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Redacción Panamericana Youna reveló que nunca fue informado de la decisión y se enteró por historias de WhatsApp de que su menor hija estudiaría en Estados Unidos. El barbero Youna volvió a generar titulares luego de mostrar públicamente su enojo contra la madre de su hija, la influencer Samahara Lobatón, al enterarse de que la pequeña fue inscrita en una escuela de Estados Unidos sin que él fuera informado previamente. De acuerdo con sus declaraciones, el joven padre conoció la noticia a través de las historias de WhatsApp de Samahara, donde se veía a la menor lista para su primer día de clases. Molesto, recurrió a Instagram para expresar su frustración. Te puede interesar Dayanita revela que futbolista Jair Céspedes la afanaba: “Quiero ver, pues” Youna se enfurece al enterarse de la decisión de Samahara En sus redes, Youna compartió el momento en que descubrió la decisión: “Triste enterarme lo que pasa en la vida de mi hija por historias, la gente solo se acuerda de que soy padre los fines de mes cuando necesitan la pensión… Primer día de escuela de Xixi en USA”, escribió. Hasta el momento, Samahara Lobatón no se ha pronunciado sobre el tema, aunque usuarios en la cuenta de la creadora de contenido ‘La Mana’ señalaron que la menor estudiaría en Miami. Cabe mencionar que, actualmente, Samahara atraviesa la recta final de su embarazo junto a Bryan Torres, lo que habría motivado su estancia en el extranjero. Youna quiere ver a su hija Más allá de la molestia, Youna, a través de sus historias, publicó que estaría buscando ver a su hija, por lo que se comunicó con la hija de Melissa Klug. Sin embargo, se dio con la sorpresa de que la madre de su hija le envió el número del abogado Wilmer Arica para que coordine visitas y se ponga al día con las pensiones. Situación a la que comentó: “Su respuesta cuando le digo que quiero ir a ver a mi hija”. De esta manera, el barbero expresó su malestar porque Samahara no lo consultó sobre las decisiones que involucran a su pequeña. @flockogram Te amo hasta el fin de mis dias ❤️#amordepadre #teamo #papaehija #daughter #fyp ♬ sonido original – 𝒱𝒶𝓁𝑒𝓃𝓉𝒾𝓃𝒶 Source link

Listen to new must-hear songs from emerging R&B/hip-hop artists like Moonchild and Raqbaby. 9/15/2025 Connie Diiamond attends All Black Birthday Celebration for Connie Diiamond on May 12, 2025 in New York City. Johnny Nunez/WireImage Awards season is in full swing. Just a week after the Caribbean Music Awards and the MTV Video Music Awards mounted their latest ceremonies — both honoring Busta Rhymes, no less! — the 77th Primetime Emmys lauded some of the buzziest names in hip-hop and R&B. Although both Beyoncé (Beyoncé Bowl) and Kendrick Lamar (Apple Music Super Bowl LIX Halftime Show) lost outstanding variety special (live) to SNL50: The Anniversary Special, both artists took home some hardware at the Primetime Creative Arts Emmys, which were presented on Sept. 6 and 7. Queen Bey took home her very first Emmy for outstanding costumes for variety, nonfiction, or reality programming for her 2024 Netflix-hosted Christmas Day NFL halftime extravaganza, bringing her halfway to EGOT status. Already an Emmy winner, Lamar took home a second trophy (alongside Tony Russell) for outstanding music direction. Additionally, Doechii’s 2025 Grammy performance earned choreographer Robbie Blue an Emmy for outstanding choreography for variety or reality programming. Outside of the Emmys, Cardi B hosted an NYC pop-up in anticipation of her Am I the Drama? album, The Carters graced the REFORM Alliance Casino Night Gala and Wyclef Jean wrapped a monumental, genre-fusing residency at the Blue Note Jazz Café. With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from Mobb Deep’s new single to 4batz & Flo’s new collaboration. Be sure to check out this week’s Fresh Picks in our Spotify playlist below. Freshest Find: Moonchild feat. Jill Scott & Rapsody, “Not Sorry” After blessing Camper and Ty Dolla $ign with her magic touch on last week’s Freshest Find, “Oowee,” neo-soul queen Jill Scott joins forces with Rapsody for Grammy-nominated R&B trio Moonchild’s new “Not Sorry” joint. “No, I’m not sorry/ That all my hard work’s been paying off/ And I forgot to pick up your slack,” Moonchild’s Amber Navran coos in the first verse, perfectly encapsulating the tongue-in-cheek giddiness that comes with committing to their own self-interest in the face of a selfish lover. With a wise verse from Rapsody and the sultry glimmer of Scott’s voice, “Not Sorry” arrives as one of the year’s most alluring R&B collaborations. — KYLE DENIS Raqbaby, “DoorDash (OMG)” Raqbaby plays a food delivery driver in the chaotic ”DoorDash (OMG)” visual, but his antics get more devilish as the clip goes on. The Chicago-born rising star moves on from food to shooting opps with his paintball gun and blowing up another customer’s house. Don’t let it distract you from his twitchy flow, as Raqbaby gets reflective about how the dark moments in his life had him contemplating suicide, and nowadays he can’t keep the girls away, but that hasn’t slowed down his goal of one day fathering 40 kids. Put your seat belt on when pressing play on Raq’s high-octane I NEVER GAVE AF project is out now. — MICHAEL SAPONARA Mobb Deep, “Against the World” Hearing Prodigy over Havoc production just feels right. The rap game hasn’t been quite the same since P’s untimely passing, so this upcoming Mobb Deep album is not only welcome but necessary. Fully produced by Havoc and The Alchemist, Infinite drops on Oct. 10, and if the rest of it sounds anything like this lead single, then we should be in for another masterpiece. — ANGEL DIAZ 4batz & FLO, “act xvi: twentyfoe7” London-based girl group FLO joins 4batz on “act xvi: twentyfoe7,” a smooth, contemporary R&B cut from his Still Shinin album. The track captures the highs and intensity of a consuming romantic connection, balancing moments of vulnerability with the rush of desire. Over smooth, sultry production, the repeated “twenty-four seven” emphasizes unwavering devotion, while the interplay between 4batz and FLO highlights the push-and-pull of love in real time. Released September 12, the song showcases both artists’ knack for blending emotional honesty with modern R&B flair. — C.C. Connie Diiamond, “Breathe” Bronx MC Connie Diiamond is back with her new Underdog SZN 2 project, and “Breathe” is an instant standout. Over a Go Gizzly-produced beat that immediately recalls the percussive fervor of mid-’00s hip-hop production like Timbaland’s iconic “Drop,” Connie delivers slick verses packed with classically New York braggadocio and swagger. “Been a baddie while you′ve been there so salty/ Had to tell these broke bitches, get off me, look/ Van Cleef and the Scantone coffee/ E-N-E, no, this shit really cost me,” she spits in the second verse. — K.D. Coi Leray & BKTHERULA feat. G Herbo, “Pink Money” Coi Leray has entered a new era since becoming a mother for the first time earlier this year. With added motivation, Coi’s grit remains as she flexes about getting to the bag with ferocity on “Pink Money,” featuring assists from BKTHERULA and G Herbo. Coi raps about making it rain in Magic City — and she brought that same mindset north to Starlets strip club, where she hosted a wild Wednesday night at the NYC staple gentlemen’s club. Look for more heat the rest of 2025 and a new EP at the top of ‘26 from Coi. — M.S. KP SKYWALKA, “Industry” KP SKYWALKA followed up his 4 Tha Freakas project from earlier this year with I Tried to Tell You this past weekend, and the single “Industry” serves as the intro to the DMV rapper’s latest album. Come for the H-Town “A Thin Line Between Love & Hate” sample and stay for KP’s raps where he says lines like, “He wanna diss on a song like he Papa Doc” and “Dirty ass spot, I spray it with Baccarat.” — A.D. Trevor Jackson, “One Foot In” With writing and production from Iyn Jay, Trevor Jackson leans into smooth, soulful R&B on “One Foot In,” a single that melds sleek melodies with candid vulnerability. The track finds Jackson navigating the frustration of loving someone who won’t fully commit, crooning lines like

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HUNTR/X’s “Golden” tops the Billboard Global 200 and Billboard Global Excl. U.S. charts for a ninth week each. In July, the song became the first No. 1 on each list for the act, whose songs are voiced by EJAE, Audrey Nuna and REI AMI. Hits from Netflix’s animated smash KPop Demon Hunters account for half the Global 200’s top 10 for a fourth week. Below “Golden,” Saja Boys rebound 4-3 with “Soda Pop” and 6-4 with “Your Idol,” with both having reached No. 3; both are sung by Andrew Choi, Neckwav, Danny Chung, Kevin Woo and samUIL Lee. Plus, HUNTR/X’s “How It’s Done” returns to its No. 5 high, from No. 7, and “What It Sounds Like” lifts 9-8, after hitting No. 7. As previously reported, the KPop Demon Hunters soundtrack claims its first week at No. 1 on the U.S.-based Billboard 200 chart. Elsewhere on Global Excl. U.S., Lady Gaga’s “The Dead Dance” parties onto the chart at No. 10, following its first full week of release. The Billboard Global 200 and Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States. Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations. “Golden” crowns the Global 200 with 117.1 million streams (up 2% week-over-week) and 16,000 sold (down 8%) worldwide in the week ending Sept. 11. The only song in the Global 200’s top five not from KPop Demon Hunters, Alex Warren’s “Ordinary” rises 3-2 after 10 weeks on top beginning in May. He performed it (in a medley with fellow ballad “Eternity”) Sept. 7 on the MTV Video Music Awards, broadcast on CBS, helping spark its 2% gain to 67.1 million streams in the tracking week. “Golden” leads Global Excl. U.S. with 84.8 million streams (up 4%) and 8,000 sold (down 4%) outside the U.S. “Ordinary” ascends 3-2 on Global Excl. U.S., after eight weeks at No. 1 starting in May, and “Soda Pop” buzzes a spot back to its No. 3 high. Sombr’s first Global Excl. U.S. top 10, “Back to Friends,” becomes his first top five hit (6-4), up 4% to 40.1 million streams outside the U.S. after the singer-songwriter performed it on the VMAs. Concurrently, parent album I Barely Know Her reaches the top 10 on the Billboard 200. Lady Gaga and Bruno Mars’ “Die With a Smile” jumps 9-5 on Global Excl. U.S., after 17 weeks at No. 1 beginning in September 2024. Plus, Gaga debuts at No. 10 with “The Dead Dance,” which totaled 28 million streams and 5,000 sold Sept. 5-11, after it was released Sept. 3. The song, part of the VMAs via a taped performance, in a medley with “Abracadabra,” is her third top 10 since the chart began, following “Die With a Smile” and “Abracadabra” (No. 4, February). The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Sept. 20, 2025) will update on Billboard.com tomorrow, Sept. 16. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram. Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published. It’s free Billboard charts month! Through Sept. 30, subscribers to Billboard’s Chart Beat newsletter, emailed each Friday, can unlock access to Billboard’s weekly and historical charts, artist chart histories and all Chart Beat stories simply by visiting the newly redesigned Billboard.com through any story link in the newsletter. Not a Chart Beat subscriber? Sign up for free here. Source link

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As the debate over whether there was a song of the summer continues to rage into the fall, it’s weird more people aren’t talking about BabyChiefDoIt‘s “Went West.” Explore See latest videos, charts and news The 17-year-old rap sensation has become one of 2025’s buzziest new rappers, in thanks part to an explosive performance at his hometown’s Summer Smash festival, and a debut on the Billboard Hot 100 in July. The rambunctious aura of “Went West” locked in especially hard with the kids, who raged all summer long to the song across Chicago and beyond. The track was the latest in a string of successful singles for Chief, whose 2024 debut project Animals Only included the viral hits “The Viper,” “Nachos” and more. BabyChiefDoIt’s momentum hasn’t waned since dropping off his first hit “Pancakes & Drugs” last July — but if you ask the teen rapper himself, his career has fluctuated on and off like a leaky faucet. A ban from Instagram almost derailed him early on, and he constantly laments Zoo Life, which dropped earlier this year, as being one of his worst projects. He’s toyed with the idea of hanging up his mic entirely since breaking out, but there’s always been something that’s brought him back. The likely truth about his recent success is that the music is just really, really good. BabyChief’s take on Chicago drill is stuffed to the gills with playfulness — On “The Viper” he raps, “This beat make me wanna smack a ho/ Where my money at, b—h?” — but never becomes satirical because of how well it’s made. He pays homage to all the drill greats, all while carving out just enough space for his own personality to shine through. Songs like “Went West,” which he produced as well, are an indicator of just how unique the teen is — but he admits that a it’s taken a while for him to find his footing, because of how manipulative the industry can be with kids. “For sure,” BabyChief says when asked if industry folk try to test him, adding extra emphases on the latter word. “Often. But me and Fred [Jay], we got super powers bro. We not like regular people. We see everything 10 steps ahead of ya, two steps to the right and four steps to the left. But I get it now, so I’m gonna get it more later. I’m gonna be here for a minute, so it’s best I get it as early as I can.” (As BabyChiefDoIt sits in the Billboard offices, he gestures to his manager Fred, who stands up, flexes his muscles and daps up his beloved client.) Below, Billboard‘s September Hip-Hop Rookie of the Month talks about “Went West,” his tough road to stardom, and how he’s closing out the year more focused than ever. This past year has been a whirlwind for you. How have you been doing managing everything? I’ve been doing good. I’ve been up, I’ve been down, that’s what come with it. So I’ve just been taking it all in day by day. What was your experience like growing up in Chicago, and at what point did you start to fall in love with hip-hop? I had always been exposed to every which way of music. In my household it was mostly R&B and like old rap like Biggie, 8Ball & MJG, all those people. In 2019-2020 is when I first started playing around with it, in quarantine. It became an after-school activity. I was already thinking about it, but with quarantine I didn’t have nothing better to do, and that was the only thing there was to do, you feel me? To stay in the house, either watch TV or record music. When did people start noticing your music? Locally, everybody already knew I rapped because I always put it out on Instagram. I usually post like teasers and reels and stuff, and it started picking up steam when I dropped a snippet to “Rollin’” in December of 2022, and it started picking up in March of 2023. I just put it out, ’cause I was getting praise locally and it went all through the city. That must have been crazy. Yeah, I felt bigger than I was for sure. I probably didn’t put the song out till July, but towards the end of the month, my Instagram got banned cause I was posting stuff I wasn’t supposed to be posting. They banned my account for six months, so I ain’t have no way to access my fanbase. I ain’t drop another song until I got my page back in December, and I felt like I lost everything. In a way I did! I didn’t really wanna rap no more. That whole six months I wasn’t makin’ no music. What were you doing instead? Usual dumb stuff. When you got your Instagram back were you reenergized? Yeah, then I put out my second song and it ain’t do nothing at all. So I was a little frustrated so I stopped again and then my mama bought me some studio equipment and I hadn’t used it. Then Chuckyy got signed to Alamo and OTF, I was a little frustrated at that too, but he talked about me and motivated me. Everyone around me felt that I deserved to be at that place too, I just didn’t put forth the effort. What about Chuckyy’s comments motivated you? He was treatin’ me, I ain’t gonna lie. Callin’ me a weak-ass rapper. And I was just trying to figure out why we ain’t up there. The real actual motivation wasn’t when they bashing me. The motivational part was when my mama came downstairs — cause the basement is my kick-it spot — and I was tellin’ her about it. About how everybody else made it and I didn’t, and she was like, “Don’t beat yourself up about it. You just got work to do.” That’s when I started using that studio equipment, recording

Demi Lovato is jumping into the deep end of her new music era with the announcement of a new album arriving this fall. The singer-songwriter revealed on Monday (Sept. 15) that their ninth studio LP, It’s Not That Deep, will drop on Oct. 24, sharing the project’s cover and a few remarks on Instagram. “this music is a reflection of where i am now,” Lovato wrote triumphantly. “so proud of all the work I’ve done, and now, it’s time to celebrate and have some fun!!!” On the front of It’s Not That Deep — which Lovato wrote is the “cover art of my dreams” in her post — the vocalist stands nude, covered by a pink dress still on its hanger as more than a dozen people go about their business in a confusing scene that unfolds around the star. A pair of men play chess, one little boy runs with a soccer ball in his arms, and one woman places a pair of headphones over a man’s ears. “we created the most beautifully chaotic scene surrounding me, and you know i had to lock the f–k in,” Lovato wrote of the artwork. “and thank you to my lovatics — i love you and i’ll never let you go.” It’s Not That Deep will mark the Camp Rock alum’s first proper album since 2022’s Holy Fvck, which reached No. 7 on the Billboard 200. While that LP was distinctly rock-inspired, Lovato is reportedly pivoting back to dance-pop on their latest album, as evidenced by lead single “Fast” and follow-up track “Here All Night.” The project will also mark Lovato’s first album since marrying husband Jordan “Jutes” Lutes, with whom she collaborated on tracks on Holy Fvck. The two musicians tied the knot this past May. See Lovato’s announcement below. Get weekly rundowns straight to your inbox Sign Up Source link