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HUNTR/X’s “Golden,” from Netflix’s animated smash movie KPop Demon Hunters, dominates the Billboard Global 200 and Billboard Global Excl. U.S. charts for a 10th week each. In July, the song became the first No. 1 on each list for the act, whose music is voiced by EJAE, Audrey Nuna and REI AMI. “Golden” is just the eighth of 72 No. 1s since the Global 200 began in September 2020 to rule for double-digit weeks. On Global Excl. U.S., it’s only the sixth of 63 leaders to reach the milestone. Hits from KPop Demon Hunters account for half the Global 200’s top 10 for a fifth week. Below “Golden,” Saja Boys hold at No. 3 with “Soda Pop” and No. 4 with “Your Idol,” with both having reached No. 3; both are sung by Andrew Choi, Neckwav, Danny Chung, Kevin Woo and samUIL Lee. Plus, HUNTR/X’s “How It’s Done” drops a spot from its No. 5 high and “What It Sounds Like” keeps at No. 8, after hitting No. 7. Elsewhere, Olivia Dean’s breakthrough hit “Man I Need” surges to the top 10 on both the Global 200 (16-9) and Global Excl. U.S. (17-10). The Billboard Global 200 and Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States. Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations. “Golden” crowns the Global 200 with 111.8 million streams and 16,000 sold worldwide (down 5% week-over-week in each metric) in the week ending Sept. 18. Two songs not from KPop Demon Hunters rank in the Global 200’s top five: Alex Warren’s “Ordinary” holds at No. 2 after 10 weeks on top beginning in May and sombr’s “Back to Friends” rises 7-5, surpassing its prior No. 6 peak to become his first top five hit on the chart. Olivia Dean’s “Man I Need” becomes her first top 10 on both the Global 200 (16-9) and Global Excl. U.S. (17-10). The song, which has hit the top 10 on nine rankings in Billboard’s Hits of the World charts menu, boasts gains of 13% to 34 million streams and 32% to 4,000 sold worldwide in the tracking week. The Art of Loving, the English singer-songwriter’s debut LP, featuring the single, is due Friday (Sept. 26). “Golden” leads Global Excl. U.S. with 81 million streams (down 4%) and 8,000 sold (down 3%) outside the U.S. The rest of the Global Excl. U.S. top five holds in place: “Ordinary” at No. 2, after eight weeks at No. 1 starting in May; “Soda Pop” at its No. 3 high; “Back to Friends” at its No. 4 best; and Lady Gaga and Bruno Mars’ “Die With a Smile” at No. 5, after 17 weeks at No. 1 beginning last September. The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Sept. 27, 2025) will update on Billboard.com Tuesday, Sept. 23. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X and Instagram. Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published. It’s free Billboard charts month! Through Sept. 30, subscribers to Billboard’s Chart Beat newsletter, emailed each Friday, can unlock access to Billboard’s weekly and historical charts, artist chart histories and all Chart Beat stories simply by visiting the newly redesigned Billboard.com through any story link in the newsletter. Not a Chart Beat subscriber? Sign up for free here. Source link

From walk-up songs to clubhouse DJs, Major League Baseball and music go hand-in-hand. Each player across MLB has their own personal pregame playlist to get them in the zone. For New York Mets’ third baseman, Mark Vientos, that playlist spans multiple genres like rap, rock and a whole lot of EDM. Explore See latest videos, charts and news One of the first songs that brought his love of music and baseball together is “Beautiful Disaster” by 311. Vientos remembers waking at 11 years old to play MLB: The Show and getting hyped to the soundtrack. Fast forward 14 years, and on gamedays you may see him rapping along to “How U Feel” by Huncho Jack, which he knows every word to, or rocking out to some Nirvana thanks to his strength coach who put him onto the band. But electronic music is the real star of his playlist. On his way to the field, Mark likes to listen to mellow tunes from Rufus Du Sol and Tame Impala, his favorite artist. Then, 30 minutes before the game starts, it’s time to crank up the intensity. That’s when Eli Brown and Lilly Palmer take center stage. Mark’s passion for house and techno has him considering a future in EDM for himself. One of his friends in Miami is a DJ, and they’ve inspired Mark to take up mixing as a hobby. In the future, you might see Mark on the field and DJ Vientos on a festival lineup. In the meantime, you can check out his full pregame playlist below and add some of his favorites to your own personal playlist. NY Mets – Mark Vientos’ Personal Playlist “Like Dat” – Kodak Black “Codeine Crazy” – Future “Turn on the Lights” – Future “How U Feel” – Travis Scott, Huncho Jack, Quavo “Fancy” – Drake, TI, Swizz Beats “Believe” – Eli Brown “Don’t Look Back” – Lilly Palmer “Who Loves The Sun” – Jo.Ke, Nu “Sarah” – Rufus Du Sol “On My Knees” – Rufus Du Sol “Walls to Build” – KIIO, Mall Grab “Breathe Deeper” – Tame Impala “One More Hour” – Tame Impala “Congratulations” – MGMT “Lithium” – Nirvana “Beautiful Disaster” – 311 Source link

Cardi B is replacing The Weeknd as the headliner for the 2025 Global Citizen Festival taking place on Saturday, Sept. 27, on the Great Lawn in New York’s Central Park. “I regret to share that, due to personal reasons, I am unable to perform at Global Citizen,” The Weeknd shared on his Instagram Story Monday (Sept. 22). “Thank you to my fans for taking action with them, as I believe in their mission deeply. Thank you for understanding and support.” He was originally slated to headline the festival alongside Shakira, with Tyla, Ayra Starr, Mariah the Scientist, Camilo and Elyanna also performing. “Central Park, I’m coming for you!!! I can’t wait to be home in New York, and to bring my new songs and all the DRAMA to the Global Citizen Festival,” Cardi B said in a statement. “This one’s not like other music festivals — this one is about coming together to help children around the world, and I’m so proud to support such an important cause. New York City — see you Saturday. Let’s get it!!!” “We are incredibly grateful to Cardi B, who has joined the Global Citizen Festival lineup. She’s an outstanding performer who will light up Central Park in spectacular fashion,” said Hugh Evans, CEO/cofounder of Global Citizen, in a statement. “We wish The Weeknd support and want to thank him and his fans for all taking action with us to help end extreme poverty.” The 2025 Global Citizen Festival will be cohosted by Global Citizen ambassador Hugh Jackman, Adam Lambert, Bill Nye, Liza Koshy and Danai Gurira. Cardi’s headlining performance arrives one week after she dropped her long-awaited sophomore album, Am I the Drama?, which earned a Platinum certification by the Recording Industry Association of America on the day of its release. The Bronx native is slated to take the project on the road next year for the 30-date Little Miss Drama Tour. Global Citizen Festival tickets are available and can be earned by taking action to help end extreme poverty on the Global Citizen app. Ticketholders who wish to seek refunds are advised to check their email, where they will receive instructions from Ticketmaster. Source link

El último fin de semana, una transmisión en vivo realizada por Diealis terminó envuelta en polémica tras la participación de Scarpati. Sin embargo, lo que parecía una dinámica de entretenimiento terminó en un conflicto entre ambos. En medio de la conversación, Scarpati, evidentemente molesto, expresó que una de las jóvenes presentes tendría 16 años, lo que generó incomodidad inmediata entre los espectadores y, sobre todo, en el propio Diealis. “Tu amiga menor de edad que se vaya”, se le escucha decir en vivo a Scarpati a una de las invitadas. Te puede interesar Daddy Yankee en Lima: esto es lo que hizo el reguetonero en nuestro país Diealis, visiblemente molesto, cuestionó de manera frontal a Scarpati por lo ocurrido, reclamándole y evidenciando su preocupación por la exposición de una presunta menor de edad en una transmisión pública. El streamer recalcó que no estaba de acuerdo con la situación y, tras un intercambio de palabras con Scarpati, decidió apagar el stream para evitar que la controversia creciera en vivo. Scarpati revela presuntos audios de Diealis tras conflicto en su stream La polémica no terminó con el corte de la transmisión. Horas después, Scarpati difundió un presunto audio atribuido a Diealis, donde el streamer se refería a la presencia de mujeres en su nueva casa durante las grabaciones en vivo. En el audio, Diealis expresaba su interés en que lo acompañaran chicas «guapas». Además, en un tono coloquial, señalaba que prefería que cualquier exceso ocurriera después del stream y no mientras estaban en directo. Con la revelación de estos audios, el enfrentamiento entre ambos escaló a un nuevo nivel, encendiendo la controversia en la comunidad digital y alimentando la discusión sobre los límites de lo que se dice y se muestra en el mundo del streaming. @elchicodelascriticas #viral #diealis #scarpati #carlitostv #irbbydelaportilla ♬ sonido original – ElChicoDeLasCriticas La entrada Diealis arremete contra Scarpati por exponer a presunta menor de edad en su stream en vivo se publicó primero en Radio Onda Cero. Source link

HUNTR/X’s “Golden,” from Netflix’s smash film KPop Demon Hunters, leads the Billboard Hot 100 for a sixth week — becoming the sole longest-leading No. 1 from a soundtrack this decade, and the longest-ruling such song in more than 10 years. “Golden” surpasses Encanto ensemble anthem “We Don’t Talk About Bruno,” which led the Hot 100 for five weeks in 2022, for the most time on top among movie music this decade. No soundtrack song has led longer since “See You Again,” by Wiz Khalifa featuring Charlie Puth, from Fast & Furious 7, revved to a 12-week reign in 2015. The honor is the latest for “Golden,” which first crowned the Hot 100 in August, making HUNTR/X — the singing trio of EJAE, Audrey Nuna and REI AMI, in the roles of KPop Demon Hunters characters Rumi, Mira and Zoey — the first female group associated with Korean pop to reach No. 1 on the chart. “Golden” is also the sole longest-leading hit by an animated group in the Hot 100’s 67-year history, while KPop Demon Hunters is the first soundtrack to generate four simultaneous Hot 100 top 10s. The songs rank in the region together for a fifth week, with Saja Boys’ “Soda Pop” holding at its No. 5 high and “Your Idol” down to No. 6 from its No. 4 best and HUNTR/X’s “How It’s Done” descending to No. 10 from its No. 8 peak. Browse the full rundown of this week’s Hot 100 top 10 below. The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Sept. 27, 2025) will update on Billboard.com Tuesday, Sept. 23. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram. Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published. ‘Golden’ Streams, Airplay & Sales “Golden,” on Visva/Republic Records, tallied 32.1 million official streams (down 5% week-over-week), 30.6 million radio airplay audience impressions (up 16%) and 7,000 sold (down 6%) in the United States Sept. 12-18. The track adds a ninth week at No. 1 on the Streaming Songs chart; jumps 20-16 on Radio Songs; and rebounds 3-2 after two weeks atop Digital Song Sales. No. 1 Soundtrack Hits Since 2000 Image Credit: Netflix “Golden” passes Encanto’s “We Don’t Talk About Bruno,” which ruled the Hot 100 for five weeks in 2022, as the sole longest-leading hit for a soundtrack song in the 2020s. At six weeks, it boasts the longest command since “See You Again,” by Wiz Khalifa featuring Charlie Puth, from Fast & Furious 7, screeched to 12 weeks on top in 2015. Here’s a look at the longest-leading Hot 100 No. 1s from soundtracks this century: 12 weeks at No. 1, “See You Again,” Wiz Khalifa feat. Charlie Puth, from Fast & Furious 7, beginning April 25, 2015 12, “Lose Yourself,” Eminem, 8 Mile, Nov. 9, 2002 11, “Independent Women Part I,” Destiny’s Child, Charlie’s Angels, Nov. 18, 2000 10, “Happy,” Pharrell Williams, Despicable Me 2, March 8, 2014 6, “Golden,” HUNTR/X: EJAE, Audrey Nuna & REI AMI, KPop Demon Hunters, Aug. 16, 2025 5, “We Don’t Talk About Bruno,” Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy Feliz, Diane Guerrero, Stephanie Beatriz & Encanto Cast, Encanto, Feb. 5, 2022 5, “Check On It,” Beyoncé feat. Slim Thug, The Pink Panther, Feb. 4, 2006 5, “Lady Marmalade,” Christina Aguilera, Lil’ Kim, Mya & P!nk, Moulin Rouge, June 2, 2001 ‘Golden’ Girls Plus, “Golden” is now solely the third-longest-leading Hot 100 hit by an all-female group of three or more members. Here’s a recap of the 10 longest-ruling songs in the category: 11 weeks, Destiny’s Child, “Independent Women Part 1,” beginning Nov. 18, 2000 7, TLC, “Waterfalls,” beginning July 8, 1995 6, HUNTR/X: EJAE, Audrey Nuna & REI AMI, “Golden,” beginning Aug. 16, 2025 5, The Emotions, “Best of My Love,” beginning Aug. 20, 1977 4, TLC, “No Scrubs,” beginning April 10, 1999 4, Spice Girls, “Wannabe,” beginning Feb. 22, 1997 4, TLC, “Creep,” beginning Jan. 28, 1995 4, Bangles, “Walk Like an Egyptian,” beginning Dec. 20, 1986 4, The Supremes, “Baby Love,” beginning Oct. 31, 1964 4, The Chiffons, “He’s So Fine,” beginning March 30, 1963 Rest of Top 10: ‘Ordinary’ & More Elsewhere in the Hot 100’s top 10, Alex Warren’s “Ordinary” keeps at No. 2, after 10 nonconsecutive weeks at No. 1 beginning in June. It logs a 14th frame at No. 1 on Radio Songs (76.1 million in audience, up 1%) — becoming the sole longest-leading hit in the chart’s nearly 35-year history on Atlantic Records; it breaks out of a tie with Donna Lewis’ 1996 smash “I Love You Always Forever.” Sabrina Carpenter’s “Manchild,” which topped the Hot 100 in its debut week in June, holds at No. 3. Morgan Wallen’s “What I Want,” featuring Tate McRae, rises 7-4 on the Hot 100, after it led in its first week in May, becoming Wallen’s fourth No. 1 and McRae’s first. It claims an 18th week atop the multimetric Hot Country Songs chart. Below Saja Boys’ two Hot 100 top 10s, Ravyn Lenae’s “Love Me Not” lifts 9-7, after hitting No. 5, and Justin Bieber’s No. 2-peaking “Daisies” climbs 10-8. Teddy Swims’ “Lose Control,” which led the Hot 100 for a week in March 2024, and went on to become the year’s No. 1 song, returns to the top 10 (11-9). It adds a record-extending 109th week on the chart overall and a record-padding 78th week in the top 10. HUNTR/X’s “How It’s Done” rounds out the Hot 100’s

Doja Cat is known for experimenting with genre, but don’t expect her to try out country any time soon. In her extended interview with CBS Sunday Morning posted Sunday (Sept. 21), the musician spoke at length about her love of fusing pop, jazz, R&B and hip-hop in her music. But while she’s open to trying almost anything, Doja also revealed the genre that she “won’t do.” “Country,” she answered definitively before bursting out laughing. When interviewer Michelle Miller asked Doja how she personally defines her sound, the California native replied, “I think pop. I think I’m a rapper who makes pop music.” The conversation comes just a few days ahead of the release of Doja’s new album, Vie, which drops Sept. 26. Largely produced by Jack Antonoff, the LP — which follows 2023’s Scarlet — is largely “pop-driven,” the rapper has said in the past. On CBS Sunday Morning, Doja explained that while Scarlet was more of a departure from her signature blend of pop and hip-hop, Vie is a return to form. “It’s taken until the beginning of this next album, Vie, to appreciate my older stuff,” she said on the show, noting how she used to dislike one of her biggest hits, “Say So,” because of its mainstream sound. “I think [this album] was a return to that.” “‘Cause Scarlet was sort of this release of energy that was very different from all of that,” Doja added. “I feel like I’m in a place where I want to do what I know.” Fans have already gotten a taste of the new album, with single “Jealous Type” dropping in August. The track reached No. 28 on the Billboard Hot 100. Watch Doja’s full interview with CBS Sunday Morning above. Source link

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When Grammy voters open their digital ballots beginning on Friday Oct. 3, they’ll notice a big difference from years past – all entries will be listed in randomized, rather than alphabetical, order for the first time. That won’t make all that much difference in categories with modest numbers of entries, but it will make it significantly harder to find what you’re looking for in categories with large number of entries. And, while the academy doesn’t come right out and say it, that’s the point. The academy is trying to force (or at least strongly encourage) voters to read through the entire list of entries, so they’re reminded of entries that they may have forgotten about, rather than just revert to a handful of favorite artists every year. Related “This ballot update brings our process in line with standard voting best practices … and further ensures the process is fair and equitable for all entries,” Ruby Marchand, chief awards and global industry officer for the Recording Academy, said in an exclusive statement to Billboard. “As with any change, there will be an adjustment period in the first year but, our staff will be on hand to assist voters with any questions.” All categories that appear on the first-round ballot will be listed in a randomized order. However, voters will be able to download a PDF of all entries listed in alphabetical order. And voters will still have access to locate their selections via a search tool within the voting platform. The academy’s awards team has worked with their technical partners to craft uniquely personalized, randomized ballots. No two voter ballots will be identical (in terms of the order that entries are listed in). This change was brought forward and supported by academy trustees, all of whom are members of the Recording Academy. The change will make it harder to find entries in categories with large numbers of entries. Last year, 14 categories had 300 or more entries, topped by three of the highest-profile categories — song of the year (978 entries), record of the year (780) and album of the year (707). In the past, albums and songs were listed alphabetically by artist’s last names, so if you were looking for something from, say, Sabrina Carpenter or Kendrick Lamar, you could go right to it. Songs were listed alphabetically by song title, so again you could go right to, say “Espresso” or “Not Like Us.” Now, they’re in jumbled order. Voters will have to hunt through hundreds of entries to find what they want. Related The Recording Academy has begun to put the word out so that voting members won’t be shocked when they go to vote – first-round voting runs from Oct. 3 through Oct. 15. The academy notes that members can return to their ballot multiple times, if need be, before they finally submit, at which no further changes can be made. Each voter’s ballot will remain the same, no matter how many times that voter revisits their ballot as they listen, assess, and make their final vote selections. “The key is to approach the process with preparation and patience,” Marchand said in a Q&A posted on Grammy.com. “Start early, set a reasonable pace, and plan for multiple visits to the ballot. This year, the ballot will appear in randomized order (not alphabetical), so giving yourself time to navigate and review thoroughly is especially important. Don’t wait until the last day – or worse, the last hour – to submit, as technical issues can derail your vote. Use Academy resources ahead of time, and once the ballot opens, take time to explore the diversity of entries along with tools within the ballot to assist in your voting.” All voting members may join a half-hour ballot overview webinar on Sept. 29 at 2 p.m. ET for guidance and tips. Marchand will be joined by Harvey Mason jr., Recording Academy CEO; Michael Almanza, senior director, awards; and Nick DiFruscia, senior director, awards The webinar, dubbed “Your Ballot at a Glance,” promises to shed light on these topics: “how to navigate your voter portal, changes to the ballot, including the new randomized ballot order, the importance of having a voting strategy, features/tools within the ballot to assist with your voting and critical resources to help you during 68th Grammy voting.” The number of categories in which voters can vote remains unchanged. Voters can vote in up to 10 categories across no more than three different genre fields plus all categories in the “general field” (which consists of album, record and song of the year, best new artist, and producer and songwriter of the year, non-classical). Source link

It sounds like Donna Kelce is ready for Travis Kelce and Taylor Swift to have 10 kids and teach them how to dream. On the latest episode of New Heights posted Monday (Sept. 22), Jason Kelce revealed that his mom is turning up the “pressure” on her younger son to start a family following the Kansas City Chiefs tight end’s engagement to the pop star. The topic first came up as the two brothers were talking to Deion Sanders, who joked about how he keeps a running ranking of his children. In response, the former Philadelphia Eagles center said of Donna, “Mom’s always had Travis [at] No. 1.” Travis, however, thinks that the ranking has been reversed ever since his older brother started having children. Jason is a dad of four girls, sharing 5-year-old Wyatt, 4-year-old Elliotte, 2-year-old Bennett and 5-month-old Finn with Kylie Kelce. “Listen, right now, Mom has Jason No. 1, because he has kids,” the Happy Gilmore 2 star told Sanders, to which Jason replied, “That is true, she has made that comment.” “She’s put some pressure on him,” Jason added of his little brother, to whom Sanders then joked, “What are you waiting for?” Though Travis and Swift may not be starting a family just yet, the couple did recently make a major step in that direction by announcing their engagement in August. Sharing photos of the pop star’s sparkly new ring and the football player down on one knee, they wrote at the time, “Your English teacher and your gym teacher are getting married.” The people in the couple’s lives have had nothing but kind things to say in the aftermath, with Donna changing her Facebook banner to show side-by-side childhood photos of her youngest son and Swift. Jason congratulated his baby brother on “the proposal heard ’round the world” in a solo New Heights segment, while Kylie later told Good Morning America that her daughters were “thrilled” to welcome Swift into the family. “They’re so excited they’re getting another aunt,” the podcaster added at the time. “And we could not be more excited for them and what the future holds. We love love, and we love Taylor and Trav.” Watch the full new episode of New Heights below. Source link

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