “Keeps Me Sane” blends nature imagery of maple leaves and rushing waters, while capturing a sense of the search for relief against heartbreak and anxiety. “I was sitting in my living room one night and grabbed my guitar and started mumbling out words and wrote the first verse,” Nance recalls. “I had a [writing session] the next day, took it in and they loved it. It was like the song was meant to be, in a way. It’s really seemed to have helped people who deal with anxiety and stress.” Nance wrote poetry as a child, but spent most of his time working the family farm, a childhood he says, “taught me a lot about respect and hard work.” Nance learned pipe welding from his uncle, who built fencing for corrals. After high school, Nance moved to Kentucky, living in a camper while working as a welder. During a visit to Missouri, he picked up an acoustic guitar he’d purchased during the COVID-19 pandemic and began learning songs by Zach Bryan and Tyler Childers. “I learned some basic chords and kept writing to those chord patterns. I didn’t take it too seriously, it was just my outlet,” he explains. “Then I shared some music on social media and it started gaining traction.” In August 2024, he released his first song “Bad News,” which now has over 4 million streams on Spotify. He followed with two EPs (I’m Not Him and Wasted Chances), including songs such as “Sorrows of a Sorry Soul” and vulnerable “I’m Not Him” and “Whiskey Me or the Pain.” But “Keeps Me Sane” reaches a new level. “I keep saying, ‘It’s insane,’” he says with a laugh. The Wasserman-booked Nance has opened shows for Bayker Blankenship and Kidd G, and will open for Justin Moore this month. He’s also working on his upcoming full-length project. Nance, Billboard’s Country Rookie of the Month for September, discussed his upcoming album, his influences, his signature mustache and more. You have a full album in the works. How is that shaping up? Hopefully, I will be putting it out next year. A lot of the songs are kind of about my life and my roots, growing up in the Midwest and that story of where I came from. Can we expect any collabs? As of now, no. I have one song on there that has a female [vocal] part and I am looking at getting someone on that. There are a couple of other songs that I have artists in mind that I would love to have on those. Which artists are on your bucket list to collaborate with? Tyler Childers and Sam Barber. Tyler, his music has influenced me. Sam is also from Missouri, and he’s a proficient writer and has a great voice. Who were some of your other influences growing up? I listened to a lot of bluegrass stuff, a lot of Keith Whitley, Ricky Skaggs, Johnny Cash, Elvis, Everly Brothers, anything before the 2000s is what influenced me. Who was the first concert you went to? I saw a Zach Bryan concert in Kansas City, when he first started touring. His music has gotten me through a lot and taught me a lot, too, with guitar. What is your favorite Zach Bryan song to cover? “Godspeed.” One of my good friends passed away when she was 17 and they played that song at her funeral. That was one of the first songs I ever learned. When you do get time to yourself, what do you like to do for fun? I love to see new things and new places. I’m also a foodie, I guess. I like history. I would love to see Devils Tower in Wyoming, or the Statue of Liberty or Yosemite. Do you have a favorite Nashville restaurant? A lot of the burger places, like Jack Brown’s [Beer and Burger Joint] is amazing. I love beef, of course, since I came out the womb. What podcasts or books are you into? I like the Joe Rogan, Theo Von and Bad Friends podcasts. I read a lot of history stuff and listen to audiobooks, just nerdy stuff. You are also known for your handlebar mustache. What made you want to grow it out? I was a senior in high school when I started growing the mustache. I watched the [1993] movie Tombstone with Val Kilmer and Sam Elliott. I loved [Kilmer’s character] Doc Holliday. That wasn’t the only reason [for growing his mustache], but it’s my way to stick out so people would know who I was when I was out on the road. What’s your favorite mustache product to use? I use mustache wax called Fisticuffs. If I’m in a bind, I’ll use an Elmer’s Gluestick. You have to have one or the other, or it makes eating lunch or dinner not fun… a mouthful of mustache. Source link

Cash Cobain Says Jay-Z Told Him He’s ‘Not Dropping an Album’

When Jay-Z calls, you pick up the phone. Cash Cobain revealed on Wednesday (Sept. 10) that he received a call from Hov to straighten out the narrative regarding rumors of a new project from the rap mogul being on the horizon, which Cash pushed during his appearance on Billboard Unfiltered Live Sept. 3. “When I was on the phone with Hov he said that he is absolutely not dropping an album,” Cash wrote to X, along with six laughing-crying emojis. “that messed me up tho.” Jay is very aware of what’s being said about him in the culture, and the “This is Hov” text message meme came to life for the Bronx rapper. It all came about after Cash joined Billboard Unfiltered Live alongside Zeddy Will, during which he named Jay-Z as the king of New York, but teased that he heard that the Roc Nation boss was gearing up to release a new project. “I heard Jay-Z about to drop some s—t. That’s what I heard,” he said at the time. “That’s about to shake the world.” It’s been eight years since Jay’s last solo album, 4:44, dropped. Primarily produced by No I.D., the set debuted atop the Billboard 200 with 262,000 album units earned in the first week. There has been fan speculation about a new Jay-Z project being made somewhere in the world, as 2026 would be 30 years since his Reasonable Doubt debut, and the 55-year-old popped out at a handful of dates on wife Beyoncé’s Cowboy Carter Tour. Get weekly rundowns straight to your inbox Sign Up Source link

Roc Nation CEO Desiree Perez Speaks On New York City’s First Casino

For the past five years, Roc Nation has been fighting to make New York City’s first casino a reality, and this month they’ll learn whether their historical new venture will actually happen. JAY-Z and Roc’s longtime CEO Desiree Perez have been pushing relentlessly to obtain one of three new gaming licenses being given out by the city. The license would allow them to convert Times Square’s 1515 Broadway into a expansive casino and entertainment destination. Explore See latest videos, charts and news As part of the bid, Roc Nation — who is partnering with Caesars Palace and SL Green — has also committed $250 million in community support over the next 10 years. The money will go towards community programs aimed at supporting Broadway, public health, safety and security in Times Square and the surrounding neighborhoods and more. Roc additionally pledged to donate 0.5% percent of the casino’s revenue to the West Side Community Fund, and announced earlier this week that in tandem with Ryan Williams and Cadre will allow local New Yorkers to invest in the casino for a minimum of $500. With all of this in play, Perez has spent the last five years talking to the Manhattan community about all of these initiatives, some of whom have expressed worry about the congestion and tourism a JAY-Z-helmed casino could bring to an already overstuffed area of the city. Roc Nation will finally learn their fate later this month, with the last public hearing on the project set for Thursday morning (Sept. 11). When asked how Roc Nation is feeling at this precarious moment, Perez tells Billboard over the phone that they’re cautiously optimistic but that, “You just never know.” “It’s more of trying to make sure that we’re covering all bases and that the right information is out there,” Perez says. Billboard briefly chats with the Roc Nation CEO about the plans for the casino, how they’re handling the pushback and how this will impact the future of New York City. A pretty consequential decision will made this month in regards to the Times Square casino. What’s the feeling among your team and your collaborators, and what are you hoping to see during the public hearing on September 11? Well I’m hoping to see between now and September 11 as much as possible from the community and all the work that we’ve done for them to come out and support us. Roc Nation has always been about cultural influence and community impact. Why did a Times Square casino make sense as the next major project for Roc Nation? Well, if we go back five years it’s a license that was basically — Albany decided they were gonna approve these three license that was coming to down state New York City. So we knew it was something that was coming to New York and it’s an incredible opportunity. Whomever gets this license ultimately is set to make billions of dollars through the lifetime of the license, and so it’s obviously an incredible financial opportunity. But then it’s also an opportunity for us when we do any business we always try to touch and impact community as much as we can. So it felt like the right opportunity for us as New Yorkers to go ahead, turn around and say, Ok, well these are the different projects. I mean, imagine if we have access to this kind of capital and this kind of opportunity what we could do for the community. The amount of money you’re pledging to donate is truly staggering. How did this comprehensive list of initiatives come together? Through different meetings with the community boards. We went in and did town halls, if you will, and spoke to the community and heard what their needs were. So we took a lot of feedback from them including not just the $250 million that we’re giving back in direct community investment, but also the .5 percent in perpetuity of the license being there. So that came directly from the people. When they came back with their concerns, we turned around and said, “OK, so who’s the right partner for us to partner with on security? Who’s the right partner for LGBTQ initiatives? Who’s the right partner for mental health?” We found partners throughout and then just bucketed the amounts that we needed by having conversations with the professionals. On that note, the plan includes over $83 million for cameras, extra patrols, and security upgrades. Times Square already has one of the highest police presences in the city and the country, with mixed results — why will your initiatives work better than what’s already in place? I don’t know that it’d work better, I think it will enhance what’s there. I think it also is not just for Times Square, we’ve actually expanded this to hit the community in our surrounding areas. So I think we’re going above and beyond. It’s not just where the casino is. We’re gonna be touching most of the Hell’s Kitchen area and it’s designed so that the neighbors, the people living near [the casino] can feel safer. Again, it’s more of an augmentation, we’re working with an ex-NYPD commissioner to come up with these plans. So it’s meant to enhance what already exists. The partnership with Ryan Williams and Cadre is unique — allowing New Yorkers to invest in the casino for as little as $500. How do you see this shifting the dynamics of wealth and ownership in the city? It’s just us putting ourselves in our own shoes. We are the people and that’s how we view ourselves. We see ourselves more like community people and what the community needs. In this case, why can’t someone who lives nearby or in The Bronx or somewhere in New York City, they wanna invest in this project, they hear how much money this is gonna make — it stands to make money the minute it opens it’s not like there is a loss

CMA Awards New Artist of the Year Winners Over 30: Full LIst

If country/rock musician Stephen Wilson Jr. wins the Country Music Association Award for new artist of the year on Nov. 19, he’ll make history as the oldest winner in that category to date. Wilson is 46. The CMA has presented the award for new artist of the year (known as the Horizon Award through 2007) 44 times. As the years have gone by, the winners have gotten appreciably older. Of the first 10 winners (1981-1990), just two were 30 or older (or had a lead singer over 30). Of the last 10 winners (2015-2024), six were 30 or older (or had a lead singer over 30). It used to be, if an artist was 30, certainly 35, and hadn’t made it yet in country music, their prospects were not looking good. Now, an artist in that age range, or even a bit older, might still break through. Jelly Roll was 38 when he won two years ago. Ashley McBryde and Jimmie Allen were both 36 when they won in 2019 and 2021, respectively. All but seven of the 44 winners to date are solo artists. One duo, The Judds, has won the award, as have six groups – Sawyer Brown, The Chicks, Rascal Flatts, Lady A, Zac Brown Band and The Band Perry. Of these seven acts, just two – Rascal Flatts and Zac Brown Band – had a lead singer who had reached 30 by the time they won. Wilson is a long-shot in this year’s best new artist race. The other nominees are Tucker Wetmore, 25; Ella Langley, 26; Zach Top, 27; and Shaboozey, 30 – three of whom have been nominated in marquee categories at the CMA Awards. Top is up for album, single and song of the year. Langley is up for single and song of the year. Shaboozey was up for single of the year last year. Here, we look back at every solo artist, or lead vocalist for a duo or group, who had reached 30 by the time they won the CMA Award for new artist of the year (or the predecessor Horizon Award). We show their age when they won (rounded off to the nearest month). They are listed in ascending order. Mark Chesnutt, 30 years and one month Won: 1993 CMA Awards total: 2 Notes: He also won vocal event of the year as a featured artist on George Jones’ “I Don’t Need Your Rockin’ Chair,” a top 40 hit on Billboard’s Hot Country Songs chart. Holly Dunn, 30 years and two months Won: 1987 CMA Awards total: 1 Notes: Dunn was also nominated that year for song of the year for “Daddy’s Hands,” her first top 10 hit on Hot Country Songs, and vocal duo of the year for her teaming with Michael Martin Murphey. Lainey Wilson, 30 years and six months Image Credit: Terry Wyatt/WireImage Won: 2022 CMA Awards total: 9 Notes: Wilson has won female vocalist of the year the last three years running and also won entertainer of the year in 2023. Gretchen Wilson, 31 years and four months Won: 2004 CMA Awards total: 2 Notes: She also won female vocalist of the year the following year. Zac Brown (Zac Brown Band), 32 years and three months Won: 2010 CMA Awards total: 1 Notes: The band has been nominated for vocal group of the year 14 times without winning. The band also won best new artist at the Grammys. Gary LeVox (Rascal Flatts), 32 years and four months Won: 2002 CMA Awards total: 7 Notes: Rascal Flatts won vocal group of the year six years in a row, from 2003-08. They were the first group to win six years in a row since The Statler Brothers (1972-77). Little Big Town equaled the feat with six consecutive wins from 2012-17. Old Dominion surpassed it with seven consecutive wins from 2018-24. Jon Pardi, 32 years and six months Won: 2017 CMA Awards total: 1 Notes: Pardi was also nominated for single of the year for “Dirt on My Boots,” which was No. 1 on Hot Country Songs for three weeks. Keith Urban, 34 years Image Credit: Adele Starr/Getty Images Won: 2001 CMA Awards total: 12 Notes: Urban won entertainer of the year in both 2005 and 2018. Suzy Bogguss, 35 years and nine months Won: 1992 CMA Awards total: 2 Notes: Bogguss won album of the year two years later as a featured artist on Common Thread: The Songs of the Eagles. She sang the band’s 1976 smash “Take It to the Limit.” Ashley McBryde, 36 years and three months Won: 2019 CMA Awards total: 2 Notes: McBryde won musical event of the year in 2022 for “Never Wanted to Be That Girl,” a collab with Carly Pearce which reached No. 13 on Hot Country Songs. Jimmie Allen, 36 years and five months Won: 2021 CMA Awards total: 1 Notes: Allen had also been nominated for new artist of the year the previous year. The CMA gives new artists two shots to win. Ricky Van Shelton, 36 years and nine months Won: 1988 CMA Awards total: 2 Notes: Van Shelton won male vocalist of the year the following year. Jelly Roll, 38 years and 11 months Won: 2023 CMA Awards total: 1 Notes: Jelly was nominated for four other awards that year – male vocalist of the year; single and music video of the year for “Need a Favor;” and musical event of the year for “Save Me.” Darius Rucker, 43 years and six months Image Credit: Tony R. Phipps/FilmMagic Won: 2009 CMA Awards total: 1 Notes: Rucker was also nominated that year for male vocalist of the year. As a member of Hootie & the Blowfish, Rucker won best new artist at the Grammys in 1996. Note that both of the Black artists to win new artist of the year – Allen and Rucker – were over 35 when they won. They had paid their dues. Chris Stapleton, 37 years and seven months Image Credit: John Shearer/WireImage

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