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Bad Bunny Duets With Marc Anthony at Puerto Rico Residency Finale

Bad Bunny has officially concluded his No Me Quiero Ir de Aquí residency at the Coliseo de Puerto Rico José Miguel Agrelot in San Juan — and he ended the historic run with a night full of surprises. During Saturday night’s (Sept. 20) Una Más show, the Puerto Rican superstar brought out fellow icon Marc Anthony for a powerful and emotional performance of “Preciosa,” a beloved anthem honoring their homeland. “I haven’t sung this song in over 20 years,” Bad Bunny told the crowd at El Choli, before inviting Anthony to join him onstage. Watch the performance on X here. “Preciosa” was originally composed by Rafael Hernández Marín in 1937 and later recorded by Anthony for his 1999 album, Desde un Principio: From the Beginning. But the surprises didn’t stop there. Bad Bunny also welcomed an all-star lineup of Puerto Rican talent, including RaiNao, Dei V, Ñengo Flow, Arcángel, De La Ghetto and Jowell & Randy. Chuwi also joined him once again for their track “Welita,” which the pair performed every night during the lengthy residency. In an emotional speech toward the end of the show, Bad Bunny addressed the crowd with gratitude and love. “I have always had the same passion, love for what I’m doing. I promise I will never change. I love you, Puerto Rico. I love you, mom and dad,” he said, later adding, “It doesn’t matter what your issue or problem is, love will always be the solution.” Saturday’s show marked more than just the end of the residency. It also commemorated the eighth anniversary of Hurricane Maria and launched a multiyear initiative between Bad Bunny and Amazon Music focused on education, disaster relief and cultural empowerment. The partnership will include programs aimed at strengthening Puerto Rico’s economy and driving meaningful, long-term change across the island, according to a press release. Bad Bunny’s historic 30-day No Me Quiero Ir de Aquí residency drew over 250,000 attendees, solidifying Puerto Rico as a premier entertainment destination. The residency also boosted the local economy and supported small businesses. Throughout the run, he was joined by a roster of surprise guests, including Belinda, Residente, Feid, Rauw Alejandro and Ozuna. Source link

Chappell Roan Triumphs After ‘Really Hard’ Year at NYC Pop-Up Show

“We’re going to teach you a dance,” Chappell Roan says, as if there’s anyone in the audience tonight who still doesn’t know her infamous “Hot to Go!” choreography. In reality, the crowd of thousands at Saturday’s (Sept. 20) show at Forest Hills Stadium in Queens, New York, hasn’t just been waiting all night for this — many of them have been waiting several months. It’s been quite some time since the Missouri native performed in her home country, with the end of 2024 marking a particularly rough period for her. In addition to canceling two stateside shows for mental health reasons, she faced onslaughts of backlash for everything from speaking out about predatory fan behaviors to criticizing Kamala Harris amid the presidential race, leading to her largely stepping back from the internet. Now, a packed audience dotted with pink cowboy hats and Lady Liberty crowns — nods to Roan’s getup at the 2024 Governor’s Ball, one of the last times she performed in New York — embraces her completely, every bump in the road forgotten. Looking out at a sea of arms eagerly forming the shapes of the letters “H-O-T-T-O-G-O” (“I think you get it,” she giggles, abandoning her dance tutorial after one run-through), she looks stronger than ever, strutting around the stage in a sexy Captain Hook-esque outfit without missing a note as flames erupt behind her. Saturday’s concert is the first of eight pop-up performances in the U.S. that Roan has generously tacked onto her European Visions of Damsels & Other Dangerous Things Tour, and one of four dates slated for NYC. The setlist is full of high-octane numbers from her 2023 debut album, The Rise and Fall of a Midwest Princess, with “Super Graphic Ultra Modern Girl,” “Femininomenon,” “After Midnight,” “Naked in Manhattan” (“Can you believe it? We’re in New York!” she yells triumphantly midway through), “Guilty Pleasure” and “Casual” preceding “Hot to Go!,” as well as new single “The Subway,” which recently earned Roan her highest-ever peak on the Billboard Hot 100 at No. 3. Later in the show, she writhes around on the stage floor while covering Heart’s “Barracuda,” sensually serenades a mic stand topped with a blonde wig for the waltzy “Picture You,” line dances with her bandmates to March single “The Giver” and fills up the stadium with impressive high note after high note during “Good Luck, Babe!,” the breakout hit that catapulted the pop singer to superstardom with unprecedented swiftness in spring 2024. The latter two tracks are expected to appear on Roan’s next LP, which she plans to start work on after the tour ends in October. (“It took me five years to write the first [album], and it’s probably going to take at least five to write the next,” she warned in a recent interview with Vogue.) Though Roan is a total force on stage, polished and magnetic while trouncing around a set made to look like an illustrated fairytale castle, the show is not without her signature frankness. She hilariously breaks character at one point to inform the crowd that she’d totally forgotten her entire “a—s” was on display in her outfit until she was taken by surprise at the sight of her own rear-end on one of the big screens behind her. Toward the end, while singing the vulnerable and now-deeply-ironic “California” about worrying she’ll never make it in the music business, she interjects, “I just saw someone yawn — that’s crazy.” She also takes a tender moment to address why her return home is so momentous. “It’s been quite a year,” she tells the crowd around the halfway point in the show. “I can’t believe we’re here, honestly. It’s crazy. Thank you for sticking with me through it, I know it was … it’s been really hard.” “I’m so glad I can come to work like this,” she continues. “I just needed a place like this so bad when I was 13, 14. I just wanted to dress up however I wanted, and I wanted to wear makeup and look weird. So I hope you know that you’re welcome here, however you show up today. You are cherished.” As Roan dives into “Kaleidoscope,” her fans band together to let her know that the feeling is very much mutual. A dazzling rainbow suddenly appears and winks back at her as she sings, with the concertgoers in the back several rows of the stadium holding up multicolored lights in one unified effort. “Everyone look behind you,” she instructs the rest of the crowd before momentarily forgetting the song’s lyrics, distracted by the emotionally charged gesture — the only hiccup in an otherwise flawless show. “You’ve got the rainbow! It’s a kaleidoscope! It’s so beautiful!” After her stay at Forest Hills, Roan will play two nights in Kansas City before closing out the Visions of Damsels & Other Dangerous Things Tour with two nights in Los Angeles. See Roan’s full setlist at the first night of her NYC shows below. “Super Graphic Ultra Modern Girl” “Femininomenon” “After Midnight” “Naked in Manhattan” “Guilty Pleasure” “Casual” “The Subway” “Hot to Go!” “Barracuda” (Heart cover) “Picture You” “Kaleidoscope” “Love Me Anyway” “The Giver” “Red Wine Supernova” “Coffee” “Good Luck, Babe!” “My Kink Is Karma” “California” “Pink Pony Club” Source link

Fatal Stabbing Outside Phish Virginia Concert: One Dead, Two Injured

A victim lost their life, and two others sustained injuries, in a stabbing that took place outside Hampton Coliseum in Hampton, Va., during Phish‘s performance at the venue Friday night (Sept. 19). Explore See latest videos, charts and news Officers responded to an altercation that had escalated into violence on Coliseum Drive just after 9:30 p.m. ET, according to a police report from the Hampton Police Division. The suspect fled, but detectives “identified all parties involved” and determined it “appears to be an isolated incident,” says the report published on Saturday. “Members from the Hampton Division of Fire and Rescue responded to the scene and rendered medical assistance,” Cpl. Shaun Stalnaker writes. “The first victim was transported to a local hospital, where he later succumbed to his injuries. The second victim was also transported and is currently receiving medical treatment. A third adult male victim later arrived at a local hospital as a walk-in, also suffering from a laceration determined to be non-life-threatening.” Phish addressed the tragedy on Saturday in a statement the band posted on social media. “During last night’s show, a tragic incident took place in the parking lot outside Hampton Coliseum. There was an altercation behind one of the tents in the unofficial vending area in which someone lost their life and two other people were injured. We don’t have more information than what has been reported by the police, who called it an isolated incident, but what we do know is upsetting enough. We are deeply saddened by this and our hearts go out to all of those affected,” the band said. Phish’s Saturday and Sunday night concerts in Hampton, which wrap their summer tour, were set to go on as scheduled. Lead singer/guitarist Trey Anastasio’s solo band has gigs slated for this fall before Phish takes the stage together again for their traditional run of New Year’s Eve shows at New York City’s Madison Square Garden, where they’ve booked a four-show series spanning the dates of Dec. 28-31. The Hampton Police Division’s Major Crimes Unit can be contacted with additional information surrounding Friday night’s incident by phone (757–727–6111 or 1–888-LOCK-U-UP), or through anonymous tip via a secure form at P3Tips.com. Get weekly rundowns straight to your inbox Sign Up Source link

Taylor Swift Talks ‘The Life of a Showgirl’ Vinyl & CD Packaging, Art

Seated in front of a backdrop reminiscent of a floral watercolor painting — perhaps a reference to artist John Everett Millais’ Hamlet-inspired work “Ophelia,” which fans theorize influenced “The Fate of Ophelia” singer’s pose on her new album cover — Taylor Swift talks about the visual art of upcoming album The Life of a Showgirl in a promo clip released by her Taylor Nation team on Saturday (Sept. 20). Explore See latest videos, charts and news “The photo shoot that we did with Mert and Marcus [Mert Alaş and Marcus Piggott] was so extraordinary and I was so happy with it that I just wanted the fans to have as many images from this sort of world, this album era, as possible,” Swift says in the brief video. “And so I really spent a lot of time figuring out how I could make the best vinyl product and the best packaging and the best CD experience that they could have.” As Swift explains in the clip: “The CDs all have photo cards in them. The vinyls, they each have a poem inside of them, a unique poem. They’ve got more images than we ever planned to put in there.” The Life of a Showgirl has so far been made available for pre-order in its standard format on CD and vinyl, and in various special editions — with different covers and extras, like the aforementioned photo cards — in limited (now sold-out) quantities on Swift’s official webstore. Target also released an exclusive edition CD pre-order. Swift adds of the album art, “We chose this really high-gloss finish which I’ve never done before, and I think it looks so cool. We wanted this album to feel really luxurious and kind of as a nod to the luxury that a showgirl puts on when she’s on stage. Meanwhile, in the quick-change room she’s like [out of breath, breathing heavily] … Maybe that’s just me, I don’t know.” “It’s all just something I’m really proud of,” says Swift, who on Friday announced her new project is also headed to select movie theaters with The Official Release Party of a Showgirl, a premiere experience that will debut her music video for album opener “The Fate of Ophelia,” behind-the-scenes footage of the shoot, lyric videos and personal reflections on the collection’s 12 tracks. “It took a lot of time to put together, a lot of concentration, a lot of organization, but hopefully it pays off. I hope the fans are happy.” Also on the Showgirl promotional calendar: an appearance on The Graham Norton Show, set for broadcast on the BBC on her 12th studio album’s release date, Oct. 3. Watch the latest clip shared by Taylor Nation below. Source link

Brandon Lake, Chris Tomlin to Lead Worship During Charlie Kirk Memorial Event

Several top contemporary Christian Music artists will be leading worship at the upcoming memorial service for late conservative activist Charlie Kirk on Sunday, Sept. 21. Brandon Lake, Chris Tomlin, Phil Wickham, Cody Carnes and Kari Jobe Carnes are set to lead a time of worship during the service, according to the event’s website. Explore See latest videos, charts and news “Building A Legacy: Remembering Charlie Kirk” is slated for Sunday, Sept. 21 at State Farm Stadium in Glendale, Arizona. The event begins at 11 a.m. local time. Other performers during the event will include “God Bless the USA” singer Lee Greenwood and recording artist Steve Amerson. Among those who will be offering remarks during the event are Kirk’s widow Erika Kirk, President Donald Trump, Vice President JD Vance and White House chief of staff Susie Wiles. Kirk, who founded the youth conservative organization Turning Point USA, was fatally shot on Sept. 10 during a question-and-answer session at a Turning Point USA “The American Comeback Tour” event, held at Utah Valley University in Orem, Utah. Since Kirk’s passing, several music artists have spoken out, among them Lake, Tomlin, Wickham and Carnes. Lake spoke out in a video on social media, saying in part, “This one hit me hard. Of course I’m praying for the family, and me and [Lake’s wife] Brittany have been processing the last two days and have been sick to our stomachs…I’ve been processing a few things. One, just the loss of his life and how that breaks my heart too, as someone who doesn’t do what he did, but who’s representing Christ on a platform and large spaces with large crowds. I have felt two things: one, immediate fear. But then I have felt God remove that fear with his love and give me confidence and a renewed confidence and a surety that…I do believe this and I will represent this and share the Gospel, no matter the cost and the way that I feel God’s calling me to do that.” “And so I feel I feel a fire,” Lake continued, later adding, “I’m just trying my best to hear from God and represent him and encourage people.” Tomlin wrote on Instagram, “My heart and prayers to Erika Kirk and her 2 children…what a tragic moment for our nation. I appreciate how Charlie was bold and unashamed in his faith…THE FURTHER A SOCIETY DRIFTS FROM THE TRUTH. THE MORE IT WILL HATE THOSE THAT SPEAK IT.” Wickham also spoke out on Instagram, writing in part, “My heart is grieved and heavy. It’s difficult to process the horrific evil, hatred and violence that we have seen in our country today and in this past week. I pray God’s hand of comfort and peace and nearness over Charlie Kirk’s family and loved ones. That in the brokenness of their hearts God would meet them as He has promised to do.” Carnes shared on Instagram, “Let us grieve the evil..and as we grieve, sow those seeds of love that snuff it out,” and including Biblical scriptures, including Psalm 126:5 and John 1:5.” Source link

Optimo (Espacio) Member & Scottish DJ Dies at 57

JD Twitch, one half of the Scottish DJ duo Optimo (Espacio), has died following a diagnosis of terminal brain cancer earlier this year. He was 57. The producer and DJ, whose real name was Keith McIvor, passed away on Friday (Sept. 19) at the Prince and Princess of Wales Hospice in Glasgow. His longtime musical partner Jonnie Wilkes (aka JG Wilkes) announced the news the following day through social media. “In a 28 year partnership he changed my life immeasurably and together we took our work in directions and to places few people are lucky enough to explore,” Wilkes wrote on Instagram, sharing a photo gallery of McIvor. “I am forever grateful for everything he bestowed on me, both as a partner in music and as a friend.” He continued, “Keith’s intensity and passion for life, for music, for creativity and for positive change simply never let up. He was formidable. His belief in people and the idea that standing together, that our collective strength is powerful was unwavering. I loved him for that.” Wilkes closed his heartfelt tribute by offering condolences to McIvor’s family and friends. “Thank you to them and the extended group who have tirelessly supported Keith and each other in the last few months. Thank you to the staff at The Hospice who made this last while as good as it possibly could be,” he wrote. “Keith left us far too soon. He will go now to travel those space-ways but I know his energy remains in every one of us who had the privilege of knowing him. I love you forever Keith.” Born in Edinburgh, McIvor made his name in the ’90s by establishing the influential club night Pure, before relocating to Glasgow. There, he met Wilkes and in 1997, the pair launched Optimo at the city’s Sub Club. Named after the 1983 track by Liquid Liquid, Optimo became an influential Sunday night event, hosting acts like LCD Soundsystem, Franz Ferdinand, Cut Copy, The Rapture, TV on the Radio, and Hot Chip. The weekly party ran until 2010. As Optimo (Espacio), McIvor and Wilkes were renowned for their expertly curated and often transcendent sets, performing at festivals and clubs across the globe. The duo remained active in touring, music production and running their record label. In July 2025, McIvor publicly revealed his diagnosis, sharing details of his illness on Instagram. Optimo’s account also announced a fundraiser to help cover the costs of private nursing care and support services. “My symptoms weren’t immediately diagnosed, and my health declined very quickly over just a few weeks,” McIvor wrote in a July 3 post on Instagram. He went on to thank “everyone who has supported me throughout my journey in music, from the early days of Pure in Edinburgh in the ’90s and through the past 28 years of Optimo (Espacio). Jonnie and I have been lucky enough to play out music at countless clubs and festivals throughout the world, and it has been one of the greatest honors of my life to make a career out of something I love. We have connected with so many beautiful souls through our shared passion for music.” See Wilkes’ post about McIvor’s passing on Instagram here. Source link

Crickets Member Dies at 88

Sonny Curtis, a vintage rock ‘n’ roller who wrote the raw classic “I Fought the Law” and posed the enduring question “Who can turn the world on with her smile?” as the writer-crooner of the theme song to The Mary Tyler Moore Show, has died at 88. Curtis, inducted into the Rock and Roll Hall of Fame as a member of The Crickets in 2012, died Friday (Sept. 19), his wife of more than a half-century, Louise Curtis, confirmed to The Associated Press. His daughter, Sarah Curtis, wrote on his Facebook page that he had been suddenly ill. Curtis wrote or co-wrote hundreds of songs, from Keith Whitley’s country smash “I’m No Stranger to the Rain” to The Everly Brothers’ “Walk Right Back,” a personal favorite Curtis completed while in Army basic training. Bing Crosby, Glen Campbell, Bruce Springsteen and the Grateful Dead were among other artists who covered his work. Born during the Great Depression to cotton farmers outside of Meadow, Texas, Curtis was a childhood friend of Buddy Holly’s and an active musician in the formative years of rock, whether jamming on guitar with Holly in the mid-1950s or opening for Elvis Presley when Elvis was still a regional act. Curtis’ songwriting touch also soon emerged: Before he turned 20, he had written the hit “Someday” for Webb Pierce and “Rock Around With Ollie Vee” for Holly. Curtis had left Holly’s group, the Crickets, before Holly became a major star. But he returned after Holly died in a plane crash in 1959 and he was featured the following year on the album In Style with the Crickets, which included “I Fought the Law” (dashed off in a single afternoon, according to Curtis, who would say he had no direct inspiration for the song) and the Jerry Allison collaboration “More Than I Can Say,” a hit for Bobby Vee, and later for Leo Sayer. Meanwhile, it took until 1966 for “I Fought the Law” and its now-immortal refrain “I fought the law — and the law won” to catch on: The Texas-based Bobby Fuller Four made it a Top 10 song. Over the following decades, it was covered by dozens of artists, from punk (the Clash) to country (Johnny Cash, Nanci Griffith) to Springsteen, Tom Petty and other mainstream rock stars. “It’s my most important copyright,” Curtis told The Tennessean in 2014. Curtis’ other signature song was as uplifting as “I Fought the Law” was resigned. In 1970, he was writing commercial jingles when he came up with the theme for a new CBS sitcom starring Moore as a single woman hired as a TV producer in Minneapolis. He called the song “Love is All Around,” and used a smooth melody to eventually serve up lyrics as indelible as any in television history: “Who can turn the world on with her smile?/ Who can take a nothing day, and suddenly make it all seem worthwhile?/ Well it’s you girl, and you should know it/ With each glance and every little movement you show it.” The song’s endurance was sealed by the images it was heard over, especially Moore’s triumphant toss of her hat as Curtis proclaims, “You’re going to make it after all.” In tribute, other artists began recording it, including Sammy Davis Jr., Joan Jett and the Blackhearts and Minnesota’s Hüsker Dü. A commercial release featuring Curtis came out in 1980 and was a modest success, peaking at No. 29 on Billboard’s country chart. Curtis would recall being commissioned by his friend Doug Gilmore, a music industry road manager who had heard the sitcom’s developers were looking for an opening song. “Naturally I said yes, and later that morning, he dropped off a four-page format — you know ‘Girl from the Midwest, moves to Minneapolis, gets a job in a newsroom, can’t afford her apartment etc.,’ which gave me the flavor of what it was all about,” said Curtis, who soon met with show co-creator (and later Oscar-winning filmmaker) James L. Brooks. “James L. Brooks came into this huge empty room, no furniture apart from a phone lying on the floor, and at first, I thought he was rather cold and sort of distant, and he said ‘We’re not at the stage of picking a song yet, but I’ll listen anyway,’” Curtis recalled. “So I played the song, just me and my guitar, and next thing, he started phoning people, and the room filled up, and then he sent out for a tape recorder.” Curtis would eventually write two versions: the first used in Season 1, the second and better known for the remaining six seasons. The original words were more tentative, opening with “How will you make it on your own?” and ending with “You might just make it after all.” By Season 2, the show was a hit and the lyrics were reworked. The producers had wanted Andy Williams to sing the theme song, but he turned it down and Curtis’ easygoing baritone was heard instead. Curtis made a handful of solo albums, including Sonny Curtis and Spectrum, and hit the country Top 20 with the 1981 single “Good Ol’ Girls.” In later years, he continued to play with Allison and other members of the Crickets. The band released several albums, among them The Crickets and Their Buddies, featuring appearances by Eric Clapton, Graham Nash and Phil Everly. One of Curtis’ more notable songs was “The Real Buddy Holly Story,” a rebuke to the 1978 biopic The Buddy Holly Story, which starred Gary Busey. Curtis settled in Nashville in the mid-1970s and lived there with his wife, Louise. He was inducted into the Nashville Songwriters Hall of Fame in 1991 and, as part of the Crickets, into Nashville’s Musicians Hall of Fame and Museum in 2007. Five years later, he and the Crickets were inducted into the Rock Hall, praised as “the blueprint for rock and roll bands (that) inspired thousands of kids to start up garage bands around the world.” Source link

Mark Ronson Celebrates ‘Night People’ at New York City’s Chez Nous

This week in New York, Mark Ronson celebrated his 50th birthday — and the launch of his book, Night People: How to Be a DJ in ’90s New York City — and all of the right “night people” were there. Ronson’s literary agent David Kuhn hosted the star-packed party at his new hot spot Chez Nous, the newly opened restaurant he co-owns inside the historic Marlton Hotel in Greenwich Village, and in his toast, Kuhn recalled meeting Ronson in the ’80s, when “Mark was a teenager who was starting to DJ at clubs that were way cooler than I was.” “I first met Mark at one of his miraculous mother Ann’s legendary Sunday brunches in the 1980s, always a mix of uptown and downtown, the famous and sometime infamous, and always multi-generational,” Kuhn recalled in his speech, describing the gatherings thrown by Ronson’s mother, Ann Dexter-Jones, who married Foreigner guitarist Mick Jones after divorcing his father. “Most of you know this was the social and cultural swirl that Mark grew up in, one that might have caused another kid in his shoes to become jaded, or entitled, or lazy, or unfocused. And the amazing thing about Mark is that he is not only none of those things but actually the opposite of all of them: he grew up to be curious, grateful, incredibly hard working, determined, and most of all humble, this despite his incredible talent and success.” While music stars often enlist ghostwriters to help pen their memoirs, Kuhn said that “it was quickly apparent that not only could Mark write the book himself, but that he was a natural and gifted writer. Because he innately possessed the core strengths of a literary memoirist: hard won self-knowledge; a gift for storytelling; excellent recall; an ear for dialogue, a point of view, and a big, generous heart.” Rosnon initially wondered if he needed to work with a co-writer, but he and Kuhn decided instead that “he would just start putting stories down on the page and see where that led.” “Mark said that he wanted to tell the story in this book to capture the milieu of the ’90s that he grew up in, especially for younger folks who weren’t there, and also to honor those who he credited with his musical education, especially those no longer around,” Kuhn said. “As Mark writes in the book, and is now speaking about in interviews, one of the addictive pleasures of being a DJ has always been to use his musical tastes and instincts to light up a dance floor and give a room full of strangers unmitigated pleasure. Now he will do that as a book author, speaking one-to-one to each of his readers.” The playlist for the party featured every song mentioned in Ronson’s book, sequenced in the exact order they appear on the page. Guests sipped “Mark-aritas” in the restaurant’s cozy banquettes and included Elle Fanning, Derek Blasberg, Cey Adams, Guy Oseary, Carmen D’Alessio, Premier, DJ Stretch Armstrong, Lysa Cooper, Steve Lewis, Belinda Becker, Andrew Jarecki, Jen Gatien, Amy Sedaris, Naomi Fry, Jenny Dembrow, Isabella Massenet, Nicky Campbell, Pamela Hanson, and more. See the photos below. Cameron Burton Cameron Burton Cameron Burton Cameron Burton Source link

The War and Treaty to Sing ‘God Bless America’ at WWE Wrestlepalooza

As WWE gears up for its first-ever premium live event, Wrestlepalooza, taking place Saturday (Sept. 20) in Indianapolis, the wrestling conglomerate is tagging in Grammy-nominated duo The War and Treaty to perform “God Bless America” ahead of the primetime spectacle. “Nothing beats moments like these in our career,” The War and Treaty’s Michael Trotter Jr. exclusively tells Billboard. “In my head, I’m a character on the WWE roster. Hell, I have been since the early ’80s. WWE has always listened to the people, and this is something that I admire more than anything.“ Trotter Jr.’s elation also lies in him and his wife’s opportunity to quell the tensions pervading the country, as violence continues to escalate and dominate headlines. “To be a part of Wrestlepalooza is one thing, but to bring a song of unity and prayer during a time of such inferno in our country means more to me than life itself. So as the words to the song we will sing serves as a prayer, this is a plea, our plea, ‘God Bless America,’” he says. Trotter’s wife, Tanya, echoes her husband’s enthusiasm and is even looking forward to stepping in the ring for some physicality, if needed. “We’re so happy to be a part of the WWE family. It means so much for them to ask us to be a part of their newest promotion with ESPN,” she says. “Hopefully more to come in the future. Who knows? Maybe, I’ll get in the ring and slap a chick or three.” This year, WWE’s relationship with music artists expanded tremendously, as the wrestling giant has had Travis Scott, Cardi B and Jelly Roll get involved in their premium live events and programming. With WWE’s new partnership with ESPN, expect more artists to swiftly get a piece of the action, whether it’s performing some of their biggest hits or taking some bumps. Tune in Saturday (Sept. 20) at 7 p.m. ET on ESPN Unlimited to catch WWE’s Wrestlepalooza. Source link

Sergio George Launches First-Ever Global Doodle & Best Latin News

From career milestones to new music releases to major announcements and those little important moments, Billboard editors highlight uplifting moments in Latin music. Here’s what happened in the Latin music world this week. Sergio George’s Google Doodle Earlier this week, Google launched its first-ever global Doodle dedicated to salsa, curated by renowned producer, pianist and arranger Sergio George. The initiative marks an “unprecedented recognition of a genre born in Latino communities that went on to conquer stages and celebrations around the world,” according to a press release. The tribute comes just days before George presents his first Salsa Festival, ¡ATACA SERGIO!, at Miami’s Kaseya Center on Sept. 21. The Doodle debuted as an animated music video honoring Hispanic Heritage Month with a remix of five salsa anthems, including “I Like It” by Pete Rodríguez and “Mi Gente” by Héctor Lavoe. The Doodle also showcases iconic salsa instruments such as the piano, conga, trombone, clave, and güiro. The project was brought to life under the creative direction of Jorge R. Canedo E. and Sergio George. The Doodle is accompanied by a playlist of salsa hits titled DAME MÁS SALSA, which includes 15 tracks produced by Sergio George. Karol G’s Con Cora Foundation Initiatives The Colombian star, who will be headlining Coachella next year, announced two new projects in Colombia for her Con Cora Foundation. Karol G took to social media to unveil the construction of Santa Fe de Icotea College in Maria la Baja, Bolivar and Casa Con Cora in Medellin, a safe space for women and girls in vulnerable situations. “They’re the kind of achievements that make me feel like everything I do has a purpose because behind them are incredible stories of struggles and hopes that touch me deeply,” she captioned the Instagram post. See the developments here. BMI Hosts “Las Compositoras+” Songwriting Camp BMI recently hosted the “Las Compositoras+” song camp as part of its “commitment to supporting its songwriters and amplifying diverse voices in música mexicana,” according to a press statement. The three-day creative retreat was in partnership with songwriter Erika Vidrio, who led the songwriting sessions. Held in Los Angeles, the camp united a lineup of emerging and established talent, including Paulina B, Celimar, Amanda Coronel, Delilah, Lupita Infante, Michelle Maciel, Karen Moon and Ashlee Valenzuela. “The Las Compositoras+ song camp is about fostering collaboration, supporting our songwriters and building a creative community,” Lilibeth Patron, BMI’s associate director, creative, Latin, said in a statement. “Together, with the support of our sponsors, we were able to provide a platform and create a unique experience for female songwriters and creators in the LGBTQ+ community in música mexicana.” 2025 Latin Music Week Lineup On Thursday, Billboard unveiled the full lineup for the 2025 Billboard Latin Music Week, returning to The Fillmore Miami Beach from Oct. 20 to 24. Joining the star-studded roster of the week-long event are Aitana, Christian Alicea, Danny Ocean, Ivy Queen, Lenny Tavárez, Luck Ra, Lupita Infante, Olga Tañón, Rawayana, Silvestre Dangond, Suzette Quintanilla, Tokischa and Yailin, to name a few. The new additions were announced during a press conference in Miami. “We are thrilled to be back with our biggest Latin Music Week ever — 32 panels, more than 100 guests, including the artists, executives and content creators most relevant,” Leila Cobo, chief content officer of Billboard Latin/Español, said then. “The Fillmore is not just a beautiful theater, but history has been made here. Every artist of note has performed here.” See the full lineup here. Regional Mexican GOATs In honor of Hispanic Heritage Month, which officially kicked off Sept. 15, Billboard Latin and Billboard Español editors rolled out the 75 Best Regional Mexican Acts of All Time, announcing Nos. 75-61. The following criteria was taken into consideration for the list: vocal prowess, body of work, career longevity, industry achievements, Billboard chart accomplishments, game-changing influence and enduring generational/cultural impact. Billboard will be unveiling a new round every week until the final 15. Source link

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