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John McBride, Guitar Center Partner for Grant Program

The Guitar Center Music Foundation and Nashville engineering/production icon John McBride have teamed up to launch the Blackbird Music Student monthly grant program. McBride owns Music City-based Blackbird Studio. Since opening its doors in 2002, the studio has hosted recording sessions for a host of music stars such as Garth Brooks, Taylor Swift, Justin Timberlake and Jack Harlow. Explore See latest videos, charts and news McBride also serves as institutional director of The Blackbird Academy. McBride and his wife, country star Martina McBride, launched the academy in 2013 which, as its website notes, is “dedicated to advancing the quality of recording education through a hands-on, professional training curriculum.” The Blackbird grant program’s launch follows on the heels of the Guitar Center Music Foundation’s fourth annual benefit gala (Sept. 11) during which McBride and Grammy-winning songwriting/production duo Jimmy Jam & Terry Lewis were both honored. McBrider eceived the foundation’s lifetime achievement award, presented by Martina and country legend Garth Brooks. McBride revealed the grant initiative’s launch during his acceptance speech noting, “Music can improve your life … and the whole world.” Jam & Lewis were honored with the Vanguard Award, presented by Nicole Avant, daughter of the pair’s late mentor and music industry pioneer Clarence Avant. The foundation also honored firefighters and educators during the ceremony. (l-r) Garth Brooks, Herb Trawick, John McBride and Martina McBride seen at the 4th Annual Guitar Center Music Foundation Gala at The Maybourne Beverly Hills on Thursday, September 11, 2025 in Beverly Hills, California. Arnold Turner/Eclipse Content According to the foundation, this year’s gala doubled 2024’s fundraising efforts. Proceeds raised will go toward the foundation’s disaster relief program, helping musicians impacted by the Los Angeles wildfires by providing replacement instruments, gear and other recovery resources. Established earlier this year, the foundation’s program has already supported 600 individual musicians. In addition to a silent auction, the gala staged a rousing musical salute to Jam & Lewis — under the direction of Adam Blackstone — which featured performances by Durand Bernarr, Eric Bellinger, Tina Campbell, Johnny Gill and Estelle. Jam and Lewis themselves closed out the evening inside Beverly Hills’ Maybourne Hotel ballroom, joining forces with former bandmates Morris Day and The Time. (l-r) Nicole Avant, Jimmy Jam and Terry Lewis: seen at the 4th Annual Guitar Center Music Foundation Gala at The Maybourne Beverly Hills on Thursday, September 11, 2025 in Beverly Hills, California. Arnold Turner/Eclipse Content “I’m delighted by the overwhelming success of this year’s gala,” said Guitar Center Music Foundation chairman David Helfant in a statement. “We raised a very large amount of money to further the foundation’s mission and programs. Special thanks to our honorees Jimmy Jam & Terry Lewis and John McBride, sponsors and everyone who attended. We look forward to utilizing the funds raised to continue to provide musical instruments and grants to musicians, schools, educators and hospitals for music education and music therapy. Music saves lives and the funds raised will help so many people across the country.” Added gala chair Herb Trawick, “It was a magical night with amazing music, musicians and music people.” For information about the Blackbird Grant and other programs, visit the Guitar Center Foundation website. Source link

Grupo 5 presenta “Cómo se olvida” en colaboración con Septeto Carey

Redacción Panamericana Grupo 5 une fuerzas con Septeto Acarey en “Cómo se olvida”, un tema cargado de sentimiento y ritmo que promete conquistar al público. Grupo 5, ícono indiscutible de la cumbia peruana estrena una colaboración histórica con Septeto Carey, agrupación multinominada al Grammy Latino. “Cómo se olvida” es como se denomina esta canción que transmite sentimiento puro con un drama de un amor imposible y un coro inolvidable para corear. La unión de estas dos potencias musicales promete trascender fronteras, conquistar nuevas audiencias y destacar en los playlists tropicales y globales. «Cómo se olvida» viene escrita por Reynier Pérez , Elmer Yaipén, y Junior Caro y es un desahogo, una confesión que convierte el sufrimiento del desamor en un himno compartido. El tema no es solo una pregunta, es un sentimiento universal: el dolor de soltar un amor que aún marca el alma. La producción estuvo en manos de Reynier Pérez, Elmer Yaipén, Junior Caro y Christian Yaipén. La unión de Grupo 5 y Septeto Acarey le da doble fuerza a este concepto ya que Grupo 5 representa la voz del pueblo, la música que se canta en cada fiesta y celebración; por su parte Septeto Acarey aporta la profundidad y prestigio internacional, dándole al tema un carácter que conecta también con mercados globales. Es preciso mencionar que “Cómo se olvida” viene respaldada por un video clip dirigido por Coco Bravo, que fue grabado en formato 4K en locaciones de época en Chosica bajo la producción ejecutiva de Carolina Acosta. Por otro lado, Grupo 5 continúa con sus conciertos en vivo y se presentará este sábado en Contumazá y el próximo fin de semana en Paita, Paiján y Santa Cruz. Source link

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Jason Aldean’s “How Far Does a Goodbye Go” Country Airplay Debut

Jason Aldean ties his highest debut on Billboard’s Country Airplay chart as “How Far Does a Goodbye Go” launches at No. 19 on the Sept. 27-dated survey. The single, co-written by Kurt Allison, John Edwards, Tully Kennedy and John Morgan, drew 10 million audience impressions in its first week (Sept. 12-18), according to Luminate. The start was powered in part by first-day spins on participating iHeartRadio stations. Michael Knox produced the track, which will appear on Aldean’s 12th studio album, due in 2026. Knox has long been a central part of Aldean’s chart success and ranks among Billboard’s newly-unveiled Top Producers of the 21st Century on the Hot Country Songs Chart. Knox has produced 10 Aldean-recorded No. 1s by that chart’s measure. “How Far Does a Goodbye Go” matches the No. 19 Country Airplay premieres of Aldean’s “Burnin’ It Down” in 2014 and “Take a Little Ride” in 2012. They went on to become two of his 25 career No. 1s. Meanwhile, Aldean’s latest is the fifth song to debut in the top 20 in 2025, the most in a year since eight made such grand entrances in 2019. Dickerson Doubles Up Russell Dickerson spends a second week at No. 1 on Country Airplay with “Happen to Me,” which increased 2% to 32.2 million in audience in the tracking week. Among his five leaders, he equals his longest command, joining “Love You Like I Used To” in 2020 and “Yours” in 2018. “Happen to Me” was written by Jessie Jo Dillon, Chris LaCorte and Chase McGill and hails from Dickerson’s fourth LP, Famous Back Home, which debuted at No. 34 on the Sept. 6-dated Top Country Albums chart. The crossover hit also holds at its No. 21 high on Adult Pop Airplay and rises to No. 38, a new best, on Pop Airplay. All charts dated Sept. 27 will update Tuesday, Sept. 23, on Billboard.com. It’s free Billboard charts month! Through Sept. 30, subscribers to Billboard’s Chart Beat newsletter, emailed each Friday, can unlock access to Billboard’s weekly and historical charts, artist chart histories and all Chart Beat stories simply by visiting the newly redesigned Billboard.com through any story link in the newsletter. Not a Chart Beat subscriber? Sign up for free here. Source link

Saja Boys’ ‘Soda Pop’ Rules Top Gabb Music Songs Chart

A month after swarming the Top Gabb Music Songs chart by dominating the entire top five of the July 2025 tally, music from KPop Demon Hunters is even more inescapable on the August 2025 ranking, occupying the list’s top seven. Billboard has partnered with Gabb Wireless, a phone company for kids and teens, to present a monthly chart tracking on-demand streams via its Gabb Music platform. Gabb Music offers a vast catalog of songs, all of which are selected by the Gabb team to include only kid- and teen-appropriate content. Gabb Music streams are not currently factored into any other Billboard charts. Of note: the August 2025 chart marks the first published ranking since Gabb Music was made available via app stores, meaning users can now download the streaming app to devices other than Gabb Wireless’ phones and tablets. While KPop Demon Hunters music rules Top Gabb Music Songs for the second month in a row, it’s not the same song at No. 1. Saja Boys stans rejoice, though: after the boyband’s “Your Idol” topped the July ranking, it’s “Soda Pop” that leads the August tally, while “Your Idol” falls to No. 3. HUNTR/X, however, holds the lion’s share of the top five, occupying the remainder of the region, led by “How It’s Done” at No. 2. “Golden,” HUNTR/X’s now-five-week No. 1 on the weekly Billboard Hot 100 since first ascending to the top of the list in mid-August, follows at No. 4 (Top Gabb Music Songs leader “Soda Pop” ranks at No. 5 on the latest Hot 100). A song featured on the Netflix film’s soundtrack is also the top debut of the week: TWICE’s “Takedown” bows at No. 11, six spots below HUNTR/X’s own version of the tune (No. 5). KPop Demon Hunters fever hasn’t just swept Top Gabb Music Songs and the Hot 100 (the latter features four songs from the film in its top 10), the movie’s soundtrack also topped the Billboard 200 for the first time on the Sept. 20-dated list. Much like in July, the top non-KPop Demon Hunters track on Top Gabb Music Songs is Alex Warren’s “Ordinary,” which drops two positions to No. 8. And Forrest Frank’s got the best debut for a song not on the KPop Demon Hunters soundtrack, starting at No. 13 with “God’s Got My Back,” which was released on July 25 and debuted at No. 5 on the Hot Christian Songs chart in August. Music from Ravyn Lenae, KATSEYE and MeloMance also debuts on the August survey. See the full top 25 below. It’s free Billboard charts month! Through Sept. 30, subscribers to Billboard’s Chart Beat newsletter, emailed each Friday, can unlock access to Billboard’s weekly and historical charts, artist chart histories and all Chart Beat stories simply by visiting the newly redesigned Billboard.com through any story link in the newsletter. Not a Chart Beat subscriber? Sign up for free here. Top Gabb Music Songs “Soda Pop,” Saja Boys (+20) “How It’s Done,” HUNTR/X (+23) “Your Idol,” Saja Boys (-2) “Golden,” HUNTR/X (-2) “Takedown,” HUNTR/X (=) “What It Sounds Like,” HUNTR/X (-1) “Free,” EJAE & Andrew Choi (-3) “Ordinary,” Alex Warren (-2) “Strategy,” TWICE (-2) “Your Way’s Better,” Forrest Frank (-2) “Takedown,” TWICE (debut) “What I Want,” Morgan Wallen feat. Tate McRae (-3) God’s Got My Back,” Forrest Frank (debut) “Love Me Not,” Ravyn Lenae (debut) “Beautiful Things,” Benson Boone (-4) “Sorry I’m Here for Someone Else,” Benson Boone (-6) “Up!,” Forrest Frank & Connor Price (-4) “Gabriela,” KATSEYE (debut) “Dusty Bibles,” Josiah Queen (-2) “Dream Come True,” Freya Skye & Malachi Barton (=) “Love, Maybe,” MeloMance (debut) “Love Somebody,” Morgan Wallen (-10) “Slow It Down,” Benson Boone (-5) “Touch,” KATSEYE (debut) “The Place to Be,” Cast of Zombies 4 (-2) DROPS: “Stargazing,” Myles Smith; “Die With a Smile,” Lady Gaga & Bruno Mars; “God’s Plan,” Drake; “Stressed Out,” Twenty One Pilots; “Ain’t No Love in Oklahoma,” Luke Combs; “Mr. Electric Blue,” Benson Boone Source link

María Pía no se va de ‘Mande quién mande’, pero revela fecha de salida: “Me quedo hasta diciembre”

Redacción Panamericana María Pía Copello aclaró que no dejará la conducción de Mande quién mande este 2025 y confirmó que su nuevo programa cambió de fecha. María Pía Copello aclaró los rumores sobre su permanencia en la televisión y sorprendió a sus seguidores al anunciar que continuará al frente de ‘Mande quién mande’ hasta diciembre de este año. La conductora señaló que, aunque tiene un nuevo proyecto en camino, la producción reprogramó su estreno, por lo que ella seguirá compartiendo la conducción con Mario Hart y la ‘Carlota’ en las tardes de América TV. “Las cosas no se van a dar como nos dijeron que se iban a dar. Eso significa que hoy no abandono el programa, no vendrá nadie nuevo el lunes, seguiré yo con mis compañeros, Mario y ‘Carlota’”, declaró en vivo. Te puede interesar Aldo Miyashiro piensa en dar el ‘sí’ con Gia Rosalino: “Estoy muy enamorado” María Pía anuncia nuevo proyecto Copello reveló que su próximo reto televisivo le resultó atractivo porque solo demandará su presencia una vez a la semana, lo que le permitirá equilibrar su carrera con otros compromisos personales. Sin embargo, explicó que la producción decidió mover la fecha de estreno, motivo por el cual seguirá en la conducción de ‘Mande quién mande’ hasta fin de año. “Los retos nuevos decidí aceptarlos. Era un programa una vez a la semana y me iba a permitir viajar, pero tiene una nueva fecha, que no es pronto. Me quedo con ustedes hasta diciembre”, sostuvo, agradeciendo la confianza de los productores Mariana Ramírez del Villar y Diego Quijano. No quería irse de ‘MQM’ La presentadora también confesó que atravesó momentos de incertidumbre al pensar en una posible salida, ya que le tiene un cariño especial al espacio televisivo. “Han sido noches en las que no he podido dormir porque amo el programa”, añadió. Con estas declaraciones, María Pía Copello pone fin a las especulaciones y confirma que seguirá siendo parte de ‘MQM’, al menos hasta diciembre, dejando abierta la expectativa sobre su nuevo proyecto para el 2026. @riclatorrez 19.09/4: #PiaCopello no se va de #MQM . #mariapiacopello #mandequienmande #fyp #parati #riclatorrez #riclatorre #chollywood #farandulaperuana #magalytvlafirme #magalymedina #amoryfuego #destacame #americahoy #lanochehabla #evdlv #elvalordelaverdad #foryou #fy #Viral #Peru #peruanos ♬ sonido original – Ric La Torre Source link

Kehlani Slams AI Artist’s $3 Million Record Deal: ‘I Don’t Respect It’

A few days ago, Billboard broke the news that an AI-generated artist, Xania Monet, had signed a multimillion-dollar record deal after meeting with multiple labels. Now, the rest of the music industry is reacting to that unprecedented development, including Kehlani. In a recent TikTok, the singer/songwriter shared their thoughts on Hallwood Media reportedly shelling out $3 million to sign the fictive musician — whose “persona” is operated behind the scenes by writer Telisha “Nikki” Jones — despite copyright concerns previously voiced by other major labels. Spoiler alert: Kehlani isn’t a fan. “There is an AI R&B artist who just signed a multimillion-dollar deal … and the person is doing none of the work,” a frustrated-sounding Kehlani told followers without directly naming Monet or Jones. “This is so beyond out of our control.” The vocalist went on to emphasize the power of AI to create fully formed songs out of thin air, without users having to “credit anyone” involved in making the countless copyrighted works on which such generative music systems are trained. To craft Monet’s music, Jones used Suno — though her manager, Romel Murphy, emphasized to Billboard that his client personally writes all of the original lyrics Monet “sings.” Regardless, Kehlani says, “Nothing and no one on Earth will ever be able to justify AI to me.” They added, “I don’t respect it.” Billboard has reached out to Jones’ reps for comment. Kehlani certainly isn’t the only person in the industry with objections to Monet’s deal. Sources previously told Billboard that several major labels had also been in talks with Jones, but ultimately walked away with respect to their collective copyright lawsuit against Suno last year. The basis of the lawsuit is that Suno allegedly infringed upon the copyright of the labels’ catalogs by using pre-existing works to train its technology. The company disagrees with this characterization, arguing that its users are actually making entirely original works via “fair use” of the music in its database. For Monet’s part, Jones is confident that she owns the rights to all of the recordings she’s created through Suno, given the amount of human effort she’s put into crafting the lyrics to the songs. “She’s been writing poetry for a long time,” Murphy told Billboard of Jones, noting that the reason her work is gaining traction has nothing to do with “a hook and a bridge and a catchy chant — it’s just the lyrics, and they are pure.” See Kehlani’s TikTok below. Source link

María Pía no se va de ‘Mande quién mande’, pero revela fecha de salida: “Me quedo hasta diciembre”

María Pía Copello aclaró los rumores sobre su permanencia en la televisión y sorprendió a sus seguidores al anunciar que continuará al frente de ‘Mande quién mande’ hasta diciembre de este año. La conductora señaló que, aunque tiene un nuevo proyecto en camino, la producción reprogramó su estreno, por lo que ella seguirá compartiendo la conducción con Mario Hart y la ‘Carlota’ en las tardes de América TV. “Las cosas no se van a dar como nos dijeron que se iban a dar. Eso significa que hoy no abandono el programa, no vendrá nadie nuevo el lunes, seguiré yo con mis compañeros, Mario y ‘Carlota’”, declaró en vivo. Te puede interesar Aldo Miyashiro piensa en dar el ‘sí’ con Gia Rosalino: “Estoy muy enamorado” María Pía anuncia nuevo proyecto Copello reveló que su próximo reto televisivo le resultó atractivo porque solo demandará su presencia una vez a la semana, lo que le permitirá equilibrar su carrera con otros compromisos personales. Sin embargo, explicó que la producción decidió mover la fecha de estreno, motivo por el cual seguirá en la conducción de ‘Mande quién mande’ hasta fin de año. “Los retos nuevos decidí aceptarlos. Era un programa una vez a la semana y me iba a permitir viajar, pero tiene una nueva fecha, que no es pronto. Me quedo con ustedes hasta diciembre”, sostuvo, agradeciendo la confianza de los productores Mariana Ramírez del Villar y Diego Quijano. No quería irse de ‘MQM’ La presentadora también confesó que atravesó momentos de incertidumbre al pensar en una posible salida, ya que le tiene un cariño especial al espacio televisivo. “Han sido noches en las que no he podido dormir porque amo el programa”, añadió. Con estas declaraciones, María Pía Copello pone fin a las especulaciones y confirma que seguirá siendo parte de ‘MQM’, al menos hasta diciembre, dejando abierta la expectativa sobre su nuevo proyecto para el 2026. @riclatorrez 19.09/4: #PiaCopello no se va de #MQM . #mariapiacopello #mandequienmande #fyp #parati #riclatorrez #riclatorre #chollywood #farandulaperuana #magalytvlafirme #magalymedina #amoryfuego #destacame #americahoy #lanochehabla #evdlv #elvalordelaverdad #foryou #fy #Viral #Peru #peruanos ♬ sonido original – Ric La Torre La entrada María Pía no se va de ‘Mande quién mande’, pero revela fecha de salida: “Me quedo hasta diciembre” se publicó primero en Radio Onda Cero. Source link

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