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The home team paid tribute to their favorite son on Saturday (Aug. 16) when the Aston Villa Football Club remembered Ozzy Osbourne while hosting their Premier League opener against Newcastle United at Villa Park. The home team honored the late rocker by having both teams walk out to a version of Ozzy’s solo hit “Crazy Train” that was recorded at the all-star July 5 Back to the Beginning event at which the Rock and Roll Hall of Fame icon performed with his Black Sabbath mates and solo for the last time before his death two weeks later at 76 on July 22. The team also played a recording of the Osbourne ballad “Mama I’m Coming Home” during the match and played a video montage of Osbourne on the big screen, including an image in which the metal icon peered out with a comically maniacal look with his hands extended as the slogan “Up the Villa” surrounded his head. Birmingham native Osbourne was a lifelong fan of the team — which is why he chose their home pitch at Villa Park for his final concert — and the band that performed at his public funeral on July 30, the Bostin Brass Band, was on hand in the stadium to play a series of Ozzy’s solo and Sabbath hits in the stadium’s fan zone during the game. Attendees could also visit the club store to sign a condolence, with the official matchday program also paying homage to Osbourne, with an illustration of a figure resembling the rocker walking up the steps to the stadium wearing a No. 9 jersey with the name “Ozzy” across the back. Ahead of the game, the team wrote a note honoring Ozzy and laying out its plans. “Aston Villa Football Club will remember world-renowned rockstar and Villan, Ozzy Osbourne, ahead of Saturday’s Premier League opener against Newcastle United at Villa Park. Ozzy, who grew up in Aston, sadly passed away in July aged 76, having always held a special connection to the club and the community he came from,” read the statement. “At the beginning of last month, the Prince of Darkness headlined the unforgettable Back to the Beginning concert at Villa Park. He took to the stage for the final time with an all-star lineup of rock legends, including his iconic band Black Sabbath. At our first home game since his passing, the club will come together to pay tribute to Ozzy and his legacy in several ways. A video tribute will be shown on the big screens immediately following the players’ warmup, while the teams will walkout to a backdrop of Ozzy’s live ‘Crazy Train’ performance from Back to the Beginning.” It noted that a mural was also commissioned for the external wall of the beloved Hotle Put that reads “Ozzy Forever” and features an image of Osbourne in a similar pose as the one seen inside the stadium in the tribute video, hands extended, moth open, sly smile on his face. “We have also kept a little piece of history in the Fan Zone Bar which was used as the exclusive artist backstage area for Back to the Beginning. Parts of the original branding and carved trees are there for fans to see, touch, take photos and remember the night Ozzy celebrated where it all started,” the team statement continued. “In the Villa Store, our book of condolences is open for supporters to add their messages which will be then presented to Ozzy’s family. Aston Villa is proud to remember Ozzy Osbourne, a music legend, and his connection to our club.” Watch the tributes below. Source link

Soulshine at Sea 3 won’t set sail as planned. The concert cruise was slated to begin its voyage Nov. 4-8, 2025, headlined by Michael Franti & Spearhead and tracing a path from Miami to Cozumel, Mexico. Produced by Sixthman, and billed as Soulshine at Sea 3 With Michael Franti, the event was officially sold-out back in mid-December 2024. Explore See latest videos, charts and news However, the show entered stormy waters in recent days when performers including Dispatch, Maggie Rose, Hirie, and Liz Vice pulled out. Sixthman has returned its plans to dock. “In light of recent events, the Soulshine at Sea with Michael Franti event scheduled for November 4-8, 2025, is cancelled,” reads a statement posted to the official Soulshine at Sea’s website, noting that plans for a separate event are underway. The artist exodus was fueled by allegations of abuse by an unnamed artist on the lineup. Maggie Rose shared a post on her Instagram stories: “I’ve made the decision to no longer perform at Soulshine at Sea. There were some allegations made by a peer of mine about another artist on the lineup and I want to stand in solidarity with her. I hope you understand my decision and I appreciate your support.” Another, from Dispatch reads: “We’ve decided we will no longer be performing at Soulshine at Sea. We have been made aware of deeply concerning public allegations involving another artist on the lineup and have chosen to withdraw from the event. We are sorry for any inconvenience this may cause and appreciate your understanding.” Hirie and Lice Vice also pulled out, citing similar reasons. Earlier, musician Victoria Canal accused a “very powerful, decades older” man in the music industry of grooming and sexually abusing her when she was 19. “This is something I’ve never spoken about publicly, and have been holding for 8 years now – it has plagued my body, spirit, and mind, in subliminal and overt ways, for my entire 20s,” Canal wrote Aug. 11 on her Instagram account. She declined to mention his name or any specifics “because I can’t risk the financial loss or emotional terror a lawsuit would bring.” This “experience, which lasted a little over a year, has had a years-lasting effect on my intimate life,” she writes. As the accusations and subsequent cancellation spread on social media, Franti attempted to clear the air with a statement on an extramarital affair, a “regrettable mistake,” as he puts it. “I come here most humbly to share my story with you,” he writes in a social post. “7 years ago I had a romantic relationship outside my marriage. It was with an artist who was touring with me. I broke my wedding vows, I broke my wife’s trust, I broke her heart and for that I am deeply sorry for the pain my actions have caused.” Franti’s wife found out about, and “to save my marriage, we ended the relationship,” he continues. The unidentified artist continued to tour with Franti in what he depicts as a professional relationship, and after the tour ended, continued to perform with him at “several shows.” Meanwhile, organisers of Soulshine at Sea are “actively working to announce a new event that will sail November 4-8, 2025”. Additional details will be shared today, Aug. 18. Source link

Alison Wonderland more than met her match in Shaquille O’Neal, the DJ and retired basketball great who recently spent some time with the Australian EDM star. Wonderland and Shaq, with his Bass Allstars, were in the house and on the stage Saturday, August 16th for the Aftershock event in Chandler, AZ. Explore See latest videos, charts and news Away from the decks, the 7’1” former NBA MVP and four-times champion posed with Wonderland, who is two-feet shorter, and effortlessly lifted her for the cameras. “Dj who plays basketball, DJ with basketball in her belly = dj holding other djs belly like a basketball. It’s simple math,” Wonderland wrote on her socials. It’s shaping as a particularly special year for Wonderland. That belly like a basketball that she speaks of is Wonderland’s second child. She’s also readying the release of Ghost World, her fourth solo studio album, due out October 3rd. “Not only are you getting a new album, you’re getting a new sibling,” she writes in an earlier post. “Being able to create in so many ways is my ultimate happiness.” Wonderland is a superstar in her field. In 2018, she made history as the highest-billed female DJ in Coachella history, and cites among her career highlights her seven sold-out shows at Red Rocks Amphitheater. She has also headlined Lollapalooza’s Perry’s Stage, and performed at Tomorrowland, Electric Daisy Carnival, Ultra, Bonnaroo, Austin City Limits, and Life Is Beautiful. Her second album, from 2018, Awake, cracked the Billboard 200 at No. 88. Career streams top 1.1 billion, and Wonderland has shifted more than 800,000 headline ticket sales across her U.S. tours alone. The new collection was co-written and co-produced by Alison and Dylan Ragland (Party Favor, SIDEPIECE) and mastered by Dale Becker (Billie Eilish, SZA, Omar Apollo, Doja Cat), and houses the previously-released singles “Get Started,” “Again? Fuck.”, and “iwannaliveinadream.” Source link

Wishbone, the new album from Conan Gray, tops this week’s fan-voted music poll. Music fans voted in a poll published Friday (Aug. 1) on Billboard, choosing the pop artist’s fresh LP as their favorite new release of the past week. Wishbone worked its magic with listeners in a week that also saw new releases streaming in from Chance The Rapper, Cardi B and more. An overwhelming majority said Gray’s fourth studio album was their top choice, with the set bringing in nearly 80% of the vote. Explore See latest videos, charts and news “I named it Wishbone because I think relationships remind me a lot of wishbones,” Gray told Billboard in a recent interview. “It’s like the only wishing ritual that requires two people, but a wishbone requires two people, and they essentially make a bet against each other, and they’re like, ‘Hey, I want my wish to come true. So let’s do this. You might win and get your dreams come true, but I also might win, and if I win, then you get nothing.”’ Gray added, “I had so much fun. I was writing lyrics, smiling ear to ear like so happy to get things off my chest. I felt immense freedom. I was literally, I literally have never had a better time writing an album — which is hilarious because the album is truly miserable.” The 12-track album — which was highlighted as an editor’s pick on Billboard‘s Friday Music Guide — features singles including “Vodka Cranberry,” “a song that encapsulated the entire album,” says Gray, whose voice soars through a chorus of somber late-night rumination: “Speak up, I know you hate me/ Looked at your picture and cried like a baby/ Speak up, don’t leave me waiting/ Got way too drunk off a vodka cranberry/ Called you up in the middle of the night/ Wailing like an imbecile/ If you won’t end things, then I will.” Among the new releases trailing behind Wishbone on this week’s poll are Chance The Rapper’s Star Line, coming in with 11% of the vote, and Cardi B’s “Imaginary Playerz,” with 3% of the vote. Olivia Dean’s “Man I Need,” Dijon’s Baby, Kaytranada’s Ain’t No Damn Way! and Jordan Davis’ Learn the Hard Way follow. See the final results of this week’s poll below. Source link

By holding at No. 1 on the Billboard 200 for a 11th nonconsecutive week with I’m the Problem, Morgan Wallen ups his career total of weeks at No. 1 on Billboard’s flagship albums chart to 40. That puts him in a tie with Adele, who headed the chart for 40 weeks from 2011-2022. Just seven artists have logged more than 40 weeks at No. 1 in the history of the Billboard 200 — which originated in March 1956. Wallen is just the 20th artist to log 30 or more weeks at No. 1 on the Billboard 200. He’s only the second core country artist to amass 30 weeks at No. 1, following Garth Brooks, who has headed the chart for 52 weeks. (Eagles, Elvis Presley and Taylor Swift, whose music straddles pop, rock and country, are also on the list.) Wallen, 32, is the youngest artist on this list. He has landed three No. 1 albums on the Billboard 200: Dangerous: The Double Album (10 weeks on top), One Thing at a Time (19 weeks) and now I’m the Problem (11 weeks so far). A few quick notes: While Presley’s feats on the Billboard Hot 100 are shortchanged by the fact that his breakthrough in 1956 pre-dated the launch of Billboard’s flagship songs chart by more than two years, the Billboard 200 captures Presley’s entire career. His debut album, Elvis Presley, entered the chart at No. 11 in the issue dated March 31, 1956 – which was the chart’s second week. If you count the Saturday Night Fever soundtrack (which logged 24 weeks at No. 1 in 1978) as a Bee Gees album, the trio had 31 weeks on top. Bee Gees had six tracks on the album — five of which were No. 1 hits on the Hot 100. But Billboard counts it as a multi-artist soundtrack album. Here’s a look at all acts with 30 or more weeks at No. 1 on the Billboard 200 since March 24, 1956, when the chart began publishing on a consistent weekly basis. Ties are shown in alphabetical order. Mariah Carey (30 weeks) Image Credit: Michael Brennan/GI First week at No. 1: March 2, 1991 Most recent week at No. 1: May 10, 2008 Longest-running No. 1: Mariah Carey (11 weeks in 1991) Notes: All of Carey’s No. 1 albums have been regular studio releases. The Queen of Christmas’ 1994 holiday album, Merry Christmas, peaked at No. 3. Eagles (30 weeks) First week at No. 1: July 26, 1975 Most recent week at No. 1: Nov. 17, 2007 Longest-running No. 1: The Long Run (nine weeks in 1979). Notes: The long run at No. 1 for The Long Run is one week more than the band’s most famous album, Hotel California (eight weeks in 1977). The RIAA has certified Eagles/Their Greatest Hits 1971-1975, which logged five weeks at No. 1 in 1976, at 38 times platinum, higher than any other album in history. The group’s tally of No. 1 albums also includes a live album, 1994’s Hell Freezes Over. Prince (35 weeks) Image Credit: Richard E. Aaron/Redferns First week at No. 1: Aug. 4, 1984 Most recent week at No. 1: May 7, 2016 Longest-running No. 1: Purple Rain soundtrack (24 weeks in 1984-85) Notes: Prince’s No. 1 albums include two soundtracks, Purple Rain and Batman. Purple Rain had the longest run at No. 1 of any soundtrack in the 1980s. It was one of two No. 1 albums on which Prince shared billing with his band, The Revolution. The other was Around the World in a Day. Prince’s tally also includes a 2001 hits compilation, The Very Best of Prince, which reached No. 1 following his death in 2016. Eminem (35 weeks) First week at No. 1: June 10, 2000 Most recent week at No. 1: July 27, 2024 Longest-running No. 1: The Marshall Mathers LP (eight weeks in 2000) Notes: Eminem’s tally of No. 1 albums includes a 2005 greatest hits set, Curtain Call: The Hits. Eminem was the key artist on 8 Mile: Music From and Inspired by the Motion Picture, which logged four weeks at No. 1 in 2002-03, but that doesn’t count toward his total. Neither do a pair of No. 1 albums he recorded as a member of the group D12, which logged a combined three weeks at No. 1. Harry Belafonte (37 weeks) First week at No. 1: March 24, 1956 Most recent week at No. 1: May 20, 1957 Longest-running No. 1: Calypso (31 weeks in 1956-57) Notes: The legendary singer’s Belafonte album was No. 1 on the very first weekly Billboard 200 chart. Calypso is tied with the South Pacific soundtrack as the longest-running No. 1 album of the 1956-59 period. Belafonte had the second shortest span of weeks at No. 1 of any act on this list, with only The Monkees having a slightly shorter span. He is the only artist on this list who has had just two No. 1 albums. Drake (37 weeks) First week at No. 1: July 3, 2010 Most recent week at No. 1: March 1, 2025 Longest-running No. 1: Views (13 weeks in 2016) Notes: Drake is the hip-hop artist with the most weeks at No. 1. Also, he has logged more weeks at No. 1 than any other Canadian artist. His tally includes three collabs, with Future (What a Time to Be Alive), 21 Savage (Her Loss) and PARTYNEXTDOOR ($ome $exy $ongs 4U). The Monkees (37 weeks) First week at No. 1: Nov. 12, 1966 Most recent week at No. 1: Dec. 30, 1967 Longest-running No. 1: More of the Monkees (18 weeks in 1967) Notes: The group had a briefer span of No. 1 albums – just a little more than a year – than any other act on this list. But that also underscores how hot they were at the time. They held the No. 1 spot for 31 consecutive weeks, longer than any other act in the entire 1956-2025 period. Fleetwood Mac (38 weeks) Image Credit: CBS via GI First week at No. 1: Sept. 4, 1976 Most recent week at No. 1: Sept. 6,

Hailey Bieber is having a little fun with a new photo featuring her husband, Justin Bieber, and her best friend, Kendall Jenner. On Saturday (Aug. 16), the 31-year-old pop superstar shared a series of Instagram photos from a night out with friends at a Los Angeles bar. In one candid shot, Justin — sporting a shaved head and light tank top with baggy pants — appears slightly confused as Jenner, 29, animatedly gestures beside him, seemingly mid-story. Hailey, 28, couldn’t resist dropping a cheeky comment aimed at her longtime friend. “It’s always Kendall telling a story with her hands,” the Rhode founder wrote. Her playful comment quickly racked up hundreds of thousands of likes, with Jenner joining in on the fun by replying, “God forbid I’m a visual storyteller.” Hailey and Kendall have been close friends for over a decade. The Kardashians star was part of the Biebers’ wedding celebration in 2019, and the two even dressed up as Paris Hilton and Nicole Richie from their Simple Life days for Halloween in 2024. Earlier this summer, the longtime friends went paintballing together, and the outing quickly turned hilariously competitive. In one moment captured on Kendall’s Instagram Story, Hailey playfully flipped her the bird after the game. Justin also shared several other photos from his night out in L.A., including a cute selfie with Hailey. “Secrets out we’re dating!” she joked in the comments. The “All I Can Take” singer’s Instagram photo dump also included snaps of himself taking a cigarette break outside the bar, racking pool balls and dancing with a cue stick. Meanwhile, the Bieber family is gearing up to celebrate their son, Jack Blues’ first birthday on Aug. 22. Last month, Justin gave fans a glimpse of their baby boy during a visit to the recording studio, where he was likely working on his latest album, Swag. The project dropped on July 11 and debuted at No. 2 on the Billboard 200. Check out Bieber’s photo with Jenner on Instagram here. Source link

Ronnie Rondell Jr., a veteran Hollywood stuntman best known for being set on fire for the cover of Pink Floyd’s Wish You Were Here album, has died. He was 88. Rondell Jr. passed away on Tuesday (Aug. 12) at a senior living facility in Osage Beach, Mo., his family announced, according to The Hollywood Reporter. A cause of death was not given. Throughout his decades-long career, Rondell Jr. appeared in numerous films, including How the West Was Won (1962), Lethal Weapon (1987) and The Matrix Reloaded (2003). To music fans, however, he is most famously remembered as the man engulfed in flames on the cover of Pink Floyd’s 1975 album, Wish You Were Here. The striking image was shot on the Warner Bros. lot in Burbank, Calif., and features a half-burning Rondell Jr. shaking hands with fellow stuntman Danny Rogers, both dressed in business suits. “I’d been doing a lot of fire work in those days, and I had the special suits and all this stuff for fully enveloped fire,” Rondell Jr. recalled in the documentary Pink Floyd: The Story of Wish You Were Here (via Rolling Stone). “It was pretty easy to do, not too life-threatening, and paid well.” The iconic photo, created by Storm Thorgerson and Aubrey Powell of the English art design group Hipgnosis, took around 15 attempts to shoot due to wind and other factors — and even resulted in Rondell Jr. having part of his eyebrow and mustache burned off. “We repeated the process 14 times, took the shot, and then on the 15th a gust of wind blew up and wrapped the fire around his face and burnt him,” Powell told The Guardian in 2020. “He threw himself to the ground and his whole team piled on blankets to put him out.” He added, “I knew I had got a special picture. It took a long time to persuade Ronnie to stand exactly as I wanted but in the end he was very brave and it was a perfect composition.” Rondell Jr.’s extensive list of film credits includes Kings of the Sun (1963), Shenandoah (1965), Grand Prix (1966), Diamonds Are Forever (1971), Blazing Saddles (1974), To Live and Die in L.A. (1985), They Live (1988), The Hunt for Red October (1990), Thelma & Louise (1991), Last Action Hero (1993), Speed (1994) and The Crow (1994). He also worked as a stunt coordinator on several Aaron Spelling-produced television series, including The Rookies, S.W.A.T., Charlie’s Angels, Fantasy Island, Dynasty, Vegas, Hart to Hart and T.J. Hooker, according to THR. Rondell Jr. retired in 2000 but returned to perform in a chase scene for The Matrix Reloaded (2003), where his son R.A. Rondell was the supervising stunt coordinator. Source link

Morgan Wallen’s I’m the Problem clocks an 11th nonconsecutive week atop the Billboard 200 chart (dated Aug. 23). The project earned 126,000 equivalent album units in the United States in the week ending Aug. 14 (down 7%), according to Luminate. I’m the Problem debuted at No. 1 on the May 31-dated chart, spent it first eight weeks in the pole position, stepped away from the top for two frames and then returned to No. 1 for the three weeks running. Explore See latest videos, charts and news Also in the top 10 of the latest Billboard 200, Gunna, mgk and Jonas Brothers all arrive with their latest efforts, while BABYMETAL gets its first top 10 with the bow of METAL FORTH. The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Aug. 23, 2025-dated chart will be posted in full on Billboard‘s website on Tuesday (Aug. 19). For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram. Of I’m the Problem’s 126,000 equivalent album units earned in the week ending Aug. 14, SEA units comprise 121,000 (down 7%, equaling 159.73 million on-demand official streams of the set’s songs — it leads Top Streaming Albums for a 12th nonconsecutive week), album sales comprise 4,000 (down 3%, it falls 13-21 on Top Album Sales) and TEA units comprise 1,000 (down 12%). The KPop Demon Hunters soundtrack is steady at its No. 2 high on the Billboard 200, with 104,000 equivalent album units earned (its best week yet by units earned, up 4%). The set has posted a gain every week since its debut on the list eight weeks ago. Gunna logs his seventh top 10-charted effort on the Billboard 200, as The Last Wun arrives at No. 3 with 80,000 equivalent album units earned. Of that sum, SEA units comprise 79,000 (equaling 104.49 million on-demand official streams of its songs — it debuts at No. 3 on Top Streaming Albums), while album sales comprise 1,000 (it was available to purchase only as a standard widely available download album) and TEA units comprise a negligible sum. The Last Wun was preceded by its charted songs “Him All Along” (No. 58 peak last November on the Billboard Hot 100) and “Won’t Stop” (No. 70, June). mgk debuts at No. 4 on the Billboard 200 with lost americana, marking his seventh top 10 project. The set bows with 63,000 equivalent album units earned. Of that sum, album sales comprise 40,500 — it debuts at No. 1 on Top Album Sales, SEA units comprise 22,000 (equaling 28.63 million on-demand official streams of its songs; it debuts at No. 18 on Top Streaming Albums), and TEA units comprise 500. The album was preceded by the charted song “cliché,” which peaked at No. 62 on the Hot 100 in June. The first-week sales of lost americana were bolstered by the set’s availability across 10 vinyl variants (including two signed by mgk), four CD variants (including one signed by the artist), a standard widely available download and four deluxe CD boxed sets (each containing a branded clothing item and a copy of the CD). Alex Warren’s You’ll Be Alright, Kid rises 6-5 on the Billboard 200, matching its peak rank, with 42,000 equivalent album units earned (down 3%). Jonas Brothers achieve their eighth top 10-charted project on the Billboard 200 as Greetings From Your Hometown starts at No. 6 with 39,000 equivalent album units. Of that sum, album sales comprise 26,000 (it debuts at No. 3 on Top Album Sales), SEA units comprise 13,000 (equaling 16.49 million on-demand official streams of its songs) and TEA units comprise a negligible sum. The album was preceded by a trio of charted songs on the Pop Airplay chart: “Slow Motion” (with Marshmellow, No. 37 peak in March), “Love Me to Heaven” (No. 34, May) and “No Time to Talk” (which rose to a new peak of No. 27 on the most recently published chart, dated Aug. 23). The first-week sales of Greetings were aided by its availability as a widely available 10-song standard vinyl and CD album. The set was also available in two additional vinyl variants (one signed) and more than 50 CD variants (including 50 signed editions, individualized for each of the 50 States of the U.S.), a deluxe download edition with four bonus tracks, a deluxe download edition with six bonus tracks and an artist webstore-exclusive download edition with bonus live tracks. Justin Bieber’s SWAG falls 5-7 on the Billboard 200 with 38,000 equivalent album units earned (down 13%) and Morgan Wallen’s chart-topping One Thing at a Time dips 7-8 with nearly 38,000 units (down 3%). BABYMETAL scores its first top 10 album on the Billboard 200 as METAL FORTH debuts at No. 9 with 36,000 equivalent album units earned — the act’s best week by units. Of that sum, album sales comprise 33,500 (the act’s best sales week ever; it debuts at No. 2 on Top Album Sales), SEA units comprise 2,500 (equaling 3.28 million on-demand official streams of its songs) and TEA units comprise a negligible sum. METAL FORTH’s first-week sales got a boost from its availability across 15 vinyl variants (including two signed editions), six CD editions (five signed), two deluxe CD boxed sets (one of which was signed, both containing branded merch and a copy of the CD), three cassettes, a widely available standard digital download album and three deluxe expanded digital download albums (each with two different bonus tracks, exclusive to the band’s webstore). Rounding out the latest top 10 of the Billboard 200 is SZA’s former leader SOS, which shifts 8-10

Cantabria activa el nivel 2 del PLATERCANT por un incendio que ha entrado de forma leve por Camaleño El Gobierno de Cantabria ha confirmado que a las 18:11 horas el fuego ha penetrado ligeramente en la región por los puertos de Salvorón, en el municipio de Camaleño, donde se venía actuando desde ayer. Un operativo de unas 70 personas (bomberos forestales, agentes del medio natural, técnicos de Presidencia y Cruz Roja) trabaja desde el Puesto de Mando Avanzado de Vega de Liébana en las labores de control y extinción. La consejera Isabel Urrutia ha explicado que gracias a los trabajos preventivos se está conteniendo el avance del fuego, se ha elevado el PLATERCANT a situación 2, mientras se continúa trabajando para evitar que el incendio avance hacia el interior de Cantabria. Source

The Backstreet Boys welcomed a very special guest to their residency at Sphere Las Vegas Saturday night, pointing out their longtime collaborator Max Martin in the crowd. Explore See latest videos, charts and news “He helped us create our legacy and the soundtrack to our lives,” Howie Dorough said, just before the group broke into a rendition of the Martin-helmed Millennium track, “Don’t Want You Back” “He wrote all those hit songs that we get a chance to sing for you guys. We are very indebted to Mr. Max Martin.” “Let him feel the love y’all,” added Kevin Richardson, urging the audience to give Martin a standing ovation. “Let him feel the love.” Martin reposted the moment on his Instagram stories, adding a video of himself standing up and acknowledging the sold-out crowd. Recently named Billboard’s Top Producer of the 21st Century, the Swedish hitmaker has worked with the Backstreet Boys since the very beginning, writing and producing the group’s debut single, “We’ve Got It Going On,” which was released in September 1995. He went on to work on memorable BSB hits like “I Want It That Way,” “Everybody (Backstreet’s Back)” and “Shape of My Heart,” to name just a few. Martin has also been tapped to produce Taylor Swift’s new album, The Life of a Showgirl. After working almost exclusively with Jack Antonoff and Aaron Dessner for the last eight years, Swift announced last week that she reunited with Martin and his frequent producing partner Shellback for the new LP. Martin and Shellback are responsible for some of Swift’s biggest hits to date, including “We Are Never Ever Getting Back Together,” “Blank Space” and “Shake It Off,” each of which hit No. 1 on the Billboard Hot 100. Martin wasn’t the only BSB collaborator in attendance Saturday night. Dorough also shouted out songwriter Andrew Fromm, who wrote the Millennium album cuts, “I Need You Tonight” (which Nick Carter performs solo in the residency) and the Howie D-led “Spanish Eyes.” “This song is normally dedicated to my mom,” Dorough said about the latter, “but the man who wrote it is in the house tonight. so we’re dedicating it to Andrew.” Saturday’s outing marked date number 17 of the Backstreet Boys’ well-received Vegas residency, which celebrates the 25th anniversary of their chart-topping album, Millennium. The group recently added seven more dates to their run at Sphere, taking them into 2026. Source link