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Luke Bryan and Jason Aldean are reuniting for a co-headlining concert at the University of Georgia’s Sanford Stadium. On Saturday (Sept. 27), the Georgia-born country stars and longtime friends announced they’ll take the stage together at the approximately 93,000-capacity venue in Athens on April 25, 2026. This marks the first concert at Sanford Stadium in more than a decade. The last time the venue hosted live music was in 2013, when Aldean headlined his Night Train Tour (with Bryan as the opening act at the show), making them the first artists ever to perform a concert at the stadium. Explore See latest videos, charts and news The upcoming UGA concert will also feature performances from country acts Zach Top and Lauren Alaina, along with appearances by DJ Rock and Dee Jay Silver. Pre-sale tickets will be available starting Monday (Sept. 29) for Aldean and Bryan’s fan club members. General ticket sales begin Oct. 3. The 2026 show will kick off the newly launched Live Between the Hedges Concert Series Presented by Pruitt Health. Additional acts have not yet been announced. Aldean and Bryan made the surprise announcement live on SEC Nation, just hours ahead of Saturday night’s game between the Georgia Bulldogs and Alabama Crimson Tide at Sanford Stadium. They shared the news in front of a fired-up crowd of UGA students. “Luke and I had a chance to play at Sanford Stadium in 2013, the first concert — and only concert, I think — to ever be held there,” Aldean said during the broadcast. “To be able to go back again and do it again, Luke and I doing that together, is going to be pretty incredible. My favorite show we’ve ever done right there.” Watch Aldean and Bryan’s announcement on SEC Nation here. Get weekly rundowns straight to your inbox Sign Up Source link

Laufey opened a two-night stand at Crypto.com Arena in downtown Los Angeles on Friday (Sept. 26) with a show that captured her unique place in pop — her music is rooted in jazz, but her concert has pop-superstar production values. The A Matter of Time Tour, the Icelandic singer-songwriter’s third tour and her first that consists entirely of arena dates, began on Sept. 15 in Orlando. It will conclude in Kópavogur, Iceland, on March 15, 2026. Laufey (it’s pronounced LAY-vay, for those still catching up to her) won a Grammy for best traditional pop vocal album in 2024 for her sophomore album, Bewitched, and she could be headed for another win in that category on Feb. 1 for her third album, A Matter of Time. The album entered the Billboard 200 at No. 4. It has topped Billboard’s Jazz Albums chart for the past four weeks. (Bewitched logged 102 weeks at No. 1 on that chart.) For all she has achieved, you have the sense that, Laufey, just 26, is still climbing. She has some big looks upcoming. She may well land a performance slot on the Grammy telecast – it would be her first star turn on Music’s Biggest Night. (She performed “From the Start,” a song from Bewitched, on the 2024 Premiere Ceremony, which is streaming-only, and backed Billy Joel during his show-closing performance on that year’s telecast. Also, she is set to play the Coachella Valley Music & Arts Festival on Apr 19. She has said she would like to record a James Bond theme song, which seems inevitable, which could bring in a performance on the Oscar telecast.  Are we getting ahead of ourselves? Perhaps, but it’s pretty clear to see the career path she’s on. Laufey didn’t get where she is by thinking small. In 2023, she told RUSSH that Taylor Swift is her favorite current artist. The reason she gave for that choice spoke to her ambitions: “She has done for pop and country what I hope to do for jazz. She has managed to unite people across the world which is one of my main goals as a musician.” Laufey’s choice of opening act for her tour’s North American leg — English pop/rock artist Suki Waterhouse — also spoke to her pop ambitions. In 2022, when Laufey first headlined in L.A., she played the legendary but comparatively tiny Troubadour. Her growth since then can be seen in her bookings: In November 2023, she played two nights at the Theatre at the Ace Hotel. On her return in August 2024, she played the Hollywood Bowl. This time, it was a sold-out, two-night stand at Crypto. Here are the six best moments from Laufey’s opening night show at Crypto.com Arena. Cinematic Production Touches Trending on Billboard if ( !window.pmc.harmony?.isEventAdScheduledTime() ) { pmcCnx.cmd.push(function() { pmcCnx({ settings: { plugins: { pmcAtlasMG: { iabPlcmt: 2, } } }, playerId: ‘4057afa6-846b-4276-bc63-a9cf3a8aa1ed’, playlistId: ‘190d23fd-88b6-41bd-92b4-50d96f566e9a’, }).render(«connatix_contextual_player_div»); }); } else { // This should only be get called when page cache is not cleared and it’s event time. window.pmc.harmony?.switchToHarmonyPlayer(); } The show opened like a vintage film, with the words “Laufey Presents ‘A Matter of Time’” projected onto the screen. It began and ended with scrolling credits on side screens, listing all the musicians, backup dancers and other contributors to the performance. “Cuckoo Ballet (Interlude),” a gorgeous instrumental track from A Matter of Time, was highly cinematic, and showed that Laufey might well have a future in film scoring. A Swinging Jazz Segment Trending on Billboard if ( !window.pmc.harmony?.isEventAdScheduledTime() ) { pmcCnx.cmd.push(function() { pmcCnx({ settings: { plugins: { pmcAtlasMG: { iabPlcmt: 2, } } }, playerId: ‘4057afa6-846b-4276-bc63-a9cf3a8aa1ed’, playlistId: ‘190d23fd-88b6-41bd-92b4-50d96f566e9a’, }).render(«connatix_contextual_player_div»); }); } else { // This should only be get called when page cache is not cleared and it’s event time. window.pmc.harmony?.switchToHarmonyPlayer(); } The concert was divided into acts, with the most satisfying being Act II, which was introduced with these words on the screen: “Ready for some jazz?” Laufey was backed by a jazz trio during this segment. “Welcome to my jazz club,” she told the audience. “I want to put a jazz club in the middle of a big space.” The segment kicked off with “Seems Like Old Times,” first recorded by Guy Lombardo’s orchestra in 1945 and since covered by such jazz greats as Ella Fitzgerald and Rosemary Clooney. It was the only song she didn’t write or co-write in the set. Hozier Surprises as Special Guest Trending on Billboard if ( !window.pmc.harmony?.isEventAdScheduledTime() ) { pmcCnx.cmd.push(function() { pmcCnx({ settings: { plugins: { pmcAtlasMG: { iabPlcmt: 2, } } }, playerId: ‘4057afa6-846b-4276-bc63-a9cf3a8aa1ed’, playlistId: ‘190d23fd-88b6-41bd-92b4-50d96f566e9a’, }).render(«connatix_contextual_player_div»); }); } else { // This should only be get called when page cache is not cleared and it’s event time. window.pmc.harmony?.switchToHarmonyPlayer(); } Laufey performs a surprise song in every show, to make each show a unique experience, she said. Here, she reached back for “Magnolia,” from her 2021 EP, Typical of Me. She said she had recently discovered that the song works better as a duet and brought out a special guest, Hozier, to help her sing it. After they concluded the number, she fangirled: “I’m kind of freaking out because I’m such a big fan.” Musicianship on Full Display Trending on Billboard if ( !window.pmc.harmony?.isEventAdScheduledTime() ) { pmcCnx.cmd.push(function() { pmcCnx({ settings: { plugins: { pmcAtlasMG: { iabPlcmt: 2, } } }, playerId: ‘4057afa6-846b-4276-bc63-a9cf3a8aa1ed’, playlistId: ‘190d23fd-88b6-41bd-92b4-50d96f566e9a’, }).render(«connatix_contextual_player_div»); }); } else { // This should only be get called when page cache is not cleared and it’s event time. window.pmc.harmony?.switchToHarmonyPlayer(); } Over the course of the show, Laufey played piano, guitar and cello. Her voice, with a deeper timbre reminiscent of one of her favorite singers, Ella Fitzgerald, was also impressive. She also showed a deep knowledge of music history. “Dreamer” had the close-harmony sound of a 1940s song, “Silver Lining” suggested the influence of 1950s-shaded doo-wop. A couple of songs, “Castle in Hollywood” and “Tough Luck” showed the influence of Taylor Swift on her songwriting. “Sabotage,” the final number in the set (before

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#LOÚLTIMO #lima |. 🔴LA TELEVISIÓN ESTA DE LUTO. MUERE CAMUCHA NEGRETE A LOS 80 AÑOS‼️‼️ Actriz y conductora de TV deja un gran legado en la televisión peruana. Primeras versiones de su muerte, sería por complicaciones en su salud y relacionado a un tema hepático. #radioalturatv Source

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Etapa Nacional de la Copa Perú -Ida Transmisión en vivo desde el estadio Francisco Mendoza Pizarro-Olmos a través de Altura Deportiva. Source

Ha Yoo Joon Image Credit: Chin Soyeon You debuted on Sept. 10. One week later, how do you feel?Honestly, it still doesn’t feel real. I’ve trained for years with this debut in mind, but I haven’t fully processed it yet. As the frontman, you’re in charge of leading many moments on stage. How do you handle that responsibility?I try to reflect on myself often. You can’t completely avoid feeling pressure, but I believe when my inner state is clear, that’s what shows outwardly too. I write down my emotions in a notebook to look at myself more closely. What did you write most recently?Something like, “I still feel like I’m only dreaming. I hope I can navigate this period well.” I’ll probably add a few more lines after today’s Billboard interview. At your Olympic Hall showcase, you performed all 10 album tracks plus one OST track — 11 songs in total. How challenging was that?It was the first time we had to fill two hours, including stage talk, so I was definitely worried. But once I got on stage, the fans’ energy carried me. Even with music show tapings right after, I didn’t feel exhausted. These days, every moment feels like a blessing. Of your triple title tracks — “Shocking Drama,” “I Did It,” and “Love Poem (You Make Me a Poet)” — as well as previously released songs like “Monday To Sunday,” “Buzzer Beater,” and “SEE YOU LATER,” which one feels most special to you?“Buzzer Beater.” It was the first song we received, and it feels like home — like it’s firmly within my range. You co-wrote lyrics for “Headbang.” Do you plan to compose more in the future?Definitely. I’ve been working on songs for years and have unreleased material. “Headbang” was something I wrote long ago that finally made it onto the debut album. How do you balance rapping and singing on tracks like “I Did It”?It’s exciting. I feel like I have two selves — one rap-driven, one vocal-driven — that are gradually merging into one. What music inspires you now?Besides our album, I listen to Stevie Wonder the most. Recently, I also crossed paths often with CORTIS during music shows, and as a hip-hop fan, I really admired their performances. On stage, you often shout “Make some noise!” What does that mean for AxMxP?Fans told me they lost their voices at our showcase because they kept shouting back (laughs). I love that connection. Singing alone is fine, but sharing that energy with others — that’s the real magic of being in a band. What message do you hope to deliver through AxMxP’s music?Each song carries its own message and color. For now, I just hope those nuances reach listeners. If our music helps someone release emotions they’ve held inside, that’s enough for me. When have you felt the power of music most strongly?When I first heard “White T-Shirt” in a taxi, crossing Yeongdong Bridge at sunset. I was overwhelmed and cried. Later, rehearsing that song for our showcase, I felt the same tears again. Music really is like a time machine. Source link

Spinal Tap may be a fake band, but its music is very real, and it is being used to raise money for Teen Cancer America, a non-profit founded by The Who’s Roger Daltrey and Pete Townshend that runs cancer programs for teens and young adults ages 15-39. Explore See latest videos, charts and news Members of such legendary groups as Guns N’ Roses, Foo Fighters, The Go-Go’s and Tool, among others, appear on The Majesty of Rock, a 32-song collection from the Spinal Tap catalog, including such Tap classics as” Sex Farm,” “(Listen to the) Flower People,” “Hell Hole” and “Big Bottom.” The collection also features a contribution from the Play it Back Players, a band comprised of cancer patients and professional musicians, who donate their time. In the spirit of Spinal Tap, many of the musicians created fake bands for the project. For example, Vixen’s Britt Lightning formed The Lightning Rods for her contribution. Guns N’ Roses’ Dizzy Reed plays with a group dubbed Jason Achilles, while System of a Down’s John Dolmayan plays with Antenna the End. “Big Bottom” is attributed to the band S.S.R.J.C.T., which is comprised of Mastadon’s Troy Sanders, Failure’s Kellii Scott, Kyuss’s Scott Reeder, Foo Fighters’ Rami Jaffee, Tool’s Justin Chancellor and The Go-Go’s Abby Travis. (The band takes its name from the first initial of each musician’s last name) Only 5,000 digital copies of the compilation will be available and can be purchased here for a minimum donation of $19.84, a reference to the year This is Spinal Tap was released in 1984. Journalist and podcaster Marc Shea produced the set, which came about following a conversation on his Performance Anxiety. “Three and a half years later, we have a double album to honor the musical and comedic legacy of Spinal Tap, the band that gave us ‘going to 11’ as well as raising awareness for spontaneous combustion,” he said in a statement. “I can’t thank the contributors or TCA enough for their support.”  “This tribute album is a fun, powerful way to raise crucial funds and awareness for the unique challenges facing this age group,” Shannon Sullivan, executive director of Teen Cancer America, said in a statement. We are incredibly grateful to the brilliant artists who have lent their talents to this project and to the creators of Spinal Tap for allowing us to celebrate their genius for a cause that is so important.” Source link