Just 11 months after she last occupied it, Sabrina Carpenter returns to the top spot of the Billboard 200 this week with her new album, the Aug. 29-released Man’s Best Friend. Explore See latest videos, charts and news The new set, her follow-up to 2024’s four-week Billboard 200 No. 1 Short n’ Sweet, claims pole position with an impressive 366,000 units moved, according to Luminate — a slightly higher number than its predecessor bowed with (362,000). In addition, it notches all 12 of its tracks in the top 40 of the Billboard Hot 100, with two — the No. 3-entering “Tears,” and the No. 4-rebounding “Manchild” (which previously debuted at No. 1) — making the top five. How should Carpenter feel about her first-week performance? And what would he advise her to do for the rest of the year? Billboard staffers answer these questions and more below. 1. Sabrina Carpenter debuts atop the Billboard 200 this week with Man’s Best Friend, posting 366,000 first-week units — up a tiny bit from the first-week performance of last year’s Billboard 200-besting Short n’ Sweet (362,000 units). On a scale from 1-10, how excited should Carpenter and her team be with that performance? Eric Renner Brown: 7. Man’s Best Friend‘s first-week figures didn’t blow Short n’ Sweet‘s out of the water – probably a small disappointment for Carpenter and her team, given how inescapable she has been for the past year – but they did maintain her 2024 effort’s success, and without being buoyed by two massive pre-release hits like Short n’ Sweet was. The stat I’d be most excited about were I in Carpenter’s camp: Man’s Best Friend clocked the ninth-best vinyl sales week in the modern era (dating back to 1991); only one of the albums ahead of her on that tally is by an artist not named Taylor Swift. That accomplishment demonstrates her fan base’s passion – and her team’s release strategy savvy. Lyndsey Havens: 10. Sabrina’s trajectory right now is what I imagine every pop star dreams of — whenever it happens. To quote the Hot 100’s current champion, Sabrina keeps going up “up, up, up” and it’s a joy to watch as a longtime fan. Especially because it seems that she’s having the most fun of us all. And I think it’s in part because she has mastered striking while the iron is hot; she figured out what works and feels best for her and her audience and has consistently delivered exactly that ever since. And makes it look easy. Jason Lipshutz: An 8. Sure, it would have been nice to rival the biggest debuts of the year so far by The Weeknd and Morgan Wallen, but Man’s Best Friend squeaking by the bow of Short n’ Sweet, when its predecessor had a more plentiful collection of hits upon its release, is beyond impressive. Sabrina Carpenter has reached a level in which every new album is a pop event, but returning so quickly after a blockbuster album and scoring an even bigger debut demonstrates just how firmly she’s planted herself on the A-list. Joe Lynch: Nine. Both the overall total and trad album sales numbers for MBF are up from SNS, which is, on face value, A Good Thing. I especially think it’s a win considering SNS benefitted from the juggernaut that was “Espresso,” one of the most ubiquitous, undying hits of the 2020s. For MBF to do even marginally better without a comparable era-defining song boosting the streams is a big win. Andrew Unterberger: An 8.5. Given the short layover and relative lack of advance hits compared to its predecessor, I think anything within range of Short n’ Sweet would’ve been just fine for Sabrina Carpenter, but to actually squeak by the original’s first-week tally is a big win. And to do it mostly in album sales (but with a still-robust number of streams) — I mean, it’s all what you want if you’re looking to do this thing for a long time. 2. “Tears” is the top-performing song from the new set, debuting at No. 3 on the Hot 100 — and it just received a spotlight performance at Sunday night’s VMAs. Does the song feel like a long-term hit, akin to “Taste” on the last album, or do you think it will have a shorter shelf-life? Eric Renner Brown: Sure! It’s at least as catchy, if not moreso, than “Manchild,” “Taste” and “Please Please Please” (“Espresso” is, of course, the GOAT). Another factor that could add to the disco-pop song’s longevity: It sounds tailored to pop off on dancefloors. Lyndsey Havens: I actually think “Tears” could have longer-term success than “Taste,” especially following her VMAs performance — which has already become a cultural reference point. While I love “Taste,” I’m personally more all-in on “Tears” because I feel like it shows a glimmer of why Man’s Best Friend is in fact an evolution for the pop star. Despite the title and raunchy opening line — which we’ve come to expect from Sab Carp following Short n’ Sweet — the song is about a man being respectful and responsible, whereas “Taste” played up the opposite. “Tears” is just getting started, and with such a strong showing so far, I could see it hanging around the top of the chart for a long while. Jason Lipshutz: Yep, this is the “Taste” of this album cycle: new single released concurrently with the album, with a music video featuring a major film star, and the type of uptempo, innuendo-laden pop track that would have been nice to have this summer, but we will embrace for the fall. “Tears” sounds like another big hit for Sabrina, and is functioning like one on streaming services; maybe it dips a bit from its No. 3 debut, but I’d expect it to stick around the top 10 through Pumpkin Spice season. Joe Lynch: Both. Like “Taste,” the song is a grower, and that VMAs turn should help boost it back up on streaming and radio. I see