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Categoría: Billboard

Rüfüs Du Sol Responds After Fans Assaulted at Rose Bowl Concert

Rüfüs Du Sol has made a statement following a fan assault that happened in the crowd at the band’s Saturday (Aug. 16) show at the Rose Bowl in Pasadena, Calif. In the widely circulating video, a man can be seen repeatedly punching a fellow attendee in the crowd. Festival-focused Instagram channel The Festive Owl quotes a woman involved in the incident who reports that the man also punched her in the face, knocking her out and causing significant bleeding, after which she required attention at the venue’s medical tent. The incident apparently happened after a drink was accidentally spilled on the suspect. In a statement posted to Rüfüs Du Sol’s social media on the evening of Monday (Aug. 18), the Australian trio says that “delivering moments to our fans to gather and celebrate safely is what we live for. We have been heart broken to hear of the act of violence that took place during the opening act on Saturday. This type of behavior is completely unacceptable anywhere, and the fact that this happened at one of our shows was devastating to learn about. Local law enforcement are actively investigating the situation.” The statement concludes by asking anyone with information about the incident to contact the Pasadena Police Department. Beyond the assault, many fans have spoken out online about apparent overcrowding at the concert. Jennifer Philips, a show attendee based in Los Angeles, tells Billboard that she experienced overcrowded and blocked tunnels, exits, walkways and aisles, calling the experience “an absolute chaotic disaster. In all of my years of concerts never have I seen anything like it.” A representative for The Rose Bowl did not immediately respond to Billboard‘s request for comment. Get weekly rundowns straight to your inbox Sign Up Source link

Calvin Harris Explains Why Miley Cyrus Collab Was Scrapped: ‘My Bad’

No, Calvin Harris isn’t going to release his previously teased collaboration with Miley Cyrus — but that doesn’t mean he’s on the outs with the pop star, despite a few comments he made that some fans interpreted as shade against her. More than a year after he first shared a snippet of an ocean-themed EDM song featuring Cyrus’ vocals, the DJ has caused a stir online by sharing a new teaser for the same project in a recent TikTok, this time with Jessie Reyez singing on the track. At first not addressing the three-time Grammy winner’s absence, Harris simply captioned the post, “Yes I love it #newmusic #ocean.” Fans, however, were immediately confused. It wasn’t long before his comment section filled up with questions about where the version with the “Flowers” singer had gone — and some of his replies to those queries quickly led some viewers to believe that there must be bad blood between the two artists that had caused the song’s release to be blocked. “Awwwwww where’s Miley!!!!!” one person wrote, to which Harris replied, “I do not know.” “I like this better than the Miley version,” another fan commented, with the electronic hitmaker agreeing, “And it is !!!” “We only want Miley,” a third person wrote, to which Harris responded, “Off you pop then.” But, fear not. As followers clamored for answers, Harris eventually clarified that he doesn’t have anything against Cyrus. When someone questioned why he was directing “hate” at the Hannah Montana alum, he corrected, “I love Miley,” later writing that the vocalist has “an amazing voice.” “It was my bad … crossed wires,” he also responded to someone asking whether it had been Cyrus’ “fault” that the collab had been shelved. To another fan who asked if there was “any issue between” Harris and Cyrus, he answered, “Absolutely not!!” The debacle comes just a few months after Harris dropped new single “Blessings” with Clementine Douglas, which followed March’s solo release “Smoke the Pain Away.” Though he hasn’t yet shared when the Reyez-assisted ocean song will drop, Harris appears to finally be gearing up to release it after first sharing a portion of Cyrus’ abandoned version in May 2024. “We were dancing, we were wild in the ocean,” Cyrus sang at the time over the uptempo club-ready beat. “When the crowd is all around me, you’re still all I see.” In the comments of his new TikTok teasing the piece, Harris also explained that Reyez — despite Cyrus’ previous involvement — has always been a part of the upcoming song. Noting that the Canadian singer-songwriter had penned its lyrics, the DJ responded to one fan who’d asked, “Wasn’t this one the one with Miley Cyrus?” by writing, “Kind of but it was with Jessie first.” He also emphasized that Cyrus’ version will likely never see the light of day. To one person who questioned if there was “any chance Miley’s version could still be released,” Harris wrote frankly, “I’m afraid not.” And to another fan who implored, “Please release it with Miley’s vocals,” the producer said, “Not possible.” Check out Harris’ song teaser — featuring Reyez, not Cyrus — below. Source link

Oasis’ Noel Gallagher Says ‘It’s Great Being Back in a Band With Liam’

So far, Oasis have let the music do the talking. Liam and Noel Gallagher have just wound up the first round of UK and Irish dates on their sold-out Live ’25 tour and in a testament to the breathless enthusiasm that’s greeted their first round of shows in more than 16 years they’ve hardly had to talk up the dates at all. In fact, until Tuesday (Aug. 19) neither brother had sat down for a proper interview about the shows at all. But Noel, who like his younger sibling singer Liam, is simply mad about football, called in to his favorite drive-time sports chat show, talkSPORT with Andy Goldstein and Darren Bent, to chat about Man City, and, of course, how things are going with the formerly battling brothers. Saying he was feeling “a bit shaky” after the band’s two-night run at Croke Park in Dublin, Ireland on Saturday (Aug. 16) and Sunday (Aug. 17), Gallagher summed up the weekend by saying, “there was a lot of singing, a lot of drinking and a lot of talking nonsense… it was quite a night.” Noel said he’s on “top of the world” at the moment, professing to be “completely blown away” by how the gigs the reunited band have played so far have been received. “It’s difficult to put into words, actually,” said the band’s lyricist. “Every night is the crowd’s first night, so every night’s got that same kind of energy. It’s been truly amazing… I’m not usually short for words, but I can’t really articulate it at the minute.” Asked how he was feeling on July 4 in Cardiff, Wales, when the band were gearing up to take the stage for the first show of a tour pretty much nobody thought would ever happen, Noel said Oasis have never been one of those bands who have a prayerful “huddle” before they go on. That said, speaking just for himself, Noel admitted he, “grossly underestimated what I was getting into… After about five minutes I was like, ‘All right, can I just go back to the dressing room and start this again?’ I’ve done stadiums before and all but, but I don’t mind telling you my legs are turned to jelly after about halfway through the second song.” Summing it up, Noel said simply, “it’s been an amazing thing.” Reflecting on the emotional hug the brothers shared at the end of the first reunion show in July, Noel said, “we’re not those kind of guys, really… It’s great just to be back with [guitarist] Bonehead and Liam and just be doing it again. I guess when it’s all said and done we’ll sit and reflect on it, but it’s great being back in a band with Liam. I forgot how funny he was.” Giving his former sibling rival props for sounding great at the shows, Noel said, “Liam’s smashing it. I’m proud of him.” After fronting his own band for the 16 years they were apart — the High Flying Birds — Noel said he knows the pressures of being the lead singer and admitted, “I couldn’t do the stadium thing like he does it…. I kind of look around and I think, ‘You know, good for you, mate.’ He’s been amazing.” Also, in case you were wondering, yes, he’s still getting hit up all the time by mates looking to score the hard-to-get tickets. “When it all started, the ticket sales and all that, there was a few people who I would have expected to [be] looking for tickets who didn’t,” he said. “But after the first gig my phone just exploded.” Saying he feels bad for those who are left outside on the streets singing the band’s songs at top volume after getting shut out on getting tickets, Noel said the showering of love is “mental… it’s more than the band. It’s more than the songs. There’s something else going on that we’ve not quite been able to our fingers on yet. Looking forward, Noel said he’s really looking forward to playing one of the band’s last shows, at the Estadio Monumental in Buenos Aires, Argentina on Nov. 15 and 16. “We’ve played there a couple of times and the Argentinians are without doubt in the top five places for us to play in the world.” When Goldstein brought up persistent rumors that the band might be playing the Knebworth Festival next year on the 30th anniversary of their legendary 1996 headlining slot for 250,000 fans over two nights at that event, Noel politely moved right past that query and insisted they get on with the football talk. Listen to Noel Gallagher on talkSPORT below. Source link

J.I.D. Talks New Album & Teases His ‘God Does Like World Tours’ Trek

As J.I.D wraps his five-city Dollar & A Dream tour — a warm-up for a larger fall outing — he says his only concern is putting “asses in seats … Just give me 10,000 people a night, 15,000. You would never hear from me again,” he promises. “I would never tweet again. I will never do nothing but drop albums for those people.” On Aug. 8, the Atlanta rapper released his fourth album, God Does Like Ugly — a title inspired by his late grandmother, which debuted at No. 11 on the Billboard 200. But first, the 34-year-old set the table with an innovative “preluxe” approach; GDLU: The Preluxe contained four songs, including “Animals (Pt. 1)” on which J.I.D goes toe-to-toe with Eminem. For the full-length, J.I.D went back to the archives for an album he mostly crafted alongside 2022’s The Forever Story, with songs dating back to 2018 (sample clearance issues made the creative process “draining”). “You could kind of see the chip, it’s still on my shoulder a little bit,” he says. “But at the same time, I just tried different writing styles and approaches to the music.” A deluxe is also on the way this fall, as J.I.D reveals the GDLU universe could expand to 50 songs when the era’s all said and done (the prelude and album together currently total 20 songs). He’s just waiting on a couple of features, one being a “flute,” which fans hope means an appearance from elusive ATLien André 3000. But for now, he’s preparing to celebrate the album with a global tour, which will include his first headlining arena show in his hometown — the result of steadily building his fanbase over a decade. As J.I.D says: “It’s no skipping steps.” The North American leg of his God Does Like World Tours will see support from Young Nudy on all U.S. dates and kick off on Oct. 15 in Virginia Beach, with stops in Cincinnati, Chicago, Toronto, Seattle, Los Angeles, Houston, Miami and Philadelphia before wrapping in Brooklyn on Dec. 16. J.I.D will then head to Europe in 2026, where Mick Jenkins will serve as special guest while Jordan Ward is slated to provide support on the Australia/New Zealand leg. Asia shows are to be announced at a later date. JID God Does Like World Tours 2025 Courtesy Photo You’re touring intimate venues before your first headlining arena show. How’s that been? That’s all that really matters to me for real, fans and just putting asses in seats, bro. That’s the game I play. I don’t play the stream game, I don’t play the bundles. I just play, “come to the show.” How was linking up with Eminem again? Cool, man. Cool as hell. We got a good rapport. It was the first record I sent him, like, “Yo, you want to get on this?” Bro just sent it back. It was calm. It wasn’t even that much conversation. Bro just rock with me, I guess. It was very simple. Do you have a favorite place that you visited when you performed? South Africa is always crazy. I love African fans like Cape Town and [Johannesburg]. I dropped [2018 second album] DiCaprio 2 when I was in Africa; it was insane. Asian countries, hearing them rap, you can’t beat it. With the project being recorded a few years ago, do you ever go back in and change lyrics you don’t agree with anymore? For sure, [I’ll] change and adjust it. There’s even stuff on there — you know the climate of the industry right now — they gonna think I’m talking about a rap beef. And I made this years ago, before that was even a thing. You said, [‘F–k a rap beef’] on “Community.” I said, “I don’t give a f–k about it.” I remember specifically writing that line and my homie Javante had just passed and s–t was just heavy. I saw the beef and stuff like that, but this is real life. I don’t have time to pander with trying to hurt another man, when I just seen my friend murdered in the worst way. Since The Forever Story, I lost a good eight folks. On “For Keeps,” you allude to having a child. That was your first time talking about him in a song. I ain’t talk about it, I let him talk. I don’t think I’m gonna do like, a whole dad album. Nobody will probably see him. I wasn’t rolling him out. It was just right. I was talking to him one day, playing some music, and then I just asked him a question. He just responded to me [and I’m like], “Yo, you super cool.” How has being a dad been? That changed everything. I’m just like a totally different person. I don’t even know how to explain that, but it just changed my whole foundation of everything. How many tracks are you envisioning for the deluxe? I’ve never did one before. I have so much music left over from this project. And I’m talking about like crazy song that did not make this album right here. So it’s like, can I get these cleared? By the time the GDLU era’s over, it should be like, 50 songs out, bro, it can be that many. It’s so much music that I made just for this era. And then I still got lingering music over from The Forever Story. But this specifically, the villain arc, wherever I am right now … It’s thoughtful. I slowed the pace down a lot on here, you can tell, but it’s a lot of thoughts that came around this, and it’s a lot of religious imagery, conversations. The title will throw you for a loop, but all I’m just talking about is glory to God. I’m a God fearing southern Black man and just dealing with things. That’s all it’s about. I like that people think, “Oh, this is demonic.” I’m really like, “God is good, Jesus is great.” But at the same time, it’s based on my faith. The second song you hear straight preaching, talking about my brother being back in jail, which is a part of the angst that comes with the project because it’s the same person I was talking about on the first album. I didn’t meet that n—a until I was 16. I’m almost 40, n—a. He went back [to jail]. When one person and y’all close like

Fivio Foreign Doesn’t Know Nas’ Catalog Despite Having a Song Together

Fivio Foreign didn’t listen to much Nas growing up. The Brooklyn rapper recently sat down with Jim Jones as the Harlem rapper launches his new YouTube channel IFC Factory and podcast Artist 2 Artist. They were having a conversation about streaming and trying to take advantage of when a moment goes viral before Jones’ situation with Nas earlier this year came up. “I’m not saying that the man is wack or he’s not a legend,” Fivio said after admitting that he grew up listening to Chicago rappers like Chief Keef. “I got a song with the n—a. I got a song on the album and the album got a Grammy, but I can’t sit there and say a Nas bar to you or a song — I like ‘One Mic.’” Explore See latest videos, charts and news Jim then responded by reiterating that he was a Nas fan and can recite bars and name songs from QB legend’s catalog. “That’s what I want the people to know — but I can ‘cause Nas was my era. I came up f—kin’ with Nas. I know the Nas sh—t. But moving forward, I started a whole new era and a whole new genre and a generation of people…I just be doing me.” The convo then shifted to Jim asking Fivio which rappers influenced him the most and again he mentioned Sosa and said he was “infatuated” with the Chicago drill scene. Both rappers found themselves on the wrong side of going viral this year. First, Fivio went viral when he and Lil Tjay got into a situation with rising streamer PlaqueBoyMax over smoking weed in an Airbnb during a livestream. Then, Jim Jones found himself defending his legacy after a college student said on a podcast that the Dipset member was more influential to him than Nas was. You can watch the full conversation below. Get weekly rundowns straight to your inbox Sign Up Source link

Selena Gomez, benny blanco & The Marías’ ‘Ojos Tristes’ Goes No. 1

Four months after its No. 1 debut on Billboard’s inaugural Hot Latin Pop Songs chart, “Ojos Tristes,” by Selena Gomez, benny blanco and The Marias, tops an airplay chart for the first time, as the song jumps 2-1 on the Latin Pop Airplay chart. Explore See latest videos, charts and news “Ojos Tristes” claims the No. 1 spot on Latin Pop Airplay driven by 8.3 million audience impressions, earned in the United States during the Aug. 8-14 tracking week, according to Luminate; that’s a 21% growth from the prior week. “Ojos Tristes” first bowed at No. 1 on the introductory Hot Latin Pop Songs chart (dated April 12) largely fueled by 8.7 million official on-demand U.S. streams. The chart employs the same methodology as the multi-metric Hot Latin Songs chart, where streaming data, airplay audience and digitals sales are included into its formula. During that chart-topping week, the three-way collab also generated 1,000 downloads and retained its spot at the summit on Latin Digital Songs Sales, despite a substantial 40% decline in sales. Now, four months later, “Ojos Tristes” has become the biggest song on Latin pop stations across the U.S. after a 17-week journey to the top. The achievement matches with Farruko’s “Cables Cruzados” (February 22), marking it the longest trek to the top on Latin Pop Airplay in 2025 and the slowest ascent since Carlos Vives and Juanes’ “Las Mujeres” also took 17 weeks to claim the top slot in December 2023. Gomez finds her third leader on the chart, following her featured turn on DJ Snake’s “Taki Taki,” which also features Ozuna and Cardi B (2018) and “Baila Conmigo,” with Rauw Alejandro (2021). As for benny blanco and The Marias, they each claim their first No. 1 on Latin Pop Airplay through “Ojos Tristes,” the fourth single from Gomez’s and blanco’s collaborative project, I Said I Love You First. The set took the pair to a No. 2 debut on the overall Billboard 200 (April 5 list). Building on its success atop the Latin Pop Airplay chart, “Ojos Tristes” makes progress on the overall Latin Airplay chart, where it climbs from No. 6 to No. 3, a new peak. This is Gomez’s highest position on the chart since her No. 1-peaking “Baila Conmigo” in 2021. Returning to where “Ojos Tristes” first began its reign, the song secures a 13th week at No. 1 on Hot Latin Pop Songs. Source link

Paul Wall’s ‘Wheels on the Bus’ H-Town Remix Rocks Houston

Over two decades into his career, Paul Wall is still the People’s Champ. The 44-year-old popped out at a Gracie’s Corner kids concert in his hometown of Houston on Sunday (Aug. 17), where he performed his crunkified “Wheels on the Bus H-Town Remix,” which sent the parents in the building into a frenzy. Explore See latest videos, charts and news Footage from the show quickly went viral on social media, as Paul Wall rocked the crowd, making for a hilarious scene featuring him rapping and the cast on stage dancing along to his kid-friendly “Wheels on the Bus” rhymes. “Let me go grab my niece and nephew and get me I mean us some tickets,” one person commented on IG. An attendee commended those who put the show together. “I think I enjoyed the show more than my baby and he had a ball,” she wrote. “Good job Gracie Team! As a producer, the execution made me so happy. Money well spent!” It appears Paul Wall showed up as a special guest to a pair of Gracie’s Corner shows in H-Town on Sunday, as the “Grillz” rapper thanked the team for bringing him out. “I wanna send big love and thanks to Gracie’s Corner for bringing me out for her 2 concerts in Houston, Texas today,” he wrote on X. “We had such a GREAT time! Her and her team put on an amazing show! #WheelsOnTheBus.” I wanna send big love and thanks to Gracie’s Corner for bringing me out for her 2 concerts in Houston, Texas today. We had such a GREAT time! Her and her team put on an amazing show! #WheelsOnTheBus — Paul Wall – The Great Wall (@paulwallbaby) August 17, 2025 It’s not the first time that Gracie’s Corner, a YouTube channel for kids, has collaborated with an artist on a track. Charlie Wilson is featured on “Have a Good Time,” which arrived earlier this year. Big Freedia also hopped on a remix of “Row, Row, Row Your Boat” for the educational programming YouTube channel, which boasts over 5.7 million subscribers. Watch Paul Wall’s performance below. Get weekly rundowns straight to your inbox Sign Up Source link

Carin León Talks New No. 1 With Alejandro Fernández ‘Me Está Doliendo’

Carin León and Alejandro Fernández turn pain into power on “Me Está Doliendo,” as the heartbreaking ballad crowns Billboard’s Regional Mexican Airplay chart (dated Aug. 23). (The title of the song translates to “It’s Hurting Me” in English.) Explore See latest videos, charts and news “Imagine recording with Alejandro Fernández, an icon of Mexican music,” León tells Billboard. “If we discuss this genre and don’t mention him, we’re definitely overlooking something important. It fills me with pride to see so many dreams coming true and to be involved in such beautiful moments with someone so talented.” “Me Está Doliendo” is part of the extended edition of Leon’s album Palabra de To’s, originally released with 16 tracks via Socios/Island Records. The set, produced by Antonio Zepeda, Alberto Medina, and León, and recorded in his hometown of Hermosillo, earned León a third straight top 10 on the Regional Mexican Albums chart (No. 10 debut and peak, December 2024). The special 20-track edition, which includes the collaboration with Fernández, was released in May of this year. “Me Está Doliendo” reaches the apex on Regional Mexican Airplay fueled by a 24% growth in audience impressions, to 7.4 million, earned in the United States on the tracking week ending Aug. 14, according to Luminate. As the heartbreak song hits No. 1, both León and Fernández add a new No. 1 on radio ranking. León secures his ninth chart-topper, while Fernández banks his 14th and eighth consecutive. “For someone who has come from humble beginnings and is on a journey to achieve their goals, collaborating with a legend like Alejandro and knowing that the audience connects with our work is incredibly fulfilling,” says León. “Additionally, it’s a privilege to count on the friendship of such a great man and iconic figure. There’s so much more to achieve, and I’ve learned a lot from this experience.” Beyond the coronation of “Me Está Doliendo” on Regional Mexican Airplay, the song improves 7-2 on the overall Latin Airplay chart with the Greatest Gainer honors, awarded to the song the with largest audience growth. There, Fernández achieves his 31st top 10, breaking a tie from Calibre 50 for the most among regional Mexican acts. Check out the video for the song below. Source link

Becky G Spills Her Hair Styling Secrets with Billboard

Becky G is a woman on the move — whether she’s acting, performing, or speaking to an audience, she is constantly on camera. How does a star with a packed schedule keep her look secure? The answer is far more attainable than fans may guess. While it’s no secret that artists like Becky G have stylists who prepare them for public appearances, the products used behind the scenes can be both affordable and easy to apply at home. Learn more about Becky’s styling routine and check out behind-the-scenes photos from ‘Get Ready with Becky G’ presented by Garnier.   Explore See latest videos, charts and news Becky’s stylist applies Garnier’s Sleek and Stay Heat-Activated Serum. Rigo Ramirez Rigo Ramirez Becky’s stylist blow-dried and flat ironed her hair to create a smooth look and activate the Sleek & Stay serum. Rigo Ramirez Sleek & StayTo make Becky’s hair sleek and frizz-proof, her stylist applies Garnier’s Sleek and Stay Heat-Activated Serum. The serum provides high-heat protection for styling (up to 450° F) and waterproof technology to keep hair safe no matter where Becky’s day takes her. After applying evenly throughout damp hair, her stylist blow-dried and flat ironed her hair to create a smooth look and activate the Sleek & Stay serum. Sleek & Stay also contains argan oil and vegan keratin that help keep hair healthy, smooth and soft to control frizz and keep hair frizz free and sleek for up to five washes, with use of Sleek & Shine Shampoo, Conditioner, and Sleek & Stay.  Becky applies Sleek & Shine Frizz Tamer. Rigo Ramirez Sleek & Shine Frizz Tamer The Sleek & Shine Frizz Tamer is one of Becky’s go-to’s — in addition to using it in her styling, she also carries it in her bag to slick down any flyaway hairs. The clear formula and application wand make it easy to do touch-ups to sleek, shiny looks and slick-backs, and the mascara tube-sized product is perfect for use on the go.  Becky’s hair is treated with the Sleek & Shine Anti-Humidity Aerosol Hairspray. Rigo Ramirez Sleek & Shine Anti-Humidity Aerosol Hairspray To lock in her sleek look with hold and anti-humidity protection, Becky’s hair was treated with the Sleek & Shine Anti-Humidity Aerosol Hairspray. Becky noted that she loves Garnier’s signature fruity fragrance which makes the hair smell fresh.  Rigo Ramirez Becky G shows off her sleek, styled with Sleek & Stay serum. Rigo Ramirez The Finished Look Becky posed for final photos of her look, locked in with the help of Sleek & Stay, ahead of speaking at a women’s empowerment conference in Los Angeles.  Get weekly rundowns straight to your inbox Sign Up Source link

Premios Juventud 2025 Nominations: See the Complete List

The 2025 Premios Juventud nominations were revealed on Tuesday (Aug. 19), with Bad Bunny and Danny Ocean leading the pack with six noms each.  They are closely followed by the five-time nominees Anitta, Beéle, Carín León, Emilia, Myke Towers, Netón Vega and Peso Pluma. Additionally, eight new categories have been added, including best alternative Mexican music song, Afrobeat Latino song of the year and podcast of the year, to name a few.  Coinciding with Hispanic Heritage Month and under the theme “evolving to the rhythm of music,” this year’s awards ceremony will take in Panama, marking the first time it will be held outside the United States. “The move reinforces TelevisaUnivision’s commitment to honoring the strength, values, and traditions of Latin American communities,” notes an official press statement. Explore See latest videos, charts and news As tradition holds, the fan-voted awards will honor today’s youth in music, television, social media, streaming and pop culture with an eligibility period from May 31, 2024, to June 1, 2025. Winners will be determined by popular vote through www.premiosjuventud.com from now until Sept. 1.  The 2025 Premios Juventud will air at 7 p.m. ET on Sept. 25 from Panama City’s Figali Convention Center on Univision, UNIMÁS, Galavisión and ViX.  See the complete nominations list below: Premios Juventud Artist of the Year  Bad Bunny  Beéle  Carín León  Karol G  Myke Towers  Natti Natasha  Netón Vega  Rauw Alejandro Favorite Group or Duo of The Year  Fuerza Regida  Grupo Frontera  Mau y Ricky  Morat  Rawayana New Generation – Female Artist Aria Bela De La Rose Mari Yailin La Más Viral Yami Safdie Yeri Mua New Generation – Male Artist  Alex Ponce Alleh Beéle Ca7riel & Paco Amoroso DND Kapo La Cruz Leo Rizzi Roa Yorghaki New Generation – Mexican Music  Calle 24  Camila Fernández  Clave Especial  Esaú Ortiz  Kevin Aguilar  Línea Personal  Macario Martínez  Netón Vega Tito Double P Victor Mendivil Girl Power  “Amiga Date Cuenta” – Ha*Ash & Thalia  “Blackout” – Emilia, Tini & Nicki Nicole “Chulo Pt.2” – Bad Gyal, Tokischa & Young Miko  “En 4” – Kenia Os & Anitta  “Mi Rey, Mi Santo” – María José & Ana Bárbara  “Miumiu” – Sofía Reyes, Luísa Sonza & Rainao Omg Collaboration  “Dallax” – Feid & Ty Dolla $Ign “Now Or Never” – Bon Jovi & Pitbull  “Ojos Tristes (With The Marías)” – Selena Gomez, Benny Blanco & The Marías  “Santa” – Rvssian, Rauw Alejandro & Ayra Starr  “Tonight (Bad Boys: Ride Or Die)” – Black Eyed Peas, El Alfa Ft. Becky G The Perfect Collab  “La Cuadrada” – Belinda & Tito Double P  “Mercedes” – Becky G & Oscar Maydon  “Perdonarte ¿Para Qué?” – Los Ángeles Azules & Emilia  “Por Qué Será” – Grupo Frontera & Maluma  “Vivir Sin Aire” – Maná & Carín León Best Dance Track  “2 The Moon” – Pitbull, Ne-Yo, Afrojack, Dj Buddha  “Como La Flor” – Play-N-Skillz, Natti Natasha & Deorro “Corridos Y Alcohol” – Steve Aoki & Oscar Maydon “Savage Funk (Dj Snake Remix)” – Anitta & Dj Snake “Teka” – Dj Snake & Peso Pluma Best Urban Track “57+” – Karol G, Feid, DFZM ft.. Ovy On The Drums, J Balvin, Maluma, Ryan Castro, Blessd “Bing Bong” – Yailin La Más Viral & Puyalo Pantera “Degenere” – Myke Towers ft. Benny Blanco  “DTMF” – Bad Bunny  “Gata Only” – Floyymenor & Cris MJ  “Hay Lupita” – Lomiiel “La Plena (W Sound 5)” – W Sound, Beéle & Ovy On The Drums “Polvo De Tu Vida” – J Balvin & Chencho Corleone  “Savage Funk” – Anitta “Tommy & Pamela” – Peso Pluma & Kenia Os Best Urban Mix  “Adivino” – Myke Towers & Bad Bunny  “Carbon Vrmor” – Farruko & Sharo Towers “Comernos” – Omar Courtz & Bad Gyal  “Gata Only (Remix)” – Floyymenor, Ozuna & Anitta  “Gatitas Sandungueras Vol.1” – Álvaro Díaz & Feid  “La Nena” – Lyanno & Rauw Alejandro  “Mamasota” – Manuel Turizo & Yandel  “Mírame” – Blessd & Ovy On The Drums  “Puro Guayeteo” – Wisin, Don Omar & Jowell y Randy  “Teka” – DJ Snake & Peso Pluma Best Urban Alternative Song  “Chaparrita” – Standly & Yeri Mua  “Nubes” – De La Rose & Omar Courtz  “Real Gangsta Love” – Trueno “Tú Et Moi” – Judeline & Mc Morena  “Tu Vas Sin (Fav)” – Rels B Best Urban Album  Cvrbon Vrmor [C_de:G_d.O.N.]. – Farruko  Debí Tirar Más Fotos – Bad Bunny  Elyte – Yandel Funk Generation – Anitta La Pantera Negra – Myke Towers Mr. W (Deluxe) – Wisin Rayo – J Balvin San Blas – Boza Sayonara: Finales Alternos – Álvaro Díaz Tranki, Todo Pasa – Sech Best Pop/Urban Song “2am” – Sebastián Yatra & Bad Gyal  “Anestesia” – Venesti, Goyo & Slow Mike “Cosas Pendientes” – Maluma  “Latina Foreva” – Karol G  “Nuevayol” – Bad Bunny  “Orión” – Boza & Elena Rose “Priti” – Danny Ocean & Sech  “Soltera” – Shakira Best Pop/Rhythmic Song  “La_playlist.Mpeg” – Emilia “Ley Universal” – Danny Ocean “Loveo” – Daddy Yankee  “Nota” – Jay Wheeler & Omar Courtz “Tamo Bien” – Enrique Iglesias, Pitbull & Iamchino  “Volver” – Piso 21, Marc Anthony & Beéle Best Pop Song  “Bala Perdida” – Arthur Hanlon & Ángela Aguilar  “García” – Kany García  “Mientes” – Reik  “Querida Yo” – Yami Safdie & Camilo  “Samaná” – Mau Y Ricky, Danny Ocean & Yorghaki Best Pop/Rock Song “¿Cómo Pasó?” – Ela Taubert  “Me Toca A Mí” – Morat & Camilo “Ojalá Pudiera Borrarte” – Maná & Marco Antonio Solís “Se Va La Luz” – Black Guayaba  “Una Noche Contigo” – Juanes Best Pop/Ballad Song  “Abrázame” – Ángela Aguilar, Felipe Botello y El Sonoro Rugir  “El Cielo Te Mandó Para Mi” – Ha*Ash  “Lo Que Nos Faltó Decir” – Jesse & Joy  “Palmeras En El Jardín” – Alejandro Sanz  “Roma” – Luis Fonsi & Laura Pausini Best Pop Album  A Mucha Honra – Thalia  El Viaje – Luis Fonsi  Haashville – Ha*Ash  Hotel Caracas – Mau y Ricky Lo Que Nos Faltó Decir – Jesse & Joy Milagro – Sebastián Yatra Panorama –

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