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Cam’ron Responds to Dame Dash ‘Breakfast Club’ Interview About Revolt

Cam’ron and Damon Dash continue their war of words, stemming from the news that 50 Cent and Killa are supposedly linking up to produce a series based on Dash’s 2002 film Paid in Full. This time, Cam responded to Dame’s contentious recent interview with The Breakfast Club, during which the Roc-A-Fella co-founder claimed he’s been named the chairman of Revolt TV with a “pathway to acquisition,” news that was first exclusively reported by VIBE and has since become the subject of controversy. “I ain’t know you’d be lying like this, yo, it’s sad,” Cam said on his Instagram as 50’s “What Up Gangsta” plays in the background. “They told me, but you know when a n—a, your man, you don’t pay attention to a lot of sh–. I didn’t know, bro, that you’re a flagrant liar like this, man. Now look, Talk With Flee comes on tomorrow at 5 p.m. on Revolt’s YouTube, but that was sh– that he talked about last week, so part two will be out this Friday on Revolt’s YouTube about what he talked about this week.” The Harlem rapper then went on to try to clarify the current situation with Revolt and Dash from his perspective. “The n—a called Revolt last week and say he wants to put his content on Revolt channel,” he explained. “Revolt programming is booked up until 2026. … So I have two more shows I could do this year and so when I found that out, I called my man Fendi — ’cause I know that Fendi and Dame speak — I said, ‘Yo, tell Dame I’ll put the shows on my slot on Revolt … if I can executive produce the shows.’” Cam added that Dash once helped him and The Diplomats out when the former record executive brought them over to the Roc during the early 2000s. “He did it for me,” he recalled. “When I needed help, he put my album out on Roc-A-Fella and I let him be executive producer. I’m trying to do the same thing for you. I got two slots left. If you want two shows on Revolt this year … and you wasn’t getting paid ’cause you said you’d do it for free, I got a couple dollars for you. I’m just the executive producer of the show.” Cam then went on to say that Dame wasn’t the biggest fan of that idea and continued to describe the conversation he had with their mutual friend. “He tells Fendi, ‘Yeah, aight, bet. Nah, matter of fact, f— that. I’m the Godfather. He can’t executive produce my shows.’ Dame, your own godkids don’t want you. How you the godfather of anything? Your word don’t count no more. You don’t got teeth. You have dentures. Your word don’t mean nothin’. You fell off the Mount Rushmore Harlem a long time ago, but we’ll address it all tomorrow and Friday. But don’t say I ain’t trying to help out.” Dame and Cam’ron knew each other from their days running the streets of Harlem before they became rap legends in their own right and have had a lucrative business relationship in the past when Cam and The Diplomats spent some time on Roc-A-Fella Records. Source link

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Jelly Roll Performs, $2.2 Million Raised

Some of the most powerful people in the music business gathered Tuesday evening (Sept. 16) for the T.J. Martell Foundation‘s annual New York Honors Gala, which featured heartfelt speeches, performances from Jelly Roll and Sekou, and of course, a lot of fundraising for cancer research. Taking the stage at Cipriani 42nd Street just a few days after he performed in Vatican City — where he also met Pope Leo XIV — Jelly entertained the crowd of industry leaders, philanthropists and scientists committed to finding a cure for cancer with a passionate set that included his hits “Save Me, “Need a Favor” and “Get By.” At one point, the country star confessed that he was “more nervous than normal,” comparing the show to his recent outing in Rome. “I was like, ‘Well, I know why. I’m in New York City. I’m at the T.J. Martell gala. It’s a big deal,’” he told the crowd candidly between songs. “It’s like, I’m obviously more nervous than normal. And I was like, let me think about other times I’ve been this nervous to perform. I said, probably the most nervous I’ve ever been — and this is a really unique comparison that only y’all will get — was when I performed very recently at the Vatican for the Pope, and the first time I got invited to do the Clive Davis Pre-Grammy party. Clive Davis and the Pope. So quite a parallel that can only happen at an event like this, I reckon.” Davis was one of several powerful record executives in the audience honored by the organization Wednesday night. With the event marking the T.J. Martell Foundation’s 50th anniversary, the legendary Arista Records founder and others such as Irving Azoff, Berry Gordy, Monte Lipman, Avery Lipman, Jimmy Jam, Terry Lewis, Tommy Mottola and the foundation’s founder, Tony Martell, were recognized for having championed the nonprofit for decades through a “Circle of Legends” award. “For 50 years, the music industry’s generosity has fueled lifesaving cancer research,” said CEO Lynn-Anne Huck at the event. “Honoring our Circle of Legends reminds us that together, we can turn music’s promise into tomorrow’s cures.” Elsewhere in the programming, Sekou sang “Love Language” and “Better Man” for the attendees. At the end of the night, guests walked away having raised more than $2.2 million for the foundation’s programs supporting cancer research and treatments. Though the gala takes place annually, 2025 was the first year the organization celebrated its longtime supporters through the “Circle of Legends” award. By introducing the honor, the T.J. Martell Foundation says it hopes to spotlight “the visionary leaders and devoted champions whose belief in its mission has powered five decades of progress in the fight against cancer.” “Each name represents a chapter in the Foundation’s story: individuals who took the call, made the ask, funded the research, and inspired others to care as deeply as they do,” a description continues. Other honorees — some of them recognized posthumously — included Michele Anthony, Clarence Avant, Lenny Beer, Mitchell Benson, Steve Boom, Scott Borchetta, Will Botwin, Jim Caparro, Gary Casson, Warren Christensen, Tom Corson, Shanti Das, Archie Davis, Seth England, Rakiyah Marshall England, John Esposito, Charlie Feldman, Jason Flom, Tom Freston, Joe Galante, Daniel Glass, David Glew, David Glinert, Floyd Glinert, Charles Goldstuck, Jeff Harleston, Clint Higham, Dr. James Holland, Joel A. Katz, Michael Kushner, Dennis Lavinthal, Aaron W. Levy, Carianne Marshall, Harvey Mason Jr., Judy McGrath, Mike O’Neill, Dino Paredes, Bea Perez, Michael J. Pollack, Frances W. Preston, Diarmuid Quinn, Michael Reinert, Marc Reiter, Scott Rodger, Paul B. Shore, Julie Swidler, John Sykes, Afo Verde, Marsha Vlasic, Ron Wilcox and Chaka Zulu. The T.J. Martell Foundation was formed in 1974 by music executive Tony Martell in honor of his young son, T.J. When T.J. was diagnosed with leukemia, Martell promised to raise $1 million for cancer research — a mission that has since blossomed into more than $280 million raised for medical research grants to leading cancer institutions. Source link

Melissa Paredes llama ‘garrapata’ a Jessica Newton y asegura que eligió a dedo a las misses

Redacción Panamericana Melissa Paredes reavivó la polémica al mencionar a Jessica Newton, acusándola de aprovecharse de su escándalo y de escoger a las misses. La actriz y modelo Melissa Paredes revivió el polémico episodio que la llevó a dejar la corona de Miss Perú y lanzó duras críticas contra Jessica Newton, a quien acusó de haber elegido a dedo a las misses. Melissa Paredes revive su polémico pasado en el Miss Perú Melissa Paredes volvió a estar en el ojo público tras sincerarse en una entrevista con el pódcast ‘La Linares’. La exreina de belleza recordó el escándalo que vivió cuando se difundieron sus fotografías en lencería, las cuales provocaron que dejara la corona de Miss Perú. Te puede interesar Eduardo Rabanal, expareja de Paula Arias, contrajo matrimonio: “Mi vida cambió y cambió de verdad” Según explicó, las críticas más duras provinieron de Jessica Newton, actual directora del certamen, a quien responsabiliza de haberle hecho un “cargamontón”. La actriz aseguró que las fotos no tenían nada de malo, pues incluso fueron parte de un trabajo profesional. “Me parecía absurdo, tonto e ilógico que me critiquen por eso. A mí me pagaron 300 dólares en ese tiempo y no lo vi como un problema”, comentó Paredes. Melissa Paredes arremete contra Jessica Newton Melissa no se guardó nada y lanzó una dura acusación contra Newton, a quien comparó con una “garrapata” por aprovecharse de la controversia para quedarse con el control del Miss Perú. “Ella quería ese cargo y lo obtuvo. Se agarró de ese escándalo, se aferró, así como garrapata, al escándalo para quedarse con la organización después y elegir a dedo a todas sus candidatas, como lo ha venido haciendo”, sostuvo entre risas. Un enfrentamiento que revive viejas heridas Muchos usuarios recordaron cómo aquel episodio marcó un antes y un después en su carrera artística, mientras que otros coincidieron en cuestionar la transparencia de los concursos de belleza en el país. Con estas declaraciones, la actriz vuelve a encender la polémica en torno al Miss Perú y al rol de Jessica Newton dentro de la organización, dejando claro que la herida de su salida aún sigue abierta. @veronicalinares ¡Esta semana la multifacética Melissa Paredes en La Linares! ✨🎬💃 Conversaremos sobre sus inicios en el modelaje y la actuación, su paso por los realities y la conducción, cómo afronta los retos de su vida personal y profesional, y sus próximos proyectos 🎤📺🌟 ¡No te pierdas esta entrevista cercana, divertida y llena de confesiones con una de las figuras más comentadas del espectáculo peruano! Esta semana por mi canal de YouTube 🌟 #MelissaParedes #LaLinares #TelevisiónPeruana #Actriz #Entrevista ♬ sonido original – Veronica Linares Source link

Lady A’s Charles Kelley Welcomes Second Child With Wife Cassie

Lady A member Charles Kelley and his wife Cassie have welcomed their second child, son Archer Lancaster Kelley. According to an announcement shared with People, the baby was born Tuesday at 11:14 a.m., and weighed 6 pounds, 11 ounces. Archer joins the couple’s older son, 9-year-old Ward, born in 2016. “Our little miracle Archer Lancaster Kelley arrived at 11:14 am on Sept. 16 and we are absolutely in love,” Kelley told People in a statement. “We are so thankful to get to be his mom and dad, and to share the joy with his big brother, Ward, who is over the moon!” A photo shared with the outlet depicts the family in a hospital room, gathered around their new addition and smiling as Cassie holds newborn Archer. Charles and Cassie celebrated their 16th wedding anniversary earlier this year and were wed in June 2009. Musically, Lady A’s Kelley, Hillary Scott and Dave Haywood are gearing up for a holiday project release, when the album On This Winter’s Night (Vol. 2) drops Sept. 26. The album will feature collaborations with Ricky Skaggs and Chris Tomlin. The album follows their 2020 holiday project On This Winter’s Night. Lady A will also hit the road this upcoming holiday season for their first Christmas tour, which begins Dec. 5 in Atlanta. The group’s 2025 This Winter’s Night Tour will include 12 days of Christmas music during shows across the United States, and will wrap with a three-night run at Nashville’s Ryman Auditorium on Dec. 21-23. Get weekly rundowns straight to your inbox Sign Up Source link

Melissa Paredes llama ‘garrapata’ a Jessica Newton y asegura que eligió a dedo a las misses

La actriz y modelo Melissa Paredes revivió el polémico episodio que la llevó a dejar la corona de Miss Perú y lanzó duras críticas contra Jessica Newton, a quien acusó de haber elegido a dedo a las misses. Melissa Paredes revive su polémico pasado en el Miss Perú Melissa Paredes volvió a estar en el ojo público tras sincerarse en una entrevista con el pódcast ‘La Linares’. La exreina de belleza recordó el escándalo que vivió cuando se difundieron sus fotografías en lencería, las cuales provocaron que dejara la corona de Miss Perú. Te puede interesar Carlos Orozco llama ‘retardado’ a Roberto Artigas y arremete contra Neutro: “Sin Kick sería cobrador de combi” Según explicó, las críticas más duras provinieron de Jessica Newton, actual directora del certamen, a quien responsabiliza de haberle hecho un “cargamontón”. La actriz aseguró que las fotos no tenían nada de malo, pues incluso fueron parte de un trabajo profesional. “Me parecía absurdo, tonto e ilógico que me critiquen por eso. A mí me pagaron 300 dólares en ese tiempo y no lo vi como un problema”, comentó Paredes. Melissa Paredes arremete contra Jessica Newton Melissa no se guardó nada y lanzó una dura acusación contra Newton, a quien comparó con una “garrapata” por aprovecharse de la controversia para quedarse con el control del Miss Perú. “Ella quería ese cargo y lo obtuvo. Se agarró de ese escándalo, se aferró, así como garrapata, al escándalo para quedarse con la organización después y elegir a dedo a todas sus candidatas, como lo ha venido haciendo”, sostuvo entre risas. Un enfrentamiento que revive viejas heridas Muchos usuarios recordaron cómo aquel episodio marcó un antes y un después en su carrera artística, mientras que otros coincidieron en cuestionar la transparencia de los concursos de belleza en el país. Con estas declaraciones, la actriz vuelve a encender la polémica en torno al Miss Perú y al rol de Jessica Newton dentro de la organización, dejando claro que la herida de su salida aún sigue abierta. @veronicalinares ¡Esta semana la multifacética Melissa Paredes en La Linares! Conversaremos sobre sus inicios en el modelaje y la actuación, su paso por los realities y la conducción, cómo afronta los retos de su vida personal y profesional, y sus próximos proyectos ¡No te pierdas esta entrevista cercana, divertida y llena de confesiones con una de las figuras más comentadas del espectáculo peruano! Esta semana por mi canal de YouTube #MelissaParedes #LaLinares #TelevisiónPeruana #Actriz #Entrevista ♬ sonido original – Veronica Linares La entrada Melissa Paredes llama ‘garrapata’ a Jessica Newton y asegura que eligió a dedo a las misses se publicó primero en Radio Onda Cero. Source link

Odell Beckham Responds to Backlash From Viral ‘Family Matters’ Video

Odell Beckham Jr. is addressing the social media reaction to a video of him dancing in his car to Drake‘s “Family Matters” that went viral last summer. OBJ sat down with Complex recently and was asked about the backlash he received online after he posted the video and his thoughts on the back-and-forth between his close friend Drake and Kendrick Lamar that had the rap game in a chokehold for the last year-plus. Explore See latest videos, charts and news “I support bro through all of what he’s going through,” he said before explaining that the video wasn’t necessarily meant to be posted. “And that video was even a joke that I sent to my boy Chris. It wasn’t even a video that I thought was going anywhere because it’s like, ‘Yo, we’re trying to get some stuff for TikTok.’” He then continued by saying that once the video got out, he started to notice the assumptions people were making online about his sexuality. “And that video gets out,” he said. “Then I’m in a tie-dye shirt, and they make it all kinds of stuff. That’s when I fall back to like…when I say, I really know who I am? Like stop it. Whatever you may think, I know who I am. I would make a joke about all that other stuff but…I’ma just leave it. Maybe another time you’ll hear the quote come out. I know who I am. I know what I do.” He was then asked about his thoughts on the rap battle as it unfolded and said he’s always supported Drake. “I listened, I thought it was great. I told him that to his face,” the Pro Bowl wide receiver told the outlet. “But at the end of the day, you’re talking about Drake, he’s one of very few. I don’t know necessarily know how that played out in his life…that’s for him to learn and go through.” He added: “I had always supported that side, I had always shown up, I had always done that. Before their little beef, had I listened to Kendrick’s stuff? Yeah, Kendrick’s a great artist. I love music. Music is what makes me, me. Since I was little.” You can watch the full conversation below. Source link

Burna Boy Scores First Top 10 on the Hot R&B/Hip-Hop Songs Chart

Burna Boy lands a career milestone on Billboard’s Hot R&B/Hip-Hop Songs chart, as the superstar picks up his first top 10 through his featured role on Gunna’s “wgft.” The track climbs 11-10 on the list dated Sept. 20, in its fifth charting week, with gains in all three contributing metrics. For Gunna, “wgt” gives the rapper his 19th top 10 on Hot R&B/Hip-Hop Songs. For the tracking week of Sept. 5-11 in the United States, “wgft,” released on Gunna/Young Stoner Life/300/Atlantic Records, registered 7.3 million official streams, according to Luminate, up 11% from the prior week’s total and 1.3 million audience impressions, a 109% jump from the previous week. Digital sales, meanwhile, were a negligible number (under 500 copies), but also improved on last week’s sum. As mentioned, “wgft” is Gunna’s 19th top 10 on Hot R&B/Hip-Hop Songs. It’s his third of 2025, after “Way It Is,” a collaboration with Justin Bieber, reached No. 10 in July and “Just Say Dat,” opened at its No. 10 high in August. Both “Just Say Dat” and “wgft” are from Gunna’s latest album, The Last Wun, which was released in August and has clocked three weeks at No. 1 on the Top R&B/Hip-Hop Albums chart. For Burna Boy, his maiden top 10 on Hot R&B/Hip-Hop Songs comes via his second appearance. He, 21 Savage and Metro Boomin teamed up for “Just Like Me,” which notched a No. 28 best in January 2024. While Burna Boy continues to build his Hot R&B/Hip-Hop Songs account, the Nigerian-based star counts many successes across other Billboard charts. Seven Billboard Hot 100 hits are among them, including solo singles “Last Last” (No. 44) and “Sittin’ on Top of the World,” (No. 80), which flipped samples from songs by Toni Braxton and Brandy, respectively. He’s also racked up 20 top 10 hits on Billboard U.S. Afrobeats Songs, which launched in 2022, and five albums on the all-genre Billboard 200, including Love, Damini, which peaked at No. 14 in July 2022. Elsewhere, “wgft” ascends to two new peaks: 6-4 on Hot Rap Songs and 72-69 on the Hot 100. Source link

Lizzo Criticizes Sampling Laws That Police Black Creativity

Lizzo is opening up about why she feels the origins of sampling laws were “racially charged.” The Detroit native stopped by Million Dollaz Worth of Game earlier this week where she discussed the art of sampling and how it polices Black creativity. “The first time people started sampling was who? It was rappers in the ’80s and ’90s,” she said. “They were sampling records because they didn’t have access to big studios. They didn’t grow up learning how to play bass and stuff like that.” Lizzo added: “They created the genre of hip-hop through sampling records in their parents’ vinyls and stuff. There were no sampling laws back then. It was all a free-for-all. So they was just outside, just like, ‘OK, this is just what it is.’ And then hip-hop was born, and it was this beautiful thing.” She recalled the early sampling issues of Biz Markie, as Warner Bros. Records took his I Need a Haircut album off shelves over a sample on his “Alone Again” track. “I just feel like the theft of it all, putting theft on Black culture, that’s the part that kind of turns me off,” she continued. “Hip-hop’s medium was sampling. Sampling is a Black art that bred hip-hop. Hip-hop was born from sampling. And now sampling is synonymous with theft.” Lizzo then clarified that she believes “the origins of sampling…were racially charged” as hip-hop was built on sampling for much of the ’70s and ’80s. “The origin of sampling laws were racially motivated to me because it was policing Black art,” she claimed. Co-hosts Gillie and Wallo weren’t well-informed of the early sampling laws, so they didn’t offer up much of any rebuttal to Lizzo’s claims. However, the Detroit-bred artist ran into sampling issues of her own in 2021 when she was sued by Orlandus Dunning over the use of a recording of him performing at a mutual friend’s funeral on Lizzo’s 2016 track “Coconut Oil.” Watch the full interview below. The sampling talk begins around the 36:30 mark. Get weekly rundowns straight to your inbox Sign Up Source link

Carlos Orozco llama ‘retardado’ a Roberto Artigas y arremete contra Neutro: “Sin Kick sería cobrador de combi”

El presentador, Carlos Orozco, volvió a encender la polémica al lanzar fuertes declaraciones después de que se difundiera un clip en el que se mofaban de él. Orozco responde con insultos a Artigas En un reciente en vivo, Carlos Orozco fue consultado sobre las bromas que realizó Roberto Artigas, quien en un video simuló pisar una foto del conductor y lo comparó con “pisar mie…”. Ante ello, Orozco respondió con ironía y calificativos muy duros. “¿Qué puedo opinar de dos babosazos haciendo estupideces? Pobre hue…, terrible retardado, idio…”, expresó entre risas, dejando claro que no le afectaron las burlas de su colega. Te puede interesar Brian Rullán, aún esposo de Laura Spoya, sorprende al subir foto junto a misteriosa mujer Carlos Orozco deja mensaje contra Neutro Orozco no se limitó a responderle a Artigas, también lanzó un comentario directo hacia Neutro, quien habría celebrado la broma de su amigo. Según el conductor, el éxito del streamer se debe exclusivamente a la plataforma de streaming: “¡Neutro es una bendición de Kick! Si no existiera Kick, Neutro sería cobrador de combi”, soltó tajante, desatando gran controversia en redes sociales. La burla que inició la polémica Todo comenzó cuando Roberto Artigas hizo un video en el que pisaba una imagen de Carlos Orozco y lo comparaba con excremento. Neutro reaccionó entre risas a la escena, lo que generó la molestia del conductor peruano. El enfrentamiento todavía no termina. Mientras Orozco lanzó sus descargos sin filtro, ahora la expectativa está puesta en la respuesta de Roberto Artigas y Neutro, quienes suelen generar repercusión con cada pronunciamiento. @josepastord #greenscreen Esto le dijo!!!Ig:josepastord #neutro #peruanos #fyp ♬ sonido original – JOSS La entrada Carlos Orozco llama ‘retardado’ a Roberto Artigas y arremete contra Neutro: “Sin Kick sería cobrador de combi” se publicó primero en Radio Onda Cero. Source link

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