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Redacción Panamericana Cristian Guadalupe, más conocido como ‘Cri Cri’, volvió a la escena musical tras recuperar su libertad hace tres semanas. ‘Cri Cri’ anunció el relanzamiento de su orquesta ‘Los de la Caliente’ y sorprendió al público con una frase que rápidamente generó controversia en redes sociales. Durante la promoción de su retorno, el artista declaró:“Los de la Caliente. Después de tanta oscuridad, tengo libertad. Después del silencio, mi voz será escuchada. He vuelto y con más fuerza, listo para hacerme escuchar fuerte”. Con estas palabras, marcó su regreso a la música y dejó en claro que planea recuperar terreno en el ambiente artístico. Te puede interesar Ricardo Mendoza y Katya Mosquera confiesan que serán padres ‘Cri Cri’ relanza su orquesta con frase similar a la de Jefferson Farfán Lo que más llamó la atención de la presentación fue el uso de una expresión similar a la de su primo futbolista. Mientras Jefferson Farfán hizo popular la frase “Ama Charo”, Cristian Guadalupe lanzó: “¡Ama Bomba, apaga la luz!”, aludiendo a su madre, doña Judith. El apodo “Bomba” ya había sido mencionado anteriormente por la ‘Foquita’ para referirse a su tía. Sin embargo, ahora su primo lo trae de vuelta en un contexto que muchos interpretaron como una provocación directa. La coincidencia generó debate en plataformas digitales, donde algunos usuarios lo vieron como un guiño estratégico para llamar la atención, mientras que otros lo interpretaron como un gesto de enfrentamiento. Te puede interesar Yahaira Plasencia respalda a Paula Arias: “Uno en esta vida siempre tiene que ser agradecido” Agradece el respaldo tras salir de prisión A través de sus redes sociales, el cantante también dedicó un mensaje a quienes lo apoyaron durante el proceso judicial: “Quiero expresar mi más sincero agradecimiento a todas las personas que creyeron en mí. Su apoyo incondicional ha sido fundamental para superar este momento difícil”, expresó. Con esta reaparición, ‘Cri Cri’ no solo relanza su carrera musical, sino que también abre la incógnita sobre si esta nueva etapa dará pie a una rivalidad mediática con el exfutbolista o si se trata de una simple estrategia publicitaria. Source link

#lima |.🔴 PRESIDENTE DINA BOLUARTE HABRÍA RECIBIDO UNA AMPLIA LISTA DE OBSEQUIOS‼️‼️ Incluyen desde artículos protocolarios hasta bienes de lujo valorizados en miles de dólares. El registro oficial detalla presentes como una réplica de la estatua de Sanxingdui —cotizada en más de US$ 10,000—, sets de cosméticos coreanos exclusivos de hasta US$ 20,000, perfumes Dior de edición limitada y vajillas japonesas valoradas en US$ 650 por plato. También figuran adornos, jarrones, cuchillos ceremoniales y botellas de sake, además de cajas sin descripción del contenido. Tras el escándalo del “Rolexgate” en 2024, Palacio flexibilizó las normas sobre obsequios en vez de restringirlas, lo que permite que regalos de familiares, amigos e incluso funcionarios públicos sean aceptados sin tope de valor ni obligatoriedad de informar su destino. Expertos advierten que esta normativa es inconstitucional y contraria a estándares internacionales de transparencia. #radioaltura Source

At the Palace of Versailles, on the eve of Saudi Arabia’s National Day (Sept. 23), the latest tour of the Saudi National Orchestra and Choir—part its Marvels program—brought together over 100 Saudi musicians, each with their own journey and story. Explore See latest videos, charts and news Versailles Echoes With New Notes In early September, Versailles wrote an unfamiliar chapter in its long history. The same walls that once carried the sounds of French royal court music reverberated this time with a new rhythm. Among corridors filled with Europe’s old grandeur, the voices and instruments of the Saudi National Orchestra and Choir declared that the Kingdom now speaks to the world in a new language: the language of music. This was more than a concert. It was a symbolic scene that captured the essence of a growing cultural movement—reflecting Saudi Arabia’s transformation as it reshapes its image through strings, voices and melodies. More Than Just an Ensemble Founded in 2019 under the Music Commission, the orchestra and choir were never meant to be just another musical troupe. Their mission was bigger: to create an academic environment for Saudi musicians and give local heritage a global platform. The Marvels tour has already traveled through Paris, New York, London, Sydney, Tokyo and Mexico City. Versailles was not only another milestone in Europe’s most storied palace, but also a moment when a new generation of Saudi musicians stood proudly before the world—offering an image of their country that emerges from within, yet opens outward with confidence and passion. The orchestra’s first international stop was Paris in 2022, where The Masterpieces of the Saudi National Orchestra and Choir debuted. The tour expanded to Mexico City, New York, London, Sydney and Tokyo, before returning home in early 2025 for a performance in Riyadh. In August this year, another Riyadh concert celebrated the graduation of the first cohort of the Saudi National Orchestra and Choir’s Music Education Program after two years of training. Masterpieces Across Cultures The tour carved a bridge between Saudi music and global audiences by adapting performances to resonate with each culture. In London, traditional song “Addayt fi Marqab” was fused with an Adele medley. In New York, Frank Sinatra’s classic “Fly Me to the Moon” was reimagined with Eastern rhythms. In Tokyo, audiences heard anime themes performed in Arabic. At Versailles, in a 90-minute performance, the orchestra blended Saudi traditional and contemporary music with folk dances such as khibaiti, majroor and khutwa—before shifting into French and even operatic singing. The highlight came with a joint performance alongside the Royal Opera Orchestra, conducted by Egyptian maestro Hany Farhat—the first Arab ever to lead the French orchestra. The following day, Saudi conductor Reaab Ahmed took the baton, becoming the first Saudi maestro to lead the national orchestra. A Mosaic of Over 100 Musicians What makes this project remarkable is not just its academic foundation but also the diversity within its ranks. Behind the unified sound stand of over 100 musicians with unique stories. Some left entirely different careers to follow music: Adwaa Shanan once practiced clinical psychology, Ma’an Al-Yamani worked as a sales consultant, Maha Abdullah in medical care while Ibrahim Al-Rashed, a pianist, was a network engineer. For them, joining the choir was a life-changing moment. Their musical tastes are just as varied. Nawaf Al-Jizani, the youngest member, loves classical music—an influence from his father, though he admits to listening to rap like most of his generation. Chorister Fatimah Zahid shone in Versailles with her rendition of “Les Champs-Élysées” in French. Hataf and Taghreed Al-Shahrani prefer old Arabic songs, while Horia leans toward R&B. Backstage, each musician carried a different mood and style, but once on stage, differences dissolved into one shared voice. That diversity—seemingly contradictory—gives the orchestra and choir their unique identity: individual tastes converging into a collective national sound. “Our Music Holds Dignity and Majesty” The orchestra and choir did not choose the easy path of merely performing existing Western classics. Instead, they placed Saudi music at the heart of their repertoire—songs by icons like Mohammed Abdu and Talal Maddah, and folk traditions such as samri, majroor and mizmar yanbawi—all reimagined in modern orchestral arrangements. “Saudi music carries within it dignity, majesty and solemnity,” said qanun player Yazid Al-Aidi. The project preserved this essence while placing it in a classical frame, allowing the world to hear Saudi music as Saudis do—not replacing identity, but expanding its reach to new audiences. Building From Scratch—But Building Strong Saudi soprano Reemaz Al-Oqbi embodies both pride and realism. Trained in opera since childhood, she knows the challenges of pioneering a new cultural era—especially for women in a fast-changing society. “Studying music from a young age gave me a different perspective, to see it as a real profession,” she said. “We are building from scratch in Saudi Arabia—but building a strong foundation, an environment where musicians can live with dignity and a clear future. It’s harder for women, but thank God, the opportunities are now here.” “The Concert Is Like a Feast” Between exhausting rehearsals and the thrill of audience applause, unforgettable moments stand out. “The best moments are in the final days before travel, when the choir and orchestra come together and we finally see the full picture,” said Hassan Al-Mahouzi. For Nawaf Abdulhadi, joy comes when the choir conquers a difficult phrase in perfect unison. For Wahib Al-Salem, the performance day itself feels like a holiday: “The concert is like Eid.” Yet all agree that the climax comes in the finale, when they bow and hear the applause. As chorister Rose put it: “The most beautiful moment is when the stage glows green”—the color of the Saudi flag, symbolizing both national pride and collective achievement. A Nation Writing Its Story in Music At the Versailles concert, Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan declared: “Culture is a driving force for sustainable development, a key engine of economic and social growth, and a source of inspiration for future generations to build

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The bodies of two Colombian musicians, who had been reported missing in Mexico for a week, were found on Monday (Sept. 22) in the State of Mexico, near Mexico City, according to a statement from local authorities. Explore See latest videos, charts and news Música urbana artist Byron Sánchez and his music parter Jorge Herrera, known professionally as B-King and Regio Clown, were on tour in Mexico when they disappeared on Sept. 16. They were last seen in the upscale Polanco neighborhood in Mexico City. In a statement, the Mexico City Prosecutor’s Office announced that it had launched an investigation into the case, gathering testimonies and video footage. Based on this evidence, they determined that the musicians were last located in the State of Mexico, prompting collaboration with the relevant authorities. “Thanks to this coordination, forensic services personnel from the Mexico State Attorney General’s Office compared the profiles of the missing persons and found matches with two deceased individuals who were located on September 17 in the municipality of Cocotitlán. In light of these facts, the Mexico State Attorney General’s Office is conducting a homicide investigation,” the statement said. The statement noted that Sánchez’s family identified the musician’s body during a procedure at a regional prosecutor’s office in the State of Mexico. A request for information sent by Billboard Español to the State of Mexico Prosecutor’s Office had not yet been answered. “They murdered our youth in the United Mexican States,” Colombian President Gustavo Petro expressed in a message on X on Monday following the news of the discovery. Asesinaron nuestra juventud en los Estados Unidos de Mexicanos Mafia internacional fortalecida por la estúpida politica militar y prohibicionista, llamada «guerra contra las drogas» a la que obligan a la humanidad y a América Latina Más jovenes asesinados por una política… — Gustavo Petro (@petrogustavo) September 22, 2025 Earlier, Mexican President Claudia Sheinbaum stated that authorities in Mexico City and the foreign ministries of both countries were already working together on the case. This followed a message on X from her Colombian counterpart, Gustavo Petro, on Sunday, urging Mexican authorities to help locate their missing citizens. During her morning press conference, Sheinbaum stated that Mexico’s Attorney General’s Office was already investigating the case. She clarified that a missing persons report had been filed with the Mexico City Prosecutor’s Office, not in Sonora, as Colombian President Gustavo Petro had initially mentioned. “Thank you so much, my beautiful and beloved Mexico,” musician Byron Sánchez, 31, wrote in an Instagram post six days ago, accompanied by a video where he shared his excitement about performing his first concert in the country and his dream of succeeding there. For now, authorities have not provided further details about the case, which has sparked outrage among fans and fellow artists of the two Colombian musicians on social media. Source link

Redacción Panamericana Pamela López aclaró que no vive con Paul Michael y sorprendió al revelar que sus hijos aún desconocen su relación con el cantante. Pamela López volvió a acaparar titulares al aclarar los rumores que la vinculaban con una convivencia junto a su actual pareja, Paul Michael, conocido como ‘el colágeno’. La ex de Cueva negó tajantemente vivir con el cantante, luego de que en redes sociales circularan imágenes donde ambos aparecían compartiendo momentos con sus respectivos hijos. “Compartimos mucho tiempo juntos, pero no convivimos. Mis hijos aún no saben que tenemos una relación, pero ya lo vamos a resolver”, aseguró López en declaraciones para la prensa. Pamela López explica por qué sus hijos aún no saben de su romance La expareja de Christian Cueva señaló que el proceso de presentar oficialmente a Paul Michael ante sus hijos se está manejando con cautela. De hecho, contó que en una ocasión él la presentó ante su hija simplemente como “Pamela” y a los pequeños de ella como “los amiguitos”. Con ello, dejó en claro que, por el momento, no existe una convivencia formal. Te puede interesar ‘Cri Cri’, primo de Jefferson Farfán, relanza su orquesta con particular mensaje: “¡Ama bomba, apaga la luz!” Pamela también reiteró que no permitirá que Christian Cueva comparta tiempo con sus hijos en compañía de Pamela Franco, recalcando que ese tema sigue siendo un punto sensible en su vida personal. A pesar de las críticas y la exposición mediática, Pamela López afirmó que se encuentra en un proceso de sanación personal y enfocada en su bienestar y el de sus hijos. Su relación con Paul Michael, aunque pública, aún mantiene aspectos privados que ella prefiere manejar con discreción hasta que llegue el momento de dar el siguiente paso. @farandula01tv.peru #pamelalopez niega todovia convivir con Paul Michael y que le presento su hija #paulmichael #paratii #hijos #magalymedina ♬ sonido original – David Cordova FP. Source link

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#lima #FiscaliaDeLaNacion #TomasGalvez |. 🔴 NUEVO FISCAL, LIDERAZGO Y RECONSTRUCCIÓN DE LA FISCALÍA PARA ENFRENTAR LA OLA CRIMINAL QUE AFECTA A TODO EL PAÍS‼️‼️ En una sesión llevada a cabo esta mañana la Junta de Fiscales Supremos eligieron al nuevo fiscal tras la suspensión de la cuestionada Dra. Delia Espinoza. Tomás Aladino Gálvez Villegas, es el flamante fiscal de la Nación interino. La hoy destituida exfiscal deberá enfrentar una investigación por desacató a una orden de la Junta Nacional de Justicia (JNJ). El fiscal supremo Tomás Gálvez fue elegido por la Junta para liderar la entidad. La votación se desarrolló entre los cinco fiscales supremos habilitados para el cargo, que se reunieron de forma extraordinaria. El nuevo Fiscal de la Nación Tomás Aladino Gálvez Villegas es un fiscal de carrera y padeció en carne propia los excesos del Ministerio Publico y la JNJ cuando fue destituido y procesado penalmente por el (Caso Cuellos Blanco), hasta que fue reincorporado por orden del Tribunal Constitucional #TC_Peru tras una minuciosa investigación. #radioaltura Source

Zach Top, Keith Urban and Brooks & Dunn will be the three headliners for the 2026 edition of C2C: Country to Country. The annual international country music fest, created by AEG Europe and SJM Concerts, takes place March 13-15 with the artists each headlining a show at London’s the O2, Glasgow’s OVO Hydro and Belfast’s SSE arenas over three consecutive nights. Appearing with Top, who will start in London on March 13, will be Scotty McCreery, Waylon Wyatt and Noeline. This marks Top’s first European dates, while McCreery recently came back from playing in Europe and has built a strong following overseas. Explore See latest videos, charts and news Urban, who will start in Glasgow on March 13, will be joined by Russell Dickerson, Tyler Braden, Alana Springsteen and Bayker Blankenship. Urban has frequently played throughout Europe. Brooks & Dunn will launch in Belfast before playing in Glasgow and London, marking their first time headlining C2C and the legendary duo’s first U.K. appearance since 2010. They will be joined by Drake Milligan, Kameron Marlowe, Ashley Cooke and Mackenzie Carpenter.   More artists are set to be announced for all the bills. Tickets will go on sale Friday (Sept. 26) at 10 a.m. local time. C2C launched in 2013 at London’s O2 Arena, with appearances by Tim McGraw and Carrie Underwood, and then expanded to Dublin (now Belfast) and Glasgow. BBC Radio 2 is the broadcast partner for C2C, while the Country Music Association is a key festival partner. “CMA is proud to once again sponsor the Spotlight Stage at C2C,” Sarah Trahern, CMA CEO said in a statement. “Helping rising country artists take their music to international audiences and working alongside the industry that champions them worldwide remains central to our mission.” The CMA will also sponsor a songwriters series. Starting in 2019, editions will launch in the Netherlands and Germany, which are held the week before the London/Belfast/Glasgow dates with some overlapping artists.  The 2026 Norwegian edition, to be held March 5-7 outside of Rotterdam, will feature Jordan Davis, Top, Milligan, Jackson Dean, Marlowe, Braden and Wyatt, among others. The Germany edition, to be held in Berlin March 6-8, will feature Davis, Top, McCreery, Milligan and Marlowe among others. Source link