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#lima |.🔴 EXTORSIONADORES COLOCAN STICKERS EN LOS BUSES SE SERVICIOS PÚBLICO‼️‼️ INSEGURIDAD FUERA DE CONTROL. Crece el temor entre los choferes de las diferentes líneas de transporte público. De la noche a la mañana sus vehículos amanecen con STICKERS, como señal de amedrentamiento y pagos de cupos por parte de bandas de extorsionadores. #radioalturatv Source

#lima |.🔴 ANTE OLA DE MUERTES A CHÓFERES ESTE FIN DE SEMANA HABRÁ PARO DE TRANSPORTE EN TODO LIMA Y CALLAO‼️‼️ Organizaciones de transportistas urbanos anunciaron para este sábado 27 y domingo 28 de septiembre un paro en Lima Metropolitana para exigir soluciones urgentes frente a la escalada de extorsiones, amenazas y asesinatos que enfrentan diariamente. #radioalturatv Source

Redacción Panamericana Paul Michael sorprendió en vivo al pedirle matrimonio a Pamela López; sin embargo, le hicieron recordar su matrimonio con Cueva. Durante la última emisión del programa ‘Habla Chino’, se vivió un episodio que dejó a todos en shock. Paul Michael, pareja actual de Pamela López, sorprendió al entregarle un anillo de compromiso en vivo, provocando lágrimas de emoción en la influencer. Sin embargo, la romántica escena se tornó en polémica tras un comentario que desató la incomodidad en el set. Te puede interesar Cristian Rodríguez, el productor vinculado con Maju Mantilla, recibe brutal ataque y señala a Gustavo Salcedo Le recuerdan a Pamela López su matrimonio con Christian Cueva Mientras Pamela aceptaba el gesto conmovida, Víctor Hugo, compañero del conductor, lanzó una observación que cambió el ambiente: “Pero escúchame, Paul, no te puedes casar porque todavía no se ha divorciado”. La frase, dicha en tono sarcástico, expuso públicamente la situación legal de la exesposa de Christian Cueva, dejando al cantante visiblemente incómodo. Pamela, lejos de quedarse callada, reaccionó con molestia y calificó el comentario como “fuera de lugar”. Incluso, respondió frente a cámaras con un tajante: “Tumba la fiesta. Envidioso”, dejando clara su incomodidad ante la interrupción. Te puede interesar Milett Figueroa explota tras romper con Marcelo Tinelli: “¿Creen que necesito fama?, cobardes” Pamela López encara críticas Este episodio se suma a la ola de controversias que rodean a Pamela. Semanas atrás, protagonizó un cruce con Leysi Suárez, a quien acusó de inventar que mentía a sus hijos sobre su relación con Paul Michael. Además, en otro programa en vivo, se enteró de que Christian Cueva la había denunciado por maltrato psicológico, situación que generó otra intensa discusión mediática. Pamela López y Paul Michael mantienen una relación desde hace algunos meses, pero la pareja sigue en el ojo de la tormenta debido al proceso legal pendiente con el futbolista. @willax.espectaculos Pamela López: “Me gustaría casarme con Paul Michael” #PamelaLópez #PaulMichael #Matrimonio #HablaChino ♬ sonido original – Willax Espectáculos Source link

#lima #lavajato |.🔴 EXGERENTE DE SUSANA VILLARÁN SI SE HABRÍA SUICIDADO‼️‼️ El informe de necropsia realizada al delator de Susana Villarán, José Miguel Castro, apunta a homicidio. Este reporte de Medicina Legal de la Fiscalía fue mostrado al criminólogo Miguel Pérez Arroyo, quien tras analizar las conclusiones forenses descartó que el trágico deceso se haya tratado de un suicidio. #radioalturatv Source

Papa Roach’s “Braindead,” featuring H2O vocalist Toby Morse, rises two spots to No. 1 on Billboard’s Mainstream Rock Airplay chart dated Oct. 4. As the song becomes the Jacoby Shaddix-led Papa Roach’s 12th leader on the list, the group now claims sole possession of the 10th-most No. 1s in the Mainstream Rock Airplay chart’s 44-year history, breaking out of a tie with Volbeat. Explore See latest videos, charts and news Papa Roach first ruled Mainstream Rock Airplay in 2009 with “Lifeline,” nine years after initially reaching the survey with “Last Resort” (No. 4, 2000). Its current No. 1 streak — five in a row — dates to September 2022, when “No Apologies” led for a week. Most No. 1s, Mainstream Rock Airplay:21, Shinedown19, Three Days Grace16, Five Finger Death Punch14, Foo Fighters14, Metallica13, Disturbed13, Godsmack13, Linkin Park13, Van Halen12, Papa Roach As for Morse, “Braindead” is his first solo ruler on a Billboard chart, in his first appearance on his own. H2O has multiple entries, including No. 1s, on album charts, from 1997’s Thicker Than Water through 2015’s Use Your Voice. Concurrently, “Braindead” zooms 19-10 on the all-rock-format, audience-based Rock & Alternative Airplay chart with 2.5 million audience impressions in the week ending Sept. 25, up 24%, according to Luminate. It’s Papa Roach’s 10th top 10, and fifth in a row. The band’s best, “Even If It Kills Me,” reached No. 2 in June. “Braindead” is currently a stand-alone single. Papa Roach’s most recent album, Ego Trip, debuted at No. 6 on Top Hard Rock Albums in April 2022 and has earned 204,000 equivalent album units to date. All Billboard charts dated Oct. 4 will update Tuesday, Sept. 30 on Billboard.com. It’s free Billboard charts month! Through Sept. 30, subscribers to Billboard’s Chart Beat newsletter, emailed each Friday, can unlock access to Billboard’s weekly and historical charts, artist chart histories and all Chart Beat stories simply by visiting the newly redesigned Billboard.com through any story link in the newsletter. Not a Chart Beat subscriber? Sign up for free here. Source link

Nearly 11 months after reaching a plea deal to secure his release from jail in the YSL RICO trial, Young Thug returned with his UY SCUTI album on Friday (Sept. 26). Explore See latest videos, charts and news Before letting his music do the talking, Thug became the victim of street politics and a plethora of leaked jail phone calls, which muddied his reputation in recent months. While some rappers distanced themselves from King Spyder, Drake doubled down on his friendship with Thug, as the YSL honcho revealed that Drizzy reached out to him in the midst of the chaos to let him know they’ll always remain solid. Thugger joined the Pivot Podcast on Friday, where he revealed the advice Drake gave him, along with clearing the air regarding their friendship. “Drake, the jail phones all that s—t came out, Drake text me, ‘N—a, I love you. Drop that music, bro. Let your music talk,’” he recalled. Thug went on to claim he’s never been one to pillow talk with women, but jail had him in a frazzled state of mind, which made him comment on plenty of his hip-hop peers. “Damn, I was really on the phone talking about people. No girl in my entire life can tell you that I pillow talk with them,” he said. “That s—t get to me every day, I was really on the phone like a p—y.” An alleged jail phone call leak between Thug and Mariah the Scientist saw the Atlanta rapper criticizing Drake over his treatment of Metro Boomin following his mother’s passing. “You’re using the fact that you’re Drake as a weapon now and the n—a just not feeling that right now,” Thug said on a leaked call, according to VIBE. “You supposed to get on your big ol’ plane, and went to where that n—a was or where that n—a momma died, cause you really, really, really, mess with a n—a.” There’s been speculation regarding the rift between Drake and Metro Boomin stemming from Drizzy requesting a song from Metro while he was in the midst of grieving the loss of his mother. After dishing out a pair of assists on Thug’s 2023 Business Is Business album, Drake was noticeably absent from the star-studded UY SCUTI guest list, but Thugger insists they’re still tight. Drake was among those Thug apologized to in his sincere “Miss My Dogs” single. Watch the full interview below. Source link

La farándula limeña vuelve a sacudirse por un nuevo escándalo. Pamela Chang, actriz de cine para adultos y conocida por ser amiga cercana de Giancarlo Scarpati, protagonizó un verdadero chongazo en su edificio de la avenida Arequipa. El incidente, revelado por el programa de Magaly Medina, quedó registrado en imágenes de cámaras de seguridad que no tardaron en viralizarse. Te puede interesar Cristian Rodríguez, el productor vinculado con Maju Mantilla, recibe brutal ataque y señala a Gustavo Salcedo Pamela Chang destruye departamento Según el informe difundido, la madrugada del 21 de septiembre, Pamela Chang llegó al condominio en un taxi después de haber participado en el polémico ‘chupistream’ de Diealis, donde se habló de consumo de alcohol y sustancias ilegales. Lejos de pasar desapercibida, la joven inició una acalorada discusión con el conductor del vehículo. Las cámaras captaron cómo la mujer intentaba empujar y agredir al taxista, generando un verdadero espectáculo en plena vía pública. Discusiones con el conserje y vecinos La situación empeoró cuando el conserje del edificio intentó intervenir para calmar la situación. Pamela, visiblemente alterada, lo increpó con gritos y amenazas, exigiéndole que no se metiera. Testigos aseguran que incluso intentó golpearlo, lo que provocó que varios vecinos salieran alarmados de sus departamentos. Una vez dentro del condominio, el caos continuó. Según las imágenes, destrozó parte de las áreas comunes y rompió objetos a su paso, buscando supuestamente a sus mascotas y dejando una estela de desorden y miedo entre los vecinos. Asimismo, agredió a una inquilina, quien de inmediato fue a denunciar a la comisaría. Según la dueña del departamento, tuvo que echarla del lugar y asumir los gastos por los daños causados. @bruno1clips “ A Scarpati lo vimos en actitudes sospechosas” #diealis #foryoupage #viral #patada #parati #fyp #humor @diealis1 @giancarloscarpati Fuente: @atv.pe ♬ sonido original – BrunoClips La entrada Pamela Chang, amiga de Scarpati, destruye departamento luego de estar en ‘chupistream’ de Diealis   se publicó primero en Radio Onda Cero. Source link

Last month, Crystal Kay realized her longtime dream of touring in North America with her CK25 THE TOUR, celebrating 25 years in music. Born in Yokohama — one of Japan’s gateways to Western culture since the 1850s — to an American father and South Korean mother, the singer made her debut at 13 and has built a career as a bridge between Japan, the U.S., and South Korea, seamlessly blending the American music she grew up on and the J-pop she has released as a professional artist. Explore See latest videos, charts and news After initially gaining prominence in the R&B genre early in her career, Kay shifted gears in 2005, trying her hand at J-pop music with “Koi ni Ochitara” (When You Fall in Love) and scoring a massive domestic hit. Since then, she has continued to expand her activities and genres through J-pop covers, jazz, voice acting and acting (Happy Feet Two, Netflix’s Earthquake Bird), and appearances in the Japan production of the musical Pippin and the Japan/U.S. co-production of the musical RENT. The singer had set her sights on the world stage from the beginning of her career. Armed with her overwhelming vocal prowess and native-level English skills, she traveled repeatedly to the U.S. in-between her activities in Japan, actively pursuing music production with local producers and creatives. Her signature collaborative track is “Kirakuni” (2006), produced by Jam & Lewis — the hitmaker duo behind No. 1 smashes by Janet Jackson, Mariah Carey, Usher and more — sung entirely in English. This number brought authentic R&B dance tracks dominating the U.S. market at the time to Japan and remains one of the most popular songs in her extensive catalog. “Kirakuni” was unavailable on streaming platforms for a long time, but fans rejoiced when it was finally released ahead of her recent tour. The 39-year-old songstress’ long-standing friendship with Tremaine “Six7” Williams, the music producer who worked as an engineer on her “Color Change” album made her North American trek possible. Having also served as stage manager for artists including Mariah Carey, Bruno Mars, Swedish House Mafia and more, Trey provided full support as Kay’s U.S. Management and Tour Director for this outing. Adding further flair to the shows was a powerhouse three-piece band that included Josh Baker, a drummer who toured with Carey, along with Montez Garner on bass and Keith Phelps on keyboards.  For the Los Angeles stop during her seven-concert North American tour in as many cities marking her 25th anniversary, Kay chose a venue in Inglewood — The Miracle Theater — and not Hollywood or the downtown area. Formerly considered one of the city’s roughest neighborhoods, this area has seen significant redevelopment in recent years, including the opening of SoFi Stadium, which hosts NFL games and concerts by some of today’s biggest acts, and Intuit Dome, a multipurpose arena serving as the home of NBA’s Los Angeles Clippers. While only a few sports bars in the area were open for business and the streets in the vicinity were quiet, the words “CRYSTAL KAY CK25 THE TOUR SOLD OUT!” lighted up the theater entrance and inside, the packed crowd brimmed with anticipation and excitement for the show about to begin. Five minutes past the scheduled starting time, Crystal Kay appeared from stage right dressed in a chic, sophisticated ensemble composed of a sequined black top, black pants, and black gloves, to the live performance of “hard to say” by her backing band. The audience jumped to their feet and applauded enthusiastically the moment she began to sing. Supported by the trio of musicians playing keyboards, drums, and bass/keyboards positioned in that order from stage right, Kay went on to perform the up-tempo “Ex-Boyfriend” and “Girl U Love.” The singer took a moment to address the crowd, mixing Japanese with her impeccable English. “L.A., Los Angeles… Good evening! It’s so so good to be back,” she said as the excitement in the venue surged. “Welcome to the show. We have super fun show for you guys and I really want you guys to sing your a** off and dance your a** off and just have the best time. I wanna make this an unforgettable moment!” Next, she lovingly performed “Eternal Memories,” a song she first sang when she was only twelve years old. Noting that “I feel like I finally caught up to the lyrics,” she poured her heart into every word, captivating the audience. During “No Pressure,” she masterfully sang from the quiet piano intro to the energetic mid-section, drawing cheers from the crowd. “Are y’all having a good time? I love your energy, L.A.!” Kay said, before declaring, “I wanna take it all the way back.” The vocalist launched into a gorgeous medley of throwback numbers starting with “TEENAGE UNIVERSE ~ Chewing Gum Baby,” followed by “think of U,” “Girl’s Night,” “What Time Is It?” and “Sweet friends,” bringing a sense of togetherness in the venue. “I want to take this moment to tell you how much I appreciate your love and support over the past 25 years — now 26 years,” said, visibly overcome with emotion. Conveying her gratitude, she added, “I’ve always wanted to spread my wings to the world and connect with everyone around the world, and I’m here seeing you guys in person is a dream come true.” After performing “ONE,” the anime movie theme song that she said expanded her fanbase, the singer showcased the breadth of her range with “Gimme Some,” displaying her rap skills in red lighting and strobes. “I’ve come all the way from Yokohama to Inglewood. I love it!” she gushed. The artist then performed a couple of covers, including Michael Jackson’s “Human Nature” and Janet Jackson’s “I Get Lonely,” sharing that she had aspired to be a performer since she was two years old.  Kay interacted with her fans during her live rendition of “Boyfriend -part II-,” encouraging them to jump, participate in call-and-response, and make heart shapes with their hands. The excitement

At 22, Rondodasosa is ready to leave it all behind: his city, his language and the scene that made him a star. With Mattia, his final album in Italian, the Milan-born rapper – collaborating with the likes of Central Cee and supported by Drake – is closing a chapter and preparing for the next: in English, in the United States. Explore See latest videos, charts and news “This is the last Italian album of Rondodasosa,” he says. “More than a goodbye, it’s a move. It’s like saying: it’s time to level up. No one in Italy does that, because many are afraid to take risks or just don’t feel up to it.” Split between the aggressive energy of his drill roots and more emotional, introspective tracks, “Mattia” marks a turning point. Rondo speaks openly about fame, isolation, and the pressure of coming up young in a tough industry. But above all, the album is a rare look behind the armor – a way to show not just Rondodasosa, the artist, but Mattia, the person. Raised in the San Siro district of Milan, he broke through at 16 and quickly became a key figure in Italian rap. Now, he’s aiming higher. “In America, if you’re different, they support you. Here, they push you out. I’m ready to take the risk.” Below, Billboard Italy‘s cover interview with Rondodasosa. It’s like the album is divided in two parts – the first being more “Rondo,” more trap-oriented, the second one being more emotional, more Mattia. Do you feel this distinction in yourself? Yes. Let’s say Rondo is kind of a shell, while Mattia is the person I show only to a few. The album is a sort of transition, like I’m saying “I give you both sides of me, I show the more energetic, aggressive side, but also the more melodic, more emotional one.” In the album you say: “This is the last Italian album of Rondodasosa.” What’s in your future? This is going to be the last album in Italian for a while. I’m moving toward America and I’ll start rapping in English. I can’t focus on both things – it’s impossible. This album is closing a chapter. I feel like I’ve made it, but I’ve never truly shown everyone who I really am. It’s a way to close all my story here and begin a new chapter of my life. Is the album also a goodbye to Italy, in your own way? More than a goodbye, it’s a move. It’s like saying: it’s time to level up. No one in Italy does that, because many are afraid to take risks or just don’t feel up to it. It’s not for everyone: leaving a market where you’re doing well, where you’ve already made it, to go somewhere where you’re nobody and there are artists who’ve been doing it for years – that’s not easy. How long have you been thinking about this? I imagine it’s been in your head for a while, especially since in recent years you’ve been the Italian artist most pulling toward the States. It all started when I was in Miami. The first time I went there for a month to work, I immediately realized that the life I was living was not the life I want – at least not for now. Italy is beautiful, but there’s a world to discover out there. I can’t stay here wasting myself trying to prove something that maybe people won’t understand. I don’t want to burn myself out: I want to close this chapter and step out. In Miami I realized I want to stay there for at least five to ten years. Then, maybe, I’ll come back. What fascinates you the most about America? Over there, everything is more real. People are straightforward, they don’t hide anything. Unfortunately, in Italy we have this bad habit of keeping everything inside. In America it’s all spontaneous: if you piss me off, I’ll tell you to your face. Do you feel freer there? Yes, because everything is more genuine. You breathe freedom there, something you absolutely don’t feel in Italy: we’re all closed, oppressed. People follow the crowd, nobody has their own line of thought. And if you do, they either leave you out or say you’re crazy. They always find a way to make you look wrong. In America, being “wrong” can become your strength. You can build an empire with it. It’s a free world… as long as you don’t mess up. Because if you do, you pay the consequences. It seems you’ve never let those dynamics condition you. Never. With “Blue Tape” I was the first of my generation to release an album without guest artists. I’ve never followed the market’s pressure. I just don’t care. I do things my way, for better or worse. I feel like when they used to teach math problems in school with apples in baskets. I feel like I’m in my own basket, alone. When did you start working on “Mattia”? What influenced you in particular? The only influence I had was myself. To make this album I really shut myself out from society, I disappeared. I thought of nothing else but finishing the album. I neglected everything: personal relationships, work, my body, everything. The most emotional part I was completely closed in myself. Then, in the more energetic side, I was still isolated, but I was doing things to make myself feel better. The more conscious tracks were written in a dark period of my life. Then I bounced back, I was reborn, and from there the other seven tracks, more energetic, were born. In what way do you feel reborn? Before, I was very materialistic, I put money before people. In part, I still do. I’m very possessive of my things. But I learned the law of attachment: you can’t get too attached to something, because when you lose it, you realize maybe it wasn’t what you truly needed. Now material