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Though she is “happily married” today, Camila Fernández has also experienced disappointment. “I had my time of heartbreak,” the 27-year-old Mexican singer confesses. “Plus, I grew up with divorced parents, and my mom only listened to heartbreak songs.” So it’s no surprise that her new album La Fernández, released on Thursday night (Aug. 14), is full of them. In the follow-up to her 2023 album Camila Fernández, the heiress to one of Mexico’s greatest musical dynasties presents 10 ranchera songs with modern lyrics, from previously released singles “Se Cancela La Llorada,” “Pudimos Ser” and “No Puedo Dormir Sin Ti” to the focus track “La Loca Era Yo” and “De Llorar Se Me Secaron Los Ojos.” Produced by Orlando Aispuro — whom she recruited after noticing the twist he gave to Carín León’s music with “La primera cita” — La Fernández showcases a more mature side of the artist, with stronger themes blended with her personal style. “We did a songwriting camp where I was fully involved, and although I’m in a stable relationship [with husband Francisco Barba,] it was truly enriching to talk about heartbreak because these songs are performed with more intensity, and you connect with the audience a lot,” Camila tells Billboard Español. The daughter of Alejandro Fernández and granddaughter of Vicente Fernández is currently accompanying her father as the opening act on his De Rey a Rey tour, but she’s been pursuing her music career independently of her family ties for a while. “When I started in this profession, I asked my dad for advice, and he was very clear. He told me there were two paths: He could put everything on a silver platter for me, or I could fight for it on my own and enjoy it much more. That’s what I’m doing because I want him to feel proud of me,” Camila says. “He even thought my pregnancy would hold me back, and now he realizes it didn’t. Today, I have an excellent relationship with him, and I’ve earned his respect.” Determined, the mother of one adds: “I’m going to defend Mexican music fiercely because I want my daughter and future generations to keep singing my grandfather’s, my father’s, and my own songs. I want them to know about charrería and what it means to wear a charro suit with pride.” Below, Camila Fernández breaks down five essential songs from her new album, La Fernández. Listen to the full set here. “No Puedo Dormir Sin Ti” The intro with violins is very special, almost dramatic, setting the stage for the soft mariachi sound with guitars and trumpets. It’s one of my favorites. It was written for my daughter. Songwriters El David Aguilar and Arath Herce perfectly captured my feelings when I have to work, leave her behind, be away on a tour, and miss her. The video recreates what I feel when I step off the stage after a concert — I always call my daughter and tell her that I’m running to her arms. When I have time, we go to new places to create memories together. The melody is a romantic ranchera with very specific accordion touches that make it sound even better. “La Loca Era Yo” This is a mariachi-pop song about realizing you were wrong and that you were with a narcissistic person who blamed you for everything. You then realize it wasn’t true — you weren’t the crazy one. Written by Marcela de la Garza, the song wasn’t originally intended for me, but when it was sent to me, I loved it and made it my own. It has beautiful arrangements, with strings that accentuate the mariachi sound I love so much. This is the focus track, written by Marcela de la Garza, Osiris del Carmen Preciado, and Raúl Jiménez. “Lo Sabía” This is the story many women have experienced: Going back to an ex, knowing deep down that the relationship won’t work. Musically, the song’s structure is very defined. There’s a beautiful a cappella section — that silence allows my voice to shine perfectly. In the final verse and chorus, the emotion runs deep due to the theme. Arath Herce knew exactly how to write the precise words for a story like this. “Se Cancela La Llorada” A ranchera to pair with tequila, where the mariachi resonates in all its glory, accompanied by accordion and subtle tumbado touches. It’s one of those heartfelt songs that blends traditional and modern elements, especially in its lyrics. Written by three women — Erika Vidrio, known for her direct and powerful lyrics, along with Marcela de la Garza and Flor Naomi Castelán — they achieved the goal of inviting women to feel the pain of a breakup or disappointment, go out partying, but not cry over a bad love. “Pudimos Ser” Sometimes cowardice prevents us from trying a relationship that could have been wonderful but never happened. This song has a line that says it all: “We stayed in the ‘could have been.’” It’s the story of a love left unfinished. I was part of the songwriting team along with Mauro Muñoz, Rocío Gómez, and Lourdes Eunice Herrera. We managed to capture the story clearly, and many people will surely relate to it. Musically, the mariachi sounds very rustic — pure and traditional. It has a catchy chorus, and the ending is filled with emotion. Source link

López Aliaga habla de Ricardo Morán El alcalde de Lima, Rafael López Aliaga, expresó su rechazo ante lo sucedido en el programa Yo Soy entre el jurado Ricardo Morán y un participante que agradeció a Dios. “Percy Jesús Palacios Chonce, mi desagravio como alcalde de Lima, contra este discurso de odio del señor Morán”, expresó. Asimismo, acusó al jurado de Yo Soy de mofarse de los sentimientos de una persona humilde y pidió a Latina Televisión no permitir “actos de discriminación”. “No sé qué hace el directorio de Latina, con la señora Cayetana Aljovín a la cabeza, permitiendo estos actos de discriminación, de intolerancia y de odio”, mencionó el alcalde. Te puede interesar Samahara Lobatón sobre Ivana Yturbe y Jefferson Farfán: “Me ocultó su romance” ¿Qué pasó entre Ricardo Morán y el participante en Yo Soy? La nueva temporada de Yo Soy no solo trajo imitadores y talento, sino también una fuerte controversia que ha saltado de la televisión. Todo ocurrió durante el casting, cuando Percy Jesús Palacios, aspirante a imitar a Christian Meier, inició su presentación con la frase: “En primer lugar, agradecer a Dios…”. Ricardo Morán lo interrumpió con ironía: “¿En primer lugar agradecer a Dios es tu nombre completo o cuál es el apellido?”, provocando risas en el estudio, pero también incomodidad. La situación incomodó al participante, quien se mostró nervioso. El jurado le consultó por su nombre, a lo que él contestó que sus amigos lo llaman ‘PJ’, a lo cual Morán respondió tajante: “Sí, pero nosotros no somos tus amigos”. @elultimopaladin24 #elúltimopaladín #noticiasperu #politicaperuana #congresodelperu #ministeriopúblico #poderjudicial #pcmperu #tribunalconstitucionalperu #juntanacionaldejusticia #dinaboluarte #rafaellopezaliaga #porky #perú #peruanos #peruanosenelmundo ♬ sonido original – El Último Paladín ¿Pasó el casting Percy Palacios? Aunque Palacios recibió elogios de Carlos Alcántara por su parecido con la voz de Christian Meier, no pasó a la siguiente etapa. Sin embargo, su breve participación le dio una ola de apoyo en redes sociales, donde muchos lo felicitaron por mantenerse firme en sus convicciones. @luisangellopezaylas498 #CapCut ♬ sonido original – Amo la música y la comida La entrada Rafael López Aliaga acusa a Ricardo Morán de ‘discriminar’ a participante por mencionar a Dios se publicó primero en Radio Onda Cero. Source link

Shaking up the Billboard Latin charts, two artists storm into the top 10 on multiple charts with their new albums on the Aug. 16-dated charts. Genre-bending pop singer-songwriter Danny Ocean and breakout Mexican artist Chino Pacas claim their third and second top 10s on the Top Latin Pop Albums and Top Regional Mexican Albums charts, respectively. Meanwhile, early Latin trap wave-rider Bryant Myers, scores a No. 15 entrance on Latin Rhythm Albums. Explore See latest videos, charts and news Danny Ocean’s Third Chapter: Venezuelan Ocean earns his third straight top 10 on the Top Latin Pop Albums chart, as his fifth studio album, Babylon Club, debuts at No. 2. During the Aug. 1-7 tracking week, the 14-track set generated 4,000 equivalent units in the United States, according to Luminate. The set joins debut album 54+1, which holds strong at No. 15 –in its 144th week– with 2,000 units. Streaming is the dominant factor for Babylon Club’s first-week sum, which translates to 5.4 million official on-demand streams for the songs on the album. Babylon Club builds on the momentum of three charting songs: “Imagínate,” with Kapo, earned Ocean his first No. 1 hit on the overall Latin Airplay chart (April) among five entries. “Vitamina” reached a No. 20 high on the Hot Latin Pop Songs, and “Priti,” with Sech, peaks at No. 20 on Latin Rhythm Airplay this week. As a recruit, “Corazón” bows on Hot Latin Pop Songs at No. 25. The 14-track set also arrives at No. 34 on the Top Latin Albums chart Back-To Back Top 10s for Chino Pacas: Nine months after rising star Pacas entered a Billboard albums ecosystem with the No. 6-peaking Que Sigan Llegando Las Pacas, the 18-year-old returns with his second top 10 on the Regional Mexican Albums chart, as his sophomore project, Cristian, launches at No. 10. The set, released Aug. 1 on Street Mob, starts with 6,000 equivalent album units. Of Cristian’s starting sum, streaming activity contributes 5,000 units, equating 6.6 million official on-demand audio and video streams of its songs. Plus, album sales deliver the bulk of the remaining units. Cristian also bows at No. 19 on Top Latin Albums. Along with Cristian, “Flota,” with Netón Vega, opens at No. 21 on Hot Regional Mexican Songs. Myers’ Comeback: Puerto Rican rapper and singer Myers climbs back onto the Billboard albums charts with his fourth studio project, Millo Gangster Club which debuts at No. 13 on the Latin Rhythm Albums list. The set earns Myers his first chart entry in nearly five years, and the fourth of his career. Myers’ first Rimas-released set arrives with 4,000 equivalent album units mainly from streaming activity, equating to 6.3 million official on-demand audio and video streams of its songs. Millo Gangster Club also launches at No. 30 on Top Latin Albums. Source link

Madre de Suheyn Cipriani cuenta su verdad En recientes declaraciones para Amor y Fuego, la madre de Suheyn Cipriani relató lo que, según ella, es la verdad de lo que sucedió con su hija. “Mi hija sí vivió un abuso, pero no así como ella ha dicho. Ella ha contado su verdad, pero no es la verdad”, expresó. Se mostró afectada tras las declaraciones de la ex de César Vega, exaltándose y repitiendo en todo momento que esa no era la verdad, sin entender cómo su propia hija podía hablar así de ella. Te puede interesar Samahara Lobatón sobre Ivana Yturbe y Jefferson Farfán: “Me ocultó su romance” “No… ¿Por qué? Dime, ¿por qué? Si yo he mantenido a esa muchacha, si me he fajado por ellos, y ahora el padre se la da de gran padre”, mencionó ante las cámaras. Asimismo, dejó ver que lo que sintió por las declaraciones de Cipriani fue más que dolor: “No es dolor, es otra cosa horrible… eso no tiene nombre. Por ratos quisiera sacarme el corazón, por ratos quisiera morirme, acabar con mi vida. ¿Cómo es posible?”. ¡Sí hubo abuso! Respecto al abuso que Suheyn confesó haber sufrido cuando tenía siete años por parte de la pareja de su madre, Betsabet reconoció que “sí hubo un abuso, pero no es como lo contó” y evitó entrar en detalles. “No quiero entrar en detalles… Ya son cosas que ya se perdonaron”, respondió. Según la madre de Suheyn, no pudo poner la denuncia en su momento porque temía por su vida: “Quise poner la denuncia, pero cuando la gente es poderosa no se puede. Me cortaron dos veces los frenos de mi auto”. Te puede interesar Mejor amiga de Pamela Franco revela situación tras escándalo con Cueva: “Ella está sufriendo” Suheyn escribió a su mamá después del programa Tras su presentación, la participante le escribió a su madre para expresarle que jamás tuvo mala intención, pero que era una verdad que debía contar para poder sanar. Además, le dijo que quería apoyarla económicamente y prepararla para lo que se diría en redes. A lo que Noriega sentenció: “Siempre vas a ser mi hija, pero ya no te quiero cerca de mí”. @cortostv01 Madre de suheyn sale a la luz #amoryfuego #suheyncipriani #farandulaperuana #fyp ♬ sonido original – Cortos tv01 La entrada Madre de Suheyn Cipriani rompe su silencio: “Eres mi hija, pero ya no te quiero cerca de mí” se publicó primero en Radio Onda Cero. Source link

Amid the excitement surrounding Taylor Swift‘s upcoming album The Life of a Showgirl, the CEO of the Kansas City Chiefs is taking a moment to recognize her impact on the team’s fandom. In an interview with Entertainment Tonight published this week, Clark Hunt praised the pop star for bringing more people — primarily young girls — into Chiefs Kingdom via her romance with star tight end Travis Kelce. “This relationship with Taylor has garnered a whole lot more interest in the Chiefs,” he began. “I have people come up to me all the time and tell me, ‘Thank you.’ I’m like, ‘Thank you for what?’” he continued. “And then they tell me, ‘Thank you because my 10-year-old daughter now insists on watching NFL football with me.’ Of course, that’s largely because of Taylor Swift.” “It’s been fantastic and we love having her as part of the kingdom,” Hunt added, noting how devoted a fan Swift has become since she started attending games in 2023. “If you’ve ever seen any of those shots of her sitting in the box cheering on the team, when we make a big play, she’s as excited as anybody in the stadium. It’s great to have her support, for sure.” The interview arrives the same day the pop star shared the cover, release date and track list of her upcoming The Life of a Showgirl LP, which arrives Oct. 3. Featuring a collaboration with Sabrina Carpenter and a production team consisting only of Swift, Max Martin and Shellback, the 14-time Grammy winner described the project as full of “bangers” while guesting on Kelce’s New Heights podcast Wednesday. While she was on the show, Swift also opened up about her newfound love of the NFL. “I became a person who was running through the halls of my house screaming, ‘We drafted Xavier Worthy!’” she said, noting that she “fell in love” with football through dating Kelce. “My friends are like, ‘Who body-snatched you? What do you mean?’” The love goes both ways. Much of the sports community has embraced Swift over the past two years, with Hunt revealing to ET that he’s definitely going to be checking out Showgirl once it drops. “I’m very excited, the CEO said of the album. “I am a big fan of hers.” Source link

Redacción Panamericana Betsabet Noriega, madre de Suheyn Cipriani, contó su verdad y aseguró que perdona a su hija, pero que ya no la quiere cerca. Madre de Suheyn Cipriani cuenta su verdad En recientes declaraciones para Amor y Fuego, la madre de Suheyn Cipriani relató lo que, según ella, es la verdad de lo que sucedió con su hija. “Mi hija sí vivió un abuso, pero no así como ella ha dicho. Ella ha contado su verdad, pero no es la verdad”, expresó. Se mostró afectada tras las declaraciones de la ex de César Vega, exaltándose y repitiendo en todo momento que esa no era la verdad, sin entender cómo su propia hija podía hablar así de ella. Te puede interesar César Vega: Suhey Cipriani revela el infierno que vivió junto al salsero “No… ¿Por qué? Dime, ¿por qué? Si yo he mantenido a esa muchacha, si me he fajado por ellos, y ahora el padre se la da de gran padre”, mencionó ante las cámaras. Asimismo, dejó ver que lo que sintió por las declaraciones de Cipriani fue más que dolor: “No es dolor, es otra cosa horrible… eso no tiene nombre. Por ratos quisiera sacarme el corazón, por ratos quisiera morirme, acabar con mi vida. ¿Cómo es posible?”. ¡Sí hubo abuso! Respecto al abuso que Suheyn confesó haber sufrido cuando tenía siete años por parte de la pareja de su madre, Betsabet reconoció que “sí hubo un abuso, pero no es como lo contó” y evitó entrar en detalles. “No quiero entrar en detalles… Ya son cosas que ya se perdonaron”, respondió. Según la madre de Suheyn, no pudo poner la denuncia en su momento porque temía por su vida: “Quise poner la denuncia, pero cuando la gente es poderosa no se puede. Me cortaron dos veces los frenos de mi auto”. Te puede interesar Expareja de César Vega revela que sufrió abuso por la pareja de su madre Suheyn escribió a su mamá después del programa Tras su presentación, la participante le escribió a su madre para expresarle que jamás tuvo mala intención, pero que era una verdad que debía contar para poder sanar. Además, le dijo que quería apoyarla económicamente y prepararla para lo que se diría en redes. A lo que Noriega sentenció: “Siempre vas a ser mi hija, pero ya no te quiero cerca de mí”. @cortostv01 Madre de suheyn sale a la luz #amoryfuego #suheyncipriani #farandulaperuana #fyp ♬ sonido original – Cortos tv01 Source link

Guitarist, songwriter and singer Molly Tuttle has become one of bluegrass music’s most respected artists, building her reputation over the years through performances with family band The Tuttles With AJ Lee, solo projects, and her work with Golden Highway (a nod to Tuttle’s California roots). She was also the first woman to win the IBMA’s guitar player of the year award. Explore See latest videos, charts and news Tuttle credits the success of her Grammy-winning albums with Golden Highway—Crooked Tree (2022) and City of Gold (2023)—with helping her “gain that confidence and help me take a risk with my sound,” she tells Billboard. Her new solo album, So Long Little Miss Sunshine, out Friday (Aug. 15) on Nonesuch, is the result of that risk-taking — and marks a radical stylistic evolution from her earlier bluegrass-oriented work. The 12-song album is built on a bedrock of folk-pop, country and rock, while still folding in dashes of bluegrass. “When we finished the record and I heard it all, I was like, ‘This has Sheryl Crow vibes and I love it.’ She’s my hero,” Tuttle says. Over the past five years, in between playing more than 100 shows per year with Golden Highway, making her previous two projects (in addition to her solo 2024 EP Into the Wild) and seeing Crooked Tree win the IBMA’s album of the year award, Tuttle was culling songs that landed outside her usual purview. She wrote many of the songs on the new album with her partner, Old Crow Medicine Show’s Ketch Secor. “Bluegrass is the music I grew up with and that’s such a kind of defined format to me. You can push boundaries, but you are still kind of writing within this established genre,” she says. “I so often write songs that don’t really fit into any specific style of music. I’ve gravitated towards this sound that is a little less defined and that made it scarier to make this album.” At the suggestion of manager Ken Levitan, Tuttle began sending songs to producer Jay Joyce, known for his work with Cage the Elephant, Miranda Lambert and Eric Church. “Ken felt he would have cool ideas for pushing my guitar playing in new directions,” she says. “Jay was great about that. He was like, ‘There are going to be a lot of guitar solos on this album.’ I feel like with me, when we are making a record, usually the solos are being passed around in the bluegrass world, a collaborative approach which is also really cool. But with this, it was also challenging when you’re taking longer guitar solos and playing throughout the whole record. You have to spend more time on it and make sure they have an arc of their own.” Tuttle and Joyce recorded the album last fall at Joyce’s Neon Cross studio in East Nashville, along with drummer/percussionists Jay Bellerose and Fred Eltringham, bassist Byron House and Secor on banjo, fiddle, harmonica, and vocal harmonies. “We had the drums in the isolation room, so it didn’t bleed into everything, but otherwise, we were all sitting there in the control room,” Tuttle says. “Usually when you’re in a studio, the musicians are on one side and the producer and engineers are on the other, but his studio is cool because the console and everything is in the middle, and we just sat around it. You’re all in this big space together.” The album opens with the stormy “Everything Burns.” “We decided to start things off with a big guitar moment, to kind of set the tone,” Tuttle says. “It’s still going to have that throughline of my guitar playing and it’s a singer-songwriter record, but it’s also a guitar record. The song kind of takes people by surprise. It’s one of the moodiest songs on the record, but it gets happier after that.” Indeed, the album brightens throughout the following 11 songs, including the pop-fueled “That’s Gonna Leave a Mark,” the sunny “Summer of Love,” and a cover of Icona Pop and Charli XCX’s 2012 hit “I Love It.” Elsewhere, songs such as “No Regrets” and “Golden State of Mind” delve into the emotional maturity and acceptance that come as the years progress. Her guitar-playing is as self-assured and precise as ever. Tuttle also plays banjo on “No Regrets” and album closer “Story of My So-Called Life,” something she hasn’t done on her records since she was a teenager. “Story of My So-Called Life” traces her journey from attending Boston’s Berklee College of Music to chasing her musical dreams. “Old Me (New Wig)” finds her opening up about moving away from habits and thoughts that aren’t self-beneficial. “It’s a little tongue-in-cheek,” she admits. “We thought we were just writing your kind of a breakup song, but we got to the chorus and we suddenly realized, ‘Maybe this is about breaking up with an old version of yourself that isn’t really serving you anymore–your insecurities or bad habits or anything that you need to leave behind. It’s probably my favorite of the new songs to play because I have people in the audience coming up to me and being like, ‘I have things that I’m struggling with or trying to leave in the past.’ It was just fun to come up with the line, ‘I got a new wig to get you out of my hair.’” The album’s cover artwork also plays into that idea, featuring photos of Tuttle in an array of wigs—and one photo with no wig—with each photo tying in with a song on the album. A blonde wig with a braid links to a line from the song “Rosalee,” while a dark wig represents “Everything Burns.” But the center photo showcases a bald Tuttle staring straight ahead at the camera. It’s a bold, confident statement for the singer-songwriter, who lost her hair when she was three due to the autoimmune condition alopecia areata. “It’s nice for me because I feel like I can just have fun with

Jimmy Fallon had a clever way of explaining President Donald Trump‘s rocky relationship with Vladimir Putin, as the late-night host used Taylor Swift songs to break down their history ahead of an upcoming meeting between the two world leaders. On the Wednesday night (Aug. 13) episode of The Tonight Show, Fallon opened his monologue by saying, “Well, guys, the two big stories right now are Trump and Putin’s summit, and of course, Taylor Swift announcing her new album.” The host continued that he and his team decided that “there’s no better way to explain the summit than by breaking it down using Taylor Swift’s songs,” before launching into the segment. “For a long time, Trump would look at Putin and think, ‘You Belong With Me,’ and when the people told him to stay away from Putin, he’d just ‘Shake It Off’ and shout, ‘But Daddy I Love Him.’” “But recently, they’ve had some ‘Bad Blood,’ and of course, Putin has a terrible ‘Reputation,’” the comedian added as audience members cracked up, tying in references to Russia’s invasion of Ukraine and the Epstein files scandal. “Americans are worried that Trump isn’t ‘Ready for It,’ because his brain is basically a giant ‘Blank Space.’” The timely monologue comes as — as Fallon mentioned — much of the world is either reeling over the news of Swift announcing her The Life of a Showgirl album or eyeing Trump’s upcoming meeting with Putin. The former took place on Tuesday (Aug. 12), with the pop star revealing more details about the Max Martin- and Shellback-produced LP on an episode of Travis Kelce’s New Heights podcast the next day, while the latter is expected to take place in Alaska on Friday (Aug. 15). The twice-impeached POTUS has stated that he intends to threaten the Russian president with “very severe consequences” at the summit if the war in Ukraine doesn’t come to an end. Watch Fallon’s monologue above. Get weekly rundowns straight to your inbox Sign Up Source link

Megadeth is saying farewell. After 16 albums, the band’s frontman, Dave Mustaine, announced on Thursday (Aug. 14) that their next project will be their last, with a goodbye tour to support it. The news came in the form of a video posted to the band’s YouTube page and social media accounts, featuring Mustaine’s alter ego, Vic Rattlehead breaking the news. Explore See latest videos, charts and news “For over four decades, I’ve been chained in silence, but the end demands my voice,” Vic begins while seated behind a desk. “It is confirmed: The next Megadeth studio album will be the last. Forty years of metal, forged in steel, ending in fire. And when the new year rises, the global farewell tour. You’ve heard the warning. Now prepare yourself, Cyber Army. Stay loud, stay tuned, and meet me on the frontlines.” In a press release, Mustaine thanked fans for their commitment and love while celebrating the band’s impact on rock n’ roll. “There’s so many musicians that have come to the end of their career, whether accidental or intentional,” Mustaine said. “Most of them don’t get to go out on their own terms on top, and that’s where I’m at in my life right now. I have traveled the world and have made millions upon millions of fans and the hardest part of all of this is saying goodbye to them.” He continued. “We can’t wait for you to hear this album and see us on tour. If there was ever a perfect time for us to put out a new album, it’s now. If there was ever a perfect time to tour the world, it’s now. This is also a perfect time for us to tell you that it’s our last studio album. We’ve made a lot of friends over the years and I hope to see all of you on our global farewell tour. Don’t be mad, don’t be sad, be happy for us all, come celebrate with me these next few years. We have done something together that’s truly wonderful and will probably never happen again. We started a musical style, we started a revolution, we changed the guitar world and how it’s played, and we changed the world. The bands I played in have influenced the world. I love you all for it. Thank you for everything.” The follow-up to 2022’s The Sick, the Dying… and the Dead! will be released via Mustaine’s Tradecraft imprint on Frontiers Label Group’s new BLKIIBLK label, and does not yet have a release date, but is expected next year. Fans can register for early access to exclusive information and offers surrounding the forthcoming final album on Megadeth’s website. According to the site, pre-orders start on Sept. 25. The initial run of farewell tour dates will also be announced later this year. Check out a social media clip below featuring Vic Rattlehead breaking the news: Source link

Redacción Panamericana La hija de Melissa Klug revelará detalles del romance de Ivana Yturbe y Jefferson Farfán que le ocultaron y acusaciones a la Foquita. Samahara cuenta detalles de la relación de Ivana y Jefferson Samahara Lobatón, hija de Melissa Klug, sorprendió al revelar en el adelanto de El valor de la verdad que Ivana Yturbe le ocultó que estaba saliendo con Jefferson Farfán, algo que fracturó su amistad. “Ivana y yo éramos uña y mugre, pero nunca me dijo ‘yo estoy saliendo con él’. Me lo ocultó al comienzo. Yo sabía que viajaban juntos. Lo que hace la calentura y el amor”, dijo Samahara, dejando claro que este episodio marcó un antes y un después en su relación. Te puede interesar Mejor amiga de Pamela Franco revela situación tras escándalo con Cueva: “Ella está sufriendo” Farfán y sus vínculos con amigas cercanas La hija de Abel Lobatón también aseguró que Jefferson Farfán mostró interés por otras de sus amigas cercanas, mencionando nombres como Delany, Darinka y Xiomy Kanashiro. Incluso, insinuó que el exfutbolista habría tenido aventuras con varias de ellas al mismo tiempo. Acusaciones contra la ‘Foquita’ Pero eso no fue todo. Samahara reveló que Farfán intentó intervenir en su relación con Bryan Torres. Según su testimonio, la ‘Foquita’ le escribió directamente a su pareja para advertirle que no saliera con ella e incluso planear un supuesto ampay. Te puede interesar Leslie Shaw arremete contra Marisol: “Haces un videoclip de 5 soles” “Él le dijo que le iba a armar un ampay para que lo grabaran con otra mujer y así alejarlo de mí. Prácticamente humillándome”, acusó. ¿Cuándo se transmite El valor de la verdad? Las declaraciones, que se emitirán completas este 17 de agosto, prometen encender la polémica en la farándula peruana. La tensión entre Samahara, Ivana Yturbe y Jefferson Farfán parece estar lejos de terminar, y todo apunta a que este nuevo capítulo dará mucho de qué hablar. @elvalordelaverdadoficial Samahara Lobatón llega al sillón rojo 👀 y está vez, no es un titular, no es un chisme… es con su verdad. 🔥 Escándalos, amores y verdades incómodas que por fin contarán su lado de la historia este domingo 17 de agosto. Por Panamericana Televisión y en simultáneo por nuestro canal oficial de YouTube a las 10 P.M. 😎 #ElValorDeLaVerdad #BetoOrtiz #SamaharaLobatón #jeffersonfarfan #sillónrojo @el detrás de Beto @Panamericana Televisión ♬ sonido original – El Valor De La Verdad Source link