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Billboard is set to launch CLUB Billboard, a livestream DJ series that will feature DJs spinning the hottest Latin music tracks currently on the Billboard charts on Friday (Sept. 26). CLUB Billboard will premiere at 8 p.m. ET. on Billboard Latin’s YouTube channel. The first DJ who will take part in the series is CC Love, a first-generation Mexican American who spins Latin sets in Los Angeles. She’s also a resident tour DJ for Gasolina Party and Reggaetón Rave. “Music is my escape! And it’s healing for people that work all day. I want to be a part of that healing experience,” CC Love tells Billboard. “From the first time I went to Coachella in 2014, I fell in love with DJing and have been spinning ever since.” Offering a sneak peak of what artists will make it into her set, she says: “The artist that always makes it in to my mix is Bad Bunny. Lots of El Alfa, Rauw Alejandro and Young Miko. Old school reggaetón like Daddy Yankee and Ivy Queen, too.” You can tune in starting 8 p.m. ET for DJ CC Love’s set, and for a chance to win a pair of tickets to Billboard Latin Music Week 2025, which is scheduled for Oct. 20-24 in Miami. No purchase necessary. Winners will be confirmed via email. See Official Rules for details here. Spanning 30 years, Latin Music Week is the single most important and largest gathering of Latin artists and industry executives in the world. This year’s event will once again host panels, marquee conversations, roundtables, networking and activations, in addition to its celebrated Billboard En Vivo showcases. Get weekly rundowns straight to your inbox Sign Up Source link

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Fred again.. has announced that he’ll play 10 shows in 10 cities over 10 weeks as part of the rollout of the next edition of his USB releases. In the British producer’s characteristic hype-building style, the location for each show will be revealed only the weekend before it happens, with the first show announcement coming Sunday, Sept. 28. Shows are set to feature 10 new tracks that are part of USB002, the second segment of project that started in 2022 and featured tracks including Fred’s collab with with Four Tet and Skrillex, “Baby Again”; “Rumble” with Skrillex and Flowdan; his solo heater “Jungle”; “leavemealone” with Baby Keem; and “stayinit” with Lil Yachty. The project also included remixes from Nia Archives, HAAi and Rico Nasty. Fred’s most recent releases include June’s “Victory Lap” with Skepta and PlaqueBoyMax, with four remixes of the song featuring Denzel Curry, Hanumankind, That Mexican OT and more subsequently getting released. The producer also recently released the recording of a live performance done on a roof in Naples, Italy, overlooking the Piazza del Plebiscito. Of this performance, Fred wrote in the video’s YouTube description: “After a show I never quite know what to do. Like you go from being filled with the most adreneline [sic] ever, to suddenly being like alone or basically alone. Often I just play songs I’m working on and jam on my keyboard to try ideas out to try n calm down and stuff, cos I cant really be social often. “So when I saw fedde commenting on a post that he had a rooftop that overlooked the show I thought wow this could be like my dream afters. Just going straight up there and get [sic] to play songs on my ones and still get to see and feel the energy of the show as everyone leaves! I played this whole set just to Fedde and the beautiful nonna who also lives in this building. It was a lovely sight to look up occasionally and see them both there. Him dancing her sitting. Me a bit of both.” Watch that performance below: Get weekly rundowns straight to your inbox Sign Up Source link

Young Miko is joining Billie Eilish on her Hit Me Hard and Soft tour, the Puerto Rican hitmaker and pop star announced on Wednesday (Sept. 24). Young Miko will tour with Eilish in select cities, including Orlando (Oct. 14), Philadelphia (Oct. 23) and Long Island, N.Y. (Oct. 25-26). “I’m going on tour with Billie,” Young Miko wrote in an Instagram post. “I’ll see you all soon.” The announcement comes a year after the two met in Mexico City for an engaging conversation on their careers and respective journeys in music. Last year, Young Miko went on her XOXO Tour, her biggest trek yet in the U.S. with 24 dates. It followed a string of feats for the rapper and singer, who opened for Karol G’s stadium tour; collaborated with Bad Bunny on his track “Fina”; made her Coachella debut; and delivered her genre-bending debut album, att., which became her first Billboard 200 entry. To date, she has had six entries on the Billboard Global 200 and Global Excl. U.S. charts. Young Miko was recently an ambassador for the CFDA during New York Fashion Week, where she appeared alongside fellow ambassador Peso Pluma. Below, check out the dates Young Miko will join Billie Eilish on her Hit Me Hard and Soft tour: Oct. 14 – Orlando – Kia CenterOct. 16 – Raleigh, N.C. – Lenovo CenterOct. 17 – Raleigh, N.C. – Lenovo CenterOct. 19 – Charlotte, N.C. – Spectrum CenterOct. 20 – Charlotte, N.C. – Spectrum CenterOct. 23 – Philadelphia – Xfinity Mobile ArenaOct. 25 – Long Island, N.Y. – UBS ArenaOct. 26 – Long Island, N.Y. – UBS Arena Get weekly rundowns straight to your inbox Sign Up Source link

Lainey Wilson came to The Late Show on Wednesday night (Sept. 24) to, in her words, talk about “peace, love and cowboys.” In her first proper sit-down with host Stephen Colbert, the country star talked about being from Baskin, La., a town she joked bumped down to 156 residents after she left. “That’s not a small town, that’s a big family,” Colbert said. Wilson described getting the bug to get try country music because it was the lingua franca of her tiny town, where, she explained, “when you’re from a town of 157, you live your live on the edge of your seat waiting on the next story.” That’s why it was no surprise that she wrote her first song at nine-years-old after feeling like the voices on the radio were “speaking to me.” Wilson — known for her eye-catching ensembles, wore a suede patchwork suit and matching brown hat for the appearance — joked that her subject matter at the time was totally normal for a fourth grader: “tequila and cigarettes and everything else.” She also made her first $20 at that age singing at the grand opening of a local convenience store, a bill her dad still has framed at home. That wasn’t her only gig as a kid. She said she and her sister were also rodeo “flag girls,” with Wilson doing double-duty by singing the National Anthem on horseback at the professional rodeo events. Wilson brought her signature fashion flare to a performance later in the show as well, wearing a belly-baring pink jumpsuit with a large bejeweled belt, white cowboy hat and a pink and white flowing cape as she rambled through “Somewhere Over Laredo” from the deluxe edition of her Whirlwind album. The song opened with a close-up of an old-fashioned wooden TV console, with Wilson singing the moving ballad in black and white before the tempo picked up and she was in full technicolor, crooning about flying over Laredo and “dreaming about those rodeo nights.” Watch Wilson on the Late Show below. Get weekly rundowns straight to your inbox Sign Up Source link

En medio de la polémica por la reducción de ingresos en Kick, la popular streamer Zully salió al frente para aclarar los rumores y reveló que, pese a los cambios en la plataforma, ella continúa recibiendo un pago “interesante” por sus transmisiones. Zully revela que sus vistas son reales y que Kick le sigue pagando igual Durante una reciente entrevista en ‘América Hoy’, Zully respondió a las especulaciones y negó rotundamente haber recurrido a bots para inflar sus transmisiones.  “Creo, quizás otros, quizás los que usarán bots, pero no sé quiénes usarán bots, la verdad”, afirmó con firmeza. La creadora de contenido también explicó que, en su caso, Kick le sigue pagando con normalidad.  “Sí, hasta el momento sigo recibiendo un pago interesante, o sea, no ha cambiado nada para mí”, comentó. Te puede interesar Marcelo Tinelli confirma ruptura con Milett Figueroa y asegura: “Hoy es definitivo” ¿Kick reduce ingresos a streamers? Si bien en redes sociales circulan quejas sobre la caída de ingresos en la plataforma, Zully aseguró no conocer casos cercanos de colegas afectados. “Hasta el momento no, ah. Que yo sepa, no. Nadie me ha dicho nada, es un rumor que dicen por ahí”, señaló. La streamer destacó, además, el alcance de sus transmisiones al ser consultada sobre la cantidad de personas que la ven en Kick. “Cinco mil. A veces, cuando son eventos, llego como a diez mil”, reveló orgullosa. Con estas declaraciones, Zully no solo despeja dudas sobre su trabajo, sino que también reafirma su vigencia en el competitivo mundo del streaming. Mientras algunos creadores denuncian recortes y problemas con la plataforma, ella mantiene estabilidad y asegura que seguirá transmitiendo como siempre. @josepastord Esto mencionó!!!Ig:josepastord #zully #peruanos #fyp ♬ sonido original – JOSS La entrada Zully niega bots y revela que aún recibe un pago “interesante” de Kick se publicó primero en Radio Onda Cero. Source link

In the seven years since Cardi B left an indelible mark on hip-hop and pop culture with her Billboard 200-topping, Grammy-winning debut studio album, Invasion of Privacy, two U.S. presidential administrations passed, Taylor Swift’s re-recordings project began and presumably ended, and Cardi went from expecting her first child to awaiting the arrival of her fourth. In this era of instant gratification and constant consumption, each passing year without Cardi’s sophomore album felt more mind-boggling than the last.   The interim between her two studio LPs, of course, was anything but quiet: She added two more Hot 100 No.1s to her collection with “Up” and the Megan Thee Stallion-assisted “WAP,” dropped several singles that bricked by her standards (remember “Hot S—t?”) and cemented her near-incomparable cultural pull with film cameos (Hustlers), buzzy co-signs via ace guest verses (GloRilla’s “Tomorrow 2”; Latto’s “Put It On Da Floor Again”), successful product lines (Whipshots), and, most notably, her major moves in the fashion world.  Invasion of Privacy had been a perfect storm. Cardi and her team harnessed the momentum of her “Bodak Yellow” breakthrough into a succinct 13-song set that introduced a new leading voice in the rap arena, one who prioritized slick-mouthed humor, trademark Bronx bravado and the urgency and drive of a person whose survival instincts evolve with each new chapter of life. Following up a beloved modern classic and a near-flawless rollout was always going to be a daunting task, especially seven years later. While Cardi’s position in the rap game was hardly questioned in earnest, questions abounded. Should Cardi pull a Lauryn Hill and never drop another studio album? Is her position really secured off of one album? Could a second album actually hurt the legacy that Invasion has accrued? Now, just as the first autumn breezes sweep through her New York City hometown, Cardi has put every question to bed with her behemoth of a sophomore album, Am I the Drama? Housing 23 tracks and clocking in at over 70 minutes, Drama arrived on Sept. 19 after a blitz of an album campaign that truly kicked off in July around Paris Fashion Week. Armed with a half-baked crow aesthetic and stacked with A-list features including Selena Gomez, Janet Jackson and Summer Walker, Drama attempts to synthesize the past seven years of Cardi’s marriage, industry tiffs and emotional maturation into a coherent narrative arc. An overstuffed tracklist and slightly sloppy sequencing prevent the record from fully realizing its potential, but over the course of an hour-plus, Cardi sufficiently reminds us why the crown was hers to return for in the first place.  “Dead,” on which Summer Walker delivers a surprisingly solid SZA impression, opens Drama with a smattering of fictional, Makaveli-era 2Pac news reports quickly giving way to a single, fiery verse from Cardi. When she spits, “Tell a b—h, ‘You better use your head ‘fore I come there, put a hole in it’/ Like, baow, baow, baow, now she can bowl with it,” Cardi spins the ferocious ambition of Invasion of Privacy opener “Get Up 10” into a snarling, more vicious tone. She’s almost annoyed that she has to take time out of just her second album to remind people who exactly she is. If “Dead” has one shortcoming, it’s the lack of real news snippets; if we’re going to get into all of Cardi’s Drama, let’s really do it and immediately root the album in that reality. The ominous feel of “Dead” continues on “Hello,” whose whirring Halloween-evoking synths and foreboding hook herald the biting JT-aimed disses littered throughout “Magnet,” one of Drama’s instant standouts. Confusingly, Cardi gives us three songs to settle into her Drama persona before calling Selena Gomez for a pop number that’s either ridiculously catchy or immediately forgettable, depending on your mood. Perhaps slotting it closer to the other pop girl collabs — like the atrocious, Lizzo-assisted “What’s Going On” and the smooth Tyla-featuring “Nice Guy” — near the end of the record would have worked better instead of stunting the momentum of the first three songs.   When contextualized with the following two New York-tributing tracks, pre-single “Imaginary Playerz” and smash-in-waiting “Bodega Baddie,” the placement of “Pick It Up” is even more befuddling. Although “Playerz” arrived to mixed reception and a soft Hot 100 debut (No. 70), it plays much smoother as an album track, working as a foil to the Cash Cobain-assisted “Better Than You” on the album’s second half. If the Jay-Z-sampling “Imaginary Playerz” is Cardi nodding to the storied past of New York hip-hop, then “Better Than You” is her wink at the region’s present and near future. Am I the Drama? may not always play as a traditional New York rap album, but Cardi makes sure to situate herself in both the city’s history and its present hip-hop ecosystem, which she doubles down on with the celebratory, El Prodigio-sampling “Bodega Baddie.” Even though its sub-two-minute runtime is frustrating, the inevitable “Bodega Baddie” remix is sure to dominate whatever season it arrives in.  The TM88-produced “Salute” brings the Drama from the Uptown clubs and into Cardi’s diary. She enters a stank face-inducing pocket on the track, reminding us that she’s always shone brightest when she’s on a track by herself. As she raps in the first verse, “I am the reference, yeah, I am the vision board/ I put that shit on these bitches, they can’t ignore.” After making a pit stop to inspect everyone’s salutes, Cardi kicks off a four-track run (“Man of Your Word,” “Safe,” “What’s Going On” and “Shower Tears”) that serves as the emotional crux of Am I the Drama?  Plainly put, it’s a shame someone who allegedly treated Cardi as awfully as Offset did is the subject of a career-best song like “Man of Your Word,” but that’s what turning pain into power is all about. Built around a somber hook, courtesy of prominent R&B/hip-hop songwriter Dougie F, “Man of Your Word” finds Cardi taking stock of her tumultuous marriage, its heart-shattering demise and