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Cardi B & Latto Reunite for ‘ErrTime’ Remix

Big Mama and Big Cardi are back together. After Cardi B name-dropped Latto on the original “ErrTime,” it was only right the Atlanta native blessed the remix to the Am I the Drama? standout, which arrived on Wednesday (Sept. 24). Explore See latest videos, charts and news Cardi pops off on the opening verse of the thumping tune, which finds her calling out the women who were making moves on Offset when they were together. “If I take your n—a, I don’t wanna hear no cryin’/ Cause I ain’t say s—t when h—s was out herе f—n’ mine,” she raps. Latto takes the baton and kicks off with a bar that could reference both Playboi Carti — “Pop Out” was on his MUSIC album — and Cardi B, since she’s been open about having cosmetic surgeries to her body. “Pop out, brand new body like I’m Carti in this motherf—ker/ B—h, I’m giving belt out like karate in this motherf—r,” Latto raps. Fans were fired up as they expressed their excitement in the YouTube comments. “Once she mentioned Latto, it was only right to have her on the remix & I’m soooo here for it,” one person wrote. Cardi and Latto teamed up in 2023 for the “Put It On Da Floor” remix, which is titled “Put It On Da Floor Again.” The remix launched the track to No. 13 on the Billboard Hot 100 and is certified Platinum by the RIAA. The Bronx bombshell hasn’t taken her foot off the gas pedal since the arrival of Am I the Drama? on Sept. 19. She surprised fans on Tuesday (Sept. 23) with the release of a bonus edition track titled “Don’t Do Too Much.” Listen to the “ErrTime” remix below: Get weekly rundowns straight to your inbox Sign Up Source link

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Limp Bizkit’s ‘Making Love to Morgan Wallen’ No. 1 on Multiple Charts

Limp Bizkit is back at No. 1 on a Billboard chart for the first time since 2011. That’s thanks to the Fred Durst-fronted band’s newest song, “Making Love to Morgan Wallen,” which bows atop multiple tallies dated Sept. 27, paced by its No. 1 premiere on Hot Hard Rock Songs. Released Sept. 12, the song drew 2.6 million official U.S. streams and 639,000 radio audience impressions and sold 2,000 downloads in the week ending Sept. 18, according to Luminate. Related Those metrics send the song to the top of the multimetric Hot Hard Rock Songs chart for Limp Bizkit’s first No. 1 since the survey began in 2020; the band’s previous best, “Dad Vibes,” hit No. 6 in 2021. The “deliciously weird” “Making Love to Morgan Wallen” also begins at No. 1 on Alternative Digital Song Sales and Hard Rock Digital Song Sales, the group’s first ruler on both rankings. Limp Bizkit had last topped a Billboard chart in 2011, when Gold Cobra led Top Hard Rock Albums. On songs-based charts, the band’s “Re-Arranged” became what’s to date Limp Bizkit’s only radio No. 1, leading Alternative Airplay for a week in 1999. “Making Love to Morgan Wallen” is currently building beneath the 40-position Mainstream Rock Airplay chart. The band boasts 14 entries on the ranking since 1999, paced by the No. 4-peaking “My Way” in 2001. The new single is currently not tied to a Limp Bizkit album. The band’s most recent collection, Still Sucks, reached No. 7 on Top Hard Rock Albums in 2021. It’s free Billboard charts month! Through Sept. 30, subscribers to Billboard’s Chart Beat newsletter, emailed each Friday, can unlock access to Billboard’s weekly and historical charts, artist chart histories and all Chart Beat stories simply by visiting the newly redesigned Billboard.com through any story link in the newsletter. Not a Chart Beat subscriber? Sign up for free here. Daily newsletters straight to your inbox Sign Up Source link

Grupo 5 presenta “Cómo se olvida” en colaboración con Septeto Acarey

Redacción Panamericana Grupo 5 une fuerzas con Septeto Acarey en “Cómo se olvida”, un tema cargado de sentimiento y ritmo que promete conquistar al público. Grupo 5, ícono indiscutible de la cumbia peruana estrena una colaboración histórica con Septeto Acarey, agrupación multinominada al Grammy Latino. “Cómo se olvida” es como se denomina esta canción que transmite sentimiento puro con un drama de un amor imposible y un coro inolvidable para corear. La unión de estas dos potencias musicales promete trascender fronteras, conquistar nuevas audiencias y destacar en los playlists tropicales y globales. «Cómo se olvida» viene escrita por Reynier Pérez , Elmer Yaipén, y Junior Caro y es un desahogo, una confesión que convierte el sufrimiento del desamor en un himno compartido. El tema no es solo una pregunta, es un sentimiento universal: el dolor de soltar un amor que aún marca el alma. La producción estuvo en manos de Reynier Pérez, Elmer Yaipén, Junior Caro y Christian Yaipén. La unión de Grupo 5 y Septeto Acarey le da doble fuerza a este concepto ya que Grupo 5 representa la voz del pueblo, la música que se canta en cada fiesta y celebración; por su parte Septeto Acarey aporta la profundidad y prestigio internacional, dándole al tema un carácter que conecta también con mercados globales. Es preciso mencionar que “Cómo se olvida” viene respaldada por un video clip dirigido por Coco Bravo, que fue grabado en formato 4K en locaciones de época en Chosica bajo la producción ejecutiva de Carolina Acosta. Por otro lado, Grupo 5 continúa con sus conciertos en vivo y se presentará este sábado en Contumazá y el próximo fin de semana en Paita, Paiján y Santa Cruz. https://youtu.be/zHI3GncePMs?si=FOvRzPzvBuNLNjn8 Source link

Olympic Figure Skater Alysa Liu Drops D4vd Song From Routine Amid Probe

In the run-up to the 2026 Milan Winter Olympics, world champion figure skater Alysa Liu is switching up the music in her program. In an Instagram post on Wednesday (Sept. 24), Liu announced that she was dropping D4vd‘s 2023 collaboration with Laufey, “This Is How it Feels,” from her short program in light of the ongoing police investigation into the death of a 15-year-old girl who was found in the trunk of a Tesla registered to the artist. “As many of you know, I recently debuted a new short program for the ‘25-‘26 season,” she wrote in the post, which did not explicitly mention the D4vd or the investigation. “However, in light of recent news, my team & I are confidently pursuing a different direction that aligns with my values & just my overall ethos. I’m eager to start brainstorming new ideas, & I want to ensure my creative process isn’t rushed.” She added that, in the meantime, her fans may see some “familiar” programs as she re-tools. Liu, 20, won the World Championship in March after announcing her retirement from competitive skating in 2022. In an interview with the Associated Press, Liu explained, “I have to change it, you know? Forced to change my hand, basically. But that’s alright. I almost was grieving the process — ‘Oh, I have my programs. They were going to grow and evolve, and I was going to add more to it.’ But there’s nothing like a fresh start.” The AP reported that Liu made her season debut two weeks ago at the Lombardia Trophy in Italy, where she won the short program with her since-scrapped “This Is How it Feels” routine. For now, Liu is working on an entirely new short program with her coaches, with the team sifting through potential soundtracks. Last year, Liu skated her short program to Laufey’s ballad “Promise.” Her move comes as the LAPD continues its investigation into the death of 15-year-old Celeste Rivas Hernandez, whose decomposed body was found in the front trunk of a 2023 Tesla registered to 20-year-old D4vd (born David Anthony Burke) on Sept. 8 after police were alerted to a “foul odor” coming from the impounded car’s trunk at a two lot in Los Angeles; Hernandez was last seen alive in April 2024 in Riverside County. In the weeks since, D4vd’s Hollywood Hills home has been searched by the LAPD in connection with the case and he’s canceled the remaining dates on his 2025 Withered world tour. The singer’s rep previously said in a statement that he is “fully cooperating with the authorities” in the investigation in which the LAPD has not yet named a person of interest or suspect and have not made any arrests. In addition to the scotched dates, Kali Uchis has said she’s working on getting her D4vd “Crashing” collaboration taken off streaming platforms, while Rolling Stone reported that a deluxe edition of the singer’s debut Withered album, Withered: Marcescence — which was slated to drop last week — has not been uploaded to streaming services as planned; at press time it appeared the album had still not been released on streaming. Source link

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Ed Sheeran Reveals How He Found Out About Taylor Swift’s Engagement

Taylor Swift and fiancé Travis Kelce might be “End Game,” but according to her longtime friend Ed Sheeran, even he was in the dark about their recent happy announcement. During a chat with Andy Cohen ahead of the four-time Grammy winner’s performance for SiriusXM’s Small Stage Series held Wednesday (Sept. 24) at New York City’s Irving Plaza, Sheeran revealed how he learned about the couple’s engagement, which was announced on Aug. 26. During a series of rapid-fire questions from the TV personality, the singer had a one-word answer for how he found out about the proposal: “Instagram.” A surprised Cohen responded, “Instagram?! Like everyone else? You didn’t even get a DM in advance?” To which Sheeran replied with a simple shake of his head and a “no.” The singer also replied in the negative when the Radio Andy host asked whether he had heard Swift’s upcoming new album, The Life of a Showgirl, yet, and whether he had received a save-the-date for the wedding. While he may not yet have a save-the-date, it is bound to come, as the two musicians have been good friends and collaborators for more than 10 years. The two Grammy winners first collaborated in 2012 on “Everything Has Changed” off her album Red, which peaked at No. 32 on the Billboard Hot 100. They’ve since gone on to work together on multiple songs together, including “The Joker and the Queen,” “Run (Taylor’s Version)” and the aforementioned “End Game,” all of which landed on the Hot 100. He also was her supporting act on the Red tour, with the two often performing together during the 2013 trek. Sheeran also shared how close the two are during an April chat with Alex Cooper on the Call Her Daddy podcast, with the discussion coming while he reflected on digging up his old cellphones and going through text messages the two stars exchanged. “I lived in Nashville, and she lived in Nashville, and we used to fly to and from the gigs together and do all sorts of … I don’t know,” he told Cooper. “I literally spent almost every single day with her for about six months, so I think that period of time [was my favorite].” He also shared on the podcast that he sees Swift about four times a year now. “Like, instead of catching up the whole time, we have a proper sit-down, six-hour catchups,” he said at the time. “I think that’s like a really nice way to do it.” Watch Sheeran chat with Cohen about how he learned about Swift’s engagement above. Source link

Leslie Shaw arremete contra Michelle Soifer tras indirectas: “Hay niveles, mamita, ubícate”

Redacción Panamericana Leslie Shaw respondió con todo a Michelle Soifer tras las indirectas en su canción y aseguró que tendría en mente contestarle con otro tema. El enfrentamiento entre Leslie Shaw y Michelle Soifer está que arde. Todo comenzó luego de que la popular ‘Michi’ lanzara su tema “Rubia con tu plata”, donde muchos usuarios identificaron indirectas contra Leslie. La intérprete de “Tanto amarnos tanto” no dudó en contestar sin filtros y encender aún más la polémica. Te puede interesar Marcelo Tinelli confirma ruptura con Milett Figueroa y asegura: “Hoy es definitivo” Leslie Shaw responde a Michelle Soifer tras indirectas En entrevista con ‘Magaly TV La Firme’, Shaw sostuvo que Soifer estaría obsesionada con ella y que sus ataques se deben a la envidia. “No entiendo qué quiere hacer esa chica con su vida. Con 35 años ya debería tener bien claro qué quiere. Parece que quiere intentar ser Leslie Shaw y, bueno, le deseo suerte, pero no creo que lo logre”, lanzó tajante. La ‘Rubia’ también respondió a las críticas que Soifer hizo sobre el tema que Leslie grabó junto a Thalía en 2020. “Ya quisiera ella que Thalía sepa que existe. Es un sueño cumplido y, pues, se le nota la piconería”, señaló entre risas. Shaw fue aún más dura al minimizar la carrera musical de Soifer, asegurando que en todos sus años como solista no ha tenido un éxito reconocido. “¿Qué canción exitosa ha tenido? Ninguna. Que se busque a otra de su target, hay un montón de chicas reality como ella. Hay niveles, mamita, relájate, ubícate”, sentenció. Te puede interesar Christian Cueva denuncia a Pamela López por violencia psicológica Leslie Shaw planea responder con música La intérprete de “Pendejerete” también adelantó que no descarta lanzarle un tema directo a Soifer como respuesta. “Vamos a dedicarle algo más adelante, ahorita no tengo tiempo”, comentó con ironía, dejando abierta la posibilidad de una “tiradera” musical. Con estas explosivas declaraciones, Leslie Shaw se mantiene firme en sus proyectos y enfocada en su próximo lanzamiento. @josepastord Esto le dijo!!!😨🔥🚨Ig:josepastord💥 #leslieshaw #peruanos #fyp ♬ sonido original – JOSS Source link

14 Things About the Song on Its Birthday

We’ll explain everything but the meaning of «Scaramouche, Scaramouche, will you do the fandango?» 9/25/2025 British rock band Queen (clockwise from top: Brian May, Freddie Mercury, Roger Taylor and John Deacon pose for an Electra Records publicity still to promote their album ‘A Night at the Opera’ in 1975. Michael Ochs Archives/Getty Images Queen’s “Bohemian Rhapsody” is turning 50. The epic single, which Queen front-man Freddie Mercury liked to call a “mock opera,” was recorded in late August and September 1975 and was released on Oct. 31, 1975. The song has long been considered a classic. In October 1977, just two years after its release, it was named the best British single of the previous 25 years by the British Phonographic Industry. The song was voted into the Grammy Hall of Fame in 2004 and the National Recording Registry in 2022. The song’s video surpassed one billion views on YouTube in July 2019, making it the oldest video to reach one billion on the platform. In 2021, the song was certified Diamond by the RIAA for combined digital sales/streams equal to 10 million units.It’s the only song from the 1970s to be certified Diamond. Two of the principals on the recording are no longer with us. Mercury, who wrote the song; sang lead, backing and operatic vocals; and played piano on the track, died in 1991 at age 45. Roy Thomas Baker, who co-produced the track (and five Queen albums in the 1970s) died in April at age 78. The other three band members are still alive and well: Brian May, who played electric guitar and sang operatic vocals on the track, is 78; Roger Taylor, who played drums, timpani and gong and sang operatic vocals, is 76; and John Deacon, who played bass guitar, is 74. Here are 14 things to know about a classic single on the 50th anniversary of its release. “Bohemian Rhapsody” was Queen’s first top 10 hit on the Billboard Hot 100. Image Credit: Paul Natkin/Getty Images It reached No. 9 in April 1976. Queen had narrowly missed the top 10 when its breakthrough hit “Killer Queen” peaked at No. 12 in May 1975. The strong showing for “Bohemian Rhapsody” came despite its unconventional style and its length (5:50). It was the longest song to make the top 10 since Elton John’s “Someone Saved My Life Tonight” (6:45) eight months earlier. The song topped the Official U.K. Singles Chart for nine weeks, the longest run in nearly 20 years. “Bohemian Rhapsody” was Queen’s first No. 1 U.K. hit. “Killer Queen” had peaked at No. 2 in the band’s home country. Its nine-week run on top was the longest since Paul Anka’s “Diana” ruled the roost for nine weeks in 1957. Improbably, “Bohemian Rhapsody,” with its opt-repeated phrase “mamma mia,” was replaced at No. 1 on the U.K. chart by ABBA’s “Mamma Mia.” Freddie Mercury wrote “Bohemian Rhapsody,” but it wasn’t his highest-charting Hot 100 hit. Mercury also wrote the rockabilly-influenced “Crazy Little Thing Called Love,” which in 1980 became the band’s first No. 1 hit. Mercury was also the sole credited author of “We Are the Champions” (No. 4) and three songs that just missed the top 10: “Body Language” (No. 11), “Killer Queen” (No. 12) and “Somebody to Love” (No. 13). The song brought Queen its first two Grammy nods, though they didn’t win either one. Queen was nominated forbest pop vocal performance by a duo, group or chorus, but lost to Chicago’s “If You Leave Me Now.” Queen was also nominated for best arrangement for voices (duo, group or chorus) but lost to Starland Vocal Band’s “Afternoon Delight.” These losses may seem like head-scratchers today, but here’s some historical context: Both “If You Leave Me Now” and “Afternoon Delight” had been No. 1 hits on the Hot 100. As noted, “Bohemian Rhapsody” had peaked at No. 9. Also, “If You Leave Me Now” was Chicago’s first No. 1 hit following 10 top 10 hits that had fallen short of the top spot. And the ballad represented a new musical direction for the group. Both the Chicago and Starland Vocal Band hits received Grammy nods for record of the year. “Bohemian Rhapsody” did not. So, the Grammy shut-out for “Bohemian Rhapsody” wasn’t considered an upset at the time, though the song is obviously considered more of a classic today than either of those other hits. As noted above, “Bohemian Rhapsody” has been voted into both the Grammy Hall of Fame and the National Recording Registry. The Chicago and Starland Vocal Band hits have yet to receive either accolade. Queen made a music video for the song, a rare move in 1975. The video was recorded in just four hours on Nov. 10, 1975. It was directed by Bruce Gowers, who had directed a video of the band’s 1974 performance at the Rainbow Theatre in London. Today, the visual is widely considered one of the most important of the pre-MTV era, and a precursor for much that would come in the music video age. A Night at the Opera was titled after a 1936 Marx Brothers movie. Image Credit: Screen Archives/Getty Images “Bohemian Rhapsody” was featured on Queen’s fourth album, A Night at the Opera. The album was titled after a 1936 movie by the legendary comedy troupe, The Marx Brothers. The band’s next album, A Day at the Races, was also titled after a Marx Brothers movie. And here, the plot thickens: A Day at the Races was the Marx Brothers’ follow-up film to A Night at the Opera. Queen could have kept this going a little longer by titling their next album Room Service, after the film which came next in the Marx Brothers filmography, but the band went with News of the World instead. The Rolling Stone review of A Night at the Opera didn’t mention its most famous track. The magazine’s review of A Night at the Opera, which ran in its April 2, 1976 issue, didn’t even mention “Bohemian

Lainey Wilson, Post Malone, Cody Johnson, More

Lainey Wilson, Cody Johnson and Post Malone will lead the pack at Stagecoach 2026 as headliners when the famed country fest returns to the Empire Polo Club in Indio, Calif., on April 24-26. Explore See latest videos, charts and news The stacked lineup of performers for the Goldenvoice-produced Stagecoach will also feature Bailey Zimmerman, Riley Green, Brooks & Dunn, Ella Langley, Red Clay Strays, Warren Zeiders, Nate Smith, Sam Barber, Gavin Adcock, Wyatt Flores, Hudson Westbrook and Cameron Whitcomb. Journey, Pitbull, BigXthaPlug and Counting Crows will perform at the Mustang Stage, which is being reimagined for 2026 and provides a space for the after-dark performance moments that have become an essential part of Stagecoach. Boot Barn will serve as the presenting sponsor of the new Mustang Stage. Johnson said in a statement, “I’ll never forget the first time I got the call to play Stagecoach. We were on one of the smaller stages and I remember wondering if anyone wouldeven know our songs. Now here we are invited back to headline the Mane Stage. What a ride. I hope y’all bring the energy … because it’s gonna get Western.” Wilson also reflected on her roots with the festival in her statement. “My first Stagecoach was in 2022 on the SiriusXM Stage at 2:30 p.m. in the afternoon,” she shared. “Look how far we’ve come y’all! I’m honored to headline this year. This is a career highlight and I can’t wait to see everyone there.” Post Malone enthused in his statement: “Had a hell of a time at Stagecoach in 2024 alongside so many incredible artists and friends. Can’t wait to be back next year!” Zimmerman added, “I played my first Stagecoach in 2023. Since then, it’s become a tradition, and I somehow was lucky enough to get to come back in ‘24 with Morgan Wallen and then in ‘25 with Luke Combs. Coming back in 2026 is unbelievable, and I’m so thankful to whoever made the decision to let me come back. I promise I won’t take my pants off this time … or maybe I will. See you soon, Stagecoach2026!” Fan favorites Diplo’s HonkyTonk and Guy Fieri’s Stagecoach Smokehouse return for another year. New this year, Nashville’s Whiskey Jam will offer a new element to the Palomino Stage. Known for spotlighting rising artists in Nashville, Whiskey Jam will host special sets and curate afterhours sets at Stagecoach’s Palomino Stage. Passes for the 2026 Stagecoach will go on sale beginning Thursday, Oct. 2, at 11 a.m. PT at on the festival’s website. Amazon Music returns as the livestream partner for a fourth year. Fans can watch livestreamed performances from artists on Twitch, Prime Video and Amazon Music’s app each day of the fest. Find the full lineup below: Adrien Nunez Amos Lee Avery Anna Bailey Zimmerman Bayker Blankenship Benjamin Tod BigXthaPlug Billy Bob Thornton & The Boxmasters Brandon Wisham Braxton Keith Brett Young Brooks & Dunn Bush Cameron Whitcomb Charles Wesley Godwin Chase Matthew Chase Rice Cody Johnson Corey Kent Counting Crows Diplo Eli Young Band Elizabeth Nichols Ella Langley Gabriella Rose Gavin Adcock Guy Fieri Hannah McFarland Hootie & the Blowfish Hudson Westbrook Ink Jake Worthington Josh Ross Journey Julia Cole Kameron Marlowe Kevin Smiley Lainey Wilson Lane Pittman Larkin Poe Little Big Town Ludacris Lyle Lovett Marcus King Band Max McNown Michael Marcagi Nate Smith Neon Union Noah Cyrus Noah Rinker Ole 60 Pitbull Post Malone Redferrin Red Clay Strays Riley Green Ryan Hurd S.G. Goodman Sam Barber Something Out West Tayler Holder Teddy Swims The Road The Wallflowers Third Eye Blind Treaty Oak Revival Tyler Braden Ty Myers Warren Zeiders Willow Avalon Wyatt Flores Wynonna Judd Zach John King Source link

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