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Rick Davies, a founding member and singer/keyboardist for prog rock group Supertramp, died on Saturday (Sept. 5) at his Long Island, N.Y. home at age 81. The passing of the writer and voice of such indelible hits as “Goodbye Stranger” and “Bloody Well Right” was confirmed by the group in a statement honoring his half century of service in the group. “The Supertramp Partnership is very sad to announce the death of Supertramp founder Rick Davies after a long illness,” the band wrote in a statement that said Davies had been sick with the blood cancer multiple myeloma for more than a decade. “We had the privilege of knowing him, and playing with him for over 50 years. We offer our sincere condolences to Sue Davies.” The statement continued, “As co-writer, along with partner Roger Hodgson, he was the voice and pianist behind Supertramp’s most iconic songs, leaving an indelible mark on rock music history. His soulful vocals and unmistakable touch on the Wurlitzer became the heartbeat of the bands’ sound. Beyond the stage, Rick was known for his warmth, resilience, and devotion to his wife Sue, with whom he shared over five decades. After facing serious health challenges, which kept him unable to continue touring as Supertramp, he enjoyed performing with his hometown buds as Ricky and the Rockets.” Born in Swindon, England on July 22, 1944, Davies was first attracted to music after his parents gave him a record player and he became obsessed with the album Drummin’ Man by legendary jazz drummer Gene Krupa. After playing with a series of bands in high school and college, including Rick’s Blues (with pop singer Gilbert O’Sullivan) and the Lonely Ones, Davies put an ad in Melody Maker magazine in 1969 looking for bandmates to join him, with vocalist Roger Hodgson signing on along with guitarist Richard Palmer and drummer Keith Baker. Taking a name inspired by Welsh author William Henry Davies’ 1908 book The Autobiography of a Super-Tramp, the group signed to A&M Records, which released their self-titled debut album in 1970. After a few lineup changes, the prog rock group released 1971’s Indelibly Stamped, with Davies handling lead vocals on most of the tracks as he and Hodgson shared songwriting duties. But it wasn’t until 1974’s Crime of the Century that the band had its first commercial breakthrough, with the album hitting No. 38 on the Billboard 200 chart and Davies-penned single “Bloody Well Right” running up to No. 35 on the Billboard Hot 100 singles chart. After a mis-fire with the 1975 LP Crisis? What Crisis? featuring leftovers from the previous album, the band earned its first gold record in the U.S. with 1977’s Even in the Quietest Moments… which hit No. 16 on the Billboard 200 chart and spawned the pop-leaning No. 15 Billboard pop singles chart hit “Give a Little Bit,” with vocals by Hodgson. Further leaning into their pop proclivities, the band finally broke through with their landmark Grammy-nominated sixth album, Breakfast in America, which spun off a series of sing-along radio hits, including the Billboard Hot 100 No. 6 smash “The Logical Song,” as well as “Take the Long Way Home” (No. 10) and the bouncy Davies-written “Goodbye Stranger” (No. 15). In keeping with previous releases, the songs included lead vocals by both men, with both also getting songwriting credits on the tunes. After a filler live album, 1980’s Paris, Hodgson departed following 1982’s …Famous Last Words… after years of battles over the group’s creative direction and songwriting royalties, leaving Davies as the lead man for 1985’s Brother Where You Bound. That collection featured one of the group’s final chart hits, the Hot 100 No. 28-charter “Cannonball,” along with a meandering, ambitious 16-minute title track with guitar solo from Pink Floyd’s David Gilmour. Supertramp’s 1987 album Free as a Bird featured another left turn, this time into dance-y synthesizer-fueled new wave tunes and marked their first LP not to make it into the top 100 on the Billboard album charts. The Davies-fronted group would release two more albums, 1997’s Some Things Never Change and 2002 swan song, Slow Motion, and continue to tour until 2012. And while they announced a European tour in 2015, it was ultimately scotched due to Davies’ treatment for multiple myeloma. Listen to “Bloody Well Right,” “Goodbye Stranger” and “Cannonball” below.    Source link

La ex mejor amiga de Pamela Franco, Vanessa Pumarica, decidió hablar sin filtros sobre la relación de la cumbiambera con Christian Cueva. En una entrevista para el programa ‘La Noche Habla’, aseguró que el futbolista nunca fue fiel a la cantante y que incluso ella fue testigo de su sufrimiento. La ex amiga de Pamela explicó que, pese a la cercanía que mantenía con Franco, su amistad terminó cuando Cueva la acusó de ser una “mala influencia”. A raíz de ello, Pumarica optó por contar lo que sabe sobre los inicios de la pareja, dejando en claro que desde un principio existieron infidelidades. Te puede interesar Vanessa Pumarica arremete contra Christian Cueva: “Si quería alejarnos, lo logró” Pamela Franco habría sufrido por engaños de “Aladino” Durante la conversación, los conductores recordaron que la propia Pamela Franco confesó haber mantenido una relación clandestina con el futbolista cuando este todavía estaba con Pamela López. En esa etapa, la cantante admitió haberse sentido “la segunda” al descubrir que había más mujeres involucradas. Vanessa Pumarica confirmó esta versión, señalando que presenció varios episodios en los que Franco lloraba y sufría por las constantes traiciones de Cueva. “Él le decía cosas que no eran verdad y ella, en ese momento, sufría y lloraba”, expresó. Asimismo, mencionó que el jugador de la selección peruana le hizo múltiples promesas a la artista, pero nunca las cumplió, lo que terminó desgastando la relación y generando las primeras rupturas. Pamela López también quedó expuesta El nombre de Pamela López, esposa de Cueva, también salió a relucir. Según los testimonios, mientras mantenía su matrimonio, el futbolista vivía una relación paralela con Franco y, al mismo tiempo, con otras mujeres. @vivishowfarandula BOMBAVanessa Pumarica, mejor amiga de Pamela Franco, confirma infidelidad de Christian CuevaCuevita a un paso de reconciliación con Pamela López ¿Tú lo perdonarías? #Cueva #PamelaFranco #PamelaLopez #ChristianCueva #farandula ♬ Frente a Frente – Pamela Franco La entrada Vanessa Pumarica revela que Christian Cueva fue infiel a Pamela Franco cuando empezaron su relación se publicó primero en Radio Onda Cero. Source link

Rick Davies, a founding member and singer/keyboardist for prog rock group Supertramp, died on Saturday (Sept. 5) at his Long Island, N.Y. home at age 81. The passing of the writer and voice of such indelible hits as “Goodbye Stranger” and “Bloody Well Right” was confirmed by the group in a statement honoring his half century of service in the group. “The Supertramp Partnership is very sad to announce the death of Supertramp founder Rick Davies after a long illness,” the band wrote in a statement that said Davies had been sick with the blood cancer multiple myeloma for more than a decade. “We had the privilege of knowing him, and playing with him for over 50 years. We offer our sincere condolences to Sue Davies.” The statement continued, “As co-writer, along with partner Roger Hodgson, he was the voice and pianist behind Supertramp’s most iconic songs, leaving an indelible mark on rock music history. His soulful vocals and unmistakable touch on the Wurlitzer became the heartbeat of the bands’ sound. Beyond the stage, Rick was known for his warmth, resilience, and devotion to his wife Sue, with whom he shared over five decades. After facing serious health challenges, which kept him unable to continue touring as Supertramp, he enjoyed performing with his hometown buds as Ricky and the Rockets.” Born in Swindon, England on July 22, 1944, Davies was first attracted to music after his parents gave him a record player and he became obsessed with the album Drummin’ Man by legendary jazz drummer Gene Krupa. After playing with a series of bands in high school and college, including Rick’s Blues (with pop singer Gilbert O’Sullivan) and the Lonely Ones, Davies put an ad in Melody Maker magazine in 1969 looking for bandmates to join him, with vocalist Roger Hodgson signing on along with guitarist Richard Palmer and drummer Keith Baker. Taking a name inspired by Welsh author William Henry Davies’ 1908 book The Autobiography of a Super-Tramp, the group signed to A&M Records, which released their self-titled debut album in 1970. After a few lineup changes, the prog rock group released 1971’s Indelibly Stamped, with Davies handling lead vocals on most of the tracks as he and Hodgson shared songwriting duties. But it wasn’t until 1974’s Crime of the Century that the band had its first commercial breakthrough, with the album hitting No. 38 on the Billboard 200 chart and Davies-penned single “Bloody Well Right” running up to No. 35 on the Billboard Hot 100 singles chart. After a mis-fire with the 1975 LP Crisis? What Crisis? featuring leftovers from the previous album, the band earned its first gold record in the U.S. with 1977’s Even in the Quietest Moments… which hit No. 16 on the Billboard 200 chart and spawned the pop-leaning No. 15 Billboard pop singles chart hit “Give a Little Bit,” with vocals by Hodgson. Further leaning into their pop proclivities, the band finally broke through with their landmark Grammy-nominated sixth album, Breakfast in America, which spun off a series of sing-along radio hits, including the Billboard Hot 100 No. 6 smash “The Logical Song,” as well as “Take the Long Way Home” (No. 10) and the bouncy Davies-written “Goodbye Stranger” (No. 15). In keeping with previous releases, the songs included lead vocals by both men, with both also getting songwriting credits on the tunes. After a filler live album, 1980’s Paris, Hodgson departed following 1982’s …Famous Last Words… after years of battles over the group’s creative direction and songwriting royalties, leaving Davies as the lead man for 1985’s Brother Where You Bound. That collection featured one of the group’s final chart hits, the Hot 100 No. 28-charter “Cannonball,” along with a meandering, ambitious 16-minute title track with guitar solo from Pink Floyd’s David Gilmour. Supertramp’s 1987 album Free as a Bird featured another left turn, this time into dance-y synthesizer-fueled new wave tunes and marked their first LP not to make it into the top 100 on the Billboard album charts. The Davies-fronted group would release two more albums, 1997’s Some Things Never Change and 2002 swan song, Slow Motion, and continue to tour until 2012. And while they announced a European tour in 2015, it was ultimately scotched due to Davies’ treatment for multiple myeloma. Listen to “Bloody Well Right,” “Goodbye Stranger” and “Cannonball” below.    Source link

KPop Demon Hunters joins our list of albums that spent seven or more weeks in the runner-up spot without (yet) going all the way. 9/8/2025 HUNTR/X Netflix The KPop Demon Hunters soundtrack logs its seventh nonconsecutive week at No. 2 on the Billboard 200 on the chart dated Sept. 13. That is, of course, a tremendous showing. The only disappointing aspect is that the album has yet to reach No. 1. It ranked second behind Morgan Wallen’s I’m the Problem for six weeks and this week places second behind Sabrina Carpenter‘s debuting Man’s Best Friend. KPop Demon Hunters thus joins our list of albums that spent seven or more weeks in the runner-up spot without going all the way. (Of course, it’s possible that KPop will make it to No. 1 eventually. No one would bet against the pop-culture juggernaut at this point.) The artists with albums that logged seven or more weeks at No. 2 without reaching No. 1 are a varied bunch, running the gamut from mellow instrumentalist Kenny G to English glam metal band Whitesnake. Our list includes debut albums by Sonny & Cher, Wilson Phillips and C&C Music Factory. There’s also a label sampler from RCA Records that featured many of its biggest stars. The Beatles kept Sonny & Cher’s debut album from reaching No. 1; they also kept two of their own albums from the top spot. Michael Jackson never blocked one of his own albums from the No. 1 spot, but he kept albums by Stray Cats, Journey and Whitesnake from making No. 1. Here are all the albums that have logged seven or more weeks at No. 2 without reaching No. 1. They are ranked from least to most weeks at No. 2, with ties shown in chronological order. Various Artists, 60 Years of Music America Loves Best (7 weeks) First Reached No. 2: March 7, 1960 Blocked From No. 1 by: The Sound of Music original cast album (six weeks), Billy Vaughn’s Theme From a Summer Place (one week) Notes: As the title suggests, this was a compilation of music from 1900-1960. The double-album set was released on RCA Records and included such label stalwarts as Benny Goodman, Harry Belafonte, Mario Lanza, Artie Shaw and Eddy Arnold. RCA released two more volumes in this franchise, both of which also made the top 10. Johnny Mathis, Portrait of Johnny (7 weeks) First Reached No. 2: Sept. 25, 1961 Blocked From No. 1 by: Judy Garland’s Judy at Carnegie Hall (all seven weeks) Notes: Portrait of Johnny was Mathis’ third compilation album, following Johnny’s Greatest Hits (three weeks at No. 1 in 1958) and More Johnny’s Greatest Hits (two weeks at No. 2 in 1959). With so many compilations, you might assume Mathis was veteran artist at that point. Nope: He was just 25 when Portrait of Johnny was released. The best-known song on the album is “How to Handle a Woman” from Lerner & Loewe’s score for Camelot. Mathis and Garland both received lifetime achievement awards from the Recording Academy. The Mamas & the Papas, The Mamas & the Papas Deliver (7 weeks) Image Credit: Wood/Getty Images First Reached No. 2: April 8, 1967 Blocked From No. 1 by: The Monkees’ More of the Monkees (all seven weeks) Notes: This was the Mamas & the Papas’ third studio album and nearly became their second to reach No. 1. If You Can Believe Your Eyes and Ears achieved the feat in 1966. Two singles from Deliver reached the top 10 on the Hot 100: a remake of The Shirelles’ 1961 smash “Dedicated to the One I Love” that climbed even higher than the original and “Creeque Alley.” The Mamas & the Papas and The Monkees would have been surefire Grammy nominees for best new artist of 1966, but the Recording Academy dropped the category that year. Go figure. Tom Petty & the Heartbreakers, Damn the Torpedoes (7 weeks) First Reached No. 2: Feb. 9, 1980 Blocked From No. 1 by: Pink Floyd’s The Wall (all seven weeks) Notes: This was Petty & the Heartbreakers’ third studio album and remained their highest-charting album for more than 34 years, until Hypnotic Eye hit No. 1 in August 2014. Two singles from Damn the Torpedoes reached the top 15 on the Hot 100: “Don’t Do Me Like That” and “Refugee.” Petty & the Heartbreakers and Pink Floyd are both in the Rock & Roll Hall of Fame. C&C Music Factory, Gonna Make You Sweat (7 weeks) First Reached No. 2: March 30, 1991 Blocked From No. 1 by: Mariah Carey’s Mariah Carey (all seven weeks) Notes: C&C Music Factory’s debut album was kept out of the top spot by Carey’s debut album.Three singles from Gonna Make You Sweat made the top five on the Hot 100: “Gonna Make You Sweat (Everybody Dance Now)” (which spent two weeks at No. 1), “Here We Go” and “Things That Make You Go Hmmmm…” All featured Freedom Williams. Carey recruited C&C Music Factory’s David Cole and Robert Clivilles to work on her sophomore album, Emotions. They co-wrote and co-produced the title track, which topped the Billboard Hot 100, and “Make It Happen.” KPop Demon Hunters soundtrack (7 weeks so far) First Reached No. 2: July 19, 2025 Blocked From No. 1 by: Morgan Wallen’s I’m the Problem (six weeks); Sabrina Carpenter’s Man’s Best Friend (one week) Notes: This has logged more weeks at No. 2 without (yet) reaching No. 1 than any other soundtrack. It surpasses The Music Man (1962) and Love Story (1971), both of which spent six weeks at No. 2. KPop Demon Hunters is the first soundtrack to spawn four concurrent top 10 hits on the Hot 100 – two by HUNTR/X and two by Saja Boys. “Golden” byHUNTR/X: EJAE, Audrey Nuna & REI AMI, has topped the Hot 100 for three weeks. Peter, Paul & Mary, (Moving) (8 weeks) First Reached No. 2: March 30, 1963 Blocked From No. 1 by: Frank Fontaine’s Songs I Sing on the Jackie Gleason Show (one week); Andy Williams’ Days of Wine and Roses (seven weeks)

The Country Music Association has revealed the five artists who are competing for new artist of the year, ahead of today’s reveal of the entire list. The new artist nominees are Shaboozey, Zach Top, Ella Langley, Tucker Wetmore and Stephen Wilson Jr. This marks the second year in a row that only one woman has been in the running in this category. (Last year’s sole female nominee, Megan Moroney, won the award.) Shaboozey and Top are both vying for the award for the second year in a row. They lost last year to Moroney. (Moroney was on her second nomination when she won. She had lost the previous year to Jelly Roll.) CMA rules allow artists two nominations in this category. If Shaboozey wins, he’ll become the third Black artist to win the category (or a predecessor category, the Horizon Award), following Darius Rucker (2009) and Jimmie Allen (2021). Charley Pride, the most successful Black artist in country music history, landed his first CMA nominations in 1968, 13 years before the inception of the Horizon Award. Shaboozey, Top and Wetmore have all reached the top five on Billboard’s Top Country Albums chart. Shaboozey’s Where I’ve Been, Isn’t Where I’m Going hit No. 2 on that chart. Top’s Cold Beer & Country Music and Wetmore’s What Not To both reached No. 4. Top’s follow-up, Ain’t In It for My Health, was released on Aug. 29. Langley won a CMA Award last year in tandem with Riley Green for “you look like you love me,” which was voted musical event of the year. Her debut album, Hungover, reached No. 11 on Top Country Albums. Wilson, who has had the least commercial success of this year’s nominees, is a country and rock guitarist, songwriter and vocalist. At 46, he is among the oldest nominees in the history of the category. Source link

UPDATE (Sep. 8): Further recipients have been announced for the Ivors Academy Honours event (Oct. 2) including industry legends and government figures. Joining RAYE and Kae Tempest as honorees at the ceremony in London are Sir Richard Branson, founder of the Virgin Group; Kanya King CBE, chief executive and founder of the MOBO Group; Sir Chris Bryant MP, Minister of State at the Department for Business and Trade; Jon Platt, chairman and CEO of Sony Music Publishing; Catherine Manners, founder of Manners McDade; and the late John Sweeney, vice president, international at SESAC. The event takes place at London’s InterContinental on Park Lane with recipients all being recognised for their work championing songwriters and composers during their time in the industry. PREVIOUSLY (July 24): RAYE has carved out yet another milestone in her ascendant career by becoming a recipient of an Ivors Academy Honour. The Ivors Academy has announced that the multi BRIT award-winning musician will receive the accolade at the maiden Ivors Academy Honours event in London this fall (Oct. 2). The ceremony is set to celebrate the artists and industry figures driving positive change for songwriters and composers, and will take place at the InterContinental London Park Lane. The news follows the announcement that the U.K. government has confirmed the introduction of a £75 per diem for songwriters and session musicians. The agreement has been backed by the U.K. arms of major labels Universal Music Group, Sony Music Entertainment and Warner Music Group. At The Ivors in 2023, RAYE called on labels to allocate songwriters a share of master recording revenues. In her acceptance speech for the best contemporary song award – which she won for smash hit “Escapism” – she highlighted the need for a greater level of respect to be shown towards “voiceless beating heart of the industry, which is songwriters.” In a statement, Roberto Neri, chief executive of The Ivors Academy said, “An incredible multi award-winning artist, RAYE is the one of the most gifted songwriters of her generation and always gives full respect and voice to fellow writers. She has consistently called for better pay and greater recognition for songwriters, championing structural change to protect the talent behind the music we love. We’re proud to honour her with this well-deserved recognition.” Over the past few years, south Londoner RAYE (born Rachel Keen) has been at the forefront of this conversation, repeatedly pushing for a more inclusive and equitable music industry while also speaking out about the imbalance of power between artists and labels and the financial challenges faced by new artists. She split with her former label Polydor in July 2021, to which she signed in 2014, after taking to social media to explain that they would not let her release any new music unless her singles reached a certain level of commercial success. She has since worked as an independent act via distribution company Human Re Sources, a subsidiary of The Orchard. Her Mercury Prize-nominated debut LP My 21st Century Blues landed in February 2023, hitting No. 2 on the Official U.K. Albums Chart. The vocalist is currently gearing up for her biggest headline show to date at London’s All Points East festival on Aug. 23. Support acts include Doechii, Cat Burns, and JADE, while Tyla is billed as a special guest. Source link

The King of All Media pulled a fast one on listeners on Monday morning (Sept. 8) when he appeared to announce his retirement from afar when he didn’t show up, as promised, following a long summer break. Howard Stern, 71, was originally slated to be back on air last week amid rumors that his nearly two-decade run at SiriusXM might be coming to an end. He pushed that return back a week with no explanation, and when fans tuned in at 7 a.m. ET on Monday morning they were greeted with Stern fan/friend and fellow SiriusXM voice Andy Cohen seemingly announcing Stern’s channel had been re-branded as “Andy 100.” Cohen leaned into the bit, claiming he was “winging it” amid a “surreal” morning when he was tapped to replace the radio legend. Eagle-eared Stern listeners, however, sniffed out the bit right away, and sure enough, after about 15 minutes of agita over the alleged end of an era, Stern was back behind the mic following the airing of an operatic version of his traditional intro music. With his familiar “hey now,” Stern kicked off the show around 7:16 a.m., thanking Cohen for his “little bit.” “Lest anyone think that was real, that was all masterminded by me,” a satisfied Stern said of the fakeout that briefly ensnared some major media outlets into reporting the end of his radio reign as he took calls from irritated fans who feared the worst, but suspected it was all a ruse. “Everything you’ve been reading in the paper about me or about Robin is completely false,” Stern said as longtime sidekick Robin Quivers asked if the delay in returning was due to an alleged roadblock in Stern renewing his contract. “Last week I was all set to come on and I made the mistake of going the last week of my vacation and actually interacting with people and I got so sick. I thought I had COVID,” said Stern, who has frequently discussed his fear of getting sick since the pandemic and has made a bit of talking about how he tries to avoid interacting other people at all costs. The “cold that won’t go away” has laid him low, he said, noting that he had no voice at all last week and that he told his wife Beth on Sunday night (Sept. 7) that he thought he was dying after attending a Maren Morris charity concert at Stephen Talkhouse in Amagansett, N.Y. last week. “I was just getting so f–king annoyed with everyone writing me asking me if I was okay because I’d been fired. And I’m like, ‘what a d–k’ thing,’” Stern lamented, saying if he was getting fired — which he was adamant he was not — he didn’t want to discuss it with anyone. “Am I okay? If I got fired I’m not okay, that’s a s–tty way to go out,” Stern said of the swirling, unsubstantiated rumors that he’d been booted from SiriusXM. After more than 30 years on terrestrial radio, Stern signed with Sirius in 2004 — before its merger with XM — debuting in January 2006. The longtime talker who works a Monday-Wednesday schedule, took off the entire summer, which led to a swirl of rumors about his future. This story is updating… Source link

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