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Of all the muscles that Joohoney strengthened during his mandatory enlistment in the South Korean military, his mind was the most important. To carry out day-to-day tasks, the 30-year-old rapper found he needed to build up a solid mental core — and that stability has neatly carried over into his equally demanding civilian life as one-sixth of K-pop powerhouse group Monsta X. Explore See latest videos, charts and news “I’ve always loved the phrase ‘just do it,’” he explains to Billboard, sitting next to bandmates Shownu, Minhyuk, Kihyun and Hyungwon in a cozy L.A. studio (the final member, I.M, is recuperating from an injury back in Seoul at the time of the interview). “It was in the military that I took that further and started thinking, ‘No brain, no pain,’” he continues. “Right now, that’s pretty much been my approach. No matter what kind of challenge I’m faced with, not to get caught up in the moment and keep moving forward.” Still, there was a lot to consider while making their latest EP, The X, which is at once a celebration of 10 years together and a long-awaited return to form. Now having all completed their compulsory, 18-month military service apart from I.M, the six members of Monsta X were more than eager to pick up where they left off. “It’s been four years since, as a group, we’ve released a new album,” says honey-voiced Kihyun. That’s nearly an eternity in a landscape that moves as fast as K-pop. The gap weighed heavily on the recording process. “That was my mindset,” he adds. “We had to show what we got.” The result is a display of remarkable stamina. Sophisticated B-sides (“Savior,” “Tuscan Leather,” “Catch Me Now”) speed light years ahead of peers, unrivaled in their sensuality. But ground-shaking, Dem Jointz-produced banger “N the Front” sends the boldest message — Monsta X remains at the top of their game, it seems to say, leading the charge not only for their generation of K-pop, but also setting the standard for an entire industry that they just took extended time away from.  That spirit is borne out by the chest-puffing lead single “Do What I Want,” which I.M mentions over email that he hoped would “shock” fans. “Yup, it’s been a while since I crushed this race, ya/ You already know I have the pace of a stallion,” his writing partner Joohoney brags in its lyrics. This isn’t empty bravado, either. In the intervening year-and-a-half off, he made 40 songs, mostly while on vacation. “I wouldn’t say I felt like I needed to catch up on lost time once I got back,” the rapper shrugs. “I knew that I’d get back into a rhythm.” Today is yet another test of the group’s endurance. While never-ending rounds of press spread into the evening, Monsta X sets a tempo and refuses to waver, cracking jokes and hyping each other up while taking stabs at English. As always, no time or effort is being spared in the lead-up to KCON LA — a homecoming to the stage Monsta X first played just months after debut — and the subsequent album release. Recently, though, there’s a new wrinkle in the members’ schedules: shooting TikToks, which they manage to squeeze into a short break between two sit-down interviews. “These days, the trend is short form,” explains Minhyuk. It’s not exactly a development to his liking, he says, tossing his hands up in faux indignation. “But I can’t change the world.” Regardless of whether he’s putting on extra ire for comedic effect, there’s truth to what Minhyuk is saying. “It feels like we’ve moved away from a culture of appreciating the whole music video, the whole song,” he adds. “Because now it’s become more like, ‘Is there a moment that is going to go viral?’” The critique almost makes you forget that the singer is only in his early thirties. Yet, while the six members aren’t quite elder statesmen of K-pop, they’ve witnessed some of these seismic changes take root over the past decade. What really stands out, though? The ways the industry has remained just the same: Monsta X was originally formed in 2015 by a brutal Mnet reality show, which put talented young hopefuls through the wringer for a potential spot in the lineup. These programs still abound to this day, despite the mental and physical toll they take on contestants. Returning to a similar show as a mentor earlier this summer, Kihyun felt like he had just stepped back in time. “All of this must be really tough,” he recalls thinking during the taping. “I’ve been in their shoes, so I felt like I knew exactly what [the trainees] were feeling.” It stirred a mixture of sympathy and awe inside him: their earnestness took him back to the start of their journey, not knowing if “making the cut” would even translate to success in the real world. As he considered the “challenges they will have to face,” he realized those were once ahead of him, as well. Monsta X debuted as a group of adults aged 19 to 22, which is hardly common practice, since K-pop labels seek to maximize viable years for their boy groups. Kids are frequently scouted as early as elementary school, “while they are still very much growing up and figuring themselves out,” Minhyuk points out, scratching the back of his neck. “It usually means that idols are learning to manage and reciprocate the love and attention they are getting from their fans before they ever really learn to take care of their own mental health.” He continues, “Just being honest with you here, I personally think it’s one of the bigger flaws of the K-pop industry.” He offers a piece of wisdom to his fellow idols. “My wish would be for those in K-pop, those who are making music, those who are performing for audience… Learn to put yourself first,” the singer says. He doesn’t have all the answers, but

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At long last, Young Thug explained his fallout with Gunna. In a lengthy explanation, Thugga confirmed Gunna snitched, and said he felt a deep sense of betrayal after Gunna copped his controversial Alford plea. He noted that King Troup, a mentor figure to both Gunna and Thugga, told the latter before his death that he needed to make sure Gunna made it to superstardom. “King Troup, that’s our big homie,” Thug said. “I honor Troup words to the T, no matter what I’m with him. He not a bad man, he a real man to me…I honor his words. He told me before he died…’Gunna is my son take him with you Thug. Get him out of the hood…’ I honor his word. I honor his word, bruh. I took that n—a with me. This my man’s. Whatever you need, all the bulls—t I heard about you. All the s—t you did on sitting on the porch, talkin’ about your cousin damn near tellin’ on the god damn Crime Stopper people. I knew all that s—t, and I just found a way to love you… because I just honor Troup’s words.” He continued, “I feel like, I don’t know what Troup told you, but I know he told you something good, and I feel like you just didn’t honor the word. You ain’t honor that, bro. You ain’t even honor brotherhood. We ain’t even talking about Troup, we just talking about brotherhood. We from the streets, you know how hard it is for us to become successful men? Make millions of dollars? If a n—a take me from where I’m at sleeping on my mama’s motherf—king couch to making millions of dollars, I’m dying before I go against him… No matter what.” Bank added that Gunna doesn’t seem to believe he ratted on Thug. “Me personally as a man,” Thugga continued. “Me knowing him, he’s smarter than he looks. Gunna’s a smart man. He let his silence make you think other, make you think other things about him… the thing about it is, when it comes down to being real, the strategic-ness go away from me when it come to being a man… I forget how to be strategic when it come to that. I’m gonna say the truth. I’m gonna pour it out. Life to him is just all about being strategic. It ain’t nothing about being a real man, or coming to grips with what’s going on… it’s gonna always be some strategic s—t behind it.” Thug went on to say that prior to the YSL RICO case Gunna had already done something he considered to be “a violation,” adding that he still found a way to love him despite that. “You gotta understand bro, I had him around me every day since 2015,” Thug added in a hushed tone. “I had him around me every day. I made him a millionaire. I bought his first apartment that he lived in. I bought it with my money… I went half-and-half with you to buy your mama first house, get her out of the hood. I did that, me! I told you to go down to the country town and get your daddy. No matter what the differences is with your daddy. I told you that… I made you reunite with your family and do the right thing. I just poured my all into him. I gave this n—a more time than my children. I gave him more time than my kids… I poured my life into these people bro, every second.” Thug then concluded: “I poured so much into the n—a, I can’t even hate him. In jail, I thought I hated him when he took the pleas and s—t. I thought I hated that n—a. But my girl made me realize, ‘Boy, you don’t hate him. You just mad at him…’ I don’t wish no ill will on him. No ill feelings at all…I was just angry, but it seems like nobody is understanding why I’m angry.” Source link

Hot Chip wasn’t sold on the idea of a greatest hits album. “We’ve always been a bit like, ‘Do we really need to do that?’ the band’s frontman Alexis Taylor tells Billboard while chatting from the group’s hometown of London. “I guess it just didn’t seem so important to us.” Explore See latest videos, charts and news But the project, which Hot Chip was invited to do by their longtime label Domino Records, ultimately became a way for the beloved indie dance outfit to review its history, celebrate the 20-year anniversary of its 2005 debut Coming On Strong and take part in the thought experiment of which songs in the eight-album Hot Chip catalog ultimately best define it. “I mean, we didn’t have any big rows or anything,” says Taylor, “but it wasn’t the easiest decision making process.” Ultimately the band – Taylor, Joe Goddard, Al Doyle, Owen Clarke and Felix Martin – narrowed it down to 14 songs that over the years have come to define Hot Chip’s live shows, experiences that match the intellect, sensitivity and penchant for melancholy that exist in much of the music with tempos that demand you shake your ass. As club and festivalgoers around the world know, Hot Chip shows are a party, and that mood of revelry is what the band attempted to capture with the selection they ultimately decided on for Joy In Repetition, which was released by Domino on Sept. 6. “We were thinking about which songs have been essential to the live sets and which songs just ate there, even if they’re not the newest material,” Taylor says. “These are songs that just feel like an essential and central part of the live show.” Named after the lyrics of the band’s 2006 classic “Over and Over,” Joy In Repetition also includes a pair of remixes – one of 2008’s “Ready For the Floor” and one of “Devotion,” a new song released as part of the compilation. Taylor says making this new track was a good way for the band to stretch its legs after a recent break and adds that its just a hint of the new music Hot Chip is currently at work on. “So this project doesn’t mark the end of the band,” says Taylor. “With us, there’s always a new album coming.” Here, Taylor shares the backstory of six Hot Chip essentials. “Ready for the Floor” (Made in the Dark, 2008) “Ready for the Floor” was a demo Joe brought to all of us. The whole band was together when we worked on it, and I felt like there was a lot of tension in the room because we’d been trying to make another song and it was not really working. I felt like Joe was frustrated that it wasn’t working, and you could see that frustration in his body language. As soon as he played me and the rest of the guys the music for what became “Ready for the Floor,” I felt it was so good that I could sing words to it immediately right there on the spot. Some of those words were very encouraging, like, “You’re my No. 1 guy.” “We’re ready for the floor,” as in, we’re ready to make something for the dance floor. It’s about people coming together. Other words in it were more about there being a kind of invisible barrier and tension, like “I can’t hear your voice, do I have a choice?” So it was about trying to break through that communication barrier in song. It came together really quickly, and there were lots of group decisions and group vocals and harmonizing and guitar parts. But also just to briefly remember what my life was like around that time, I think I started going to loads of car boot sales, which are the same as flea markets or yard sales, and I bought this keyboard, which I already had one of. I liked it so much that when I saw another one I bought it for Joe, and it was something he used for some of the sounds in this song. So I have memories of it being like, you can buy an old Yamaha keyboard for two pounds and it’s useful to Joe in some creative way, and it makes its way into this amazing production. “Boy From School” (The Warning, 2006) We must have just finished the first Hot Chip album, maybe it hadn’t even come out yet. We were getting together in Joe’s family home where he still lived at that point. In his bedroom he had a couple of keyboards and not much other music equipment. I had the Yamaha keyboard I was describing and then a Casiotone, and it was all over the first Hot Chip album, like almost every song, if not every song. That was my go to writing device. I really loved the music of Robert Wyatt. I still do. I had been listening to these Robert Wyatt albums while working at a office job at the record label Domino that our band is now signed to. “Boy From School” was looking back over my school days and trying to make a song inspired by the sound I heard in these Robert Wyatt records. His voice is very high and plaintive. The albums I really liked by him were the ones he made in the mid-’80s, and this Casio keyboard had something of that quality to it. But I wasn’t trying to copy his music. It was just somewhere in the background. The reason I came up with the “Boy From School” chords, melody and words was because I was transported back to my school days, and it was nostalgic to look back over that time. I left Joe’s room where we were recording and went into the next door bedroom that was his brother’s room. I was friends with both Joe and [his brother] at school, so this is a place I used to stay over

After being forced to cancel his tour at the top of 2025 due to production and routing issues, Rod Wave is taking matters into his own hands with the launch of his Mainstay Touring company. Explore See latest videos, charts and news The Florida rapper-singer gave fans a first taste of the Introduction to the Redemption Experience with a sold-out hometown show taking over Tampa Bay’s Benchmark International Arena on Aug. 29. “I built this s—t up from zero, going from gymnasiums to arenas,” Rod Wave tells Billboard in the solitude of the arena’s artist lounge following his performance. “I can’t just put that in somebody’s hands who doesn’t even give a f—k about it.” With Rod Wave taking a more hands-on role in his touring, he’s planning to announce more shows for an extended North American run in December. “I’m taking it to another level because there’s gonna be so much other stuff I’m gonna add to it,” he adds. “It’s not just a money grab or a promoter paying me and I’m coming and doing the show. It’s really a way I connect with the fans and give them an experience.” Rod continues: “I feel the fewer people with their hands in the pot, the better the show it could be. It’s a better bang people get for their buck.” He could have a new album to perform the next time he takes the stage, as Wave’s Last Lap follow-up is about “85 percent” finished and he’s hoping for an October or November release. “Growth” is the first word out of his mouth when describing the album, which will be a far cry from the darker themes of his earlier work. Dive into Rod Wave detailing his touring company, the wild story behind him landing a song in Sinners, his upcoming album and that leaked Drake song. Why did you launch Mainstay Touring? I’m just taking over my touring business. My initial goal is to teach the artists how to tour, you know, I’m saying how to be more in control of a touring business. What even pushed me to want to be more hands-on with touring is just the fact that my last tour had to get taken down because of the routing. I’m saying putting it in people’s hands and promoters. I just wanted to be more in control. My destiny is my touring and my connection with the fans. Where do you see Mainstay Touring going in the next five to 10 years? I just see this bringing more of an experience back to shows, and an artist actually connecting with his fans on the concert level and painting a vivid picture. People stand out in the cold, stand in line for an hour and spend $200 a ticket in this f–ked up a— economy to come see an artist, but it’s so hard. If you go see other artists’ shows, their production is shitty. It’s not their fault, because they’re not in control, or they don’t have enough [of a] budget, which puts so many hands in the pot. In the next five to 10 [years], I just see myself turning my touring business into something more vivid, more extreme and taking it to another level. Every year, if I make more money, I put it back into the show.  Do you want to continue to be hands-on, or is it more about hiring the right people to execute this vision? Initially, that is kind of like being more hands-on. I want to go get the best people to do that. For example, I want to get the best production manager and the best lighting company. There’s gonna be two or three different quotes — and I’m picking the best of the best to bring it to life, cutting no corners. With the tour coming up, you said you’re going to announce a bunch of dates in December. What else can you tell us about it? Tonight was just a glimpse of what I’m about to do. So that’s what I’m trying to do in December and forever, give fans a real experience. Whether it’s in the next five or 10 years from now, it’s gonna be the best show and better than the one they came to before. We’re gonna always tweak it and see what we messed up and get constructive criticism. [It’s about] making the best show possible with our budget, with whatever we’ve got. How does it feel to be a star that operates in the mainstream but not have to deal with a lot of the antics that other stars seemingly walk into? It’s way more organic. It’s way more sincere and passionate. A lot of these fans saw me from the very beginning, and they helped support me, so it feels great. I’m probably way more comfortable than another artist who is in this kind of position. I just kind of went and did it my own way. To quote Todd Moskowitz, I did it my own way. I just went with the flow. So I’m just way more comfortable. Whatever felt right, that’s what I did. I’m just smoothly going through with it, like I don’t ever set a time for album drop.  How far into the new album are you and what can we expect from it? As far as the new album, I’m about 85 percent done with it. Growth. I feel like every album, as I grow older, is different. I paint a different picture, because I’m a different version of myself. Every album’s a different chapter. I feel like it’s all real life stuff. We all can agree that life goes up and down. So every year, what I basically do is I just talk about where life has taken me up to that point, and people connect with it. We’re all growing up together. People who listened to Ghetto Gospel all the way to SoulFly and Last Lap, these are the

El mundo del espectáculo está encendido tras la supuesta filtración de un video íntimo que involucraría al cantante colombiano Beéle y a su expareja, la modelo venezolana Isabella Ladera. Aunque ninguno de los dos ha confirmado la autenticidad del material, las imágenes han desatado una ola de rumores sobre una posible reconciliación entre ambos. Te puede interesar ¡Perú hace historia! Pan con chicharrón a la final del Mundial de Desayunos contra la arepa venezolana Beéle e Isabella Ladera: del fin al nuevo escándalo La relación entre Beéle e Isabella parecía haber quedado atrás luego de que la propia modelo confirmara su ruptura. Sin embargo, los rumores de un acercamiento tomaron fuerza cuando Ladera compartió en redes sociales una foto luciendo una prenda del artista, detalle que muchos seguidores interpretaron como una señal de reencuentro. La situación explotó la noche del 7 de septiembre de 2025, cuando en diversas plataformas comenzó a circular un video de poco más de seis minutos en el que se vería a una pareja en una situación íntima. Aunque algunos medios han descrito el clip, aún no se ha comprobado si realmente corresponde al cantante y la modelo. Te puede interesar Kate Candela y Majo con Sabor son las nuevas integrantes de “Cachudas pero conchudas” Isabella Ladera se pronuncia tras video filtrado En medio del revuelo, Isabella Ladera decidió romper el silencio con un mensaje ambiguo en su cuenta: “Las mujeres se apagan sexualmente si las decepcionan emocionalmente… te la dejo por si la sientes rara”. Sus palabras fueron interpretadas por muchos como una indirecta cargada de reflexión frente al supuesto video filtrado. Lo cierto es que esta no es la primera vez que la pareja es tendencia por su relación. Sin embargo, ahora las señales en redes y la supuesta filtración han reavivado las teorías de que podrían haberse dado una nueva oportunidad. ¿Reconciliación o simple especulación? Mientras la procedencia del video sigue sin aclararse, los internautas continúan atentos a cualquier pista. Por ahora, lo único seguro es que ambos nombres dominan todas las redes sociales. @vivissaza Isabella Responde a la filtración de su video con BEELE #isabellaladera #beele ♬ sonido original – Ssaza Michelle La entrada ¡Escándalo! Se filtra supuesto video íntimo de Beéle con Isabella Ladera se publicó primero en Radio Onda Cero. Source link

Garth Brooks is set to make his debut performance at Milwaukee’s Summerfest next year, when he launches the festival with an opening night concert on June 17 at the American Family Insurance Amphitheater. The show will also mark the seven-time CMA Awards entertainer of the year winner’s first show in Milwaukee in more than a decade. Explore See latest videos, charts and news “We are absolutely thrilled to welcome Garth Brooks to Summerfest and cannot imagine a better way to kick off the festival in 2026,” Sarah Pancheri, president and CEO, Milwaukee World Festival, Inc., said in a statement.  “This show is not to be missed.  We’ve seen countless iconic performances over nearly six decades, and this promises to be one of the most memorable yet!”  Prior to the Brooks concert, attendees can also partake in the Official Summerfest Garth Brooks Pre-Party, which will be held inside the South Gate at Henry Maier Festival Park, and will include live entertainment, food, specialty cocktails and other beverages. Summerfest 2026 spans three weekends: June 18-20, June 25-27 and July 2-4. Tickets for the show go on sale Friday, Sept. 12 at 10 a.m. CT via the Summerfest website, Ticketmaster and in person at American Family Insurance Amphitheater. (Each ticket purchased also includes complimentary admission to Summerfest 2026, and is valid on any day of the fest.) This year’s lineup included James Taylor, Hozier, Lainey Wilson, Megan Thee Stallion and The Lumineers. Earlier this year, Brooks wrapped up his 72-show residency, Garth Brooks/Plus ONE, at Las Vegas’ Colosseum at Caesars Palace. The residency followed last year’s launch of the Nashville-located Friends in Low Places Bar & Honky-Tonk, which opened in March 2024. Source link