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Gloria Estefan banks her 13th No. 1 on Billboard’s Latin Airplay chart with “La Vecina (No Se Na’),” which rises a spot on the survey dated Sept. 27. The song is the second single to land at the summit on the overall Latin Airplay chart from her album, Raíces, after the title track led for a week in May. Explore See latest videos, charts and news The set debuted in the top 10 on the Top Tropical Albums chart in June. “It’s both humble and incredibly emotional for me,” Estefan told Billboard upon its chart start. Estefan first topped Latin Airplay with “Abriendo Puertas” in 1995 (nearly a year after the chart began). When “Raíces” reached No. 1, she became the seventh artist with leaders in the ‘90s, 2000s, ‘10s and ‘20s, joining Marc Anthony, Alejandro Fernández, Enrique Iglesias, Jennifer López, Ricky Martin and Shakira. The genre legend earns multiple Latin Airplay leaders in a single year for the first time since 2000. She also doubled up in 1997. “La Vecina (No Se Na’)” drew 9.8 million audience impressions, up 31%, Sept. 12-18, according to Luminate. The song also adds an eighth week at No. 1 on Tropical Airplay. La Arrolladora Banda El Limón’s 20th Leader: “It Fills Us With Pride”On the Regional Mexican Airplay chart, La Arrolladora Banda El Limón de René Camacho claims its 20th leader as “Aunque Tiren Hate” lifts 2-1. “It fills us with pride to know that our music has become part of so many people’s stories,” the group’s Don René Camacho tells Billboard. “These songs are not just melodies, but memories, feelings and moments that have marked important stages in their lives.” The group becomes the fourth act with 20 or more No. 1s since Regional Mexican Airplay began in 1994. Calibre 50 holds the record with 27, followed by Banda MS de Sergio Lizárraga and Intocable, each with 21.“Aunque Tiren Hate” totaled 8.3 million in audience during the tracking period, a 33% gain. The song also surges 7-2 on the overall Latin Airplay chart, marking the group’s highest position since 2013. “Thank you for opening the doors of your hearts to us,” Camacho directly nods to the band’s fans, “and for keeping our music alive, transcending generations and borders.” Maluma Bounds With ‘Bronceador’Marking another airplay coronation, Maluma scores his second No. 1 this year, and 14th overall, on Latin Pop Airplay as “Bronceador” bumps 2-1. The Mad Musick, Ily Wonder and Los Jaycobz-produced track, whose title translates to “suntan lotion,” is the second single, and chart-topper, from Maluma’s forthcoming set, +Pretty +Dirty. The song advances via a 14% gain to 6.8 million in audience. It also posts a new high on Latin Airplay (9-5). It’s free Billboard charts month! Through Sept. 30, subscribers to Billboard’s Chart Beat newsletter, emailed each Friday, can unlock access to Billboard’s weekly and historical charts, artist chart histories and all Chart Beat stories simply by visiting the newly redesigned Billboard.com through any story link in the newsletter. Not a Chart Beat subscriber? Sign up for free here. Source link

Tyler, The Creator is busy wrapping up his Chromakopia World Tour in the Philippines — and it might be his last for quite some quite. “I’m excited to go home and think about if I’ll ever really tour again. I can’t lie to y’all, I’m at that part of my life where, man, I’ve done enough,” he contemplated to the audience during Sunday’s show (Sept. 21). “Let me go take a very, very, very long break. Y’all treated me very well, y’all treated Paris, Texas, very well. So, thank y’all.” Tyler will be able to get some rest until November, when he’ll host and headline his Camp Flog Gnaw carnival, which is set to take over Dodger Stadium the weekend of Nov. 15 and Nov. 16. Explore See latest videos, charts and news Last month, he released a crossword puzzle for fans to figure out the festival lineup, which will include performances by Childish Gambino, Clipse, Larry June, 2 Chainz and Tems. Tyler will then continue to recover and reset until March, when he’ll head to South America for a Lollapalooza circuit run in Argentina, Brazil and Chile. He also has shows in Colombia, Puerto Rico, Mexico and Costa Rica scheduled for 2026. The 34-year-old has been busy for the last year-plus. He released his Chromakopia album in October 2024 and then hit the road in February for the Chromakopia World Tour. In the midst of his North American leg, Tyler surprised fans with the release of his dance-leaning Don’t Tap The Glass album in July, which debuted atop the Billboard 200 with 197,000 album units earned. Source link

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In the mid-’10s, Twenty One Pilots became one of the biggest crossover acts in pop music, scoring a trio of top five hits on the Billboard Hot 100 and topping the Billboard 200 with its Blurryface album. A decade later, the Pilots hadn’t matched that crossover success on either chart, with no additional top five singles and a number of top five albums, but no subsequent number ones. Explore See latest videos, charts and news That is, until this week. On the Billboard 200 dated Sept. 27, the duo’s latest set Breach — marking the apparently final entry in the decade-long narrative the group started with Blurryface bows at No. 1. The set posts 200k in first-week units, not only besting even its Blurryface total from 2015, but also bettering the debut number from any other rock album yet this decade. How did the duo manage this performance? And what other rock acts could rival that number in the years to come? Billboard writers answer these questions and more below. 1. Twenty One Pilots’ Breach debuts atop the Billboard 200 with a career-best 200,000 first-week units. On a scale of 1-10, how excited should Twenty One Pilots be about that performance? Kyle Denis: 10. I don’t see how anyone wouldn’t be over the moon after pulling off a career-best opening week, especially when they debuted 16 years ago. In 2025, cracking 200k first-week is nothing to scoff at for pretty much anyone. And it’s incredibly impressive that Twenty One Pilots did this as a rock act without a current crossover hit.  Gil Kaufman: 10. For a group that — as they noted at their tour kick-off in Cincinnati last week — has been around for more than 15 years and never knows if its new music will hit, this is a huge deal. Whether you believe the perpetual “rock is dead” mantra or not, rock has been largely missing from the top of the 200 as of late. Landing the biggest debut for any rock LP in six years is a monumental feat for a group whose chart success hasn’t always matched its steady, and still-growing, live appeal. Jason Lipshutz: A 10. This is a statement opening week — a veteran artist returning with a ton of excitement and a physical-product promo blitz, scoring a notably huge debut number, and reasserting their commercial power unequivocally. Twenty One Pilots have been earning top 5 album debuts for over a decade, but Breach becoming their first chart-topper since Blurryface — which was their mainstream breakthrough in 2015, with their career-best first-week total — is the type of accomplishment that can re-frame the legacy of a group for those who hadn’t been paying close attention. More artists wish they could notch a game-changing No. 1 debut like this one. Andrew Unterberger: Gotta be a 10, right? A number even half as big would’ve still been pretty impressive for the duo at this point in its career, but 200k with no major hits or pop-cultural momentum behind it? That’s a jaw-dropping number, and one that shows how successfully Twenty One Pilots has tended to its fanbase over the years, making sure that even at times when not many new fans were jumping on that no one old was ever jumping off, and continuing to slowly-but-surely grow the core audience to where it is today. Christine Werthman: A No. 1 album and some career-best numbers? No-brainer: That should register as a big 10 on the excitement meter. On top of that, this is the biggest debut for a rock album since Tool’s Fear Inoculum in 2019. Does this thing go to 11?  2. That 200k number is going to be an eye-opener for a lot of people who assumed that the duo’s popularity had declined with its radio dominance. What do you think is the biggest reason the Pilots were able to have such an impressive debut for Breach?  Kyle Denis: I think there were several factors at play. First, Breach had the luxury of arriving as the final installment in a decade-long album series consisting of Blurryface (2015), Trench (2018) and Sealed and Icy (2021). That hype from fans who have patiently followed the series and unpacked the band’s lore is priceless; it also helps that the duo started dropping teases for Breach during the final dates of the Clancy World Tour.  Moreover, Breach was available across 15+ vinyl variants, three deluxe CDs and various streaming platforms, giving fans ample opportunity to collect different versions of the record, some of which house bonus tracks or alternative cover art. Finally, 21P’s Josh Dun has been a hot topic across socials, particularly TikTok, thanks to the news of him and wife Debby Ryan (a Disney Channel icon for mid-late Gen Z) expecting their first child. Even if the Breach singles weren’t necessarily crossing over à la “Ride” or “Stressed Out,” the band’s celebrity certainly did.  Gil Kaufman: The proof is in the band’s live draw. This just-launched tour opened with a 21,000-capacity sell-out of a soccer stadium, with the feeling that it could have been even bigger. This band’s die-hard fans, the Skeleton Clique, not only buy merch in fistfuls, but they came with their own home-brewed gear, knew every lyric to all of the new songs from an album out less than a week, and ride or die for the duo, in an emo-Swiftian fashion. Jason Lipshutz: A combination of in-demand physical releases — including 15 vinyl variants, which contributed 72,000 copies to that 200,000 total — and music that continues to connect. In addition to Breach wrapping up the multi-album Clancy arc for hardcore fans, the album also included another alternative radio smash in “The Contract,” and set up another arena tour for the duo. While this No. 1 debut is much bigger than expected, Twenty One Pilots is still a very popular band, with a catalog of hits and lots of industry support for their new music.  Andrew Unterberger: Everybody loves a happy ending, right? Can’t say I

September 19 marked one month since the tragic death of Ernesto Barajas, the leader of the regional Mexican group Enigma Norteño, who was killed outside Guadalajara, Jalisco, Mexico. The musician had been working on a new project with his bandmates, who have decided to release the material as an EP and continue their two-decade-long career. “We took some time to think and reflect on what happened, and we decided that, despite the irreparable loss of Ernesto, our career will continue,” says Humberto Pérez “Kirri,” bassist and founder of the norteña band, in an exclusive interview with Billboard Español. “It’s something we’re sure he would have wanted.” “With great pain in our hearts, but full of strength, we will move forward with our musical project that we all worked so hard for,” adds Adán Hernández, bajo quinto player and the group’s backup vocalist. Titled Las Que Más Nos Gustan and recorded just weeks before Barajas’ passing, the EP — set to be released on November 13 under the Fono label — is a collection of covers of hits by other regional Mexican artists, reimagined in Enigma Norteño’s signature style. The first single, a version of Banda El Recodo’s “La Mejor de Todas,” was released last Tuesday (Sep. 16) as a posthumous tribute to Barajas, who would have turned 39 that day. The second single, a rendition of Duelo’s “Un Idiota Como Yo,” is set to drop on October 16. Other tracks on the album include “Ya Es Muy Tarde,” originally by La Arrolladora Banda El Limón de René Camacho; “Fantasía,” a classic by Grupo Costumbre; “Voy a Pintar Mi Raya” by Banda Arkángel R-15; and “Derecho de Antigüedad” by La Original Banda El Limón. As previously reported by Billboard Español, the regional Mexican genre was in mourning following the murder of Barajas on August 19, leaving the future of Enigma Norteño uncertain. However, the group — known for its narcocorridos like “El Flaquito,” “Quemándose un Gallito (El Rambo)” and “El Chicken Little (El 09)” — has confirmed that not only will it move forward with their planned EP, but the members are also preparing for an upcoming tour, which will feature special guests to be announced soon. “From now on, our mission will be to take the next step, just as Ernesto always wanted: to bring our music to every corner of Mexico, the United States, and wherever possible,” says Conín Camacho, the group’s drummer. “This will be a tribute, carrying his essence in every performance.” FONO Source link

Justin Bieber is showing off how yummy, yummy, yummy he thinks Hailey Bieber is. In a carousel of Instagram photos posted Tuesday (Sept. 23), the pop star holds his wife in his arms as the Rhode founder wraps her legs around him, raising an arm in the air. The snaps appear to have been taken in Coachella Valley, where the singer filmed his new music video for “Speed Demon” after being announced as a headliner for Coachella 2026. In one of them, Justin holds his one-year-old son, Jack Blues, as they watch Hailey wander the grounds farther ahead of them. The Grammy winner also shared a couple of pictures taken at home, including one in which the model straddles her superstar husband as he sits in a chair. Next year’s Coachella is already sold out, with Justin slated to headline alongside Sabrina Carpenter and Karol G. The performances on back-to-back Saturdays in April will mark the Canadian musician’s first concerts since 2022. Once he does take the stage, Justin will have plenty of material to choose from for his setlist. The vocalist dropped not one but two albums this year, unleashing Swag in July followed by Swag II earlier in September. The first LP debuted at No. 2 on the Billboard 200. Justin’s family has been a key focus in the rollout for both albums. The couple and their son posed for sweet photos that accompanied both LP announcements, appearing on billboards in cities. The singer also recently gave fans a peek into his and Hailey’s family values. On Sept. 15, he shared a list titled “The Bieber Family,” featuring affirmations such as “We value Rest as Worship” and “We value HUMAN beings and believe in their dignity and eternal worth.” Get weekly rundowns straight to your inbox Sign Up Source link

Vince Gill debuts two versions of his classic, poignant track “Go Rest High on That Mountain” on Billboard’s Country Digital Song Sales chart. Related “Go Rest High on That Mountain (Extended Version)” bows at No. 5 on the list dated Sept. 27 with 2,000 downloads sold in the week ending Sept. 18, according to Luminate. The updated cut, which Gill performed with Lainey Wilson during the Sept. 14 Primetime Emmy Awards, broadcast on CBS, gives Gill his second-highest showing yet on the tally (which began in 2010), behind his collaboration with Maren Morris, “Dear Hate,” which led for a week in 2017. Meanwhile, the original “Go Rest High on That Mountain” joins the new mix in the Country Digital Song Sales top 10 at No. 8, up 242% to 1,000 sold. Released in 1995, the track reached No. 14 that December on Hot Country Songs, where Gill boasts 28 top 10s, including five No. 1s. The extended release coincides with the song’s 30th anniversary and introduces a third verse that Gill first shared live at Nashville’s Ryman Auditorium in 2019. He began writing the track in 1989 following the death of country star Keith Whitley, completing it years later after the passing of Gill’s brother. The result was a career-defining ballad that went on to earn multiple Grammy Awards and one that has remained a cornerstone of his catalog. While fans have heard the additional lyrics in concert over the past several years, the new version marks the first time they’ve been available in a studio recording. The release adds fresh perspective to a song that has endured as both a personal tribute and a country standard. It’s free Billboard charts month! Through Sept. 30, subscribers to Billboard’s Chart Beat newsletter, emailed each Friday, can unlock access to Billboard’s weekly and historical charts, artist chart histories and all Chart Beat stories simply by visiting the newly redesigned Billboard.com through any story link in the newsletter. Not a Chart Beat subscriber? Sign up for free here. Daily newsletters straight to your inbox Sign Up Source link

Two-time Country Music Association entertainer of the year champion Luke Combs and his wife Nicole are expecting their third child, the couple revealed in a social media video on Tuesday (Sept. 23). Explore See latest videos, charts and news The sweet clip depicted the couple surprising their two sons, Tex Lawrence (born in 2022) and Beau Lee (born in 2023), with the news that the couple is expecting a new addition to their family. In the video, Luke, Nicole and their sons are sitting on the grass outside. The couple shows their sons a series of ultrasound photos, as the two boys raise their hands to the air in excitement. The couple ends with Luke, Nicole, Beau and Tex holding hands and walking away from the camera, with the ultrasound photos, draped over a stool, in the video’s foreground. The couple captioned the video with “Third time’s a charm! Baby #3 coming this winter.” Luke and Nicole wed in 2020. Among the people commenting on the video clip was Combs’ “Backup Plan” collaborator Bailey Zimmerman, who commented, “YOOOO OH MY GOSHHH,” accompanied by a heart emoji. Jordan Davis commented, “LETS GOOOOOOO…Congrats Fam.” Other artists who offered congratulations included duo Tigirlily Gold, Hailey Whitters and Charles Wesley Godwin. Combs recently shared the Tyler Adams-directed video for his new single, the Billboard Country Airplay top 10 hit “Back in the Saddle,” featuring NASCAR legends Richard Petty and Dale Earnhardt Jr. Combs, who wrote “Back in the Saddle” with Dan Isbell and Jonathan Singleton, said in a statement about the video, “So much work goes into making these songs, so much time we spend making them, from the studio writing them to the videos. I got to make the video with Dale Jr. and Richard Petty, which is a total dream come true. My grandpa would be rolling over in his grave in a good way if he knew that I got to hang out with Richard Petty and Dale Jr.” Source link